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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 72 220 it is the complementary color RGB 175 183 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 72 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 72 220 shade: RGB 85 72 215, RGB 102 90 234, RGB 119 108 253, RGB 136 126 255 and RGB 153 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 72 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 72 220 shade: RGB 80 72 220, RGB 63 54 201, RGB 46 36 182, RGB 29 18 163 and RGB 12 0 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 72 220 shade: RGB 78 70 219, RGB 119 70 219, RGB 159 70 219, RGB 199 70 219 and RGB 219 70 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 72 220 shade: RGB 78 70 219 and RGB 70 70 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 72 220 shade matches the following richer shades: RGB 78 70 219 and RGB 63 53 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 72 220 shade: RGB 78 70 219, RGB 94 88 202, RGB 110 106 184, RGB 126 124 166 and RGB 142 141 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 72 220 shade: RGB 70 142 219, RGB 70 103 219, RGB 78 70 219, RGB 118 70 219 and RGB 157 70 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 72 220 shade: RGB 40 33 174, RGB 49 39 209, RGB 78 70 219, RGB 111 105 226 and RGB 145 140 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 72 220 shade: RGB 80 72 220, RGB 219 70 182 and RGB 122 219 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 72 220 shade: RGB 80 72 220, RGB 219 78 70 and RGB 70 219 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 72 220 shade: RGB 80 72 220, RGB 219 70 182, RGB 212 219 70 and RGB 70 219 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 72 220 shade: RGB 80 72 220, RGB 219 70 137, RGB 212 219 70 and RGB 70 219 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 67 / 0 / 14

HEX #5048DC

RGB 80 72 220

HSL 243.24, 0.68%, 0.57%

LAB 40.42, 46.8, -74.47

 

Complementary color

CMYK 4 / 0 / 81 / 28

HEX #AFB723

RGB 175 183 35

HSL 63.24, 0.68%, 0.43%

LAB 71.62, -19.6, 67.07

 

CMYK 60 / 67 / 0 / 16

HEX #5548D7

RGB 85 72 215

HSL 245.45, 0.64%, 0.56%

LAB 40.36, 45.92, -71.68

 

CMYK 56 / 62 / 0 / 8

HEX #665AEA

RGB 102 90 234

HSL 245, 0.77%, 0.64%

LAB 47.08, 44.09, -71.48

 

CMYK 53 / 57 / 0 / 1

HEX #776CFD

RGB 119 108 253

HSL 244.55, 0.97%, 0.71%

LAB 53.75, 42.42, -71.19

 

CMYK 47 / 51 / 0 / 0

HEX #887EFF

RGB 136 126 255

HSL 244.65, 1%, 0.75%

LAB 59.32, 35.98, -63.25

 

CMYK 40 / 44 / 0 / 0

HEX #9990FF

RGB 153 144 255

HSL 244.86, 1%, 0.78%

LAB 64.91, 29.52, -54.24

 

CMYK 64 / 67 / 0 / 14

HEX #5048DC

RGB 80 72 220

HSL 243.24, 0.68%, 0.57%

LAB 40.42, 46.8, -74.47

 

CMYK 69 / 73 / 0 / 21

HEX #3F36C9

RGB 63 54 201

HSL 243.67, 0.58%, 0.5%

LAB 33.8, 48.85, -74.43

 

CMYK 75 / 80 / 0 / 29

HEX #2E24B6

RGB 46 36 182

HSL 244.11, 0.67%, 0.43%

LAB 27.35, 50.75, -73.93

 

CMYK 82 / 89 / 0 / 36

HEX #1D12A3

RGB 29 18 163

HSL 244.55, 0.8%, 0.35%

LAB 21.35, 51.87, -72.49

 

CMYK 92 / 100 / 0 / 44

HEX #0C0090

RGB 12 0 144

HSL 245, 1%, 0.28%

LAB 15.96, 51.87, -69.79

 

CMYK 64 / 68 / 0 / 14

HEX #4E46DB

RGB 78 70 219

HSL 243.22, 0.67%, 0.57%

LAB 39.77, 47.36, -74.97

 

CMYK 46 / 68 / 0 / 14

HEX #7746DB

RGB 119 70 219

HSL 259.73, 0.67%, 0.57%

LAB 43.38, 53.72, -68.92

 

CMYK 27 / 68 / 0 / 14

HEX #9F46DB

RGB 159 70 219

HSL 275.84, 0.67%, 0.57%

LAB 48.09, 61.41, -61.06

 

CMYK 9 / 68 / 0 / 14

HEX #C746DB

RGB 199 70 219

HSL 291.95, 0.67%, 0.57%

LAB 53.64, 69.87, -51.86

 

CMYK 0 / 68 / 9 / 14

HEX #DB46C8

RGB 219 70 200

HSL 307.65, 0.67%, 0.57%

LAB 55.7, 71.29, -37.57

 

CMYK 64 / 68 / 0 / 14

HEX #4E46DB

RGB 78 70 219

HSL 243.22, 0.67%, 0.57%

LAB 39.77, 47.36, -74.97

 

CMYK 68 / 68 / 0 / 14

HEX #4646DB

RGB 70 70 219

HSL 240, 0.67%, 0.57%

LAB 39.24, 46.37, -75.87

 

CMYK 64 / 68 / 0 / 14

HEX #4E46DB

RGB 78 70 219

HSL 243.22, 0.67%, 0.57%

LAB 39.77, 47.36, -74.97

 

CMYK 73 / 78 / 0 / 7

HEX #3F35ED

RGB 63 53 237

HSL 243.26, 0.84%, 0.57%

LAB 37.33, 60.46, -89.28

 

CMYK 64 / 68 / 0 / 14

HEX #4E46DB

RGB 78 70 219

HSL 243.22, 0.67%, 0.57%

LAB 39.77, 47.36, -74.97

 

CMYK 53 / 56 / 0 / 21

HEX #5E58CA

RGB 94 88 202

HSL 243.16, 0.52%, 0.57%

LAB 43.69, 33.88, -58.77

 

CMYK 40 / 42 / 0 / 28

HEX #6E6AB8

RGB 110 106 184

HSL 243.08, 0.35%, 0.57%

LAB 48.37, 21.12, -40.79

 

CMYK 24 / 25 / 0 / 35

HEX #7E7CA6

RGB 126 124 166

HSL 242.86, 0.19%, 0.57%

LAB 53.6, 10.17, -22.09

 

CMYK 4 / 5 / 0 / 42

HEX #8E8D94

RGB 142 141 148

HSL 248.57, 0.03%, 0.57%

LAB 58.92, 1.76, -3.59

 

CMYK 68 / 35 / 0 / 14

HEX #468EDB

RGB 70 142 219

HSL 211.01, 0.67%, 0.57%

LAB 57.81, 2.14, -45.91

 

CMYK 68 / 53 / 0 / 14

HEX #4667DB

RGB 70 103 219

HSL 226.71, 0.67%, 0.57%

LAB 47.13, 26.09, -63

 

CMYK 64 / 68 / 0 / 14

HEX #4E46DB

RGB 78 70 219

HSL 243.22, 0.67%, 0.57%

LAB 39.77, 47.36, -74.97

 

CMYK 46 / 68 / 0 / 14

HEX #7646DB

RGB 118 70 219

HSL 259.33, 0.67%, 0.57%

LAB 43.28, 53.54, -69.09

 

CMYK 28 / 68 / 0 / 14

HEX #9D46DB

RGB 157 70 219

HSL 275.03, 0.67%, 0.57%

LAB 47.83, 61.01, -61.49

 

CMYK 77 / 81 / 0 / 32

HEX #2821AE

RGB 40 33 174

HSL 242.98, 0.68%, 0.41%

LAB 25.55, 49.31, -72.15

 

CMYK 77 / 81 / 0 / 18

HEX #3127D1

RGB 49 39 209

HSL 243.53, 0.69%, 0.49%

LAB 31.13, 57.73, -83.53

 

CMYK 64 / 68 / 0 / 14

HEX #4E46DB

RGB 78 70 219

HSL 243.22, 0.67%, 0.57%

LAB 39.77, 47.36, -74.97

 

CMYK 51 / 54 / 0 / 11

HEX #6F69E2

RGB 111 105 226

HSL 242.98, 0.68%, 0.65%

LAB 50.66, 34.47, -61.14

 

CMYK 38 / 40 / 0 / 9

HEX #918CE9

RGB 145 140 233

HSL 243.23, 0.68%, 0.73%

LAB 62.22, 23.82, -46.45

 

CMYK 64 / 67 / 0 / 14

HEX #5048DC

RGB 80 72 220

HSL 243.24, 0.68%, 0.57%

LAB 40.42, 46.8, -74.47

 

CMYK 0 / 68 / 17 / 14

HEX #DB46B6

RGB 219 70 182

HSL 314.9, 0.67%, 0.57%

LAB 54.88, 68.68, -28.46

 

CMYK 44 / 0 / 68 / 14

HEX #7ADB46

RGB 122 219 70

HSL 99.06, 0.67%, 0.57%

LAB 79.18, -53.72, 61.64

 

CMYK 64 / 67 / 0 / 14

HEX #5048DC

RGB 80 72 220

HSL 243.24, 0.68%, 0.57%

LAB 40.42, 46.8, -74.47

 

CMYK 0 / 64 / 68 / 14

HEX #DB4E46

RGB 219 78 70

HSL 3.22, 0.67%, 0.57%

LAB 52.9, 54.61, 34.68

 

CMYK 68 / 0 / 64 / 14

HEX #46DB4E

RGB 70 219 78

HSL 123.22, 0.67%, 0.57%

LAB 77.59, -65.89, 56.25

 

CMYK 64 / 67 / 0 / 14

HEX #5048DC

RGB 80 72 220

HSL 243.24, 0.68%, 0.57%

LAB 40.42, 46.8, -74.47

 

CMYK 0 / 68 / 17 / 14

HEX #DB46B6

RGB 219 70 182

HSL 314.9, 0.67%, 0.57%

LAB 54.88, 68.68, -28.46

 

CMYK 3 / 0 / 68 / 14

HEX #D4DB46

RGB 212 219 70

HSL 62.82, 0.67%, 0.57%

LAB 84.54, -20.29, 68.83

 

CMYK 68 / 0 / 51 / 14

HEX #46DB6C

RGB 70 219 108

HSL 135.3, 0.67%, 0.57%

LAB 77.9, -62.2, 43.11

 

CMYK 64 / 67 / 0 / 14

HEX #5048DC

RGB 80 72 220

HSL 243.24, 0.68%, 0.57%

LAB 40.42, 46.8, -74.47

 

CMYK 0 / 68 / 37 / 14

HEX #DB4689

RGB 219 70 137

HSL 333.02, 0.67%, 0.57%

LAB 53.22, 63.14, -4.54

 

CMYK 3 / 0 / 68 / 14

HEX #D4DB46

RGB 212 219 70

HSL 62.82, 0.67%, 0.57%

LAB 84.54, -20.29, 68.83

 

CMYK 68 / 0 / 31 / 14

HEX #46DB98

RGB 70 219 152

HSL 153.02, 0.67%, 0.57%

LAB 78.6, -54.47, 21.79

 

Description

Color code: RGB 80 72 220 | qconv.com Color code: RGB 80 72 220 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 72 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 72 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 67 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 67% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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