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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 251 196 it is the complementary color RGB 172 4 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 251 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 251 196 shade: RGB 88 251 191, RGB 105 255 210, RGB 122 255 229, RGB 139 255 248 and RGB 156 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 251 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 251 196 shade: RGB 83 251 196, RGB 66 233 177, RGB 49 215 158, RGB 32 197 139 and RGB 15 179 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 251 196 shade: RGB 80 250 195, RGB 80 250 149, RGB 80 250 103, RGB 104 250 80 and RGB 149 250 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 251 196 shade: RGB 80 250 195, RGB 80 250 240, RGB 80 214 250, RGB 80 168 250 and RGB 80 123 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 251 196 shade matches the following richer shades: RGB 80 250 195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 251 196 shade: RGB 80 250 195, RGB 95 236 190, RGB 109 221 185, RGB 124 207 180 and RGB 138 192 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 251 196 shade: RGB 80 250 103, RGB 80 250 148, RGB 80 250 194, RGB 80 250 239 and RGB 80 216 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 251 196 shade: RGB 6 242 165, RGB 40 249 181, RGB 80 250 195, RGB 121 251 208 and RGB 161 252 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 251 196 shade: RGB 83 251 196, RGB 80 103 250 and RGB 250 126 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 251 196 shade: RGB 83 251 196, RGB 194 80 250 and RGB 250 194 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 251 196 shade: RGB 83 251 196, RGB 80 103 250, RGB 250 80 137 and RGB 250 227 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 251 196 shade: RGB 83 251 196, RGB 109 80 250, RGB 250 80 137 and RGB 222 250 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 22 / 2

HEX #53FBC4

RGB 83 251 196

HSL 160.36, 0.95%, 0.65%

LAB 89.31, -55.66, 13.91

 

Complementary color

CMYK 0 / 98 / 66 / 33

HEX #AC043B

RGB 172 4 59

HSL 340.36, 0.95%, 0.35%

LAB 36.32, 60.81, 18.73

 

CMYK 65 / 0 / 24 / 2

HEX #58FBBF

RGB 88 251 191

HSL 157.91, 0.95%, 0.66%

LAB 89.31, -55.97, 16.51

 

CMYK 59 / 0 / 18 / 0

HEX #69FFD2

RGB 105 255 210

HSL 162, 1%, 0.71%

LAB 91.31, -50.45, 9.62

 

CMYK 52 / 0 / 10 / 0

HEX #7AFFE5

RGB 122 255 229

HSL 168.27, 1%, 0.74%

LAB 92.27, -42.76, 1.25

 

CMYK 45 / 0 / 3 / 0

HEX #8BFFF8

RGB 139 255 248

HSL 176.38, 1%, 0.77%

LAB 93.36, -34.61, -6.92

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 67 / 0 / 22 / 2

HEX #53FBC4

RGB 83 251 196

HSL 160.36, 0.95%, 0.65%

LAB 89.31, -55.66, 13.91

 

CMYK 72 / 0 / 24 / 9

HEX #42E9B1

RGB 66 233 177

HSL 159.88, 0.79%, 0.59%

LAB 83.24, -55.18, 15.16

 

CMYK 77 / 0 / 27 / 16

HEX #31D79E

RGB 49 215 158

HSL 159.4, 0.67%, 0.52%

LAB 77.11, -54.47, 16.52

 

CMYK 84 / 0 / 29 / 23

HEX #20C58B

RGB 32 197 139

HSL 158.91, 0.72%, 0.45%

LAB 70.94, -53.45, 18.01

 

CMYK 92 / 0 / 33 / 30

HEX #0FB378

RGB 15 179 120

HSL 158.41, 0.85%, 0.38%

LAB 64.72, -52, 19.66

 

CMYK 68 / 0 / 22 / 2

HEX #50FAC3

RGB 80 250 195

HSL 160.59, 0.94%, 0.65%

LAB 88.93, -55.94, 13.89

 

CMYK 68 / 0 / 40 / 2

HEX #50FA95

RGB 80 250 149

HSL 144.35, 0.94%, 0.65%

LAB 88.09, -65.06, 36.08

 

CMYK 68 / 0 / 59 / 2

HEX #50FA67

RGB 80 250 103

HSL 128.12, 0.94%, 0.65%

LAB 87.51, -71.66, 56.92

 

CMYK 58 / 0 / 68 / 2

HEX #68FA50

RGB 104 250 80

HSL 111.53, 0.94%, 0.65%

LAB 87.92, -69.08, 66.85

 

CMYK 40 / 0 / 68 / 2

HEX #95FA50

RGB 149 250 80

HSL 95.65, 0.94%, 0.65%

LAB 89.55, -56.72, 69.06

 

CMYK 68 / 0 / 22 / 2

HEX #50FAC3

RGB 80 250 195

HSL 160.59, 0.94%, 0.65%

LAB 88.93, -55.94, 13.89

 

CMYK 68 / 0 / 4 / 2

HEX #50FAF0

RGB 80 250 240

HSL 176.47, 0.94%, 0.65%

LAB 90.03, -44.91, -7.88

 

CMYK 68 / 14 / 0 / 2

HEX #50D6FA

RGB 80 214 250

HSL 192.71, 0.94%, 0.65%

LAB 80.01, -25.27, -28.24

 

CMYK 68 / 33 / 0 / 2

HEX #50A8FA

RGB 80 168 250

HSL 208.94, 0.94%, 0.65%

LAB 66.99, -0.8, -48.49

 

CMYK 68 / 51 / 0 / 2

HEX #507BFA

RGB 80 123 250

HSL 224.82, 0.94%, 0.65%

LAB 54.84, 25.95, -67.88

 

CMYK 68 / 0 / 22 / 2

HEX #50FAC3

RGB 80 250 195

HSL 160.59, 0.94%, 0.65%

LAB 88.93, -55.94, 13.89

 

CMYK 68 / 0 / 22 / 2

HEX #50FAC3

RGB 80 250 195

HSL 160.59, 0.94%, 0.65%

LAB 88.93, -55.94, 13.89

 

CMYK 60 / 0 / 19 / 7

HEX #5FECBE

RGB 95 236 190

HSL 160.43, 0.79%, 0.65%

LAB 85.07, -48.82, 11.05

 

CMYK 51 / 0 / 16 / 13

HEX #6DDDB9

RGB 109 221 185

HSL 160.71, 0.62%, 0.65%

LAB 81, -40.55, 7.93

 

CMYK 40 / 0 / 13 / 19

HEX #7CCFB4

RGB 124 207 180

HSL 160.48, 0.46%, 0.65%

LAB 77.4, -31.49, 5.51

 

CMYK 28 / 0 / 9 / 25

HEX #8AC0AF

RGB 138 192 175

HSL 161.11, 0.3%, 0.65%

LAB 73.67, -21.22, 2.9

 

CMYK 68 / 0 / 59 / 2

HEX #50FA67

RGB 80 250 103

HSL 128.12, 0.94%, 0.65%

LAB 87.51, -71.66, 56.92

 

CMYK 68 / 0 / 41 / 2

HEX #50FA94

RGB 80 250 148

HSL 144, 0.94%, 0.65%

LAB 88.07, -65.23, 36.56

 

CMYK 68 / 0 / 22 / 2

HEX #50FAC2

RGB 80 250 194

HSL 160.24, 0.94%, 0.65%

LAB 88.91, -56.16, 14.37

 

CMYK 68 / 0 / 4 / 2

HEX #50FAEF

RGB 80 250 239

HSL 176.12, 0.94%, 0.65%

LAB 90, -45.17, -7.4

 

CMYK 68 / 14 / 0 / 2

HEX #50D8FA

RGB 80 216 250

HSL 192, 0.94%, 0.65%

LAB 80.58, -26.26, -27.37

 

CMYK 98 / 0 / 32 / 5

HEX #06F2A5

RGB 6 242 165

HSL 160.42, 0.95%, 0.49%

LAB 85.13, -65.57, 23.91

 

CMYK 84 / 0 / 27 / 2

HEX #28F9B5

RGB 40 249 181

HSL 160.48, 0.95%, 0.57%

LAB 87.75, -63.07, 19.35

 

CMYK 68 / 0 / 22 / 2

HEX #50FAC3

RGB 80 250 195

HSL 160.59, 0.94%, 0.65%

LAB 88.93, -55.94, 13.89

 

CMYK 52 / 0 / 17 / 2

HEX #79FBD0

RGB 121 251 208

HSL 160.15, 0.94%, 0.73%

LAB 90.6, -45.98, 9.7

 

CMYK 36 / 0 / 12 / 1

HEX #A1FCDE

RGB 161 252 222

HSL 160.22, 0.94%, 0.81%

LAB 92.78, -33.65, 5.8

 

CMYK 67 / 0 / 22 / 2

HEX #53FBC4

RGB 83 251 196

HSL 160.36, 0.95%, 0.65%

LAB 89.31, -55.66, 13.91

 

CMYK 68 / 59 / 0 / 2

HEX #5067FA

RGB 80 103 250

HSL 231.88, 0.94%, 0.65%

LAB 49.87, 38.2, -75.95

 

CMYK 0 / 50 / 68 / 2

HEX #FA7E50

RGB 250 126 80

HSL 16.24, 0.94%, 0.65%

LAB 66.39, 43.98, 46.27

 

CMYK 67 / 0 / 22 / 2

HEX #53FBC4

RGB 83 251 196

HSL 160.36, 0.95%, 0.65%

LAB 89.31, -55.66, 13.91

 

CMYK 22 / 68 / 0 / 2

HEX #C250FA

RGB 194 80 250

HSL 280.24, 0.94%, 0.65%

LAB 56.2, 70.77, -65.19

 

CMYK 0 / 22 / 68 / 2

HEX #FAC250

RGB 250 194 80

HSL 40.24, 0.94%, 0.65%

LAB 81.56, 8.8, 62.88

 

CMYK 67 / 0 / 22 / 2

HEX #53FBC4

RGB 83 251 196

HSL 160.36, 0.95%, 0.65%

LAB 89.31, -55.66, 13.91

 

CMYK 68 / 59 / 0 / 2

HEX #5067FA

RGB 80 103 250

HSL 231.88, 0.94%, 0.65%

LAB 49.87, 38.2, -75.95

 

CMYK 0 / 68 / 45 / 2

HEX #FA5089

RGB 250 80 137

HSL 339.88, 0.94%, 0.65%

LAB 59.77, 68.26, 5.64

 

CMYK 0 / 9 / 68 / 2

HEX #FAE350

RGB 250 227 80

HSL 51.88, 0.94%, 0.65%

LAB 89.79, -8.03, 71.36

 

CMYK 67 / 0 / 22 / 2

HEX #53FBC4

RGB 83 251 196

HSL 160.36, 0.95%, 0.65%

LAB 89.31, -55.66, 13.91

 

CMYK 56 / 68 / 0 / 2

HEX #6D50FA

RGB 109 80 250

HSL 250.24, 0.94%, 0.65%

LAB 46.83, 55.54, -80.83

 

CMYK 0 / 68 / 45 / 2

HEX #FA5089

RGB 250 80 137

HSL 339.88, 0.94%, 0.65%

LAB 59.77, 68.26, 5.64

 

CMYK 11 / 0 / 68 / 2

HEX #DEFA50

RGB 222 250 80

HSL 69.88, 0.94%, 0.65%

LAB 93.66, -30.45, 74.57

 

Description

Color code: RGB 83 251 196 | qconv.com Color code: RGB 83 251 196 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 251 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 251 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 22 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 22% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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