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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 245 58 it is the complementary color RGB 172 10 197. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 245 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 245 58 shade: RGB 88 245 53, RGB 105 255 72, RGB 122 255 91, RGB 139 255 110 and RGB 156 255 129

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 245 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 245 58 shade: RGB 83 245 58, RGB 66 227 39, RGB 49 209 20, RGB 32 191 1 and RGB 15 173 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 245 58 shade: RGB 81 244 56, RGB 132 244 56, RGB 183 244 56, RGB 233 244 56 and RGB 244 204 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 245 58 shade: RGB 81 244 56, RGB 56 244 81, RGB 56 244 132, RGB 56 244 183 and RGB 56 244 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 245 58 shade matches the following richer shades: RGB 81 244 56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 245 58 shade: RGB 81 244 56, RGB 93 227 73, RGB 106 210 90, RGB 118 193 107 and RGB 131 176 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 245 58 shade: RGB 184 244 56, RGB 134 244 56, RGB 84 244 56, RGB 56 244 78 and RGB 56 244 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 245 58 shade: RGB 37 207 10, RGB 47 242 17, RGB 81 244 56, RGB 115 246 95 and RGB 149 248 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 245 58 shade: RGB 83 245 58, RGB 56 235 244 and RGB 244 56 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 245 58 shade: RGB 83 245 58, RGB 56 84 244 and RGB 244 56 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 245 58 shade: RGB 83 245 58, RGB 56 235 244, RGB 216 56 244 and RGB 244 65 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 245 58 shade: RGB 83 245 58, RGB 56 178 244, RGB 216 56 244 and RGB 244 122 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 76 / 4

HEX #53F53A

RGB 83 245 58

HSL 111.98, 0.9%, 0.59%

LAB 85.73, -73.46, 71.94

 

Complementary color

CMYK 13 / 95 / 0 / 23

HEX #AC0AC5

RGB 172 10 197

HSL 291.98, 0.9%, 0.41%

LAB 42.79, 76.08, -56.85

 

CMYK 64 / 0 / 78 / 4

HEX #58F535

RGB 88 245 53

HSL 109.06, 0.91%, 0.58%

LAB 85.82, -72.77, 73.53

 

CMYK 59 / 0 / 72 / 0

HEX #69FF48

RGB 105 255 72

HSL 109.18, 1%, 0.64%

LAB 89.39, -71.15, 71.23

 

CMYK 52 / 0 / 64 / 0

HEX #7AFF5B

RGB 122 255 91

HSL 108.66, 1%, 0.68%

LAB 90.05, -65.48, 65.06

 

CMYK 45 / 0 / 57 / 0

HEX #8BFF6E

RGB 139 255 110

HSL 108, 1%, 0.72%

LAB 90.84, -59, 58.19

 

CMYK 39 / 0 / 49 / 0

HEX #9CFF81

RGB 156 255 129

HSL 107.14, 1%, 0.75%

LAB 91.76, -51.83, 50.88

 

CMYK 66 / 0 / 76 / 4

HEX #53F53A

RGB 83 245 58

HSL 111.98, 0.9%, 0.59%

LAB 85.73, -73.46, 71.94

 

CMYK 71 / 0 / 83 / 11

HEX #42E327

RGB 66 227 39

HSL 111.38, 0.77%, 0.52%

LAB 79.75, -71.98, 71.41

 

CMYK 77 / 0 / 90 / 18

HEX #31D114

RGB 49 209 20

HSL 110.79, 0.83%, 0.45%

LAB 73.74, -69.95, 69.84

 

CMYK 83 / 0 / 99 / 25

HEX #20BF01

RGB 32 191 1

HSL 110.21, 0.99%, 0.38%

LAB 67.7, -67.25, 67.1

 

CMYK 91 / 0 / 100 / 32

HEX #0FAD00

RGB 15 173 0

HSL 114.8, 1%, 0.34%

LAB 61.64, -63.63, 62.3

 

CMYK 67 / 0 / 77 / 4

HEX #51F438

RGB 81 244 56

HSL 112.02, 0.9%, 0.59%

LAB 85.37, -73.65, 72.17

 

CMYK 46 / 0 / 77 / 4

HEX #84F438

RGB 132 244 56

HSL 95.74, 0.9%, 0.59%

LAB 86.94, -61.14, 74.22

 

CMYK 25 / 0 / 77 / 4

HEX #B7F438

RGB 183 244 56

HSL 79.47, 0.9%, 0.59%

LAB 89.42, -43.9, 77.43

 

CMYK 5 / 0 / 77 / 4

HEX #E9F438

RGB 233 244 56

HSL 63.51, 0.9%, 0.59%

LAB 92.71, -24.33, 81.64

 

CMYK 0 / 16 / 77 / 4

HEX #F4CC38

RGB 244 204 56

HSL 47.23, 0.9%, 0.59%

LAB 83.29, 0.04, 73.46

 

CMYK 67 / 0 / 77 / 4

HEX #51F438

RGB 81 244 56

HSL 112.02, 0.9%, 0.59%

LAB 85.37, -73.65, 72.17

 

CMYK 77 / 0 / 67 / 4

HEX #38F451

RGB 56 244 81

HSL 127.98, 0.9%, 0.59%

LAB 85.07, -75.66, 63.12

 

CMYK 77 / 0 / 46 / 4

HEX #38F484

RGB 56 244 132

HSL 144.26, 0.9%, 0.59%

LAB 85.61, -69.15, 41.13

 

CMYK 77 / 0 / 25 / 4

HEX #38F4B7

RGB 56 244 183

HSL 160.53, 0.9%, 0.59%

LAB 86.48, -59.31, 16.58

 

CMYK 77 / 0 / 4 / 4

HEX #38F4EA

RGB 56 244 234

HSL 176.81, 0.9%, 0.59%

LAB 87.72, -46.6, -8.22

 

CMYK 67 / 0 / 77 / 4

HEX #51F438

RGB 81 244 56

HSL 112.02, 0.9%, 0.59%

LAB 85.37, -73.65, 72.17

 

CMYK 67 / 0 / 77 / 4

HEX #51F438

RGB 81 244 56

HSL 112.02, 0.9%, 0.59%

LAB 85.37, -73.65, 72.17

 

CMYK 59 / 0 / 68 / 11

HEX #5DE349

RGB 93 227 73

HSL 112.21, 0.73%, 0.59%

LAB 80.6, -64.29, 61.67

 

CMYK 50 / 0 / 57 / 18

HEX #6AD25A

RGB 106 210 90

HSL 112, 0.57%, 0.59%

LAB 76.01, -53.01, 49.52

 

CMYK 39 / 0 / 45 / 24

HEX #76C16B

RGB 118 193 107

HSL 112.33, 0.41%, 0.59%

LAB 71.59, -40.19, 36.05

 

CMYK 26 / 0 / 30 / 31

HEX #83B07C

RGB 131 176 124

HSL 111.92, 0.25%, 0.59%

LAB 67.52, -25.27, 21.91

 

CMYK 25 / 0 / 77 / 4

HEX #B8F438

RGB 184 244 56

HSL 79.15, 0.9%, 0.59%

LAB 89.48, -43.53, 77.5

 

CMYK 45 / 0 / 77 / 4

HEX #86F438

RGB 134 244 56

HSL 95.11, 0.9%, 0.59%

LAB 87.02, -60.54, 74.33

 

CMYK 66 / 0 / 77 / 4

HEX #54F438

RGB 84 244 56

HSL 111.06, 0.9%, 0.59%

LAB 85.44, -73.08, 72.26

 

CMYK 77 / 0 / 68 / 4

HEX #38F44E

RGB 56 244 78

HSL 127.02, 0.9%, 0.59%

LAB 85.04, -75.94, 64.24

 

CMYK 77 / 0 / 48 / 4

HEX #38F480

RGB 56 244 128

HSL 142.98, 0.9%, 0.59%

LAB 85.55, -69.79, 42.99

 

CMYK 82 / 0 / 95 / 19

HEX #25CF0A

RGB 37 207 10

HSL 111.78, 0.91%, 0.43%

LAB 72.92, -71.1, 70.38

 

CMYK 81 / 0 / 93 / 5

HEX #2FF211

RGB 47 242 17

HSL 112, 0.9%, 0.51%

LAB 84.04, -79.71, 78.86

 

CMYK 67 / 0 / 77 / 4

HEX #51F438

RGB 81 244 56

HSL 112.02, 0.9%, 0.59%

LAB 85.37, -73.65, 72.17

 

CMYK 53 / 0 / 61 / 4

HEX #73F65F

RGB 115 246 95

HSL 112.05, 0.89%, 0.67%

LAB 87.18, -63.64, 60.2

 

CMYK 40 / 0 / 46 / 3

HEX #95F886

RGB 149 248 134

HSL 112.11, 0.89%, 0.75%

LAB 89.51, -50.44, 45.66

 

CMYK 66 / 0 / 76 / 4

HEX #53F53A

RGB 83 245 58

HSL 111.98, 0.9%, 0.59%

LAB 85.73, -73.46, 71.94

 

CMYK 77 / 4 / 0 / 4

HEX #38EBF4

RGB 56 235 244

HSL 182.87, 0.9%, 0.59%

LAB 85.4, -39.8, -16.93

 

CMYK 0 / 77 / 35 / 4

HEX #F4389F

RGB 244 56 159

HSL 327.13, 0.9%, 0.59%

LAB 56.65, 76.5, -11.97

 

CMYK 66 / 0 / 76 / 4

HEX #53F53A

RGB 83 245 58

HSL 111.98, 0.9%, 0.59%

LAB 85.73, -73.46, 71.94

 

CMYK 77 / 66 / 0 / 4

HEX #3854F4

RGB 56 84 244

HSL 231.06, 0.9%, 0.59%

LAB 43.82, 45.06, -82.54

 

CMYK 0 / 77 / 66 / 4

HEX #F43854

RGB 244 56 84

HSL 351.06, 0.9%, 0.59%

LAB 54.76, 70.68, 29.87

 

CMYK 66 / 0 / 76 / 4

HEX #53F53A

RGB 83 245 58

HSL 111.98, 0.9%, 0.59%

LAB 85.73, -73.46, 71.94

 

CMYK 77 / 4 / 0 / 4

HEX #38EBF4

RGB 56 235 244

HSL 182.87, 0.9%, 0.59%

LAB 85.4, -39.8, -16.93

 

CMYK 11 / 77 / 0 / 4

HEX #D838F4

RGB 216 56 244

HSL 291.06, 0.9%, 0.59%

LAB 56.05, 82.19, -61.93

 

CMYK 0 / 73 / 77 / 4

HEX #F44138

RGB 244 65 56

HSL 2.87, 0.9%, 0.59%

LAB 55.38, 66.75, 46.39

 

CMYK 66 / 0 / 76 / 4

HEX #53F53A

RGB 83 245 58

HSL 111.98, 0.9%, 0.59%

LAB 85.73, -73.46, 71.94

 

CMYK 77 / 27 / 0 / 4

HEX #38B2F4

RGB 56 178 244

HSL 201.06, 0.9%, 0.59%

LAB 68.91, -11.45, -42.26

 

CMYK 11 / 77 / 0 / 4

HEX #D838F4

RGB 216 56 244

HSL 291.06, 0.9%, 0.59%

LAB 56.05, 82.19, -61.93

 

CMYK 0 / 50 / 77 / 4

HEX #F47A38

RGB 244 122 56

HSL 21.06, 0.9%, 0.59%

LAB 64.51, 42.6, 55.67

 

Description

Color code: RGB 83 245 58 | qconv.com Color code: RGB 83 245 58 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 245 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 245 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 76 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 76% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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