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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 202 120 it is the complementary color RGB 172 53 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 202 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 202 120 shade: RGB 88 202 115, RGB 105 220 134, RGB 122 238 153, RGB 139 255 172 and RGB 156 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 202 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 66 184 101, RGB 49 166 82, RGB 32 148 63 and RGB 15 130 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 83 202 88, RGB 110 202 83, RGB 142 202 83 and RGB 174 202 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 83 202 152, RGB 83 202 184, RGB 83 187 202 and RGB 83 155 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 202 120 shade matches the following richer shades: RGB 83 202 120, RGB 65 220 113 and RGB 47 238 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 101 184 127, RGB 119 165 134, RGB 137 147 140 and RGB 155 129 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 202 120 shade: RGB 111 202 83, RGB 83 202 87, RGB 83 202 119, RGB 83 202 150 and RGB 83 202 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 202 120 shade: RGB 47 155 81, RGB 57 186 97, RGB 83 202 120, RGB 114 211 145 and RGB 146 221 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 83 142 202 and RGB 202 83 95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 119 83 202 and RGB 202 119 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 83 142 202, RGB 202 83 166 and RGB 202 142 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 202 120 shade: RGB 83 202 120, RGB 83 107 202, RGB 202 83 166 and RGB 202 178 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

Complementary color

CMYK 0 / 69 / 22 / 33

HEX #AC3587

RGB 172 53 135

HSL 318.66, 0.53%, 0.44%

LAB 42.86, 56.31, -19.74

 

CMYK 56 / 0 / 43 / 21

HEX #58CA73

RGB 88 202 115

HSL 134.21, 0.52%, 0.57%

LAB 73.25, -51.08, 33.88

 

CMYK 52 / 0 / 39 / 14

HEX #69DC86

RGB 105 220 134

HSL 135.13, 0.62%, 0.64%

LAB 79.56, -51.08, 32.54

 

CMYK 49 / 0 / 36 / 7

HEX #7AEE99

RGB 122 238 153

HSL 136.03, 0.77%, 0.71%

LAB 85.8, -50.98, 31.27

 

CMYK 45 / 0 / 33 / 0

HEX #8BFFAC

RGB 139 255 172

HSL 137.07, 1%, 0.77%

LAB 91.68, -50.39, 29.69

 

CMYK 39 / 0 / 25 / 0

HEX #9CFFBF

RGB 156 255 191

HSL 141.21, 1%, 0.81%

LAB 92.73, -42.44, 21.62

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 64 / 0 / 45 / 28

HEX #42B865

RGB 66 184 101

HSL 137.8, 0.47%, 0.49%

LAB 66.81, -51.17, 32.63

 

CMYK 70 / 0 / 51 / 35

HEX #31A652

RGB 49 166 82

HSL 136.92, 0.54%, 0.42%

LAB 60.37, -50.67, 34.15

 

CMYK 78 / 0 / 57 / 42

HEX #20943F

RGB 32 148 63

HSL 136.03, 0.64%, 0.35%

LAB 53.86, -49.73, 35.71

 

CMYK 88 / 0 / 66 / 49

HEX #0F822C

RGB 15 130 44

HSL 135.13, 0.79%, 0.28%

LAB 47.3, -48.07, 37.21

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 59 / 0 / 56 / 21

HEX #53CA58

RGB 83 202 88

HSL 122.52, 0.53%, 0.56%

LAB 72.75, -56.11, 46.43

 

CMYK 46 / 0 / 59 / 21

HEX #6ECA53

RGB 110 202 83

HSL 106.39, 0.53%, 0.56%

LAB 73.66, -49.44, 50.02

 

CMYK 30 / 0 / 59 / 21

HEX #8ECA53

RGB 142 202 83

HSL 90.25, 0.53%, 0.56%

LAB 75.21, -38.79, 52.2

 

CMYK 14 / 0 / 59 / 21

HEX #AECA53

RGB 174 202 83

HSL 74.12, 0.53%, 0.56%

LAB 77.2, -26.6, 54.98

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 59 / 0 / 25 / 21

HEX #53CA98

RGB 83 202 152

HSL 154.79, 0.53%, 0.56%

LAB 73.77, -45.17, 15.15

 

CMYK 59 / 0 / 9 / 21

HEX #53CAB8

RGB 83 202 184

HSL 170.92, 0.53%, 0.56%

LAB 74.53, -37.61, -1

 

CMYK 59 / 7 / 0 / 21

HEX #53BBCA

RGB 83 187 202

HSL 187.56, 0.53%, 0.56%

LAB 70.62, -25.55, -16.62

 

CMYK 59 / 23 / 0 / 21

HEX #539BCA

RGB 83 155 202

HSL 203.7, 0.53%, 0.56%

LAB 61.26, -8.66, -30.95

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 70 / 0 / 49 / 14

HEX #41DC71

RGB 65 220 113

HSL 138.58, 0.69%, 0.56%

LAB 78.17, -62.65, 41

 

CMYK 80 / 0 / 55 / 7

HEX #2FEE6A

RGB 47 238 106

HSL 138.53, 0.85%, 0.56%

LAB 83.33, -72.02, 50.54

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 45 / 0 / 31 / 28

HEX #65B87F

RGB 101 184 127

HSL 138.8, 0.37%, 0.56%

LAB 68.45, -38.02, 21.3

 

CMYK 28 / 0 / 19 / 35

HEX #77A586

RGB 119 165 134

HSL 139.57, 0.2%, 0.56%

LAB 63.8, -22.04, 11.16

 

CMYK 7 / 0 / 5 / 42

HEX #89938C

RGB 137 147 140

HSL 138, 0.04%, 0.56%

LAB 59.96, -5, 2.45

 

CMYK 0 / 17 / 5 / 39

HEX #9B8193

RGB 155 129 147

HSL 318.46, 0.12%, 0.56%

LAB 56.86, 13.16, -5.93

 

CMYK 45 / 0 / 59 / 21

HEX #6FCA53

RGB 111 202 83

HSL 105.88, 0.53%, 0.56%

LAB 73.7, -49.13, 50.08

 

CMYK 59 / 0 / 57 / 21

HEX #53CA57

RGB 83 202 87

HSL 122.02, 0.53%, 0.56%

LAB 72.74, -56.23, 46.88

 

CMYK 59 / 0 / 41 / 21

HEX #53CA77

RGB 83 202 119

HSL 138.15, 0.53%, 0.56%

LAB 73.16, -51.56, 31.68

 

CMYK 59 / 0 / 26 / 21

HEX #53CA96

RGB 83 202 150

HSL 153.78, 0.53%, 0.56%

LAB 73.73, -45.6, 16.16

 

CMYK 59 / 0 / 10 / 21

HEX #53CAB6

RGB 83 202 182

HSL 169.92, 0.53%, 0.56%

LAB 74.48, -38.12, 0

 

CMYK 70 / 0 / 48 / 39

HEX #2F9B51

RGB 47 155 81

HSL 138.89, 0.53%, 0.4%

LAB 56.72, -47.05, 30.08

 

CMYK 69 / 0 / 48 / 27

HEX #39BA61

RGB 57 186 97

HSL 138.6, 0.53%, 0.48%

LAB 67.16, -54.27, 35.08

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 46 / 0 / 31 / 17

HEX #72D391

RGB 114 211 145

HSL 139.18, 0.52%, 0.64%

LAB 77.41, -43.06, 24.04

 

CMYK 34 / 0 / 24 / 13

HEX #92DDA9

RGB 146 221 169

HSL 138.4, 0.52%, 0.72%

LAB 82.21, -34, 18.3

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 59 / 30 / 0 / 21

HEX #538ECA

RGB 83 142 202

HSL 210.25, 0.53%, 0.56%

LAB 57.51, -1.26, -36.8

 

CMYK 0 / 59 / 53 / 21

HEX #CA535F

RGB 202 83 95

HSL 353.95, 0.53%, 0.56%

LAB 51.35, 48.3, 17.51

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 41 / 59 / 0 / 21

HEX #7753CA

RGB 119 83 202

HSL 258.15, 0.53%, 0.56%

LAB 44.76, 42.09, -56.92

 

CMYK 0 / 41 / 59 / 21

HEX #CA7753

RGB 202 119 83

HSL 18.15, 0.53%, 0.56%

LAB 58.39, 29.04, 33.56

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 59 / 30 / 0 / 21

HEX #538ECA

RGB 83 142 202

HSL 210.25, 0.53%, 0.56%

LAB 57.51, -1.26, -36.8

 

CMYK 0 / 59 / 18 / 21

HEX #CA53A6

RGB 202 83 166

HSL 318.15, 0.53%, 0.56%

LAB 53.49, 56.57, -21.52

 

CMYK 0 / 30 / 59 / 21

HEX #CA8E53

RGB 202 142 83

HSL 29.75, 0.53%, 0.56%

LAB 63.78, 16.53, 40.12

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 59 / 47 / 0 / 21

HEX #536BCA

RGB 83 107 202

HSL 227.9, 0.53%, 0.56%

LAB 47.78, 19.93, -52.22

 

CMYK 0 / 59 / 18 / 21

HEX #CA53A6

RGB 202 83 166

HSL 318.15, 0.53%, 0.56%

LAB 53.49, 56.57, -21.52

 

CMYK 0 / 12 / 59 / 21

HEX #CAB253

RGB 202 178 83

HSL 47.9, 0.53%, 0.56%

LAB 72.91, -2.87, 50.76

 

Description

Color code: RGB 83 202 120 | qconv.com Color code: RGB 83 202 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 202 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 202 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 41 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 41% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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