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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 201 32 it is the complementary color RGB 172 54 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 201 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 201 32 shade: RGB 88 201 27, RGB 105 219 46, RGB 122 237 65, RGB 139 255 84 and RGB 156 255 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 201 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 201 32 shade: RGB 83 201 32, RGB 66 183 13, RGB 49 165 0, RGB 32 147 0 and RGB 15 129 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 201 32 shade: RGB 83 202 31, RGB 129 202 31, RGB 175 202 31, RGB 202 183 31 and RGB 202 137 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 201 32 shade: RGB 83 202 31, RGB 37 202 31, RGB 31 202 72, RGB 31 202 118 and RGB 31 202 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 201 32 shade matches the following richer shades: RGB 83 202 31 and RGB 75 221 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 201 32 shade: RGB 83 202 31, RGB 90 183 50, RGB 98 164 69, RGB 105 145 88 and RGB 113 127 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 201 32 shade: RGB 177 202 31, RGB 131 202 31, RGB 85 202 31, RGB 40 202 31 and RGB 31 202 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 201 32 shade: RGB 54 131 20, RGB 68 167 26, RGB 83 202 31, RGB 104 223 52 and RGB 130 228 88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 201 32 shade: RGB 83 201 32, RGB 31 202 182 and RGB 202 31 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 201 32 shade: RGB 83 201 32, RGB 31 85 202 and RGB 202 31 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 201 32 shade: RGB 83 201 32, RGB 31 202 182, RGB 148 31 202 and RGB 202 31 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 201 32 shade: RGB 83 201 32, RGB 31 171 202, RGB 148 31 202 and RGB 202 63 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 84 / 21

HEX #53C920

RGB 83 201 32

HSL 101.89, 0.73%, 0.46%

LAB 72.04, -60.34, 66.31

 

Complementary color

CMYK 23 / 76 / 0 / 13

HEX #AC36DF

RGB 172 54 223

HSL 281.89, 0.73%, 0.54%

LAB 47.93, 71.02, -63.52

 

CMYK 56 / 0 / 87 / 21

HEX #58C91B

RGB 88 201 27

HSL 98.97, 0.76%, 0.45%

LAB 72.18, -59.26, 67.6

 

CMYK 52 / 0 / 79 / 14

HEX #69DB2E

RGB 105 219 46

HSL 99.54, 0.71%, 0.52%

LAB 78.38, -60.26, 68.7

 

CMYK 49 / 0 / 73 / 7

HEX #7AED41

RGB 122 237 65

HSL 100.12, 0.83%, 0.59%

LAB 84.53, -60.93, 68.91

 

CMYK 45 / 0 / 67 / 0

HEX #8BFF54

RGB 139 255 84

HSL 100.7, 1%, 0.66%

LAB 90.62, -61.37, 68.56

 

CMYK 39 / 0 / 60 / 0

HEX #9CFF67

RGB 156 255 103

HSL 99.08, 1%, 0.7%

LAB 91.49, -54.6, 62.12

 

CMYK 59 / 0 / 84 / 21

HEX #53C920

RGB 83 201 32

HSL 101.89, 0.73%, 0.46%

LAB 72.04, -60.34, 66.31

 

CMYK 64 / 0 / 93 / 28

HEX #42B70D

RGB 66 183 13

HSL 101.29, 0.87%, 0.38%

LAB 65.79, -58.9, 64.36

 

CMYK 70 / 0 / 100 / 35

HEX #31A500

RGB 49 165 0

HSL 102.18, 1%, 0.32%

LAB 59.49, -56.88, 60.78

 

CMYK 78 / 0 / 100 / 42

HEX #209300

RGB 32 147 0

HSL 106.94, 1%, 0.29%

LAB 53.14, -54.14, 55.58

 

CMYK 88 / 0 / 100 / 49

HEX #0F8100

RGB 15 129 0

HSL 113.02, 1%, 0.25%

LAB 46.71, -50.76, 50.34

 

CMYK 59 / 0 / 85 / 21

HEX #53CA1F

RGB 83 202 31

HSL 101.75, 0.73%, 0.46%

LAB 72.35, -60.73, 66.82

 

CMYK 36 / 0 / 85 / 21

HEX #81CA1F

RGB 129 202 31

HSL 85.61, 0.73%, 0.46%

LAB 74.19, -46.75, 69.15

 

CMYK 13 / 0 / 85 / 21

HEX #AFCA1F

RGB 175 202 31

HSL 69.47, 0.73%, 0.46%

LAB 76.95, -28.97, 72.6

 

CMYK 0 / 9 / 85 / 21

HEX #CAB71F

RGB 202 183 31

HSL 53.33, 0.73%, 0.46%

LAB 73.88, -7.99, 70.9

 

CMYK 0 / 32 / 85 / 21

HEX #CA891F

RGB 202 137 31

HSL 37.19, 0.73%, 0.46%

LAB 62.12, 16.63, 61.1

 

CMYK 59 / 0 / 85 / 21

HEX #53CA1F

RGB 83 202 31

HSL 101.75, 0.73%, 0.46%

LAB 72.35, -60.73, 66.82

 

CMYK 82 / 0 / 85 / 21

HEX #25CA1F

RGB 37 202 31

HSL 117.89, 0.73%, 0.46%

LAB 71.37, -69.01, 65.58

 

CMYK 85 / 0 / 64 / 21

HEX #1FCA48

RGB 31 202 72

HSL 134.39, 0.73%, 0.46%

LAB 71.56, -66.47, 51.91

 

CMYK 85 / 0 / 42 / 21

HEX #1FCA76

RGB 31 202 118

HSL 150.53, 0.73%, 0.46%

LAB 72.12, -59.67, 30.64

 

CMYK 85 / 0 / 19 / 21

HEX #1FCAA4

RGB 31 202 164

HSL 166.67, 0.73%, 0.46%

LAB 73.03, -49.54, 7.51

 

CMYK 59 / 0 / 85 / 21

HEX #53CA1F

RGB 83 202 31

HSL 101.75, 0.73%, 0.46%

LAB 72.35, -60.73, 66.82

 

CMYK 66 / 0 / 95 / 13

HEX #4BDD0C

RGB 75 221 12

HSL 101.91, 0.9%, 0.46%

LAB 78.01, -69.31, 74.64

 

CMYK 59 / 0 / 85 / 21

HEX #53CA1F

RGB 83 202 31

HSL 101.75, 0.73%, 0.46%

LAB 72.35, -60.73, 66.82

 

CMYK 51 / 0 / 73 / 28

HEX #5AB732

RGB 90 183 50

HSL 101.95, 0.57%, 0.46%

LAB 66.73, -50.87, 55.92

 

CMYK 40 / 0 / 58 / 36

HEX #62A445

RGB 98 164 69

HSL 101.68, 0.41%, 0.46%

LAB 61.29, -38.81, 42.07

 

CMYK 28 / 0 / 39 / 43

HEX #699158

RGB 105 145 88

HSL 102.11, 0.24%, 0.46%

LAB 56.05, -24.95, 25.93

 

CMYK 11 / 0 / 16 / 50

HEX #717F6B

RGB 113 127 107

HSL 102, 0.09%, 0.46%

LAB 51.55, -9.18, 9.15

 

CMYK 12 / 0 / 85 / 21

HEX #B1CA1F

RGB 177 202 31

HSL 68.77, 0.73%, 0.46%

LAB 77.09, -28.14, 72.77

 

CMYK 35 / 0 / 85 / 21

HEX #83CA1F

RGB 131 202 31

HSL 84.91, 0.73%, 0.46%

LAB 74.3, -46.04, 69.27

 

CMYK 58 / 0 / 85 / 21

HEX #55CA1F

RGB 85 202 31

HSL 101.05, 0.73%, 0.46%

LAB 72.41, -60.23, 66.89

 

CMYK 80 / 0 / 85 / 21

HEX #28CA1F

RGB 40 202 31

HSL 116.84, 0.73%, 0.46%

LAB 71.41, -68.66, 65.63

 

CMYK 85 / 0 / 66 / 21

HEX #1FCA44

RGB 31 202 68

HSL 132.98, 0.73%, 0.46%

LAB 71.52, -66.9, 53.54

 

CMYK 59 / 0 / 85 / 49

HEX #368314

RGB 54 131 20

HSL 101.62, 0.74%, 0.3%

LAB 48.34, -43.18, 47.7

 

CMYK 59 / 0 / 84 / 35

HEX #44A71A

RGB 68 167 26

HSL 102.13, 0.73%, 0.38%

LAB 60.73, -52.43, 57.48

 

CMYK 59 / 0 / 85 / 21

HEX #53CA1F

RGB 83 202 31

HSL 101.75, 0.73%, 0.46%

LAB 72.35, -60.73, 66.82

 

CMYK 53 / 0 / 77 / 13

HEX #68DF34

RGB 104 223 52

HSL 101.75, 0.73%, 0.54%

LAB 79.59, -61.63, 68.07

 

CMYK 43 / 0 / 61 / 11

HEX #82E458

RGB 130 228 88

HSL 102, 0.72%, 0.62%

LAB 82.34, -53.28, 57.89

 

CMYK 59 / 0 / 84 / 21

HEX #53C920

RGB 83 201 32

HSL 101.89, 0.73%, 0.46%

LAB 72.04, -60.34, 66.31

 

CMYK 85 / 0 / 10 / 21

HEX #1FCAB6

RGB 31 202 182

HSL 172.98, 0.73%, 0.46%

LAB 73.49, -44.8, -1.57

 

CMYK 0 / 85 / 24 / 21

HEX #CA1F9A

RGB 202 31 154

HSL 316.84, 0.73%, 0.46%

LAB 46.8, 72.28, -24.72

 

CMYK 59 / 0 / 84 / 21

HEX #53C920

RGB 83 201 32

HSL 101.89, 0.73%, 0.46%

LAB 72.04, -60.34, 66.31

 

CMYK 85 / 58 / 0 / 21

HEX #1F55CA

RGB 31 85 202

HSL 221.05, 0.73%, 0.46%

LAB 39.67, 27.05, -65.44

 

CMYK 0 / 85 / 58 / 21

HEX #CA1F55

RGB 202 31 85

HSL 341.05, 0.73%, 0.46%

LAB 44.51, 65.78, 14.28

 

CMYK 59 / 0 / 84 / 21

HEX #53C920

RGB 83 201 32

HSL 101.89, 0.73%, 0.46%

LAB 72.04, -60.34, 66.31

 

CMYK 85 / 0 / 10 / 21

HEX #1FCAB6

RGB 31 202 182

HSL 172.98, 0.73%, 0.46%

LAB 73.49, -44.8, -1.57

 

CMYK 27 / 85 / 0 / 21

HEX #941FCA

RGB 148 31 202

HSL 281.05, 0.73%, 0.46%

LAB 40.48, 69.78, -63.7

 

CMYK 0 / 85 / 75 / 21

HEX #CA1F33

RGB 202 31 51

HSL 352.98, 0.73%, 0.46%

LAB 43.91, 64.02, 34.4

 

CMYK 59 / 0 / 84 / 21

HEX #53C920

RGB 83 201 32

HSL 101.89, 0.73%, 0.46%

LAB 72.04, -60.34, 66.31

 

CMYK 85 / 15 / 0 / 21

HEX #1FABCA

RGB 31 171 202

HSL 190.88, 0.73%, 0.46%

LAB 64.71, -24.19, -25.74

 

CMYK 27 / 85 / 0 / 21

HEX #941FCA

RGB 148 31 202

HSL 281.05, 0.73%, 0.46%

LAB 40.48, 69.78, -63.7

 

CMYK 0 / 69 / 85 / 21

HEX #CA3F1F

RGB 202 63 31

HSL 11.23, 0.73%, 0.46%

LAB 47.25, 53.53, 48.41

 

Description

Color code: RGB 83 201 32 | qconv.com Color code: RGB 83 201 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 201 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 201 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 84 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 84% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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