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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 197 170 it is the complementary color RGB 172 58 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 197 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 197 170 shade: RGB 88 197 165, RGB 105 215 184, RGB 122 233 203, RGB 139 251 222 and RGB 156 255 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 197 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 197 170 shade: RGB 83 197 170, RGB 66 179 151, RGB 49 161 132, RGB 32 143 113 and RGB 15 125 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 197 170 shade: RGB 82 197 170, RGB 82 197 139, RGB 82 197 108, RGB 88 197 82 and RGB 119 197 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 197 170 shade: RGB 82 197 170, RGB 82 193 197, RGB 82 162 197, RGB 82 131 197 and RGB 82 101 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 197 170 shade matches the following richer shades: RGB 82 197 170, RGB 64 216 180, RGB 45 234 189 and RGB 27 253 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 197 170 shade: RGB 82 197 170, RGB 101 179 160, RGB 120 160 150, RGB 138 141 141 and RGB 157 123 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 197 170 shade: RGB 82 197 107, RGB 82 197 138, RGB 82 197 168, RGB 82 195 197 and RGB 82 165 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 197 170 shade: RGB 49 148 125, RGB 59 179 151, RGB 82 197 170, RGB 113 207 185 and RGB 144 218 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 197 170 shade: RGB 83 197 170, RGB 82 88 197 and RGB 197 123 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 197 170 shade: RGB 83 197 170, RGB 168 82 197 and RGB 197 168 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 197 170 shade: RGB 83 197 170, RGB 82 88 197, RGB 197 82 111 and RGB 197 191 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 197 170 shade: RGB 83 197 170, RGB 111 82 197, RGB 197 82 111 and RGB 168 197 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 14 / 23

HEX #53C5AA

RGB 83 197 170

HSL 165.79, 0.5%, 0.55%

LAB 72.68, -38.83, 3.88

 

Complementary color

CMYK 0 / 66 / 51 / 33

HEX #AC3A55

RGB 172 58 85

HSL 345.79, 0.5%, 0.45%

LAB 41.93, 48.53, 9.83

 

CMYK 55 / 0 / 16 / 23

HEX #58C5A5

RGB 88 197 165

HSL 162.39, 0.48%, 0.56%

LAB 72.71, -39, 6.66

 

CMYK 51 / 0 / 14 / 16

HEX #69D7B8

RGB 105 215 184

HSL 163.09, 0.58%, 0.63%

LAB 79.08, -38.98, 5.69

 

CMYK 48 / 0 / 13 / 9

HEX #7AE9CB

RGB 122 233 203

HSL 163.78, 0.72%, 0.7%

LAB 85.37, -38.9, 4.78

 

CMYK 45 / 0 / 12 / 2

HEX #8BFBDE

RGB 139 251 222

HSL 164.46, 0.93%, 0.76%

LAB 91.58, -38.79, 3.94

 

CMYK 39 / 0 / 5 / 0

HEX #9CFFF1

RGB 156 255 241

HSL 171.52, 1%, 0.81%

LAB 93.86, -32.22, -2.48

 

CMYK 58 / 0 / 14 / 23

HEX #53C5AA

RGB 83 197 170

HSL 165.79, 0.5%, 0.55%

LAB 72.68, -38.83, 3.88

 

CMYK 63 / 0 / 16 / 30

HEX #42B397

RGB 66 179 151

HSL 165.13, 0.46%, 0.48%

LAB 66.24, -38.65, 4.93

 

CMYK 70 / 0 / 18 / 37

HEX #31A184

RGB 49 161 132

HSL 164.46, 0.53%, 0.41%

LAB 59.72, -38.29, 6.08

 

CMYK 78 / 0 / 21 / 44

HEX #208F71

RGB 32 143 113

HSL 163.78, 0.63%, 0.34%

LAB 53.11, -37.65, 7.39

 

CMYK 88 / 0 / 25 / 51

HEX #0F7D5E

RGB 15 125 94

HSL 163.09, 0.79%, 0.27%

LAB 46.41, -36.57, 8.89

 

CMYK 58 / 0 / 14 / 23

HEX #52C5AA

RGB 82 197 170

HSL 165.91, 0.5%, 0.55%

LAB 72.65, -39.03, 3.83

 

CMYK 58 / 0 / 29 / 23

HEX #52C58B

RGB 82 197 139

HSL 149.74, 0.5%, 0.55%

LAB 71.95, -46, 19.57

 

CMYK 58 / 0 / 45 / 23

HEX #52C56C

RGB 82 197 108

HSL 133.57, 0.5%, 0.55%

LAB 71.43, -51.62, 35.05

 

CMYK 55 / 0 / 58 / 23

HEX #58C552

RGB 88 197 82

HSL 116.87, 0.5%, 0.55%

LAB 71.29, -53.73, 47.53

 

CMYK 40 / 0 / 58 / 23

HEX #77C552

RGB 119 197 82

HSL 100.7, 0.5%, 0.55%

LAB 72.54, -44.64, 49.28

 

CMYK 58 / 0 / 14 / 23

HEX #52C5AA

RGB 82 197 170

HSL 165.91, 0.5%, 0.55%

LAB 72.65, -39.03, 3.83

 

CMYK 58 / 2 / 0 / 23

HEX #52C1C5

RGB 82 193 197

HSL 182.09, 0.5%, 0.55%

LAB 72.21, -30.1, -11.52

 

CMYK 58 / 18 / 0 / 23

HEX #52A2C5

RGB 82 162 197

HSL 198.26, 0.5%, 0.55%

LAB 63.07, -14.25, -25.38

 

CMYK 58 / 34 / 0 / 23

HEX #5283C5

RGB 82 131 197

HSL 214.43, 0.5%, 0.55%

LAB 54.09, 3.37, -39.34

 

CMYK 58 / 49 / 0 / 23

HEX #5265C5

RGB 82 101 197

HSL 230.09, 0.5%, 0.55%

LAB 45.82, 21.81, -52.49

 

CMYK 58 / 0 / 14 / 23

HEX #52C5AA

RGB 82 197 170

HSL 165.91, 0.5%, 0.55%

LAB 72.65, -39.03, 3.83

 

CMYK 70 / 0 / 17 / 15

HEX #40D8B4

RGB 64 216 180

HSL 165.79, 0.66%, 0.55%

LAB 78.17, -47.82, 6.36

 

CMYK 81 / 0 / 19 / 8

HEX #2DEABD

RGB 45 234 189

HSL 165.71, 0.82%, 0.55%

LAB 83.48, -55.08, 9.19

 

CMYK 89 / 0 / 21 / 1

HEX #1BFDC7

RGB 27 253 199

HSL 165.66, 0.98%, 0.55%

LAB 89.21, -61.25, 12.12

 

CMYK 58 / 0 / 14 / 23

HEX #52C5AA

RGB 82 197 170

HSL 165.91, 0.5%, 0.55%

LAB 72.65, -39.03, 3.83

 

CMYK 44 / 0 / 11 / 30

HEX #65B3A0

RGB 101 179 160

HSL 165.38, 0.34%, 0.55%

LAB 67.68, -28.68, 2.2

 

CMYK 25 / 0 / 6 / 37

HEX #78A096

RGB 120 160 150

HSL 165, 0.17%, 0.55%

LAB 62.79, -15.78, 0.77

 

CMYK 2 / 0 / 0 / 45

HEX #8A8D8D

RGB 138 141 141

HSL 180, 0.01%, 0.55%

LAB 58.39, -1.09, -0.39

 

CMYK 0 / 22 / 17 / 38

HEX #9D7B83

RGB 157 123 131

HSL 345.88, 0.15%, 0.55%

LAB 55.04, 14.49, 0.7

 

CMYK 58 / 0 / 46 / 23

HEX #52C56B

RGB 82 197 107

HSL 133.04, 0.5%, 0.55%

LAB 71.41, -51.78, 35.54

 

CMYK 58 / 0 / 30 / 23

HEX #52C58A

RGB 82 197 138

HSL 149.22, 0.5%, 0.55%

LAB 71.93, -46.2, 20.07

 

CMYK 58 / 0 / 15 / 23

HEX #52C5A8

RGB 82 197 168

HSL 164.87, 0.5%, 0.55%

LAB 72.6, -39.52, 4.85

 

CMYK 58 / 1 / 0 / 23

HEX #52C3C5

RGB 82 195 197

HSL 181.04, 0.5%, 0.55%

LAB 72.8, -31.06, -10.63

 

CMYK 58 / 16 / 0 / 23

HEX #52A5C5

RGB 82 165 197

HSL 196.7, 0.5%, 0.55%

LAB 63.95, -15.86, -24.02

 

CMYK 67 / 0 / 16 / 42

HEX #31947D

RGB 49 148 125

HSL 166.06, 0.5%, 0.39%

LAB 55.39, -34.22, 3.84

 

CMYK 67 / 0 / 16 / 30

HEX #3BB397

RGB 59 179 151

HSL 166, 0.5%, 0.47%

LAB 66.06, -39.85, 4.65

 

CMYK 58 / 0 / 14 / 23

HEX #52C5AA

RGB 82 197 170

HSL 165.91, 0.5%, 0.55%

LAB 72.65, -39.03, 3.83

 

CMYK 45 / 0 / 11 / 19

HEX #71CFB9

RGB 113 207 185

HSL 165.96, 0.49%, 0.63%

LAB 77.06, -33.19, 2.27

 

CMYK 34 / 0 / 8 / 15

HEX #90DAC8

RGB 144 218 200

HSL 165.41, 0.5%, 0.71%

LAB 81.97, -26.9, 1.56

 

CMYK 58 / 0 / 14 / 23

HEX #53C5AA

RGB 83 197 170

HSL 165.79, 0.5%, 0.55%

LAB 72.68, -38.83, 3.88

 

CMYK 58 / 55 / 0 / 23

HEX #5258C5

RGB 82 88 197

HSL 236.87, 0.5%, 0.55%

LAB 42.47, 29.96, -57.89

 

CMYK 0 / 38 / 58 / 23

HEX #C57B52

RGB 197 123 82

HSL 21.39, 0.5%, 0.55%

LAB 58.64, 24.75, 34.27

 

CMYK 58 / 0 / 14 / 23

HEX #53C5AA

RGB 83 197 170

HSL 165.79, 0.5%, 0.55%

LAB 72.68, -38.83, 3.88

 

CMYK 15 / 58 / 0 / 23

HEX #A852C5

RGB 168 82 197

HSL 284.87, 0.5%, 0.55%

LAB 49.97, 53.21, -45.38

 

CMYK 0 / 15 / 58 / 23

HEX #C5A852

RGB 197 168 82

HSL 44.87, 0.5%, 0.55%

LAB 69.81, 0.23, 47.58

 

CMYK 58 / 0 / 14 / 23

HEX #53C5AA

RGB 83 197 170

HSL 165.79, 0.5%, 0.55%

LAB 72.68, -38.83, 3.88

 

CMYK 58 / 55 / 0 / 23

HEX #5258C5

RGB 82 88 197

HSL 236.87, 0.5%, 0.55%

LAB 42.47, 29.96, -57.89

 

CMYK 0 / 58 / 44 / 23

HEX #C5526F

RGB 197 82 111

HSL 344.87, 0.5%, 0.55%

LAB 50.75, 48.56, 6.98

 

CMYK 0 / 3 / 58 / 23

HEX #C5BF52

RGB 197 191 82

HSL 56.87, 0.5%, 0.55%

LAB 75.91, -11.79, 54.47

 

CMYK 58 / 0 / 14 / 23

HEX #53C5AA

RGB 83 197 170

HSL 165.79, 0.5%, 0.55%

LAB 72.68, -38.83, 3.88

 

CMYK 44 / 58 / 0 / 23

HEX #6F52C5

RGB 111 82 197

HSL 255.13, 0.5%, 0.55%

LAB 43.43, 39.5, -56.22

 

CMYK 0 / 58 / 44 / 23

HEX #C5526F

RGB 197 82 111

HSL 344.87, 0.5%, 0.55%

LAB 50.75, 48.56, 6.98

 

CMYK 15 / 0 / 58 / 23

HEX #A8C552

RGB 168 197 82

HSL 75.13, 0.5%, 0.55%

LAB 75.37, -26.66, 53.26

 

Description

Color code: RGB 83 197 170 | qconv.com Color code: RGB 83 197 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 197 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 197 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 14 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 14% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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