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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 173 243 it is the complementary color RGB 172 82 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 173 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 173 243 shade: RGB 88 173 238, RGB 105 191 255, RGB 122 209 255, RGB 139 227 255 and RGB 156 245 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 173 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 66 155 224, RGB 49 137 205, RGB 32 119 186 and RGB 15 101 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 83 130 243, RGB 83 87 243, RGB 122 83 243 and RGB 165 83 243

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 83 130 243, RGB 83 87 243 and RGB 83 83 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 173 243 shade matches the following richer shades: RGB 83 173 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 98 171 228, RGB 113 169 213, RGB 127 167 198 and RGB 142 165 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 173 243 shade: RGB 83 243 227, RGB 83 216 243, RGB 83 173 243, RGB 83 131 243 and RGB 83 88 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 173 243 shade: RGB 15 135 228, RGB 44 154 240, RGB 83 173 243, RGB 121 191 245 and RGB 160 209 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 184 83 243 and RGB 237 243 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 243 83 173 and RGB 173 243 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 184 83 243, RGB 243 152 83 and RGB 141 243 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 173 243 shade: RGB 83 173 243, RGB 232 83 243, RGB 243 152 83 and RGB 93 243 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

Complementary color

CMYK 0 / 52 / 93 / 33

HEX #AC520C

RGB 172 82 12

HSL 26.25, 0.87%, 0.36%

LAB 45.4, 33.21, 51.8

 

CMYK 63 / 27 / 0 / 7

HEX #58ADEE

RGB 88 173 238

HSL 206, 0.82%, 0.64%

LAB 68.12, -6.26, -40.15

 

CMYK 59 / 25 / 0 / 0

HEX #69BFFF

RGB 105 191 255

HSL 205.6, 1%, 0.71%

LAB 74.5, -7.72, -39.36

 

CMYK 52 / 18 / 0 / 0

HEX #7AD1FF

RGB 122 209 255

HSL 200.75, 1%, 0.74%

LAB 80.16, -13.89, -30.56

 

CMYK 45 / 11 / 0 / 0

HEX #8BE3FF

RGB 139 227 255

HSL 194.48, 1%, 0.77%

LAB 85.83, -19.34, -21.84

 

CMYK 39 / 4 / 0 / 0

HEX #9CF5FF

RGB 156 245 255

HSL 186.06, 1%, 0.81%

LAB 91.5, -24.18, -13.23

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 71 / 31 / 0 / 12

HEX #429BE0

RGB 66 155 224

HSL 206.2, 0.72%, 0.57%

LAB 61.64, -4.26, -42.66

 

CMYK 76 / 33 / 0 / 20

HEX #3189CD

RGB 49 137 205

HSL 206.15, 0.61%, 0.5%

LAB 55.02, -2.75, -42.48

 

CMYK 83 / 36 / 0 / 27

HEX #2077BA

RGB 32 119 186

HSL 206.1, 0.71%, 0.43%

LAB 48.32, -0.84, -42.27

 

CMYK 91 / 40 / 0 / 35

HEX #0F65A7

RGB 15 101 167

HSL 206.05, 0.84%, 0.36%

LAB 41.53, 1.64, -41.98

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 66 / 47 / 0 / 5

HEX #5382F3

RGB 83 130 243

HSL 222.38, 0.87%, 0.64%

LAB 56.36, 19.7, -61.55

 

CMYK 66 / 64 / 0 / 5

HEX #5357F3

RGB 83 87 243

HSL 238.5, 0.87%, 0.64%

LAB 45.81, 45.86, -78.66

 

CMYK 50 / 66 / 0 / 5

HEX #7A53F3

RGB 122 83 243

HSL 254.63, 0.87%, 0.64%

LAB 48, 54.02, -74.95

 

CMYK 32 / 66 / 0 / 5

HEX #A553F3

RGB 165 83 243

HSL 270.75, 0.87%, 0.64%

LAB 52.57, 62.09, -67.32

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 66 / 47 / 0 / 5

HEX #5382F3

RGB 83 130 243

HSL 222.38, 0.87%, 0.64%

LAB 56.36, 19.7, -61.55

 

CMYK 66 / 64 / 0 / 5

HEX #5357F3

RGB 83 87 243

HSL 238.5, 0.87%, 0.64%

LAB 45.81, 45.86, -78.66

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 57 / 25 / 0 / 11

HEX #62ABE4

RGB 98 171 228

HSL 206.31, 0.71%, 0.64%

LAB 67.52, -6.45, -35.59

 

CMYK 47 / 21 / 0 / 16

HEX #71A9D5

RGB 113 169 213

HSL 206.4, 0.54%, 0.64%

LAB 67.04, -6.5, -28.02

 

CMYK 36 / 16 / 0 / 22

HEX #7FA7C6

RGB 127 167 198

HSL 206.2, 0.38%, 0.64%

LAB 66.69, -5.85, -20.19

 

CMYK 22 / 10 / 0 / 28

HEX #8EA5B7

RGB 142 165 183

HSL 206.34, 0.22%, 0.64%

LAB 66.58, -3.97, -11.94

 

CMYK 66 / 0 / 7 / 5

HEX #53F3E3

RGB 83 243 227

HSL 174, 0.87%, 0.64%

LAB 87.72, -44.84, -4.5

 

CMYK 66 / 11 / 0 / 5

HEX #53D8F3

RGB 83 216 243

HSL 190.13, 0.87%, 0.64%

LAB 80.42, -27.92, -23.89

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 66 / 46 / 0 / 5

HEX #5383F3

RGB 83 131 243

HSL 222, 0.87%, 0.64%

LAB 56.63, 19.09, -61.12

 

CMYK 66 / 64 / 0 / 5

HEX #5358F3

RGB 83 88 243

HSL 238.13, 0.87%, 0.64%

LAB 46.03, 45.27, -78.3

 

CMYK 93 / 41 / 0 / 11

HEX #0F87E4

RGB 15 135 228

HSL 206.2, 0.88%, 0.48%

LAB 55.1, 4.48, -55.31

 

CMYK 82 / 36 / 0 / 6

HEX #2C9AF0

RGB 44 154 240

HSL 206.33, 0.87%, 0.56%

LAB 61.6, -0.52, -51.6

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 51 / 22 / 0 / 4

HEX #79BFF5

RGB 121 191 245

HSL 206.13, 0.86%, 0.72%

LAB 74.77, -7.44, -33.5

 

CMYK 35 / 16 / 0 / 3

HEX #A0D1F8

RGB 160 209 248

HSL 206.59, 0.86%, 0.8%

LAB 81.76, -6.64, -24.23

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 24 / 66 / 0 / 5

HEX #B853F3

RGB 184 83 243

HSL 277.88, 0.87%, 0.64%

LAB 54.92, 66, -63.42

 

CMYK 2 / 0 / 66 / 5

HEX #EDF353

RGB 237 243 83

HSL 62.25, 0.87%, 0.64%

LAB 92.9, -21.01, 73.05

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 0 / 66 / 29 / 5

HEX #F353AD

RGB 243 83 173

HSL 326.25, 0.87%, 0.64%

LAB 60.12, 68.95, -14.9

 

CMYK 29 / 0 / 66 / 5

HEX #ADF353

RGB 173 243 83

HSL 86.25, 0.87%, 0.64%

LAB 88.74, -45.57, 67.44

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 24 / 66 / 0 / 5

HEX #B853F3

RGB 184 83 243

HSL 277.88, 0.87%, 0.64%

LAB 54.92, 66, -63.42

 

CMYK 0 / 37 / 66 / 5

HEX #F39853

RGB 243 152 83

HSL 25.88, 0.87%, 0.64%

LAB 70.96, 28.11, 49.73

 

CMYK 42 / 0 / 66 / 5

HEX #8DF353

RGB 141 243 83

HSL 98.25, 0.87%, 0.64%

LAB 87.19, -56.24, 65.33

 

CMYK 66 / 29 / 0 / 5

HEX #53ADF3

RGB 83 173 243

HSL 206.25, 0.87%, 0.64%

LAB 68.17, -5.47, -42.82

 

CMYK 5 / 66 / 0 / 5

HEX #E853F3

RGB 232 83 243

HSL 295.88, 0.87%, 0.64%

LAB 61.49, 76.35, -52.53

 

CMYK 0 / 37 / 66 / 5

HEX #F39853

RGB 243 152 83

HSL 25.88, 0.87%, 0.64%

LAB 70.96, 28.11, 49.73

 

CMYK 62 / 0 / 66 / 5

HEX #5DF353

RGB 93 243 83

HSL 116.25, 0.87%, 0.64%

LAB 85.53, -68.88, 63.06

 

Description

Color code: RGB 83 173 243 | qconv.com Color code: RGB 83 173 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 173 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 173 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 29 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 29% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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