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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 171 165 it is the complementary color RGB 172 84 90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 171 165. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 171 165 shade: RGB 88 171 160, RGB 105 189 179, RGB 122 207 198, RGB 139 225 217 and RGB 156 243 236

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 171 165. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 171 165 shade: RGB 83 171 165, RGB 66 153 146, RGB 49 135 127, RGB 32 117 108 and RGB 15 99 89

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 171 165 shade: RGB 82 172 166, RGB 82 172 141, RGB 82 172 117, RGB 82 172 93 and RGB 95 172 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 171 165 shade: RGB 82 172 166, RGB 82 154 172, RGB 82 130 172, RGB 82 106 172 and RGB 82 82 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 171 165 shade matches the following richer shades: RGB 82 172 166, RGB 62 192 183, RGB 41 213 201, RGB 20 234 219 and RGB 0 254 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 171 165 shade: RGB 82 172 166, RGB 103 151 148, RGB 124 130 130, RGB 144 110 112 and RGB 165 89 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 171 165 shade: RGB 82 172 117, RGB 82 172 140, RGB 82 172 164, RGB 82 155 172 and RGB 82 131 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 171 165 shade: RGB 56 116 112, RGB 69 144 139, RGB 82 172 166, RGB 110 185 180 and RGB 138 198 194

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 171 165 shade: RGB 83 171 165, RGB 93 82 172 and RGB 172 128 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 171 165 shade: RGB 83 171 165, RGB 164 82 172 and RGB 172 164 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 171 165 shade: RGB 83 171 165, RGB 93 82 172, RGB 172 82 90 and RGB 161 172 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 171 165 shade: RGB 83 171 165, RGB 120 82 172, RGB 172 82 90 and RGB 134 172 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 4 / 33

HEX #53ABA5

RGB 83 171 165

HSL 175.91, 0.35%, 0.5%

LAB 64.71, -27.86, -5.02

 

Complementary color

CMYK 0 / 51 / 48 / 33

HEX #AC545A

RGB 172 84 90

HSL 355.91, 0.35%, 0.5%

LAB 46.78, 36.54, 13.5

 

CMYK 49 / 0 / 6 / 33

HEX #58ABA0

RGB 88 171 160

HSL 172.05, 0.33%, 0.51%

LAB 64.75, -28.01, -2.14

 

CMYK 44 / 0 / 5 / 26

HEX #69BDB3

RGB 105 189 179

HSL 172.86, 0.39%, 0.58%

LAB 71.32, -27.96, -2.91

 

CMYK 41 / 0 / 4 / 19

HEX #7ACFC6

RGB 122 207 198

HSL 173.65, 0.47%, 0.65%

LAB 77.78, -27.88, -3.62

 

CMYK 38 / 0 / 4 / 12

HEX #8BE1D9

RGB 139 225 217

HSL 174.42, 0.59%, 0.71%

LAB 84.15, -27.78, -4.3

 

CMYK 36 / 0 / 3 / 5

HEX #9CF3EC

RGB 156 243 236

HSL 175.17, 0.78%, 0.78%

LAB 90.43, -27.67, -4.93

 

CMYK 51 / 0 / 4 / 33

HEX #53ABA5

RGB 83 171 165

HSL 175.91, 0.35%, 0.5%

LAB 64.71, -27.86, -5.02

 

CMYK 57 / 0 / 5 / 40

HEX #429992

RGB 66 153 146

HSL 175.17, 0.4%, 0.43%

LAB 58.05, -27.73, -4.21

 

CMYK 64 / 0 / 6 / 47

HEX #31877F

RGB 49 135 127

HSL 174.42, 0.47%, 0.36%

LAB 51.28, -27.46, -3.31

 

CMYK 73 / 0 / 8 / 54

HEX #20756C

RGB 32 117 108

HSL 173.65, 0.57%, 0.29%

LAB 44.39, -26.95, -2.29

 

CMYK 85 / 0 / 10 / 61

HEX #0F6359

RGB 15 99 89

HSL 172.86, 0.74%, 0.22%

LAB 37.38, -26.03, -1.08

 

CMYK 52 / 0 / 3 / 33

HEX #52ACA6

RGB 82 172 166

HSL 176, 0.35%, 0.5%

LAB 65, -28.3, -5.14

 

CMYK 52 / 0 / 18 / 33

HEX #52AC8D

RGB 82 172 141

HSL 159.33, 0.35%, 0.5%

LAB 64.34, -34.54, 7.8

 

CMYK 52 / 0 / 32 / 33

HEX #52AC75

RGB 82 172 117

HSL 143.33, 0.35%, 0.5%

LAB 63.82, -39.68, 20.29

 

CMYK 52 / 0 / 46 / 33

HEX #52AC5D

RGB 82 172 93

HSL 127.33, 0.35%, 0.5%

LAB 63.42, -43.89, 32.53

 

CMYK 45 / 0 / 52 / 33

HEX #5FAC52

RGB 95 172 82

HSL 111.33, 0.35%, 0.5%

LAB 63.79, -41.69, 38.69

 

CMYK 52 / 0 / 3 / 33

HEX #52ACA6

RGB 82 172 166

HSL 176, 0.35%, 0.5%

LAB 65, -28.3, -5.14

 

CMYK 52 / 10 / 0 / 33

HEX #529AAC

RGB 82 154 172

HSL 192, 0.35%, 0.5%

LAB 59.78, -17.43, -16.33

 

CMYK 52 / 24 / 0 / 33

HEX #5282AC

RGB 82 130 172

HSL 208, 0.35%, 0.5%

LAB 52.66, -4.07, -27.25

 

CMYK 52 / 38 / 0 / 33

HEX #526AAC

RGB 82 106 172

HSL 224, 0.35%, 0.5%

LAB 45.74, 10.4, -38.08

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 52 / 0 / 3 / 33

HEX #52ACA6

RGB 82 172 166

HSL 176, 0.35%, 0.5%

LAB 65, -28.3, -5.14

 

CMYK 68 / 0 / 5 / 25

HEX #3EC0B7

RGB 62 192 183

HSL 175.85, 0.51%, 0.5%

LAB 70.97, -36.78, -5.77

 

CMYK 81 / 0 / 6 / 16

HEX #29D5C9

RGB 41 213 201

HSL 175.81, 0.68%, 0.5%

LAB 77.45, -43.55, -5.97

 

CMYK 91 / 0 / 6 / 8

HEX #14EADB

RGB 20 234 219

HSL 175.79, 0.84%, 0.5%

LAB 84.02, -48.8, -5.85

 

CMYK 100 / 0 / 7 / 0

HEX #00FEED

RGB 0 254 237

HSL 175.98, 1%, 0.5%

LAB 90.32, -52.7, -5.98

 

CMYK 52 / 0 / 3 / 33

HEX #52ACA6

RGB 82 172 166

HSL 176, 0.35%, 0.5%

LAB 65, -28.3, -5.14

 

CMYK 32 / 0 / 2 / 41

HEX #679794

RGB 103 151 148

HSL 176.25, 0.19%, 0.5%

LAB 59.12, -16.76, -3.6

 

CMYK 5 / 0 / 0 / 49

HEX #7C8282

RGB 124 130 130

HSL 180, 0.02%, 0.5%

LAB 53.88, -2.22, -0.78

 

CMYK 0 / 24 / 22 / 44

HEX #906E70

RGB 144 110 112

HSL 356.47, 0.13%, 0.5%

LAB 49.8, 13.79, 4.09

 

CMYK 0 / 46 / 43 / 35

HEX #A5595E

RGB 165 89 94

HSL 356.05, 0.3%, 0.5%

LAB 46.91, 31.63, 11.12

 

CMYK 52 / 0 / 32 / 33

HEX #52AC75

RGB 82 172 117

HSL 143.33, 0.35%, 0.5%

LAB 63.82, -39.68, 20.29

 

CMYK 52 / 0 / 19 / 33

HEX #52AC8C

RGB 82 172 140

HSL 158.67, 0.35%, 0.5%

LAB 64.32, -34.77, 8.32

 

CMYK 52 / 0 / 5 / 33

HEX #52ACA4

RGB 82 172 164

HSL 174.67, 0.35%, 0.5%

LAB 64.95, -28.83, -4.11

 

CMYK 52 / 10 / 0 / 33

HEX #529BAC

RGB 82 155 172

HSL 191.33, 0.35%, 0.5%

LAB 60.08, -17.96, -15.88

 

CMYK 52 / 24 / 0 / 33

HEX #5283AC

RGB 82 131 172

HSL 207.33, 0.35%, 0.5%

LAB 52.95, -4.65, -26.79

 

CMYK 52 / 0 / 3 / 55

HEX #387470

RGB 56 116 112

HSL 176, 0.35%, 0.34%

LAB 44.94, -20.5, -3.79

 

CMYK 52 / 0 / 3 / 44

HEX #45908B

RGB 69 144 139

HSL 176, 0.35%, 0.42%

LAB 55.15, -24.49, -4.48

 

CMYK 52 / 0 / 3 / 33

HEX #52ACA6

RGB 82 172 166

HSL 176, 0.35%, 0.5%

LAB 65, -28.3, -5.14

 

CMYK 41 / 0 / 3 / 27

HEX #6EB9B4

RGB 110 185 180

HSL 176, 0.35%, 0.58%

LAB 70.39, -24.48, -4.8

 

CMYK 30 / 0 / 2 / 22

HEX #8AC6C2

RGB 138 198 194

HSL 176, 0.34%, 0.66%

LAB 75.88, -20.04, -4.18

 

CMYK 51 / 0 / 4 / 33

HEX #53ABA5

RGB 83 171 165

HSL 175.91, 0.35%, 0.5%

LAB 64.71, -27.86, -5.02

 

CMYK 46 / 52 / 0 / 33

HEX #5D52AC

RGB 93 82 172

HSL 247.33, 0.35%, 0.5%

LAB 40.15, 28.05, -46.94

 

CMYK 0 / 26 / 52 / 33

HEX #AC8052

RGB 172 128 82

HSL 30.67, 0.35%, 0.5%

LAB 56.9, 11.42, 31.45

 

CMYK 51 / 0 / 4 / 33

HEX #53ABA5

RGB 83 171 165

HSL 175.91, 0.35%, 0.5%

LAB 64.71, -27.86, -5.02

 

CMYK 5 / 52 / 0 / 33

HEX #A452AC

RGB 164 82 172

HSL 294.67, 0.35%, 0.5%

LAB 48.14, 47.16, -33.76

 

CMYK 0 / 5 / 52 / 33

HEX #ACA452

RGB 172 164 82

HSL 54.67, 0.35%, 0.5%

LAB 66.47, -8.31, 43.1

 

CMYK 51 / 0 / 4 / 33

HEX #53ABA5

RGB 83 171 165

HSL 175.91, 0.35%, 0.5%

LAB 64.71, -27.86, -5.02

 

CMYK 46 / 52 / 0 / 33

HEX #5D52AC

RGB 93 82 172

HSL 247.33, 0.35%, 0.5%

LAB 40.15, 28.05, -46.94

 

CMYK 0 / 52 / 48 / 33

HEX #AC525A

RGB 172 82 90

HSL 354.67, 0.35%, 0.5%

LAB 46.37, 37.58, 12.94

 

CMYK 6 / 0 / 52 / 33

HEX #A1AC52

RGB 161 172 82

HSL 67.33, 0.35%, 0.5%

LAB 67.79, -17.1, 44.43

 

CMYK 51 / 0 / 4 / 33

HEX #53ABA5

RGB 83 171 165

HSL 175.91, 0.35%, 0.5%

LAB 64.71, -27.86, -5.02

 

CMYK 30 / 52 / 0 / 33

HEX #7852AC

RGB 120 82 172

HSL 265.33, 0.35%, 0.5%

LAB 42.77, 34.91, -42.6

 

CMYK 0 / 52 / 48 / 33

HEX #AC525A

RGB 172 82 90

HSL 354.67, 0.35%, 0.5%

LAB 46.37, 37.58, 12.94

 

CMYK 22 / 0 / 52 / 33

HEX #86AC52

RGB 134 172 82

HSL 85.33, 0.35%, 0.5%

LAB 65.89, -27.96, 41.71

 

Description

Color code: RGB 83 171 165 | qconv.com Color code: RGB 83 171 165 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 171 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 171 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 4 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 4% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - Home - Peaceful Mind...
Link: http://peacefulmindpeacefullife.org

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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