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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 157 128 it is the complementary color RGB 172 98 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 157 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 157 128 shade: RGB 88 157 123, RGB 105 175 142, RGB 122 193 161, RGB 139 211 180 and RGB 156 229 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 157 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 157 128 shade: RGB 83 157 128, RGB 66 139 109, RGB 49 121 90, RGB 32 103 71 and RGB 15 85 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 157 128 shade: RGB 82 157 127, RGB 82 157 107, RGB 82 157 87, RGB 97 157 82 and RGB 117 157 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 157 128 shade: RGB 82 157 127, RGB 82 157 147, RGB 82 146 157, RGB 82 126 157 and RGB 82 105 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 157 128 shade matches the following richer shades: RGB 82 157 127, RGB 63 176 132, RGB 43 195 136, RGB 24 215 140 and RGB 5 234 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 157 128 shade: RGB 82 157 127, RGB 102 137 123, RGB 121 118 119, RGB 140 98 115 and RGB 160 79 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 157 128 shade: RGB 82 157 87, RGB 82 157 107, RGB 82 157 127, RGB 82 157 147 and RGB 82 147 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 157 128 shade: RGB 54 102 83, RGB 68 129 105, RGB 82 157 127, RGB 104 175 148 and RGB 132 190 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 157 128 shade: RGB 83 157 128, RGB 82 97 157 and RGB 157 97 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 157 128 shade: RGB 83 157 128, RGB 127 82 157 and RGB 157 127 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 157 128 shade: RGB 83 157 128, RGB 82 97 157, RGB 157 82 112 and RGB 157 142 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 157 128 shade: RGB 83 157 128, RGB 90 82 157, RGB 157 82 112 and RGB 149 157 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 18 / 38

HEX #539D80

RGB 83 157 128

HSL 156.49, 0.31%, 0.47%

LAB 59.44, -30.19, 8.1

 

Complementary color

CMYK 0 / 43 / 26 / 33

HEX #AC627F

RGB 172 98 127

HSL 336.49, 0.31%, 0.53%

LAB 50.73, 33.62, -3.05

 

CMYK 44 / 0 / 22 / 38

HEX #589D7B

RGB 88 157 123

HSL 150.43, 0.28%, 0.48%

LAB 59.54, -29.93, 11.08

 

CMYK 40 / 0 / 19 / 31

HEX #69AF8E

RGB 105 175 142

HSL 151.71, 0.3%, 0.55%

LAB 66.23, -29.69, 10.06

 

CMYK 37 / 0 / 17 / 24

HEX #7AC1A1

RGB 122 193 161

HSL 152.96, 0.36%, 0.62%

LAB 72.79, -29.44, 9.13

 

CMYK 34 / 0 / 15 / 17

HEX #8BD3B4

RGB 139 211 180

HSL 154.17, 0.45%, 0.69%

LAB 79.26, -29.2, 8.26

 

CMYK 32 / 0 / 13 / 10

HEX #9CE5C7

RGB 156 229 199

HSL 155.34, 0.58%, 0.75%

LAB 85.62, -28.98, 7.44

 

CMYK 47 / 0 / 18 / 38

HEX #539D80

RGB 83 157 128

HSL 156.49, 0.31%, 0.47%

LAB 59.44, -30.19, 8.1

 

CMYK 53 / 0 / 22 / 45

HEX #428B6D

RGB 66 139 109

HSL 155.34, 0.36%, 0.4%

LAB 52.65, -30.35, 9.17

 

CMYK 60 / 0 / 26 / 53

HEX #31795A

RGB 49 121 90

HSL 154.17, 0.42%, 0.33%

LAB 45.72, -30.41, 10.38

 

CMYK 69 / 0 / 31 / 60

HEX #206747

RGB 32 103 71

HSL 152.96, 0.53%, 0.26%

LAB 38.66, -30.27, 11.77

 

CMYK 82 / 0 / 39 / 67

HEX #0F5534

RGB 15 85 52

HSL 151.71, 0.7%, 0.2%

LAB 31.45, -29.69, 13.42

 

CMYK 48 / 0 / 19 / 38

HEX #529D7F

RGB 82 157 127

HSL 156, 0.31%, 0.47%

LAB 59.38, -30.69, 8.56

 

CMYK 48 / 0 / 32 / 38

HEX #529D6B

RGB 82 157 107

HSL 140, 0.31%, 0.47%

LAB 58.95, -34.9, 19.13

 

CMYK 48 / 0 / 45 / 38

HEX #529D57

RGB 82 157 87

HSL 124, 0.31%, 0.47%

LAB 58.6, -38.42, 29.53

 

CMYK 38 / 0 / 48 / 38

HEX #619D52

RGB 97 157 82

HSL 108, 0.31%, 0.47%

LAB 59.22, -34.4, 33.08

 

CMYK 25 / 0 / 48 / 38

HEX #759D52

RGB 117 157 82

HSL 92, 0.31%, 0.47%

LAB 60.34, -27.19, 34.73

 

CMYK 48 / 0 / 19 / 38

HEX #529D7F

RGB 82 157 127

HSL 156, 0.31%, 0.47%

LAB 59.38, -30.69, 8.56

 

CMYK 48 / 0 / 6 / 38

HEX #529D93

RGB 82 157 147

HSL 172, 0.31%, 0.47%

LAB 59.9, -25.84, -1.99

 

CMYK 48 / 7 / 0 / 38

HEX #52929D

RGB 82 146 157

HSL 188.8, 0.31%, 0.47%

LAB 56.87, -17.46, -12.2

 

CMYK 48 / 20 / 0 / 38

HEX #527E9D

RGB 82 126 157

HSL 204.8, 0.31%, 0.47%

LAB 50.86, -6.34, -21.33

 

CMYK 48 / 33 / 0 / 38

HEX #52699D

RGB 82 105 157

HSL 221.6, 0.31%, 0.47%

LAB 44.7, 6.23, -30.88

 

CMYK 48 / 0 / 19 / 38

HEX #529D7F

RGB 82 157 127

HSL 156, 0.31%, 0.47%

LAB 59.38, -30.69, 8.56

 

CMYK 64 / 0 / 25 / 31

HEX #3FB084

RGB 63 176 132

HSL 156.64, 0.47%, 0.47%

LAB 64.78, -42.42, 13.32

 

CMYK 78 / 0 / 30 / 24

HEX #2BC388

RGB 43 195 136

HSL 156.71, 0.64%, 0.47%

LAB 70.4, -52.25, 18.89

 

CMYK 89 / 0 / 35 / 16

HEX #18D78C

RGB 24 215 140

HSL 156.44, 0.8%, 0.47%

LAB 76.49, -60.47, 25.06

 

CMYK 98 / 0 / 38 / 8

HEX #05EA90

RGB 5 234 144

HSL 156.42, 0.96%, 0.47%

LAB 82.32, -67.06, 30.81

 

CMYK 48 / 0 / 19 / 38

HEX #529D7F

RGB 82 157 127

HSL 156, 0.31%, 0.47%

LAB 59.38, -30.69, 8.56

 

CMYK 26 / 0 / 10 / 46

HEX #66897B

RGB 102 137 123

HSL 156, 0.15%, 0.47%

LAB 54.18, -15.37, 3.53

 

CMYK 0 / 2 / 2 / 53

HEX #797677

RGB 121 118 119

HSL 340, 0.01%, 0.47%

LAB 49.92, 1.34, -0.15

 

CMYK 0 / 30 / 18 / 45

HEX #8C6273

RGB 140 98 115

HSL 335.71, 0.18%, 0.47%

LAB 46.38, 19.73, -2.74

 

CMYK 0 / 51 / 31 / 37

HEX #A04F6F

RGB 160 79 111

HSL 336.3, 0.34%, 0.47%

LAB 44.54, 37.26, -2.72

 

CMYK 48 / 0 / 45 / 38

HEX #529D57

RGB 82 157 87

HSL 124, 0.31%, 0.47%

LAB 58.6, -38.42, 29.53

 

CMYK 48 / 0 / 32 / 38

HEX #529D6B

RGB 82 157 107

HSL 140, 0.31%, 0.47%

LAB 58.95, -34.9, 19.13

 

CMYK 48 / 0 / 19 / 38

HEX #529D7F

RGB 82 157 127

HSL 156, 0.31%, 0.47%

LAB 59.38, -30.69, 8.56

 

CMYK 48 / 0 / 6 / 38

HEX #529D93

RGB 82 157 147

HSL 172, 0.31%, 0.47%

LAB 59.9, -25.84, -1.99

 

CMYK 48 / 6 / 0 / 38

HEX #52939D

RGB 82 147 157

HSL 188, 0.31%, 0.47%

LAB 57.17, -17.99, -11.74

 

CMYK 47 / 0 / 19 / 60

HEX #366653

RGB 54 102 83

HSL 156.25, 0.31%, 0.31%

LAB 39.43, -21.33, 5.71

 

CMYK 47 / 0 / 19 / 49

HEX #448169

RGB 68 129 105

HSL 156.39, 0.31%, 0.39%

LAB 49.43, -25.87, 6.94

 

CMYK 48 / 0 / 19 / 38

HEX #529D7F

RGB 82 157 127

HSL 156, 0.31%, 0.47%

LAB 59.38, -30.69, 8.56

 

CMYK 41 / 0 / 15 / 31

HEX #68AF94

RGB 104 175 148

HSL 157.18, 0.31%, 0.55%

LAB 66.32, -28.67, 6.88

 

CMYK 31 / 0 / 12 / 25

HEX #84BEA7

RGB 132 190 167

HSL 156.21, 0.31%, 0.63%

LAB 72.58, -23.74, 5.63

 

CMYK 47 / 0 / 18 / 38

HEX #539D80

RGB 83 157 128

HSL 156.49, 0.31%, 0.47%

LAB 59.44, -30.19, 8.1

 

CMYK 48 / 38 / 0 / 38

HEX #52619D

RGB 82 97 157

HSL 228, 0.31%, 0.47%

LAB 42.43, 11.21, -34.46

 

CMYK 0 / 38 / 48 / 38

HEX #9D6152

RGB 157 97 82

HSL 12, 0.31%, 0.47%

LAB 47.4, 22.64, 18.79

 

CMYK 47 / 0 / 18 / 38

HEX #539D80

RGB 83 157 128

HSL 156.49, 0.31%, 0.47%

LAB 59.44, -30.19, 8.1

 

CMYK 19 / 48 / 0 / 38

HEX #7F529D

RGB 127 82 157

HSL 276, 0.31%, 0.47%

LAB 42.73, 33.2, -33.7

 

CMYK 0 / 19 / 48 / 38

HEX #9D7F52

RGB 157 127 82

HSL 36, 0.31%, 0.47%

LAB 55.03, 5.5, 28.75

 

CMYK 47 / 0 / 18 / 38

HEX #539D80

RGB 83 157 128

HSL 156.49, 0.31%, 0.47%

LAB 59.44, -30.19, 8.1

 

CMYK 48 / 38 / 0 / 38

HEX #52619D

RGB 82 97 157

HSL 228, 0.31%, 0.47%

LAB 42.43, 11.21, -34.46

 

CMYK 0 / 48 / 29 / 38

HEX #9D5270

RGB 157 82 112

HSL 336, 0.31%, 0.47%

LAB 44.76, 34.73, -3.05

 

CMYK 0 / 10 / 48 / 38

HEX #9D8E52

RGB 157 142 82

HSL 48, 0.31%, 0.47%

LAB 59.09, -2.87, 33.85

 

CMYK 47 / 0 / 18 / 38

HEX #539D80

RGB 83 157 128

HSL 156.49, 0.31%, 0.47%

LAB 59.44, -30.19, 8.1

 

CMYK 43 / 48 / 0 / 38

HEX #5A529D

RGB 90 82 157

HSL 246.4, 0.31%, 0.47%

LAB 38.97, 22.76, -39.9

 

CMYK 0 / 48 / 29 / 38

HEX #9D5270

RGB 157 82 112

HSL 336, 0.31%, 0.47%

LAB 44.76, 34.73, -3.05

 

CMYK 5 / 0 / 48 / 38

HEX #959D52

RGB 149 157 82

HSL 66.4, 0.31%, 0.47%

LAB 62.6, -14.34, 38.01

 

Description

Color code: RGB 83 157 128 | qconv.com Color code: RGB 83 157 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 157 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 157 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 18 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 18% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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