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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 150 232 it is the complementary color RGB 172 105 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 150 232. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 150 232 shade: RGB 88 150 227, RGB 105 168 246, RGB 122 186 255, RGB 139 204 255 and RGB 156 222 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 150 232. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 150 232 shade: RGB 83 150 232, RGB 66 132 213, RGB 49 114 194, RGB 32 96 175 and RGB 15 78 156

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 150 232 shade: RGB 84 150 231, RGB 84 110 231, RGB 97 84 231, RGB 137 84 231 and RGB 177 84 231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 150 232 shade: RGB 84 150 231, RGB 84 110 231 and RGB 84 84 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 150 232 shade matches the following richer shades: RGB 84 150 231 and RGB 68 149 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 150 232 shade: RGB 84 150 231, RGB 100 152 216, RGB 115 153 200, RGB 131 155 184 and RGB 147 156 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 150 232 shade: RGB 84 229 231, RGB 84 190 231, RGB 84 150 231, RGB 84 111 231 and RGB 96 84 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 150 232 shade: RGB 28 107 205, RGB 48 128 226, RGB 84 150 231, RGB 120 172 236 and RGB 157 195 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 150 232 shade: RGB 83 150 232, RGB 194 84 231 and RGB 209 231 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 150 232 shade: RGB 83 150 232, RGB 231 84 150 and RGB 150 231 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 150 232 shade: RGB 83 150 232, RGB 194 84 231, RGB 231 165 84 and RGB 121 231 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 150 232 shade: RGB 83 150 232, RGB 231 84 224, RGB 231 165 84 and RGB 84 231 91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 35 / 0 / 9

HEX #5396E8

RGB 83 150 232

HSL 213.02, 0.76%, 0.62%

LAB 61.2, 3.99, -47.74

 

Complementary color

CMYK 0 / 39 / 87 / 33

HEX #AC6917

RGB 172 105 23

HSL 33.02, 0.76%, 0.38%

LAB 50.61, 20.89, 52.53

 

CMYK 61 / 34 / 0 / 11

HEX #5896E3

RGB 88 150 227

HSL 213.24, 0.71%, 0.62%

LAB 61.16, 3.22, -45.02

 

CMYK 57 / 32 / 0 / 4

HEX #69A8F6

RGB 105 168 246

HSL 213.19, 0.89%, 0.69%

LAB 67.77, 2.23, -45.01

 

CMYK 52 / 27 / 0 / 0

HEX #7ABAFF

RGB 122 186 255

HSL 211.13, 1%, 0.74%

LAB 73.85, -1.58, -40.31

 

CMYK 45 / 20 / 0 / 0

HEX #8BCCFF

RGB 139 204 255

HSL 206.38, 1%, 0.77%

LAB 79.55, -7.46, -31.42

 

CMYK 39 / 13 / 0 / 0

HEX #9CDEFF

RGB 156 222 255

HSL 200, 1%, 0.81%

LAB 85.27, -12.68, -22.62

 

CMYK 64 / 35 / 0 / 9

HEX #5396E8

RGB 83 150 232

HSL 213.02, 0.76%, 0.62%

LAB 61.2, 3.99, -47.74

 

CMYK 69 / 38 / 0 / 16

HEX #4284D5

RGB 66 132 213

HSL 213.06, 0.64%, 0.55%

LAB 54.52, 5.39, -47.77

 

CMYK 75 / 41 / 0 / 24

HEX #3172C2

RGB 49 114 194

HSL 213.1, 0.6%, 0.48%

LAB 47.73, 7.13, -47.79

 

CMYK 82 / 45 / 0 / 31

HEX #2060AF

RGB 32 96 175

HSL 213.15, 0.69%, 0.41%

LAB 40.84, 9.36, -47.78

 

CMYK 90 / 50 / 0 / 39

HEX #0F4E9C

RGB 15 78 156

HSL 213.19, 0.82%, 0.34%

LAB 33.88, 12.24, -47.68

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 64 / 52 / 0 / 9

HEX #546EE7

RGB 84 110 231

HSL 229.39, 0.75%, 0.62%

LAB 50.46, 28.05, -64.36

 

CMYK 58 / 64 / 0 / 9

HEX #6154E7

RGB 97 84 231

HSL 245.31, 0.75%, 0.62%

LAB 45.15, 45.82, -72.94

 

CMYK 41 / 64 / 0 / 9

HEX #8954E7

RGB 137 84 231

HSL 261.63, 0.75%, 0.62%

LAB 48.8, 53.05, -66.85

 

CMYK 23 / 64 / 0 / 9

HEX #B154E7

RGB 177 84 231

HSL 277.96, 0.75%, 0.62%

LAB 53.45, 61.5, -59.11

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 64 / 52 / 0 / 9

HEX #546EE7

RGB 84 110 231

HSL 229.39, 0.75%, 0.62%

LAB 50.46, 28.05, -64.36

 

CMYK 64 / 64 / 0 / 9

HEX #5454E7

RGB 84 84 231

HSL 240, 0.75%, 0.62%

LAB 44.23, 43.87, -74.49

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 72 / 40 / 0 / 3

HEX #4495F7

RGB 68 149 247

HSL 212.85, 0.92%, 0.62%

LAB 61.17, 7.51, -56.1

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 54 / 30 / 0 / 15

HEX #6498D8

RGB 100 152 216

HSL 213.1, 0.6%, 0.62%

LAB 61.76, 0.96, -37.93

 

CMYK 43 / 24 / 0 / 22

HEX #7399C8

RGB 115 153 200

HSL 213.18, 0.44%, 0.62%

LAB 62.17, -0.76, -28.31

 

CMYK 29 / 16 / 0 / 28

HEX #839BB8

RGB 131 155 184

HSL 212.83, 0.27%, 0.62%

LAB 63.12, -1.61, -17.79

 

CMYK 13 / 8 / 0 / 34

HEX #939CA9

RGB 147 156 169

HSL 215.45, 0.11%, 0.62%

LAB 64.03, -0.5, -7.87

 

CMYK 64 / 1 / 0 / 9

HEX #54E5E7

RGB 84 229 231

HSL 180.82, 0.75%, 0.62%

LAB 83.81, -37.35, -12.41

 

CMYK 64 / 18 / 0 / 9

HEX #54BEE7

RGB 84 190 231

HSL 196.73, 0.75%, 0.62%

LAB 72.55, -18.27, -29.49

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 64 / 52 / 0 / 9

HEX #546FE7

RGB 84 111 231

HSL 228.98, 0.75%, 0.62%

LAB 50.71, 27.43, -63.95

 

CMYK 58 / 64 / 0 / 9

HEX #6054E7

RGB 96 84 231

HSL 244.9, 0.75%, 0.62%

LAB 45.08, 45.66, -73.06

 

CMYK 86 / 48 / 0 / 20

HEX #1C6BCD

RGB 28 107 205

HSL 213.22, 0.76%, 0.46%

LAB 45.87, 13.69, -57.12

 

CMYK 79 / 43 / 0 / 11

HEX #3080E2

RGB 48 128 226

HSL 213.03, 0.75%, 0.54%

LAB 53.55, 10.26, -56.64

 

CMYK 64 / 35 / 0 / 9

HEX #5496E7

RGB 84 150 231

HSL 213.06, 0.75%, 0.62%

LAB 61.19, 3.83, -47.2

 

CMYK 49 / 27 / 0 / 7

HEX #78ACEC

RGB 120 172 236

HSL 213.1, 0.75%, 0.7%

LAB 69.15, 0.14, -37.35

 

CMYK 35 / 19 / 0 / 5

HEX #9DC3F1

RGB 157 195 241

HSL 212.86, 0.75%, 0.78%

LAB 77.61, -1.76, -26.83

 

CMYK 64 / 35 / 0 / 9

HEX #5396E8

RGB 83 150 232

HSL 213.02, 0.76%, 0.62%

LAB 61.2, 3.99, -47.74

 

CMYK 16 / 64 / 0 / 9

HEX #C254E7

RGB 194 84 231

HSL 284.9, 0.75%, 0.62%

LAB 55.66, 65.3, -55.44

 

CMYK 10 / 0 / 64 / 9

HEX #D1E754

RGB 209 231 84

HSL 68.98, 0.75%, 0.62%

LAB 87.65, -26.44, 66.59

 

CMYK 64 / 35 / 0 / 9

HEX #5396E8

RGB 83 150 232

HSL 213.02, 0.76%, 0.62%

LAB 61.2, 3.99, -47.74

 

CMYK 0 / 64 / 35 / 9

HEX #E75496

RGB 231 84 150

HSL 333.06, 0.75%, 0.62%

LAB 57.59, 62.52, -5.52

 

CMYK 35 / 0 / 64 / 9

HEX #96E754

RGB 150 231 84

HSL 93.06, 0.75%, 0.62%

LAB 84.11, -48.4, 61.75

 

CMYK 64 / 35 / 0 / 9

HEX #5396E8

RGB 83 150 232

HSL 213.02, 0.76%, 0.62%

LAB 61.2, 3.99, -47.74

 

CMYK 16 / 64 / 0 / 9

HEX #C254E7

RGB 194 84 231

HSL 284.9, 0.75%, 0.62%

LAB 55.66, 65.3, -55.44

 

CMYK 0 / 29 / 64 / 9

HEX #E7A554

RGB 231 165 84

HSL 33.06, 0.75%, 0.62%

LAB 72.59, 16.36, 50.71

 

CMYK 48 / 0 / 64 / 9

HEX #79E754

RGB 121 231 84

HSL 104.9, 0.75%, 0.62%

LAB 82.84, -57.48, 59.99

 

CMYK 64 / 35 / 0 / 9

HEX #5396E8

RGB 83 150 232

HSL 213.02, 0.76%, 0.62%

LAB 61.2, 3.99, -47.74

 

CMYK 0 / 64 / 3 / 9

HEX #E754E0

RGB 231 84 224

HSL 302.86, 0.75%, 0.62%

LAB 60.53, 72.64, -43.46

 

CMYK 0 / 29 / 64 / 9

HEX #E7A554

RGB 231 165 84

HSL 33.06, 0.75%, 0.62%

LAB 72.59, 16.36, 50.71

 

CMYK 64 / 0 / 61 / 9

HEX #54E75B

RGB 84 231 91

HSL 122.86, 0.75%, 0.62%

LAB 81.72, -65.87, 55.49

 

Description

Color code: RGB 83 150 232 | qconv.com Color code: RGB 83 150 232 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 150 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 150 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 35 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 35% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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