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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 13 2 it is the complementary color RGB 172 242 253. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 13 2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 13 2 shade: RGB 88 13 0, RGB 105 31 16, RGB 122 49 35, RGB 139 67 54 and RGB 156 85 73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 13 2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 13 2 shade: RGB 83 13 2, RGB 66 0 0, RGB 49 0 0, RGB 32 0 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 13 2 shade: RGB 84 13 2 and RGB 84 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 13 2 shade: RGB 84 13 2, RGB 84 35 2, RGB 84 57 2, RGB 84 79 2 and RGB 66 84 2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 13 2 shade matches the following richer shades: RGB 84 13 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 13 2 shade: RGB 84 13 2, RGB 77 18 9, RGB 70 23 16, RGB 63 28 23 and RGB 56 33 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 13 2 shade: RGB 84 2 35, RGB 84 2 13, RGB 84 13 2, RGB 84 35 2 and RGB 84 57 2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 13 2 shade: RGB 4 0 0, RGB 44 6 1, RGB 84 13 2, RGB 124 19 3 and RGB 164 26 4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 13 2 shade: RGB 83 13 2, RGB 57 84 2 and RGB 2 24 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 13 2 shade: RGB 83 13 2, RGB 2 84 13 and RGB 13 2 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 13 2 shade: RGB 83 13 2, RGB 57 84 2, RGB 2 73 84 and RGB 29 2 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 13 2 shade: RGB 83 13 2, RGB 32 84 2, RGB 2 73 84 and RGB 54 2 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 98 / 67

HEX #530D02

RGB 83 13 2

HSL 8.15, 0.95%, 0.17%

LAB 16.16, 31.17, 23.97

 

Complementary color

CMYK 32 / 4 / 0 / 1

HEX #ACF2FD

RGB 172 242 253

HSL 188.15, 0.95%, 0.83%

LAB 91.4, -19.06, -12.26

 

CMYK 0 / 85 / 100 / 65

HEX #580D00

RGB 88 13 0

HSL 8.86, 1%, 0.17%

LAB 17.29, 32.85, 26.42

 

CMYK 0 / 70 / 85 / 59

HEX #691F10

RGB 105 31 16

HSL 10.11, 0.74%, 0.24%

LAB 23.74, 32.22, 27.65

 

CMYK 0 / 60 / 71 / 52

HEX #7A3123

RGB 122 49 35

HSL 9.66, 0.55%, 0.31%

LAB 30.53, 30.87, 24.63

 

CMYK 0 / 52 / 61 / 45

HEX #8B4336

RGB 139 67 54

HSL 9.18, 0.44%, 0.38%

LAB 37.43, 29.43, 22.09

 

CMYK 0 / 46 / 53 / 39

HEX #9C5549

RGB 156 85 73

HSL 8.67, 0.36%, 0.45%

LAB 44.3, 28.08, 20

 

CMYK 0 / 84 / 98 / 67

HEX #530D02

RGB 83 13 2

HSL 8.15, 0.95%, 0.17%

LAB 16.16, 31.17, 23.97

 

CMYK 0 / 100 / 100 / 74

HEX #420000

RGB 66 0 0

HSL 0, 1%, 0.13%

LAB 10.25, 30.37, 16.16

 

CMYK 0 / 100 / 100 / 81

HEX #310000

RGB 49 0 0

HSL 0, 1%, 0.1%

LAB 5.9, 24.15, 9.32

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 85 / 98 / 67

HEX #540D02

RGB 84 13 2

HSL 8.05, 0.95%, 0.17%

LAB 16.39, 31.52, 24.3

 

CMYK 0 / 98 / 98 / 67

HEX #540202

RGB 84 2 2

HSL 0, 0.95%, 0.17%

LAB 15.13, 35.11, 22.71

 

CMYK 0 / 85 / 98 / 67

HEX #540D02

RGB 84 13 2

HSL 8.05, 0.95%, 0.17%

LAB 16.39, 31.52, 24.3

 

CMYK 0 / 58 / 98 / 67

HEX #542302

RGB 84 35 2

HSL 24.15, 0.95%, 0.17%

LAB 20.41, 20.8, 29.04

 

CMYK 0 / 32 / 98 / 67

HEX #543902

RGB 84 57 2

HSL 40.24, 0.95%, 0.17%

LAB 26.2, 7.05, 34.93

 

CMYK 0 / 6 / 98 / 67

HEX #544F02

RGB 84 79 2

HSL 56.34, 0.95%, 0.17%

LAB 32.88, -6.6, 40.25

 

CMYK 21 / 0 / 98 / 67

HEX #425402

RGB 66 84 2

HSL 73.17, 0.95%, 0.17%

LAB 32.93, -18.34, 39.61

 

CMYK 0 / 85 / 98 / 67

HEX #540D02

RGB 84 13 2

HSL 8.05, 0.95%, 0.17%

LAB 16.39, 31.52, 24.3

 

CMYK 0 / 85 / 98 / 67

HEX #540D02

RGB 84 13 2

HSL 8.05, 0.95%, 0.17%

LAB 16.39, 31.52, 24.3

 

CMYK 0 / 77 / 88 / 70

HEX #4D1209

RGB 77 18 9

HSL 7.94, 0.79%, 0.17%

LAB 15.64, 27.15, 20.18

 

CMYK 0 / 67 / 77 / 73

HEX #461710

RGB 70 23 16

HSL 7.78, 0.63%, 0.17%

LAB 15.23, 22.07, 16.07

 

CMYK 0 / 56 / 63 / 75

HEX #3F1C17

RGB 63 28 23

HSL 7.5, 0.47%, 0.17%

LAB 15.22, 16.48, 11.27

 

CMYK 0 / 41 / 46 / 78

HEX #38211E

RGB 56 33 30

HSL 6.92, 0.3%, 0.17%

LAB 15.6, 10.65, 6.63

 

CMYK 0 / 98 / 58 / 67

HEX #540223

RGB 84 2 35

HSL 335.85, 0.95%, 0.17%

LAB 15.75, 36.81, 4.01

 

CMYK 0 / 98 / 85 / 67

HEX #54020D

RGB 84 2 13

HSL 351.95, 0.95%, 0.17%

LAB 15.26, 35.48, 18.29

 

CMYK 0 / 85 / 98 / 67

HEX #540D02

RGB 84 13 2

HSL 8.05, 0.95%, 0.17%

LAB 16.39, 31.52, 24.3

 

CMYK 0 / 58 / 98 / 67

HEX #542302

RGB 84 35 2

HSL 24.15, 0.95%, 0.17%

LAB 20.41, 20.8, 29.04

 

CMYK 0 / 32 / 98 / 67

HEX #543902

RGB 84 57 2

HSL 40.24, 0.95%, 0.17%

LAB 26.2, 7.05, 34.93

 

CMYK 0 / 100 / 100 / 98

HEX #040000

RGB 4 0 0

HSL 0, 1%, 0.01%

LAB 0.23, 1.05, 0.37

 

CMYK 0 / 86 / 98 / 83

HEX #2C0601

RGB 44 6 1

HSL 6.98, 0.96%, 0.09%

LAB 6.03, 18.45, 8.98

 

CMYK 0 / 85 / 98 / 67

HEX #540D02

RGB 84 13 2

HSL 8.05, 0.95%, 0.17%

LAB 16.39, 31.52, 24.3

 

CMYK 0 / 85 / 98 / 51

HEX #7C1303

RGB 124 19 3

HSL 7.93, 0.95%, 0.25%

LAB 26.03, 42.96, 36.97

 

CMYK 0 / 84 / 98 / 36

HEX #A41A04

RGB 164 26 4

HSL 8.25, 0.95%, 0.33%

LAB 35.28, 53.31, 47.17

 

CMYK 0 / 84 / 98 / 67

HEX #530D02

RGB 83 13 2

HSL 8.15, 0.95%, 0.17%

LAB 16.16, 31.17, 23.97

 

CMYK 32 / 0 / 98 / 67

HEX #395402

RGB 57 84 2

HSL 79.76, 0.95%, 0.17%

LAB 32.29, -22.46, 38.83

 

CMYK 98 / 71 / 0 / 67

HEX #021854

RGB 2 24 84

HSL 223.9, 0.95%, 0.17%

LAB 11.32, 19.17, -38.5

 

CMYK 0 / 84 / 98 / 67

HEX #530D02

RGB 83 13 2

HSL 8.15, 0.95%, 0.17%

LAB 16.16, 31.17, 23.97

 

CMYK 98 / 0 / 85 / 67

HEX #02540D

RGB 2 84 13

HSL 128.05, 0.95%, 0.17%

LAB 30.36, -37.23, 32.63

 

CMYK 85 / 98 / 0 / 67

HEX #0D0254

RGB 13 2 84

HSL 248.05, 0.95%, 0.17%

LAB 6.95, 34.07, -45.72

 

CMYK 0 / 84 / 98 / 67

HEX #530D02

RGB 83 13 2

HSL 8.15, 0.95%, 0.17%

LAB 16.16, 31.17, 23.97

 

CMYK 32 / 0 / 98 / 67

HEX #395402

RGB 57 84 2

HSL 79.76, 0.95%, 0.17%

LAB 32.29, -22.46, 38.83

 

CMYK 98 / 13 / 0 / 67

HEX #024954

RGB 2 73 84

HSL 188.05, 0.95%, 0.17%

LAB 27.89, -15.17, -12.15

 

CMYK 65 / 98 / 0 / 67

HEX #1D0254

RGB 29 2 84

HSL 259.76, 0.95%, 0.17%

LAB 8.52, 35.24, -43.06

 

CMYK 0 / 84 / 98 / 67

HEX #530D02

RGB 83 13 2

HSL 8.15, 0.95%, 0.17%

LAB 16.16, 31.17, 23.97

 

CMYK 62 / 0 / 98 / 67

HEX #205402

RGB 32 84 2

HSL 98.05, 0.95%, 0.17%

LAB 31, -31.97, 37.25

 

CMYK 98 / 13 / 0 / 67

HEX #024954

RGB 2 73 84

HSL 188.05, 0.95%, 0.17%

LAB 27.89, -15.17, -12.15

 

CMYK 36 / 98 / 0 / 67

HEX #360254

RGB 54 2 84

HSL 278.05, 0.95%, 0.17%

LAB 12.4, 38.07, -36.53

 

Description

Color code: RGB 83 13 2 | qconv.com Color code: RGB 83 13 2 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 13 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 13 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 98 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 98% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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