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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 74 216 it is the complementary color RGB 172 181 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 74 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 74 216 shade: RGB 88 74 211, RGB 105 92 230, RGB 122 110 249, RGB 139 128 255 and RGB 156 146 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 74 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 66 56 197, RGB 49 38 178, RGB 32 20 159 and RGB 15 2 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 121 74 216, RGB 159 74 216, RGB 198 74 216 and RGB 216 74 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 74 216 shade: RGB 83 74 216 and RGB 74 74 216

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 74 216 shade matches the following richer shades: RGB 83 74 216, RGB 67 56 234 and RGB 52 38 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 98 91 198, RGB 114 109 181, RGB 129 127 163 and RGB 145 145 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 74 216 shade: RGB 74 142 216, RGB 74 104 216, RGB 81 74 216, RGB 119 74 216 and RGB 157 74 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 74 216 shade: RGB 45 36 171, RGB 53 43 205, RGB 83 74 216, RGB 115 108 223 and RGB 147 142 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 216 74 180 and RGB 123 216 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 216 81 74 and RGB 74 216 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 216 74 180, RGB 209 216 74 and RGB 74 216 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 74 216 shade: RGB 83 74 216, RGB 216 74 138, RGB 209 216 74 and RGB 74 216 152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

Complementary color

CMYK 5 / 0 / 78 / 29

HEX #ACB527

RGB 172 181 39

HSL 63.8, 0.65%, 0.43%

LAB 70.85, -19.74, 65.16

 

CMYK 58 / 65 / 0 / 17

HEX #584AD3

RGB 88 74 211

HSL 246.13, 0.61%, 0.56%

LAB 40.7, 43.98, -68.84

 

CMYK 54 / 60 / 0 / 10

HEX #695CE6

RGB 105 92 230

HSL 245.65, 0.73%, 0.63%

LAB 47.46, 42.23, -68.59

 

CMYK 51 / 56 / 0 / 2

HEX #7A6EF9

RGB 122 110 249

HSL 245.18, 0.92%, 0.7%

LAB 54.16, 40.63, -68.29

 

CMYK 45 / 50 / 0 / 0

HEX #8B80FF

RGB 139 128 255

HSL 245.2, 1%, 0.75%

LAB 60.02, 35.47, -62.11

 

CMYK 39 / 43 / 0 / 0

HEX #9C92FF

RGB 156 146 255

HSL 245.5, 1%, 0.79%

LAB 65.63, 29.11, -53.09

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 66 / 72 / 0 / 23

HEX #4238C5

RGB 66 56 197

HSL 244.26, 0.56%, 0.5%

LAB 34.02, 46.8, -71.72

 

CMYK 72 / 79 / 0 / 30

HEX #3126B2

RGB 49 38 178

HSL 244.71, 0.65%, 0.42%

LAB 27.45, 48.74, -71.38

 

CMYK 80 / 87 / 0 / 38

HEX #20149F

RGB 32 20 159

HSL 245.18, 0.78%, 0.35%

LAB 21.25, 50.07, -70.21

 

CMYK 89 / 99 / 0 / 45

HEX #0F028C

RGB 15 2 140

HSL 245.65, 0.97%, 0.28%

LAB 15.69, 50.17, -67.74

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 44 / 66 / 0 / 15

HEX #794AD8

RGB 121 74 216

HSL 259.86, 0.65%, 0.57%

LAB 44.12, 51.22, -66

 

CMYK 26 / 66 / 0 / 15

HEX #9F4AD8

RGB 159 74 216

HSL 275.92, 0.65%, 0.57%

LAB 48.54, 58.95, -58.62

 

CMYK 8 / 66 / 0 / 15

HEX #C64AD8

RGB 198 74 216

HSL 292.39, 0.65%, 0.57%

LAB 53.88, 67.56, -49.78

 

CMYK 0 / 66 / 9 / 15

HEX #D84AC4

RGB 216 74 196

HSL 308.45, 0.65%, 0.57%

LAB 55.57, 68.49, -35.52

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 66 / 66 / 0 / 15

HEX #4A4AD8

RGB 74 74 216

HSL 240, 0.65%, 0.57%

LAB 40.1, 43.54, -72.72

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 71 / 76 / 0 / 8

HEX #4338EA

RGB 67 56 234

HSL 243.71, 0.81%, 0.57%

LAB 37.77, 58.4, -86.84

 

CMYK 79 / 85 / 0 / 1

HEX #3426FC

RGB 52 38 252

HSL 243.93, 0.97%, 0.57%

LAB 36.26, 70.54, -99.53

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 51 / 54 / 0 / 22

HEX #625BC6

RGB 98 91 198

HSL 243.93, 0.48%, 0.57%

LAB 44.46, 31.62, -55.2

 

CMYK 37 / 40 / 0 / 29

HEX #726DB5

RGB 114 109 181

HSL 244.17, 0.33%, 0.57%

LAB 49.31, 19.53, -37.53

 

CMYK 21 / 22 / 0 / 36

HEX #817FA3

RGB 129 127 163

HSL 243.33, 0.16%, 0.57%

LAB 54.54, 8.65, -18.9

 

CMYK 0 / 0 / 0 / 43

HEX #919191

RGB 145 145 145

HSL 0, 0%, 0.57%

LAB 60.17, 0, -0.01

 

CMYK 66 / 34 / 0 / 15

HEX #4A8ED8

RGB 74 142 216

HSL 211.27, 0.65%, 0.57%

LAB 57.81, 1.76, -44.22

 

CMYK 66 / 52 / 0 / 15

HEX #4A68D8

RGB 74 104 216

HSL 227.32, 0.65%, 0.57%

LAB 47.38, 25.02, -60.87

 

CMYK 63 / 66 / 0 / 15

HEX #514AD8

RGB 81 74 216

HSL 242.96, 0.65%, 0.57%

LAB 40.58, 44.5, -71.92

 

CMYK 45 / 66 / 0 / 15

HEX #774AD8

RGB 119 74 216

HSL 259.01, 0.65%, 0.57%

LAB 43.91, 50.84, -66.34

 

CMYK 27 / 66 / 0 / 15

HEX #9D4AD8

RGB 157 74 216

HSL 275.07, 0.65%, 0.57%

LAB 48.29, 58.52, -59.04

 

CMYK 74 / 79 / 0 / 33

HEX #2D24AB

RGB 45 36 171

HSL 244, 0.65%, 0.41%

LAB 26.04, 47.23, -69.52

 

CMYK 74 / 79 / 0 / 20

HEX #352BCD

RGB 53 43 205

HSL 243.7, 0.65%, 0.49%

LAB 31.56, 54.91, -80.48

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 48 / 52 / 0 / 13

HEX #736CDF

RGB 115 108 223

HSL 243.65, 0.64%, 0.65%

LAB 51.49, 32.62, -58.08

 

CMYK 36 / 39 / 0 / 9

HEX #938EE7

RGB 147 142 231

HSL 243.37, 0.65%, 0.73%

LAB 62.78, 22.65, -44.46

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 0 / 66 / 17 / 15

HEX #D84AB4

RGB 216 74 180

HSL 315.21, 0.65%, 0.57%

LAB 54.86, 66.15, -27.38

 

CMYK 43 / 0 / 66 / 15

HEX #7BD84A

RGB 123 216 74

HSL 99.3, 0.65%, 0.57%

LAB 78.35, -51.9, 59.21

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 0 / 63 / 66 / 15

HEX #D8514A

RGB 216 81 74

HSL 2.96, 0.65%, 0.57%

LAB 52.93, 52.54, 32.32

 

CMYK 66 / 0 / 63 / 15

HEX #4AD851

RGB 74 216 81

HSL 122.96, 0.65%, 0.57%

LAB 76.78, -63.82, 54.12

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 0 / 66 / 17 / 15

HEX #D84AB4

RGB 216 74 180

HSL 315.21, 0.65%, 0.57%

LAB 54.86, 66.15, -27.38

 

CMYK 3 / 0 / 66 / 15

HEX #D1D84A

RGB 209 216 74

HSL 62.96, 0.65%, 0.57%

LAB 83.53, -19.83, 66.22

 

CMYK 66 / 0 / 50 / 15

HEX #4AD86D

RGB 74 216 109

HSL 134.79, 0.65%, 0.57%

LAB 77.08, -60.26, 41.63

 

CMYK 62 / 66 / 0 / 15

HEX #534AD8

RGB 83 74 216

HSL 243.8, 0.65%, 0.57%

LAB 40.73, 44.79, -71.67

 

CMYK 0 / 66 / 36 / 15

HEX #D84A8A

RGB 216 74 138

HSL 332.96, 0.65%, 0.57%

LAB 53.31, 60.84, -5.05

 

CMYK 3 / 0 / 66 / 15

HEX #D1D84A

RGB 209 216 74

HSL 62.96, 0.65%, 0.57%

LAB 83.53, -19.83, 66.22

 

CMYK 66 / 0 / 30 / 15

HEX #4AD898

RGB 74 216 152

HSL 152.96, 0.65%, 0.57%

LAB 77.78, -52.62, 20.67

 

Description

Color code: RGB 83 74 216 | qconv.com Color code: RGB 83 74 216 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 74 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 74 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 66 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 66% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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