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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 58 47 it is the complementary color RGB 172 197 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 58 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 58 47 shade: RGB 88 58 42, RGB 105 76 61, RGB 122 94 80, RGB 139 112 99 and RGB 156 130 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 58 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 58 47 shade: RGB 83 58 47, RGB 66 40 28, RGB 49 22 9, RGB 32 4 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 58 47 shade: RGB 81 56 45, RGB 81 47 45 and RGB 81 45 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 58 47 shade: RGB 81 56 45, RGB 81 66 45, RGB 81 76 45, RGB 77 81 45 and RGB 67 81 45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 58 47 shade matches the following richer shades: RGB 81 56 45, RGB 91 52 35, RGB 102 48 25, RGB 112 44 14 and RGB 122 40 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 58 47 shade: RGB 81 56 45, RGB 71 60 56, RGB 60 64 66, RGB 50 68 76 and RGB 40 72 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 58 47 shade: RGB 81 45 54, RGB 81 47 45, RGB 81 56 45, RGB 81 66 45 and RGB 81 75 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 58 47 shade: RGB 28 20 16, RGB 55 38 31, RGB 81 56 45, RGB 108 75 60 and RGB 134 93 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 58 47 shade: RGB 83 58 47, RGB 63 81 45 and RGB 45 49 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 58 47 shade: RGB 83 58 47, RGB 45 81 56 and RGB 56 45 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 58 47 shade: RGB 83 58 47, RGB 63 81 45, RGB 45 70 81 and RGB 63 45 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 58 47 shade: RGB 83 58 47, RGB 53 81 45, RGB 45 70 81 and RGB 74 45 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 43 / 67

HEX #533A2F

RGB 83 58 47

HSL 18.33, 0.28%, 0.25%

LAB 26.93, 9.42, 11.21

 

Complementary color

CMYK 17 / 5 / 0 / 18

HEX #ACC5D0

RGB 172 197 208

HSL 198.33, 0.28%, 0.75%

LAB 78.03, -6.11, -8.34

 

CMYK 0 / 34 / 52 / 65

HEX #583A2A

RGB 88 58 42

HSL 20.87, 0.35%, 0.25%

LAB 27.49, 11.16, 15.29

 

CMYK 0 / 28 / 42 / 59

HEX #694C3D

RGB 105 76 61

HSL 20.45, 0.27%, 0.33%

LAB 35.02, 10.09, 13.73

 

CMYK 0 / 23 / 34 / 52

HEX #7A5E50

RGB 122 94 80

HSL 20, 0.21%, 0.4%

LAB 42.34, 9.25, 12.4

 

CMYK 0 / 19 / 29 / 45

HEX #8B7063

RGB 139 112 99

HSL 19.5, 0.17%, 0.47%

LAB 49.47, 8.58, 11.24

 

CMYK 0 / 17 / 24 / 39

HEX #9C8276

RGB 156 130 118

HSL 18.95, 0.16%, 0.54%

LAB 56.43, 8.01, 10.21

 

CMYK 0 / 30 / 43 / 67

HEX #533A2F

RGB 83 58 47

HSL 18.33, 0.28%, 0.25%

LAB 26.93, 9.42, 11.21

 

CMYK 0 / 39 / 58 / 74

HEX #42281C

RGB 66 40 28

HSL 18.95, 0.4%, 0.18%

LAB 19.05, 10.61, 12.9

 

CMYK 0 / 55 / 82 / 81

HEX #311609

RGB 49 22 9

HSL 19.5, 0.69%, 0.11%

LAB 10.9, 12.29, 12.86

 

CMYK 0 / 88 / 100 / 87

HEX #200400

RGB 32 4 0

HSL 7.5, 1%, 0.06%

LAB 3.56, 10.84, 5.53

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 31 / 44 / 68

HEX #51382D

RGB 81 56 45

HSL 18.33, 0.29%, 0.25%

LAB 26.06, 9.5, 11.29

 

CMYK 0 / 42 / 44 / 68

HEX #512F2D

RGB 81 47 45

HSL 3.33, 0.29%, 0.25%

LAB 23.58, 15.29, 7.89

 

CMYK 0 / 44 / 44 / 68

HEX #512D2D

RGB 81 45 45

HSL 0, 0.29%, 0.25%

LAB 23.05, 16.56, 7.15

 

CMYK 0 / 31 / 44 / 68

HEX #51382D

RGB 81 56 45

HSL 18.33, 0.29%, 0.25%

LAB 26.06, 9.5, 11.29

 

CMYK 0 / 19 / 44 / 68

HEX #51422D

RGB 81 66 45

HSL 35, 0.29%, 0.25%

LAB 28.99, 3.09, 15.2

 

CMYK 0 / 6 / 44 / 68

HEX #514C2D

RGB 81 76 45

HSL 51.67, 0.29%, 0.25%

LAB 32.05, -3.16, 19.17

 

CMYK 5 / 0 / 44 / 68

HEX #4D512D

RGB 77 81 45

HSL 66.67, 0.29%, 0.25%

LAB 33.25, -8.05, 20.61

 

CMYK 17 / 0 / 44 / 68

HEX #43512D

RGB 67 81 45

HSL 83.33, 0.29%, 0.25%

LAB 32.41, -12.59, 19.37

 

CMYK 0 / 31 / 44 / 68

HEX #51382D

RGB 81 56 45

HSL 18.33, 0.29%, 0.25%

LAB 26.06, 9.5, 11.29

 

CMYK 0 / 43 / 62 / 64

HEX #5B3423

RGB 91 52 35

HSL 18.21, 0.44%, 0.25%

LAB 26.16, 15.63, 18.15

 

CMYK 0 / 53 / 75 / 60

HEX #663019

RGB 102 48 25

HSL 17.92, 0.61%, 0.25%

LAB 26.76, 22.36, 25.43

 

CMYK 0 / 61 / 88 / 56

HEX #702C0E

RGB 112 44 14

HSL 18.37, 0.78%, 0.25%

LAB 27.51, 28.44, 32.72

 

CMYK 0 / 67 / 97 / 52

HEX #7A2804

RGB 122 40 4

HSL 18.31, 0.94%, 0.25%

LAB 28.55, 34.24, 38.58

 

CMYK 0 / 31 / 44 / 68

HEX #51382D

RGB 81 56 45

HSL 18.33, 0.29%, 0.25%

LAB 26.06, 9.5, 11.29

 

CMYK 0 / 15 / 21 / 72

HEX #473C38

RGB 71 60 56

HSL 16, 0.12%, 0.25%

LAB 26.32, 4.02, 4.24

 

CMYK 9 / 3 / 0 / 74

HEX #3C4042

RGB 60 64 66

HSL 200, 0.05%, 0.25%

LAB 26.79, -1.19, -1.8

 

CMYK 34 / 11 / 0 / 70

HEX #32444C

RGB 50 68 76

HSL 198.46, 0.21%, 0.25%

LAB 27.67, -4.86, -7.13

 

CMYK 54 / 17 / 0 / 66

HEX #284857

RGB 40 72 87

HSL 199.15, 0.37%, 0.25%

LAB 28.83, -7, -12.55

 

CMYK 0 / 44 / 33 / 68

HEX #512D36

RGB 81 45 54

HSL 345, 0.29%, 0.25%

LAB 23.31, 17.87, 1.42

 

CMYK 0 / 42 / 44 / 68

HEX #512F2D

RGB 81 47 45

HSL 3.33, 0.29%, 0.25%

LAB 23.58, 15.29, 7.89

 

CMYK 0 / 31 / 44 / 68

HEX #51382D

RGB 81 56 45

HSL 18.33, 0.29%, 0.25%

LAB 26.06, 9.5, 11.29

 

CMYK 0 / 19 / 44 / 68

HEX #51422D

RGB 81 66 45

HSL 35, 0.29%, 0.25%

LAB 28.99, 3.09, 15.2

 

CMYK 0 / 7 / 44 / 68

HEX #514B2D

RGB 81 75 45

HSL 50, 0.29%, 0.25%

LAB 31.74, -2.54, 18.77

 

CMYK 0 / 29 / 43 / 89

HEX #1C1410

RGB 28 20 16

HSL 20, 0.27%, 0.09%

LAB 7.09, 3.15, 3.66

 

CMYK 0 / 31 / 44 / 78

HEX #37261F

RGB 55 38 31

HSL 17.5, 0.28%, 0.17%

LAB 16.98, 6.87, 7.8

 

CMYK 0 / 31 / 44 / 68

HEX #51382D

RGB 81 56 45

HSL 18.33, 0.29%, 0.25%

LAB 26.06, 9.5, 11.29

 

CMYK 0 / 31 / 44 / 58

HEX #6C4B3C

RGB 108 75 60

HSL 18.75, 0.29%, 0.33%

LAB 35.1, 11.93, 14.51

 

CMYK 0 / 31 / 44 / 47

HEX #865D4B

RGB 134 93 75

HSL 18.31, 0.28%, 0.41%

LAB 43.37, 14.4, 17.04

 

CMYK 0 / 30 / 43 / 67

HEX #533A2F

RGB 83 58 47

HSL 18.33, 0.28%, 0.25%

LAB 26.93, 9.42, 11.21

 

CMYK 22 / 0 / 44 / 68

HEX #3F512D

RGB 63 81 45

HSL 90, 0.29%, 0.25%

LAB 32.1, -14.35, 18.92

 

CMYK 44 / 40 / 0 / 68

HEX #2D3151

RGB 45 49 81

HSL 233.33, 0.29%, 0.25%

LAB 21.39, 7.77, -20.12

 

CMYK 0 / 30 / 43 / 67

HEX #533A2F

RGB 83 58 47

HSL 18.33, 0.28%, 0.25%

LAB 26.93, 9.42, 11.21

 

CMYK 44 / 0 / 31 / 68

HEX #2D5138

RGB 45 81 56

HSL 138.33, 0.29%, 0.25%

LAB 31.18, -19.34, 10.74

 

CMYK 31 / 44 / 0 / 68

HEX #382D51

RGB 56 45 81

HSL 258.33, 0.29%, 0.25%

LAB 21.25, 14.14, -20.27

 

CMYK 0 / 30 / 43 / 67

HEX #533A2F

RGB 83 58 47

HSL 18.33, 0.28%, 0.25%

LAB 26.93, 9.42, 11.21

 

CMYK 22 / 0 / 44 / 68

HEX #3F512D

RGB 63 81 45

HSL 90, 0.29%, 0.25%

LAB 32.1, -14.35, 18.92

 

CMYK 44 / 14 / 0 / 68

HEX #2D4651

RGB 45 70 81

HSL 198.33, 0.29%, 0.25%

LAB 28.2, -6.25, -9.61

 

CMYK 22 / 44 / 0 / 68

HEX #3F2D51

RGB 63 45 81

HSL 270, 0.29%, 0.25%

LAB 22.04, 16.54, -18.97

 

CMYK 0 / 30 / 43 / 67

HEX #533A2F

RGB 83 58 47

HSL 18.33, 0.28%, 0.25%

LAB 26.93, 9.42, 11.21

 

CMYK 35 / 0 / 44 / 68

HEX #35512D

RGB 53 81 45

HSL 106.67, 0.29%, 0.25%

LAB 31.42, -18.5, 17.9

 

CMYK 44 / 14 / 0 / 68

HEX #2D4651

RGB 45 70 81

HSL 198.33, 0.29%, 0.25%

LAB 28.2, -6.25, -9.61

 

CMYK 9 / 44 / 0 / 68

HEX #4A2D51

RGB 74 45 81

HSL 288.33, 0.29%, 0.25%

LAB 23.43, 20.44, -16.71

 

Description

Color code: RGB 83 58 47 | qconv.com Color code: RGB 83 58 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 58 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 58 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 43 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 43% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - Every Video Game
Link: http://everynintendogame.com

80% - The Asia Group – Hel...
Link: http://www.helloplanet.asia

48% - Forside
Link: http://www.mortengeertz.dk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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