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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 232 184 it is the complementary color RGB 248 23 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 232 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 232 184 shade: RGB 12 232 179, RGB 29 250 198, RGB 46 255 217, RGB 63 255 236 and RGB 80 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 232 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 0 214 165, RGB 0 196 146, RGB 0 178 127 and RGB 0 160 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 7 232 123, RGB 7 232 62, RGB 12 232 7 and RGB 72 232 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 7 219 232, RGB 7 159 232, RGB 7 98 232 and RGB 7 37 232

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 232 184 shade matches the following richer shades: RGB 7 232 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 26 213 173, RGB 45 193 162, RGB 65 174 151 and RGB 84 154 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 232 184 shade: RGB 7 232 63, RGB 7 232 123, RGB 7 232 183, RGB 7 221 232 and RGB 7 161 232

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 232 184 shade: RGB 4 152 120, RGB 5 192 152, RGB 7 232 184, RGB 32 248 202 and RGB 72 249 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 7 10 232 and RGB 232 93 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 183 7 232 and RGB 232 183 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 7 10 232, RGB 232 7 56 and RGB 232 228 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 232 184 shade: RGB 7 232 184, RGB 71 7 232, RGB 232 7 56 and RGB 168 232 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

Complementary color

CMYK 0 / 91 / 71 / 3

HEX #F81747

RGB 248 23 71

HSL 347.2, 0.94%, 0.53%

LAB 52.98, 77.87, 35.5

 

CMYK 95 / 0 / 23 / 9

HEX #0CE8B3

RGB 12 232 179

HSL 165.55, 0.9%, 0.48%

LAB 82.4, -58.59, 12.86

 

CMYK 88 / 0 / 21 / 2

HEX #1DFAC6

RGB 29 250 198

HSL 165.88, 0.96%, 0.55%

LAB 88.31, -60.24, 11.36

 

CMYK 82 / 0 / 15 / 0

HEX #2EFFD9

RGB 46 255 217

HSL 169.09, 1%, 0.59%

LAB 90.37, -56.47, 4.5

 

CMYK 75 / 0 / 7 / 0

HEX #3FFFEC

RGB 63 255 236

HSL 174.06, 1%, 0.62%

LAB 91.07, -50.09, -4.3

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 100 / 0 / 23 / 16

HEX #00D6A5

RGB 0 214 165

HSL 166.26, 1%, 0.42%

LAB 76.56, -55.41, 11.98

 

CMYK 100 / 0 / 26 / 23

HEX #00C492

RGB 0 196 146

HSL 164.69, 1%, 0.38%

LAB 70.56, -53.06, 13.69

 

CMYK 100 / 0 / 29 / 30

HEX #00B27F

RGB 0 178 127

HSL 162.81, 1%, 0.35%

LAB 64.46, -50.66, 15.48

 

CMYK 100 / 0 / 33 / 37

HEX #00A06C

RGB 0 160 108

HSL 160.5, 1%, 0.31%

LAB 58.25, -48.18, 17.36

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 97 / 0 / 47 / 9

HEX #07E87B

RGB 7 232 123

HSL 150.93, 0.94%, 0.47%

LAB 81.4, -70.1, 40.06

 

CMYK 97 / 0 / 73 / 9

HEX #07E83E

RGB 7 232 62

HSL 134.67, 0.94%, 0.47%

LAB 80.8, -77.51, 65.47

 

CMYK 95 / 0 / 97 / 9

HEX #0CE807

RGB 12 232 7

HSL 118.67, 0.94%, 0.47%

LAB 80.63, -79.73, 76.89

 

CMYK 69 / 0 / 97 / 9

HEX #48E807

RGB 72 232 7

HSL 102.67, 0.94%, 0.47%

LAB 81.35, -73.35, 77.77

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 97 / 6 / 0 / 9

HEX #07DBE8

RGB 7 219 232

HSL 183.47, 0.94%, 0.47%

LAB 79.92, -38.79, -18.89

 

CMYK 97 / 31 / 0 / 9

HEX #079FE8

RGB 7 159 232

HSL 199.47, 0.94%, 0.47%

LAB 62.23, -8.29, -46.23

 

CMYK 97 / 58 / 0 / 9

HEX #0762E8

RGB 7 98 232

HSL 215.73, 0.94%, 0.47%

LAB 45.09, 29.14, -73.75

 

CMYK 97 / 84 / 0 / 9

HEX #0725E8

RGB 7 37 232

HSL 232, 0.94%, 0.47%

LAB 32.25, 64.12, -94.95

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 88 / 0 / 19 / 16

HEX #1AD5AD

RGB 26 213 173

HSL 167.17, 0.78%, 0.47%

LAB 76.57, -52.05, 7.74

 

CMYK 77 / 0 / 16 / 24

HEX #2DC1A2

RGB 45 193 162

HSL 167.43, 0.62%, 0.47%

LAB 70.39, -45.02, 4.82

 

CMYK 63 / 0 / 13 / 32

HEX #41AE97

RGB 65 174 151

HSL 167.34, 0.46%, 0.47%

LAB 64.67, -36.57, 2.65

 

CMYK 45 / 0 / 10 / 40

HEX #549A8B

RGB 84 154 139

HSL 167.14, 0.29%, 0.47%

LAB 58.84, -25.85, 1.01

 

CMYK 97 / 0 / 73 / 9

HEX #07E83F

RGB 7 232 63

HSL 134.93, 0.94%, 0.47%

LAB 80.8, -77.43, 65.13

 

CMYK 97 / 0 / 47 / 9

HEX #07E87B

RGB 7 232 123

HSL 150.93, 0.94%, 0.47%

LAB 81.4, -70.1, 40.06

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B7

RGB 7 232 183

HSL 166.93, 0.94%, 0.47%

LAB 82.47, -57.76, 10.86

 

CMYK 97 / 5 / 0 / 9

HEX #07DDE8

RGB 7 221 232

HSL 182.93, 0.94%, 0.47%

LAB 80.51, -39.7, -18

 

CMYK 97 / 31 / 0 / 9

HEX #07A1E8

RGB 7 161 232

HSL 198.93, 0.94%, 0.47%

LAB 62.81, -9.41, -45.3

 

CMYK 97 / 0 / 21 / 40

HEX #049878

RGB 4 152 120

HSL 167.03, 0.95%, 0.31%

LAB 55.93, -41.83, 7.37

 

CMYK 97 / 0 / 21 / 25

HEX #05C098

RGB 5 192 152

HSL 167.17, 0.95%, 0.39%

LAB 69.47, -49.84, 8.9

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 87 / 0 / 19 / 3

HEX #20F8CA

RGB 32 248 202

HSL 167.22, 0.94%, 0.55%

LAB 87.83, -58.34, 8.6

 

CMYK 71 / 0 / 15 / 2

HEX #48F9D3

RGB 72 249 211

HSL 167.12, 0.94%, 0.63%

LAB 88.84, -52.89, 5.45

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 97 / 96 / 0 / 9

HEX #070AE8

RGB 7 10 232

HSL 239.2, 0.94%, 0.47%

LAB 29.63, 72.06, -99.31

 

CMYK 0 / 60 / 97 / 9

HEX #E85D07

RGB 232 93 7

HSL 22.93, 0.94%, 0.47%

LAB 57.08, 50.86, 65.16

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 21 / 97 / 0 / 9

HEX #B707E8

RGB 183 7 232

HSL 286.93, 0.94%, 0.47%

LAB 47.03, 83.83, -70

 

CMYK 0 / 21 / 97 / 9

HEX #E8B707

RGB 232 183 7

HSL 46.93, 0.94%, 0.47%

LAB 76.7, 4.72, 78.2

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 97 / 96 / 0 / 9

HEX #070AE8

RGB 7 10 232

HSL 239.2, 0.94%, 0.47%

LAB 29.63, 72.06, -99.31

 

CMYK 0 / 97 / 76 / 9

HEX #E80738

RGB 232 7 56

HSL 346.93, 0.94%, 0.47%

LAB 49, 75.01, 38.85

 

CMYK 0 / 2 / 97 / 9

HEX #E8E407

RGB 232 228 7

HSL 58.93, 0.94%, 0.47%

LAB 88.28, -18.07, 86.63

 

CMYK 97 / 0 / 21 / 9

HEX #07E8B8

RGB 7 232 184

HSL 167.2, 0.94%, 0.47%

LAB 82.5, -57.52, 10.36

 

CMYK 69 / 97 / 0 / 9

HEX #4707E8

RGB 71 7 232

HSL 257.07, 0.94%, 0.47%

LAB 32.52, 73.9, -94.41

 

CMYK 0 / 97 / 76 / 9

HEX #E80738

RGB 232 7 56

HSL 346.93, 0.94%, 0.47%

LAB 49, 75.01, 38.85

 

CMYK 28 / 0 / 97 / 9

HEX #A8E807

RGB 168 232 7

HSL 77.07, 0.94%, 0.47%

LAB 85.02, -45.62, 82.24

 

Description

Color code: RGB 7 232 184 | qconv.com Color code: RGB 7 232 184 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 232 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 232 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 21 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 21% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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