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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 222 16 it is the complementary color RGB 248 33 239. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 222 16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 222 16 shade: RGB 12 222 11, RGB 29 240 30, RGB 46 255 49, RGB 63 255 68 and RGB 80 255 87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 222 16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 222 16 shade: RGB 7 222 16, RGB 0 204 0, RGB 0 186 0, RGB 0 168 0 and RGB 0 150 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 222 16 shade: RGB 6 222 15, RGB 56 222 6, RGB 114 222 6, RGB 172 222 6 and RGB 222 214 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 222 16 shade: RGB 6 222 15, RGB 6 222 74, RGB 6 222 132, RGB 6 222 190 and RGB 6 196 222

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 222 16 shade matches the following richer shades: RGB 6 222 15

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 222 16 shade: RGB 6 222 15, RGB 25 204 32, RGB 44 185 49, RGB 62 166 66 and RGB 81 148 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 222 16 shade: RGB 114 222 6, RGB 57 222 6, RGB 6 222 14, RGB 6 222 71 and RGB 6 222 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 222 16 shade: RGB 4 142 10, RGB 5 182 13, RGB 6 222 15, RGB 22 247 32 and RGB 62 249 70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 222 16 shade: RGB 7 222 16, RGB 6 172 222 and RGB 222 6 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 222 16 shade: RGB 7 222 16, RGB 14 6 222 and RGB 222 14 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 222 16 shade: RGB 7 222 16, RGB 6 172 222, RGB 222 6 215 and RGB 222 57 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 222 16 shade: RGB 7 222 16, RGB 6 107 222, RGB 222 6 215 and RGB 222 121 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 93 / 13

HEX #07DE10

RGB 7 222 16

HSL 122.51, 0.94%, 0.45%

LAB 77.47, -77.08, 73.39

 

Complementary color

CMYK 0 / 87 / 4 / 3

HEX #F821EF

RGB 248 33 239

HSL 302.51, 0.94%, 0.55%

LAB 59.23, 91.98, -53.75

 

CMYK 95 / 0 / 95 / 13

HEX #0CDE0B

RGB 12 222 11

HSL 119.72, 0.91%, 0.46%

LAB 77.49, -77, 73.96

 

CMYK 88 / 0 / 88 / 6

HEX #1DF01E

RGB 29 240 30

HSL 120.28, 0.88%, 0.53%

LAB 83.27, -80.42, 76.22

 

CMYK 82 / 0 / 81 / 0

HEX #2EFF31

RGB 46 255 49

HSL 120.86, 1%, 0.59%

LAB 88.12, -82.28, 76.48

 

CMYK 75 / 0 / 73 / 0

HEX #3FFF44

RGB 63 255 68

HSL 121.56, 1%, 0.62%

LAB 88.44, -79.11, 71.32

 

CMYK 69 / 0 / 66 / 0

HEX #50FF57

RGB 80 255 87

HSL 122.4, 1%, 0.66%

LAB 88.88, -74.94, 65.03

 

CMYK 97 / 0 / 93 / 13

HEX #07DE10

RGB 7 222 16

HSL 122.51, 0.94%, 0.45%

LAB 77.47, -77.08, 73.39

 

CMYK 100 / 0 / 100 / 20

HEX #00CC00

RGB 0 204 0

HSL 120, 1%, 0.4%

LAB 71.68, -72.85, 70.31

 

CMYK 100 / 0 / 100 / 27

HEX #00BA00

RGB 0 186 0

HSL 120, 1%, 0.36%

LAB 65.84, -67.99, 65.62

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 97 / 0 / 93 / 13

HEX #06DE0F

RGB 6 222 15

HSL 122.5, 0.95%, 0.45%

LAB 77.47, -77.14, 73.5

 

CMYK 75 / 0 / 97 / 13

HEX #38DE06

RGB 56 222 6

HSL 106.11, 0.95%, 0.45%

LAB 77.93, -73.04, 74.97

 

CMYK 49 / 0 / 97 / 13

HEX #72DE06

RGB 114 222 6

HSL 90, 0.95%, 0.45%

LAB 79.52, -59.97, 76.91

 

CMYK 23 / 0 / 97 / 13

HEX #ACDE06

RGB 172 222 6

HSL 73.89, 0.95%, 0.45%

LAB 82.39, -39.77, 80.39

 

CMYK 0 / 4 / 97 / 13

HEX #DED606

RGB 222 214 6

HSL 57.78, 0.95%, 0.45%

LAB 83.78, -15.43, 83.02

 

CMYK 97 / 0 / 93 / 13

HEX #06DE0F

RGB 6 222 15

HSL 122.5, 0.95%, 0.45%

LAB 77.47, -77.14, 73.5

 

CMYK 97 / 0 / 67 / 13

HEX #06DE4A

RGB 6 222 74

HSL 138.89, 0.95%, 0.45%

LAB 77.74, -73.63, 57.83

 

CMYK 97 / 0 / 41 / 13

HEX #06DE84

RGB 6 222 132

HSL 155, 0.95%, 0.45%

LAB 78.43, -65.24, 31.75

 

CMYK 97 / 0 / 14 / 13

HEX #06DEBE

RGB 6 222 190

HSL 171.11, 0.95%, 0.45%

LAB 79.61, -52.08, 3.05

 

CMYK 97 / 12 / 0 / 13

HEX #06C4DE

RGB 6 196 222

HSL 187.22, 0.95%, 0.45%

LAB 72.76, -31.14, -24.4

 

CMYK 97 / 0 / 93 / 13

HEX #06DE0F

RGB 6 222 15

HSL 122.5, 0.95%, 0.45%

LAB 77.47, -77.14, 73.5

 

CMYK 97 / 0 / 93 / 13

HEX #06DE0F

RGB 6 222 15

HSL 122.5, 0.95%, 0.45%

LAB 77.47, -77.14, 73.5

 

CMYK 88 / 0 / 84 / 20

HEX #19CC20

RGB 25 204 32

HSL 122.35, 0.78%, 0.45%

LAB 71.89, -70.67, 65.76

 

CMYK 76 / 0 / 74 / 27

HEX #2CB931

RGB 44 185 49

HSL 122.13, 0.62%, 0.45%

LAB 66.1, -61.83, 55.24

 

CMYK 63 / 0 / 60 / 35

HEX #3EA642

RGB 62 166 66

HSL 122.31, 0.46%, 0.45%

LAB 60.51, -50.25, 42.23

 

CMYK 45 / 0 / 44 / 42

HEX #519453

RGB 81 148 83

HSL 121.79, 0.29%, 0.45%

LAB 55.64, -35.35, 27.86

 

CMYK 49 / 0 / 97 / 13

HEX #72DE06

RGB 114 222 6

HSL 90, 0.95%, 0.45%

LAB 79.52, -59.97, 76.91

 

CMYK 74 / 0 / 97 / 13

HEX #39DE06

RGB 57 222 6

HSL 105.83, 0.95%, 0.45%

LAB 77.95, -72.89, 74.99

 

CMYK 97 / 0 / 94 / 13

HEX #06DE0E

RGB 6 222 14

HSL 122.22, 0.95%, 0.45%

LAB 77.47, -77.16, 73.62

 

CMYK 97 / 0 / 68 / 13

HEX #06DE47

RGB 6 222 71

HSL 138.06, 0.95%, 0.45%

LAB 77.72, -73.93, 58.98

 

CMYK 97 / 0 / 42 / 13

HEX #06DE81

RGB 6 222 129

HSL 154.17, 0.95%, 0.45%

LAB 78.38, -65.79, 33.2

 

CMYK 97 / 0 / 93 / 44

HEX #048E0A

RGB 4 142 10

HSL 122.61, 0.95%, 0.29%

LAB 51.14, -55.14, 52.08

 

CMYK 97 / 0 / 93 / 29

HEX #05B60D

RGB 5 182 13

HSL 122.71, 0.95%, 0.37%

LAB 64.58, -66.36, 62.98

 

CMYK 97 / 0 / 93 / 13

HEX #06DE0F

RGB 6 222 15

HSL 122.5, 0.95%, 0.45%

LAB 77.47, -77.14, 73.5

 

CMYK 91 / 0 / 87 / 3

HEX #16F720

RGB 22 247 32

HSL 122.67, 0.93%, 0.53%

LAB 85.4, -82.65, 77.69

 

CMYK 75 / 0 / 72 / 2

HEX #3EF946

RGB 62 249 70

HSL 122.57, 0.94%, 0.61%

LAB 86.61, -77.32, 68.79

 

CMYK 97 / 0 / 93 / 13

HEX #07DE10

RGB 7 222 16

HSL 122.51, 0.94%, 0.45%

LAB 77.47, -77.08, 73.39

 

CMYK 97 / 23 / 0 / 13

HEX #06ACDE

RGB 6 172 222

HSL 193.89, 0.95%, 0.45%

LAB 65.61, -19.01, -35.42

 

CMYK 0 / 97 / 62 / 13

HEX #DE0655

RGB 222 6 85

HSL 338.06, 0.95%, 0.45%

LAB 47.39, 74, 18.85

 

CMYK 97 / 0 / 93 / 13

HEX #07DE10

RGB 7 222 16

HSL 122.51, 0.94%, 0.45%

LAB 77.47, -77.08, 73.39

 

CMYK 94 / 97 / 0 / 13

HEX #0E06DE

RGB 14 6 222

HSL 242.22, 0.95%, 0.45%

LAB 28.11, 70.31, -96.12

 

CMYK 0 / 94 / 97 / 13

HEX #DE0E06

RGB 222 14 6

HSL 2.22, 0.95%, 0.45%

LAB 46.79, 70.99, 58.91

 

CMYK 97 / 0 / 93 / 13

HEX #07DE10

RGB 7 222 16

HSL 122.51, 0.94%, 0.45%

LAB 77.47, -77.08, 73.39

 

CMYK 97 / 23 / 0 / 13

HEX #06ACDE

RGB 6 172 222

HSL 193.89, 0.95%, 0.45%

LAB 65.61, -19.01, -35.42

 

CMYK 0 / 97 / 3 / 13

HEX #DE06D7

RGB 222 6 215

HSL 301.94, 0.95%, 0.45%

LAB 52.47, 87.07, -51.23

 

CMYK 0 / 74 / 97 / 13

HEX #DE3906

RGB 222 57 6

HSL 14.17, 0.95%, 0.45%

LAB 50.06, 61.71, 60.51

 

CMYK 97 / 0 / 93 / 13

HEX #07DE10

RGB 7 222 16

HSL 122.51, 0.94%, 0.45%

LAB 77.47, -77.08, 73.39

 

CMYK 97 / 52 / 0 / 13

HEX #066BDE

RGB 6 107 222

HSL 211.94, 0.95%, 0.45%

LAB 46.75, 19.39, -65.4

 

CMYK 0 / 97 / 3 / 13

HEX #DE06D7

RGB 222 6 215

HSL 301.94, 0.95%, 0.45%

LAB 52.47, 87.07, -51.23

 

CMYK 0 / 45 / 97 / 13

HEX #DE7906

RGB 222 121 6

HSL 31.94, 0.95%, 0.45%

LAB 60.97, 33.28, 67

 

Description

Color code: RGB 7 222 16 | qconv.com Color code: RGB 7 222 16 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 222 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 222 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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