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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 252 212 it is the complementary color RGB 248 3 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 252 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 252 212 shade: RGB 12 252 207, RGB 29 255 226, RGB 46 255 245, RGB 63 255 255 and RGB 80 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 252 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 0 234 193, RGB 0 216 174, RGB 0 198 155 and RGB 0 180 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 7 252 146, RGB 7 252 80, RGB 7 252 14 and RGB 66 252 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 7 226 252, RGB 7 160 252, RGB 7 94 252 and RGB 7 28 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 252 212 shade matches the following richer shades: RGB 7 252 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 27 232 198, RGB 48 212 185, RGB 68 191 171 and RGB 88 171 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 252 212 shade: RGB 7 252 81, RGB 7 252 146, RGB 7 252 211, RGB 7 228 252 and RGB 7 162 252

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 252 212 shade: RGB 1 175 147, RGB 2 216 181, RGB 7 252 212, RGB 48 252 219 and RGB 89 253 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 15 7 252 and RGB 252 113 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 211 7 252 and RGB 252 211 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 15 7 252, RGB 252 7 48 and RGB 244 252 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 252 212 shade: RGB 7 252 212, RGB 89 7 252, RGB 252 7 48 and RGB 170 252 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

Complementary color

CMYK 0 / 99 / 83 / 3

HEX #F8032B

RGB 248 3 43

HSL 350.2, 0.98%, 0.49%

LAB 52.06, 78.76, 50.2

 

CMYK 95 / 0 / 18 / 1

HEX #0CFCCF

RGB 12 252 207

HSL 168.75, 0.98%, 0.52%

LAB 89.02, -59.47, 7.7

 

CMYK 89 / 0 / 11 / 0

HEX #1DFFE2

RGB 29 255 226

HSL 172.3, 1%, 0.56%

LAB 90.45, -55.21, -0.07

 

CMYK 82 / 0 / 4 / 0

HEX #2EFFF5

RGB 46 255 245

HSL 177.13, 1%, 0.59%

LAB 91.1, -49.12, -8.95

 

CMYK 75 / 0 / 0 / 0

HEX #3FFFFF

RGB 63 255 255

HSL 180, 1%, 0.62%

LAB 91.59, -44.95, -13.38

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 100 / 0 / 18 / 8

HEX #00EAC1

RGB 0 234 193

HSL 169.49, 1%, 0.46%

LAB 83.28, -56.24, 6.76

 

CMYK 100 / 0 / 19 / 15

HEX #00D8AE

RGB 0 216 174

HSL 168.33, 1%, 0.42%

LAB 77.38, -53.96, 8.35

 

CMYK 100 / 0 / 22 / 22

HEX #00C69B

RGB 0 198 155

HSL 166.97, 1%, 0.39%

LAB 71.39, -51.64, 10

 

CMYK 100 / 0 / 24 / 29

HEX #00B488

RGB 0 180 136

HSL 165.33, 1%, 0.35%

LAB 65.29, -49.27, 11.72

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 97 / 0 / 42 / 1

HEX #07FC92

RGB 7 252 146

HSL 154.04, 0.98%, 0.51%

LAB 87.84, -72.64, 37.09

 

CMYK 97 / 0 / 68 / 1

HEX #07FC50

RGB 7 252 80

HSL 137.88, 0.98%, 0.51%

LAB 87.12, -81.55, 65.57

 

CMYK 97 / 0 / 94 / 1

HEX #07FC0E

RGB 7 252 14

HSL 121.71, 0.98%, 0.51%

LAB 86.85, -85.01, 81.37

 

CMYK 74 / 0 / 97 / 1

HEX #42FC07

RGB 66 252 7

HSL 105.55, 0.98%, 0.51%

LAB 87.39, -80.23, 82.6

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 97 / 10 / 0 / 1

HEX #07E2FC

RGB 7 226 252

HSL 186.37, 0.98%, 0.51%

LAB 82.63, -35.85, -25.39

 

CMYK 97 / 37 / 0 / 1

HEX #07A0FC

RGB 7 160 252

HSL 202.53, 0.98%, 0.51%

LAB 63.52, -1.46, -55.15

 

CMYK 97 / 63 / 0 / 1

HEX #075EFC

RGB 7 94 252

HSL 218.69, 0.98%, 0.51%

LAB 45.74, 39.28, -83.89

 

CMYK 97 / 89 / 0 / 1

HEX #071CFC

RGB 7 28 252

HSL 234.86, 0.98%, 0.51%

LAB 33.78, 72.94, -103.7

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 88 / 0 / 15 / 9

HEX #1BE8C6

RGB 27 232 198

HSL 170.05, 0.82%, 0.51%

LAB 82.93, -53.27, 3.63

 

CMYK 77 / 0 / 13 / 17

HEX #30D4B9

RGB 48 212 185

HSL 170.12, 0.66%, 0.51%

LAB 76.81, -46.79, 1.69

 

CMYK 64 / 0 / 10 / 25

HEX #44BFAB

RGB 68 191 171

HSL 170.24, 0.49%, 0.51%

LAB 70.48, -38.61, 0.09

 

CMYK 49 / 0 / 8 / 33

HEX #58AB9E

RGB 88 171 158

HSL 170.6, 0.33%, 0.51%

LAB 64.7, -28.51, -1.11

 

CMYK 97 / 0 / 68 / 1

HEX #07FC51

RGB 7 252 81

HSL 138.12, 0.98%, 0.51%

LAB 87.12, -81.46, 65.2

 

CMYK 97 / 0 / 42 / 1

HEX #07FC92

RGB 7 252 146

HSL 154.04, 0.98%, 0.51%

LAB 87.84, -72.64, 37.09

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD3

RGB 7 252 211

HSL 169.96, 0.98%, 0.51%

LAB 89.1, -58.58, 5.74

 

CMYK 97 / 10 / 0 / 1

HEX #07E4FC

RGB 7 228 252

HSL 185.88, 0.98%, 0.51%

LAB 83.21, -36.78, -24.5

 

CMYK 97 / 36 / 0 / 1

HEX #07A2FC

RGB 7 162 252

HSL 202.04, 0.98%, 0.51%

LAB 64.09, -2.61, -54.25

 

CMYK 99 / 0 / 16 / 31

HEX #01AF93

RGB 1 175 147

HSL 170.34, 0.99%, 0.35%

LAB 63.98, -44.34, 3.76

 

CMYK 99 / 0 / 16 / 15

HEX #02D8B5

RGB 2 216 181

HSL 170.19, 0.98%, 0.43%

LAB 77.56, -52.11, 4.86

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 81 / 0 / 13 / 1

HEX #30FCDB

RGB 48 252 219

HSL 170.29, 0.97%, 0.59%

LAB 89.56, -54.6, 2.3

 

CMYK 65 / 0 / 11 / 1

HEX #59FDE2

RGB 89 253 226

HSL 170.12, 0.98%, 0.67%

LAB 90.72, -48.52, 0.43

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 94 / 97 / 0 / 1

HEX #0F07FC

RGB 15 7 252

HSL 241.96, 0.98%, 0.51%

LAB 32.44, 77.51, -105.94

 

CMYK 0 / 55 / 97 / 1

HEX #FC7107

RGB 252 113 7

HSL 25.96, 0.98%, 0.51%

LAB 63.77, 48.97, 70.78

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 16 / 97 / 0 / 1

HEX #D307FC

RGB 211 7 252

HSL 289.96, 0.98%, 0.51%

LAB 52.98, 90.95, -71.37

 

CMYK 0 / 16 / 97 / 1

HEX #FCD307

RGB 252 211 7

HSL 49.96, 0.98%, 0.51%

LAB 85.65, -1.12, 85.5

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 94 / 97 / 0 / 1

HEX #0F07FC

RGB 15 7 252

HSL 241.96, 0.98%, 0.51%

LAB 32.44, 77.51, -105.94

 

CMYK 0 / 97 / 81 / 1

HEX #FC0730

RGB 252 7 48

HSL 349.96, 0.98%, 0.51%

LAB 53.02, 79.55, 48.77

 

CMYK 3 / 0 / 97 / 1

HEX #F4FC07

RGB 244 252 7

HSL 61.96, 0.98%, 0.51%

LAB 95.53, -24.59, 92.43

 

CMYK 97 / 0 / 16 / 1

HEX #07FCD4

RGB 7 252 212

HSL 170.2, 0.98%, 0.51%

LAB 89.12, -58.33, 5.25

 

CMYK 65 / 97 / 0 / 1

HEX #5907FC

RGB 89 7 252

HSL 260.08, 0.98%, 0.51%

LAB 36.56, 79.34, -98.96

 

CMYK 0 / 97 / 81 / 1

HEX #FC0730

RGB 252 7 48

HSL 349.96, 0.98%, 0.51%

LAB 53.02, 79.55, 48.77

 

CMYK 33 / 0 / 97 / 1

HEX #AAFC07

RGB 170 252 7

HSL 80.08, 0.98%, 0.51%

LAB 90.86, -53.19, 86.83

 

Description

Color code: RGB 7 252 212 | qconv.com Color code: RGB 7 252 212 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 252 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 252 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 16 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 16% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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