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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 199 111 it is the complementary color RGB 248 56 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 199 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 199 111 shade: RGB 12 199 106, RGB 29 217 125, RGB 46 235 144, RGB 63 253 163 and RGB 80 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 199 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 199 111 shade: RGB 7 199 111, RGB 0 181 92, RGB 0 163 73, RGB 0 145 54 and RGB 0 127 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 199 111 shade: RGB 7 196 109, RGB 7 196 58, RGB 7 196 7, RGB 57 196 7 and RGB 109 196 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 199 111 shade: RGB 7 196 109, RGB 7 196 161, RGB 7 181 196, RGB 7 130 196 and RGB 7 79 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 199 111 shade matches the following richer shades: RGB 7 196 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 199 111 shade: RGB 7 196 109, RGB 23 180 108, RGB 40 163 107, RGB 56 147 105 and RGB 73 130 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 199 111 shade: RGB 7 196 7, RGB 7 196 57, RGB 7 196 108, RGB 7 196 158 and RGB 7 184 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 199 111 shade: RGB 4 117 65, RGB 5 157 87, RGB 7 196 109, RGB 8 236 132 and RGB 39 247 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 199 111 shade: RGB 7 199 111, RGB 7 57 196 and RGB 196 32 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 199 111 shade: RGB 7 199 111, RGB 108 7 196 and RGB 196 108 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 199 111 shade: RGB 7 199 111, RGB 7 57 196, RGB 196 7 95 and RGB 196 146 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 199 111 shade: RGB 7 199 111, RGB 13 7 196, RGB 196 7 95 and RGB 190 196 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 44 / 22

HEX #07C76F

RGB 7 199 111

HSL 152.5, 0.93%, 0.4%

LAB 70.9, -61.28, 32.61

 

Complementary color

CMYK 0 / 77 / 42 / 3

HEX #F83890

RGB 248 56 144

HSL 332.5, 0.93%, 0.6%

LAB 56.88, 76.03, -2.72

 

CMYK 94 / 0 / 47 / 22

HEX #0CC76A

RGB 12 199 106

HSL 150.16, 0.89%, 0.41%

LAB 70.85, -61.97, 35.08

 

CMYK 87 / 0 / 42 / 15

HEX #1DD97D

RGB 29 217 125

HSL 150.64, 0.76%, 0.48%

LAB 76.9, -63.75, 33.31

 

CMYK 80 / 0 / 39 / 8

HEX #2EEB90

RGB 46 235 144

HSL 151.11, 0.83%, 0.55%

LAB 82.92, -65.05, 31.66

 

CMYK 75 / 0 / 36 / 1

HEX #3FFDA3

RGB 63 253 163

HSL 151.58, 0.98%, 0.62%

LAB 88.9, -65.99, 30.12

 

CMYK 69 / 0 / 29 / 0

HEX #50FFB6

RGB 80 255 182

HSL 154.97, 1%, 0.66%

LAB 90.14, -60.68, 22.25

 

CMYK 96 / 0 / 44 / 22

HEX #07C76F

RGB 7 199 111

HSL 152.5, 0.93%, 0.4%

LAB 70.9, -61.28, 32.61

 

CMYK 100 / 0 / 49 / 29

HEX #00B55C

RGB 0 181 92

HSL 150.5, 1%, 0.35%

LAB 64.82, -58.83, 34.51

 

CMYK 100 / 0 / 55 / 36

HEX #00A349

RGB 0 163 73

HSL 146.87, 1%, 0.32%

LAB 58.67, -55.94, 36.46

 

CMYK 100 / 0 / 63 / 43

HEX #009136

RGB 0 145 54

HSL 142.34, 1%, 0.28%

LAB 52.42, -52.79, 38.29

 

CMYK 100 / 0 / 72 / 50

HEX #007F23

RGB 0 127 35

HSL 136.54, 1%, 0.25%

LAB 46.04, -49.29, 39.79

 

CMYK 96 / 0 / 44 / 23

HEX #07C46D

RGB 7 196 109

HSL 152.38, 0.93%, 0.4%

LAB 69.92, -60.62, 32.36

 

CMYK 96 / 0 / 70 / 23

HEX #07C43A

RGB 7 196 58

HSL 136.19, 0.93%, 0.4%

LAB 69.35, -67.58, 55.13

 

CMYK 96 / 0 / 96 / 23

HEX #07C407

RGB 7 196 7

HSL 120, 0.93%, 0.4%

LAB 69.14, -70.26, 67.5

 

CMYK 71 / 0 / 96 / 23

HEX #39C407

RGB 57 196 7

HSL 104.13, 0.93%, 0.4%

LAB 69.73, -65.03, 68.22

 

CMYK 44 / 0 / 96 / 23

HEX #6DC407

RGB 109 196 7

HSL 87.62, 0.93%, 0.4%

LAB 71.38, -51.72, 70.25

 

CMYK 96 / 0 / 44 / 23

HEX #07C46D

RGB 7 196 109

HSL 152.38, 0.93%, 0.4%

LAB 69.92, -60.62, 32.36

 

CMYK 96 / 0 / 18 / 23

HEX #07C4A1

RGB 7 196 161

HSL 168.89, 0.93%, 0.4%

LAB 70.94, -49.08, 6.11

 

CMYK 96 / 8 / 0 / 23

HEX #07B5C4

RGB 7 181 196

HSL 184.76, 0.93%, 0.4%

LAB 67.34, -32.25, -18.43

 

CMYK 96 / 34 / 0 / 23

HEX #0782C4

RGB 7 130 196

HSL 200.95, 0.93%, 0.4%

LAB 51.83, -5.07, -42.46

 

CMYK 96 / 60 / 0 / 23

HEX #074FC4

RGB 7 79 196

HSL 217.14, 0.93%, 0.4%

LAB 37.16, 27.48, -66.08

 

CMYK 96 / 0 / 44 / 23

HEX #07C46D

RGB 7 196 109

HSL 152.38, 0.93%, 0.4%

LAB 69.92, -60.62, 32.36

 

CMYK 96 / 0 / 44 / 23

HEX #07C46D

RGB 7 196 109

HSL 152.38, 0.93%, 0.4%

LAB 69.92, -60.62, 32.36

 

CMYK 87 / 0 / 40 / 29

HEX #17B46C

RGB 23 180 108

HSL 152.48, 0.77%, 0.4%

LAB 64.89, -54.36, 26.33

 

CMYK 75 / 0 / 34 / 36

HEX #28A36B

RGB 40 163 107

HSL 152.68, 0.61%, 0.4%

LAB 59.62, -46.33, 19.85

 

CMYK 62 / 0 / 29 / 42

HEX #389369

RGB 56 147 105

HSL 152.31, 0.45%, 0.4%

LAB 54.79, -37.27, 14.4

 

CMYK 44 / 0 / 20 / 49

HEX #498268

RGB 73 130 104

HSL 152.63, 0.28%, 0.4%

LAB 49.96, -25.17, 8.29

 

CMYK 96 / 0 / 96 / 23

HEX #07C407

RGB 7 196 7

HSL 120, 0.93%, 0.4%

LAB 69.14, -70.26, 67.5

 

CMYK 96 / 0 / 71 / 23

HEX #07C439

RGB 7 196 57

HSL 135.87, 0.93%, 0.4%

LAB 69.34, -67.68, 55.5

 

CMYK 96 / 0 / 45 / 23

HEX #07C46C

RGB 7 196 108

HSL 152.06, 0.93%, 0.4%

LAB 69.9, -60.8, 32.85

 

CMYK 96 / 0 / 19 / 23

HEX #07C49E

RGB 7 196 158

HSL 167.94, 0.93%, 0.4%

LAB 70.87, -49.85, 7.63

 

CMYK 96 / 6 / 0 / 23

HEX #07B8C4

RGB 7 184 196

HSL 183.81, 0.93%, 0.4%

LAB 68.25, -33.68, -17.04

 

CMYK 97 / 0 / 44 / 54

HEX #047541

RGB 4 117 65

HSL 152.39, 0.93%, 0.24%

LAB 42.96, -40.96, 20.97

 

CMYK 97 / 0 / 45 / 38

HEX #059D57

RGB 5 157 87

HSL 152.37, 0.94%, 0.32%

LAB 56.91, -51.24, 27.03

 

CMYK 96 / 0 / 44 / 23

HEX #07C46D

RGB 7 196 109

HSL 152.38, 0.93%, 0.4%

LAB 69.92, -60.62, 32.36

 

CMYK 97 / 0 / 44 / 7

HEX #08EC84

RGB 8 236 132

HSL 152.63, 0.93%, 0.48%

LAB 82.76, -69.84, 37.39

 

CMYK 84 / 0 / 39 / 3

HEX #27F797

RGB 39 247 151

HSL 152.31, 0.93%, 0.56%

LAB 86.6, -68.52, 33.01

 

CMYK 96 / 0 / 44 / 22

HEX #07C76F

RGB 7 199 111

HSL 152.5, 0.93%, 0.4%

LAB 70.9, -61.28, 32.61

 

CMYK 96 / 71 / 0 / 23

HEX #0739C4

RGB 7 57 196

HSL 224.13, 0.93%, 0.4%

LAB 31.71, 41.76, -75.03

 

CMYK 0 / 84 / 96 / 23

HEX #C42007

RGB 196 32 7

HSL 7.94, 0.93%, 0.4%

LAB 42.44, 61.14, 53.46

 

CMYK 96 / 0 / 44 / 22

HEX #07C76F

RGB 7 199 111

HSL 152.5, 0.93%, 0.4%

LAB 70.9, -61.28, 32.61

 

CMYK 45 / 96 / 0 / 23

HEX #6C07C4

RGB 108 7 196

HSL 272.06, 0.93%, 0.4%

LAB 32.54, 68.15, -73.43

 

CMYK 0 / 45 / 96 / 23

HEX #C46C07

RGB 196 108 7

HSL 32.06, 0.93%, 0.4%

LAB 54.53, 29.35, 60.83

 

CMYK 96 / 0 / 44 / 22

HEX #07C76F

RGB 7 199 111

HSL 152.5, 0.93%, 0.4%

LAB 70.9, -61.28, 32.61

 

CMYK 96 / 71 / 0 / 23

HEX #0739C4

RGB 7 57 196

HSL 224.13, 0.93%, 0.4%

LAB 31.71, 41.76, -75.03

 

CMYK 0 / 96 / 52 / 23

HEX #C4075F

RGB 196 7 95

HSL 332.06, 0.93%, 0.4%

LAB 42.33, 68.54, 4.76

 

CMYK 0 / 26 / 96 / 23

HEX #C49207

RGB 196 146 7

HSL 44.13, 0.93%, 0.4%

LAB 63.6, 8.62, 67.11

 

CMYK 96 / 0 / 44 / 22

HEX #07C76F

RGB 7 199 111

HSL 152.5, 0.93%, 0.4%

LAB 70.9, -61.28, 32.61

 

CMYK 93 / 96 / 0 / 23

HEX #0D07C4

RGB 13 7 196

HSL 241.9, 0.93%, 0.4%

LAB 24.4, 63.53, -87.18

 

CMYK 0 / 96 / 52 / 23

HEX #C4075F

RGB 196 7 95

HSL 332.06, 0.93%, 0.4%

LAB 42.33, 68.54, 4.76

 

CMYK 3 / 0 / 96 / 23

HEX #BEC407

RGB 190 196 7

HSL 61.9, 0.93%, 0.4%

LAB 76.34, -20.18, 76.23

 

Description

Color code: RGB 7 199 111 | qconv.com Color code: RGB 7 199 111 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 199 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 199 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 44 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 44% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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