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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 196 173 it is the complementary color RGB 248 59 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 196 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 196 173 shade: RGB 12 196 168, RGB 29 214 187, RGB 46 232 206, RGB 63 250 225 and RGB 80 255 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 196 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 0 178 154, RGB 0 160 135, RGB 0 142 116 and RGB 0 124 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 7 196 122, RGB 7 196 71, RGB 7 196 20 and RGB 45 196 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 7 168 196, RGB 7 117 196, RGB 7 66 196 and RGB 7 15 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 196 173 shade matches the following richer shades: RGB 7 196 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 23 180 161, RGB 40 163 148, RGB 56 147 136 and RGB 73 130 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 196 173 shade: RGB 7 196 70, RGB 7 196 120, RGB 7 196 171, RGB 7 171 196 and RGB 7 120 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 196 173 shade: RGB 4 117 103, RGB 5 157 138, RGB 7 196 173, RGB 8 236 208 and RGB 39 247 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 19 7 196 and RGB 196 95 7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 171 7 196 and RGB 196 171 7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 19 7 196, RGB 196 7 32 and RGB 184 196 7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 196 173 shade: RGB 7 196 173, RGB 76 7 196, RGB 196 7 32 and RGB 127 196 7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

Complementary color

CMYK 0 / 76 / 67 / 3

HEX #F83B52

RGB 248 59 82

HSL 352.7, 0.93%, 0.6%

LAB 55.78, 70.83, 32.47

 

CMYK 94 / 0 / 14 / 23

HEX #0CC4A8

RGB 12 196 168

HSL 170.87, 0.88%, 0.41%

LAB 71.14, -47.07, 2.59

 

CMYK 86 / 0 / 13 / 16

HEX #1DD6BB

RGB 29 214 187

HSL 171.24, 0.76%, 0.48%

LAB 77.25, -48.66, 1.23

 

CMYK 80 / 0 / 11 / 9

HEX #2EE8CE

RGB 46 232 206

HSL 171.61, 0.8%, 0.55%

LAB 83.31, -49.89, -0.01

 

CMYK 75 / 0 / 10 / 2

HEX #3FFAE1

RGB 63 250 225

HSL 171.98, 0.95%, 0.61%

LAB 89.33, -50.85, -1.14

 

CMYK 69 / 0 / 4 / 0

HEX #50FFF4

RGB 80 255 244

HSL 176.23, 1%, 0.66%

LAB 91.58, -46.03, -7.67

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 100 / 0 / 13 / 30

HEX #00B29A

RGB 0 178 154

HSL 171.91, 1%, 0.35%

LAB 65.1, -43.73, 1.5

 

CMYK 100 / 0 / 16 / 37

HEX #00A087

RGB 0 160 135

HSL 170.63, 1%, 0.31%

LAB 58.87, -41.33, 3.1

 

CMYK 100 / 0 / 18 / 44

HEX #008E74

RGB 0 142 116

HSL 169.01, 1%, 0.28%

LAB 52.52, -38.87, 4.78

 

CMYK 100 / 0 / 22 / 51

HEX #007C61

RGB 0 124 97

HSL 166.94, 1%, 0.24%

LAB 46.01, -36.36, 6.54

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 96 / 0 / 38 / 23

HEX #07C47A

RGB 7 196 122

HSL 156.51, 0.93%, 0.4%

LAB 70.13, -58.13, 25.89

 

CMYK 96 / 0 / 64 / 23

HEX #07C447

RGB 7 196 71

HSL 140.32, 0.93%, 0.4%

LAB 69.46, -66.24, 49.94

 

CMYK 96 / 0 / 90 / 23

HEX #07C414

RGB 7 196 20

HSL 124.13, 0.93%, 0.4%

LAB 69.17, -69.93, 65.78

 

CMYK 77 / 0 / 96 / 23

HEX #2DC407

RGB 45 196 7

HSL 107.94, 0.93%, 0.4%

LAB 69.51, -66.97, 67.95

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 96 / 14 / 0 / 23

HEX #07A8C4

RGB 7 168 196

HSL 188.89, 0.93%, 0.4%

LAB 63.37, -25.86, -24.47

 

CMYK 96 / 40 / 0 / 23

HEX #0775C4

RGB 7 117 196

HSL 205.08, 0.93%, 0.4%

LAB 47.95, 2.79, -48.63

 

CMYK 96 / 66 / 0 / 23

HEX #0742C4

RGB 7 66 196

HSL 221.27, 0.93%, 0.4%

LAB 33.83, 36.04, -71.53

 

CMYK 96 / 92 / 0 / 23

HEX #070FC4

RGB 7 15 196

HSL 237.46, 0.93%, 0.4%

LAB 24.87, 61.63, -86.4

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 87 / 0 / 11 / 29

HEX #17B4A1

RGB 23 180 161

HSL 172.74, 0.77%, 0.4%

LAB 66.06, -41.63, -0.96

 

CMYK 75 / 0 / 9 / 36

HEX #28A394

RGB 40 163 148

HSL 172.68, 0.61%, 0.4%

LAB 60.59, -36.16, -1.68

 

CMYK 62 / 0 / 7 / 42

HEX #389388

RGB 56 147 136

HSL 172.75, 0.45%, 0.4%

LAB 55.57, -29.52, -2.19

 

CMYK 44 / 0 / 5 / 49

HEX #49827B

RGB 73 130 123

HSL 172.63, 0.28%, 0.4%

LAB 50.47, -20.53, -2.08

 

CMYK 96 / 0 / 64 / 23

HEX #07C446

RGB 7 196 70

HSL 140, 0.93%, 0.4%

LAB 69.45, -66.35, 50.36

 

CMYK 96 / 0 / 39 / 23

HEX #07C478

RGB 7 196 120

HSL 155.87, 0.93%, 0.4%

LAB 70.09, -58.53, 26.89

 

CMYK 96 / 0 / 13 / 23

HEX #07C4AB

RGB 7 196 171

HSL 172.06, 0.93%, 0.4%

LAB 71.19, -46.42, 1.03

 

CMYK 96 / 13 / 0 / 23

HEX #07ABC4

RGB 7 171 196

HSL 187.94, 0.93%, 0.4%

LAB 64.29, -27.36, -23.07

 

CMYK 96 / 39 / 0 / 23

HEX #0778C4

RGB 7 120 196

HSL 204.13, 0.93%, 0.4%

LAB 48.84, 0.95, -47.21

 

CMYK 97 / 0 / 12 / 54

HEX #047567

RGB 4 117 103

HSL 172.57, 0.93%, 0.24%

LAB 43.84, -31.23, -0.16

 

CMYK 97 / 0 / 12 / 38

HEX #059D8A

RGB 5 157 138

HSL 172.5, 0.94%, 0.32%

LAB 58.02, -38.96, 0.17

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 97 / 0 / 12 / 7

HEX #08ECD0

RGB 8 236 208

HSL 172.63, 0.93%, 0.48%

LAB 84.28, -52.96, 0.31

 

CMYK 84 / 0 / 11 / 3

HEX #27F7DD

RGB 39 247 221

HSL 172.5, 0.93%, 0.56%

LAB 88.05, -52.7, -0.96

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 90 / 96 / 0 / 23

HEX #1307C4

RGB 19 7 196

HSL 243.81, 0.93%, 0.4%

LAB 24.56, 63.6, -86.9

 

CMYK 0 / 52 / 96 / 23

HEX #C45F07

RGB 196 95 7

HSL 27.94, 0.93%, 0.4%

LAB 51.76, 36.17, 59.01

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 13 / 96 / 0 / 23

HEX #AB07C4

RGB 171 7 196

HSL 292.06, 0.93%, 0.4%

LAB 42.45, 76.06, -56.82

 

CMYK 0 / 13 / 96 / 23

HEX #C4AB07

RGB 196 171 7

HSL 52.06, 0.93%, 0.4%

LAB 70.09, -4.79, 71.81

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 90 / 96 / 0 / 23

HEX #1307C4

RGB 19 7 196

HSL 243.81, 0.93%, 0.4%

LAB 24.56, 63.6, -86.9

 

CMYK 0 / 96 / 84 / 23

HEX #C40720

RGB 196 7 32

HSL 352.06, 0.93%, 0.4%

LAB 41.2, 65.47, 42.06

 

CMYK 6 / 0 / 96 / 23

HEX #B8C407

RGB 184 196 7

HSL 63.81, 0.93%, 0.4%

LAB 75.88, -22.75, 75.67

 

CMYK 96 / 0 / 12 / 23

HEX #07C4AD

RGB 7 196 173

HSL 172.7, 0.93%, 0.4%

LAB 71.24, -45.87, 0.02

 

CMYK 61 / 96 / 0 / 23

HEX #4C07C4

RGB 76 7 196

HSL 261.9, 0.93%, 0.4%

LAB 28.57, 65.62, -80.11

 

CMYK 0 / 96 / 84 / 23

HEX #C40720

RGB 196 7 32

HSL 352.06, 0.93%, 0.4%

LAB 41.2, 65.47, 42.06

 

CMYK 35 / 0 / 96 / 23

HEX #7FC407

RGB 127 196 7

HSL 81.9, 0.93%, 0.4%

LAB 72.23, -45.53, 71.28

 

Description

Color code: RGB 7 196 173 | qconv.com Color code: RGB 7 196 173 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 196 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 196 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 12 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 12% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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