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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 239 79 it is the complementary color RGB 176 16 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 239 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 239 79 shade: RGB 84 239 74, RGB 101 255 93, RGB 118 255 112, RGB 135 255 131 and RGB 152 255 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 239 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 239 79 shade: RGB 79 239 79, RGB 62 221 60, RGB 45 203 41, RGB 28 185 22 and RGB 11 167 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 239 79 shade: RGB 77 238 77, RGB 121 238 77, RGB 164 238 77, RGB 207 238 77 and RGB 238 225 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 239 79 shade: RGB 77 238 77, RGB 77 238 121, RGB 77 238 164, RGB 77 238 207 and RGB 77 225 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 239 79 shade matches the following richer shades: RGB 77 238 77 and RGB 61 254 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 239 79 shade: RGB 77 238 77, RGB 93 222 93, RGB 109 207 109, RGB 124 191 124 and RGB 140 175 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 239 79 shade: RGB 163 238 77, RGB 120 238 77, RGB 77 238 77, RGB 77 238 120 and RGB 77 238 163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 239 79 shade: RGB 19 213 19, RGB 39 235 39, RGB 77 238 77, RGB 115 242 115 and RGB 153 245 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 239 79 shade: RGB 79 239 79, RGB 77 206 238 and RGB 238 77 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 239 79 shade: RGB 79 239 79, RGB 77 77 238 and RGB 238 77 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 239 79 shade: RGB 79 239 79, RGB 77 206 238, RGB 238 77 238 and RGB 238 109 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 239 79 shade: RGB 79 239 79, RGB 77 158 238, RGB 238 77 238 and RGB 238 158 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 67 / 6

HEX #4FEF4F

RGB 79 239 79

HSL 120, 0.83%, 0.62%

LAB 83.94, -70.71, 62.81

 

Complementary color

CMYK 0 / 91 / 0 / 31

HEX #B010B0

RGB 176 16 176

HSL 300, 0.83%, 0.38%

LAB 42.36, 72.71, -45.16

 

CMYK 65 / 0 / 69 / 6

HEX #54EF4A

RGB 84 239 74

HSL 116.36, 0.84%, 0.61%

LAB 84.02, -70.19, 64.83

 

CMYK 60 / 0 / 64 / 0

HEX #65FF5D

RGB 101 255 93

HSL 117.04, 1%, 0.68%

LAB 89.43, -70.29, 63.4

 

CMYK 54 / 0 / 56 / 0

HEX #76FF70

RGB 118 255 112

HSL 117.48, 1%, 0.72%

LAB 90.11, -64.36, 56.27

 

CMYK 47 / 0 / 49 / 0

HEX #87FF83

RGB 135 255 131

HSL 118.06, 1%, 0.76%

LAB 90.92, -57.65, 48.71

 

CMYK 40 / 0 / 41 / 0

HEX #98FF96

RGB 152 255 150

HSL 118.86, 1%, 0.79%

LAB 91.86, -50.26, 40.94

 

CMYK 67 / 0 / 67 / 6

HEX #4FEF4F

RGB 79 239 79

HSL 120, 0.83%, 0.62%

LAB 83.94, -70.71, 62.81

 

CMYK 72 / 0 / 73 / 13

HEX #3EDD3C

RGB 62 221 60

HSL 119.25, 0.7%, 0.55%

LAB 77.91, -69.51, 63.42

 

CMYK 78 / 0 / 80 / 20

HEX #2DCB29

RGB 45 203 41

HSL 118.52, 0.66%, 0.48%

LAB 71.85, -67.8, 63.45

 

CMYK 85 / 0 / 88 / 27

HEX #1CB916

RGB 28 185 22

HSL 117.79, 0.79%, 0.41%

LAB 65.75, -65.39, 62.51

 

CMYK 93 / 0 / 98 / 35

HEX #0BA703

RGB 11 167 3

HSL 117.07, 0.96%, 0.33%

LAB 59.63, -62.1, 60.24

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 49 / 0 / 68 / 7

HEX #79EE4D

RGB 121 238 77

HSL 103.6, 0.83%, 0.62%

LAB 84.87, -60.71, 64.93

 

CMYK 31 / 0 / 68 / 7

HEX #A4EE4D

RGB 164 238 77

HSL 87.58, 0.83%, 0.62%

LAB 86.79, -47.04, 67.53

 

CMYK 13 / 0 / 68 / 7

HEX #CFEE4D

RGB 207 238 77

HSL 71.55, 0.83%, 0.62%

LAB 89.37, -30.95, 71

 

CMYK 0 / 5 / 68 / 7

HEX #EEE14D

RGB 238 225 77

HSL 55.16, 0.83%, 0.62%

LAB 88.24, -12.15, 70.61

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 68 / 0 / 49 / 7

HEX #4DEE79

RGB 77 238 121

HSL 136.4, 0.83%, 0.62%

LAB 84.02, -65.76, 44.5

 

CMYK 68 / 0 / 31 / 7

HEX #4DEEA4

RGB 77 238 164

HSL 152.42, 0.83%, 0.62%

LAB 84.69, -58.28, 23.95

 

CMYK 68 / 0 / 13 / 7

HEX #4DEECF

RGB 77 238 207

HSL 168.45, 0.83%, 0.62%

LAB 85.62, -48.62, 2.89

 

CMYK 68 / 5 / 0 / 7

HEX #4DE1EE

RGB 77 225 238

HSL 184.84, 0.83%, 0.62%

LAB 82.7, -34.53, -17.79

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 76 / 0 / 76 / 0

HEX #3DFE3D

RGB 61 254 61

HSL 120, 0.99%, 0.62%

LAB 88.07, -79.57, 73.15

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 58 / 0 / 58 / 13

HEX #5DDE5D

RGB 93 222 93

HSL 120, 0.66%, 0.62%

LAB 79.25, -60.52, 51.83

 

CMYK 47 / 0 / 47 / 19

HEX #6DCF6D

RGB 109 207 109

HSL 120, 0.51%, 0.62%

LAB 75.44, -48.56, 39.82

 

CMYK 35 / 0 / 35 / 25

HEX #7CBF7C

RGB 124 191 124

HSL 120, 0.34%, 0.62%

LAB 71.56, -34.78, 27.27

 

CMYK 20 / 0 / 20 / 31

HEX #8CAF8C

RGB 140 175 140

HSL 120, 0.18%, 0.62%

LAB 68.12, -18.84, 14.1

 

CMYK 32 / 0 / 68 / 7

HEX #A3EE4D

RGB 163 238 77

HSL 87.95, 0.83%, 0.62%

LAB 86.74, -47.39, 67.46

 

CMYK 50 / 0 / 68 / 7

HEX #78EE4D

RGB 120 238 77

HSL 103.98, 0.83%, 0.62%

LAB 84.83, -60.99, 64.88

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 68 / 0 / 50 / 7

HEX #4DEE78

RGB 77 238 120

HSL 136.02, 0.83%, 0.62%

LAB 84.01, -65.91, 44.96

 

CMYK 68 / 0 / 32 / 7

HEX #4DEEA3

RGB 77 238 163

HSL 152.05, 0.83%, 0.62%

LAB 84.67, -58.48, 24.44

 

CMYK 91 / 0 / 91 / 16

HEX #13D513

RGB 19 213 19

HSL 120, 0.84%, 0.45%

LAB 74.68, -74.05, 70.66

 

CMYK 83 / 0 / 83 / 8

HEX #27EB27

RGB 39 235 39

HSL 120, 0.83%, 0.54%

LAB 81.84, -77.86, 73.14

 

CMYK 68 / 0 / 68 / 7

HEX #4DEE4D

RGB 77 238 77

HSL 120, 0.83%, 0.62%

LAB 83.58, -70.93, 63.18

 

CMYK 52 / 0 / 52 / 5

HEX #73F273

RGB 115 242 115

HSL 120, 0.83%, 0.7%

LAB 86.2, -59.93, 50.23

 

CMYK 38 / 0 / 38 / 4

HEX #99F599

RGB 153 245 153

HSL 120, 0.82%, 0.78%

LAB 89.1, -45.29, 35.88

 

CMYK 67 / 0 / 67 / 6

HEX #4FEF4F

RGB 79 239 79

HSL 120, 0.83%, 0.62%

LAB 83.94, -70.71, 62.81

 

CMYK 68 / 13 / 0 / 7

HEX #4DCEEE

RGB 77 206 238

HSL 191.93, 0.83%, 0.62%

LAB 77.22, -25.35, -26.12

 

CMYK 0 / 68 / 40 / 7

HEX #EE4D8E

RGB 238 77 142

HSL 335.78, 0.83%, 0.62%

LAB 57.5, 66.42, -0.83

 

CMYK 67 / 0 / 67 / 6

HEX #4FEF4F

RGB 79 239 79

HSL 120, 0.83%, 0.62%

LAB 83.94, -70.71, 62.81

 

CMYK 68 / 68 / 0 / 7

HEX #4D4DEE

RGB 77 77 238

HSL 240, 0.83%, 0.62%

LAB 42.85, 49.31, -80.71

 

CMYK 0 / 68 / 68 / 7

HEX #EE4D4D

RGB 238 77 77

HSL 0, 0.83%, 0.62%

LAB 56.11, 61.54, 35.34

 

CMYK 67 / 0 / 67 / 6

HEX #4FEF4F

RGB 79 239 79

HSL 120, 0.83%, 0.62%

LAB 83.94, -70.71, 62.81

 

CMYK 68 / 13 / 0 / 7

HEX #4DCEEE

RGB 77 206 238

HSL 191.93, 0.83%, 0.62%

LAB 77.22, -25.35, -26.12

 

CMYK 0 / 68 / 0 / 7

HEX #EE4DEE

RGB 238 77 238

HSL 300, 0.83%, 0.62%

LAB 61.36, 79, -49.91

 

CMYK 0 / 54 / 68 / 7

HEX #EE6D4D

RGB 238 109 77

HSL 11.93, 0.83%, 0.62%

LAB 61.35, 47.63, 41.57

 

CMYK 67 / 0 / 67 / 6

HEX #4FEF4F

RGB 79 239 79

HSL 120, 0.83%, 0.62%

LAB 83.94, -70.71, 62.81

 

CMYK 68 / 34 / 0 / 7

HEX #4D9EEE

RGB 77 158 238

HSL 209.81, 0.83%, 0.62%

LAB 63.51, 0.41, -47.42

 

CMYK 0 / 68 / 0 / 7

HEX #EE4DEE

RGB 238 77 238

HSL 300, 0.83%, 0.62%

LAB 61.36, 79, -49.91

 

CMYK 0 / 34 / 68 / 7

HEX #EE9E4D

RGB 238 158 77

HSL 30.19, 0.83%, 0.62%

LAB 71.67, 22.56, 53.23

 

Description

Color code: RGB 79 239 79 | qconv.com Color code: RGB 79 239 79 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 239 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 239 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 67 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 67% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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