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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 239 251 it is the complementary color RGB 176 16 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 239 251. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 239 251 shade: RGB 84 239 246, RGB 101 255 255, RGB 118 255 255, RGB 135 255 255 and RGB 152 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 239 251. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 239 251 shade: RGB 79 239 251, RGB 62 221 232, RGB 45 203 213, RGB 28 185 194 and RGB 11 167 175

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 239 251 shade: RGB 80 239 251, RGB 80 193 251, RGB 80 147 251, RGB 80 100 251 and RGB 105 80 251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 239 251 shade: RGB 80 239 251, RGB 80 193 251, RGB 80 147 251, RGB 80 100 251 and RGB 80 80 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 239 251 shade matches the following richer shades: RGB 80 239 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 239 251 shade: RGB 80 239 251, RGB 94 227 236, RGB 108 214 222, RGB 123 202 208 and RGB 137 189 193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 239 251 shade: RGB 80 251 171, RGB 80 251 217, RGB 80 240 251, RGB 80 194 251 and RGB 80 148 251

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 239 251 shade: RGB 4 227 244, RGB 39 235 250, RGB 80 239 251, RGB 120 243 252 and RGB 160 246 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 239 251 shade: RGB 79 239 251, RGB 125 80 251 and RGB 251 194 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 239 251 shade: RGB 79 239 251, RGB 251 80 240 and RGB 240 251 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 239 251 shade: RGB 79 239 251, RGB 125 80 251, RGB 251 91 80 and RGB 205 251 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 239 251 shade: RGB 79 239 251, RGB 177 80 251, RGB 251 91 80 and RGB 154 251 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 5 / 0 / 2

HEX #4FEFFB

RGB 79 239 251

HSL 184.19, 0.96%, 0.65%

LAB 87.17, -37.08, -17.89

 

Complementary color

CMYK 0 / 91 / 98 / 31

HEX #B01004

RGB 176 16 4

HSL 4.19, 0.96%, 0.35%

LAB 37.13, 58.71, 49.51

 

CMYK 66 / 3 / 0 / 4

HEX #54EFF6

RGB 84 239 246

HSL 182.59, 0.9%, 0.65%

LAB 87.13, -37.81, -15.33

 

CMYK 60 / 0 / 0 / 0

HEX #65FFFF

RGB 101 255 255

HSL 180, 1%, 0.7%

LAB 92.36, -40.11, -12.16

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFF

RGB 118 255 255

HSL 180, 1%, 0.73%

LAB 92.84, -37.17, -11.39

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 69 / 5 / 0 / 2

HEX #4FEFFB

RGB 79 239 251

HSL 184.19, 0.96%, 0.65%

LAB 87.17, -37.08, -17.89

 

CMYK 73 / 5 / 0 / 9

HEX #3EDDE8

RGB 62 221 232

HSL 183.88, 0.79%, 0.58%

LAB 81.05, -36.25, -17.12

 

CMYK 79 / 5 / 0 / 16

HEX #2DCBD5

RGB 45 203 213

HSL 183.57, 0.67%, 0.51%

LAB 74.87, -35.2, -16.28

 

CMYK 86 / 5 / 0 / 24

HEX #1CB9C2

RGB 28 185 194

HSL 183.25, 0.75%, 0.44%

LAB 68.64, -33.84, -15.34

 

CMYK 94 / 5 / 0 / 31

HEX #0BA7AF

RGB 11 167 175

HSL 182.93, 0.88%, 0.36%

LAB 62.34, -32.11, -14.3

 

CMYK 68 / 5 / 0 / 2

HEX #50EFFB

RGB 80 239 251

HSL 184.21, 0.96%, 0.65%

LAB 87.19, -36.95, -17.86

 

CMYK 68 / 23 / 0 / 2

HEX #50C1FB

RGB 80 193 251

HSL 200.35, 0.96%, 0.65%

LAB 74.07, -14.19, -37.95

 

CMYK 68 / 41 / 0 / 2

HEX #5093FB

RGB 80 147 251

HSL 216.49, 0.96%, 0.65%

LAB 61.25, 11.76, -58.13

 

CMYK 68 / 60 / 0 / 2

HEX #5064FB

RGB 80 100 251

HSL 232.98, 0.96%, 0.65%

LAB 49.23, 40.36, -77.54

 

CMYK 58 / 68 / 0 / 2

HEX #6950FB

RGB 105 80 251

HSL 248.77, 0.96%, 0.65%

LAB 46.59, 55.25, -81.8

 

CMYK 68 / 5 / 0 / 2

HEX #50EFFB

RGB 80 239 251

HSL 184.21, 0.96%, 0.65%

LAB 87.19, -36.95, -17.86

 

CMYK 68 / 23 / 0 / 2

HEX #50C1FB

RGB 80 193 251

HSL 200.35, 0.96%, 0.65%

LAB 74.07, -14.19, -37.95

 

CMYK 68 / 41 / 0 / 2

HEX #5093FB

RGB 80 147 251

HSL 216.49, 0.96%, 0.65%

LAB 61.25, 11.76, -58.13

 

CMYK 68 / 60 / 0 / 2

HEX #5064FB

RGB 80 100 251

HSL 232.98, 0.96%, 0.65%

LAB 49.23, 40.36, -77.54

 

CMYK 68 / 68 / 0 / 2

HEX #5050FB

RGB 80 80 251

HSL 240, 0.96%, 0.65%

LAB 44.81, 52.1, -84.78

 

CMYK 68 / 5 / 0 / 2

HEX #50EFFB

RGB 80 239 251

HSL 184.21, 0.96%, 0.65%

LAB 87.19, -36.95, -17.86

 

CMYK 68 / 5 / 0 / 2

HEX #50EFFB

RGB 80 239 251

HSL 184.21, 0.96%, 0.65%

LAB 87.19, -36.95, -17.86

 

CMYK 60 / 4 / 0 / 7

HEX #5EE3EC

RGB 94 227 236

HSL 183.8, 0.79%, 0.65%

LAB 83.64, -33.46, -15.28

 

CMYK 51 / 4 / 0 / 13

HEX #6CD6DE

RGB 108 214 222

HSL 184.21, 0.63%, 0.65%

LAB 79.93, -28.42, -13.36

 

CMYK 41 / 3 / 0 / 18

HEX #7BCAD0

RGB 123 202 208

HSL 184.24, 0.47%, 0.65%

LAB 76.68, -22.71, -10.63

 

CMYK 29 / 2 / 0 / 24

HEX #89BDC1

RGB 137 189 193

HSL 184.29, 0.31%, 0.65%

LAB 73.26, -15.95, -7.51

 

CMYK 68 / 0 / 32 / 2

HEX #50FBAB

RGB 80 251 171

HSL 151.93, 0.96%, 0.65%

LAB 88.75, -61.37, 25.94

 

CMYK 68 / 0 / 14 / 2

HEX #50FBD9

RGB 80 251 217

HSL 168.07, 0.96%, 0.65%

LAB 89.72, -51.2, 3.63

 

CMYK 68 / 4 / 0 / 2

HEX #50F0FB

RGB 80 240 251

HSL 183.86, 0.96%, 0.65%

LAB 87.48, -37.41, -17.43

 

CMYK 68 / 23 / 0 / 2

HEX #50C2FB

RGB 80 194 251

HSL 200, 0.96%, 0.65%

LAB 74.35, -14.71, -37.51

 

CMYK 68 / 41 / 0 / 2

HEX #5094FB

RGB 80 148 251

HSL 216.14, 0.96%, 0.65%

LAB 61.52, 11.16, -57.7

 

CMYK 98 / 7 / 0 / 4

HEX #04E3F4

RGB 4 227 244

HSL 184.25, 0.97%, 0.49%

LAB 82.64, -38.85, -21.13

 

CMYK 84 / 6 / 0 / 2

HEX #27EBFA

RGB 39 235 250

HSL 184.27, 0.95%, 0.57%

LAB 85.38, -39.35, -20.14

 

CMYK 68 / 5 / 0 / 2

HEX #50EFFB

RGB 80 239 251

HSL 184.21, 0.96%, 0.65%

LAB 87.19, -36.95, -17.86

 

CMYK 52 / 4 / 0 / 1

HEX #78F3FC

RGB 120 243 252

HSL 184.09, 0.96%, 0.73%

LAB 89.45, -31.98, -14.88

 

CMYK 37 / 3 / 0 / 1

HEX #A0F6FD

RGB 160 246 253

HSL 184.52, 0.96%, 0.81%

LAB 91.9, -24.15, -11.58

 

CMYK 69 / 5 / 0 / 2

HEX #4FEFFB

RGB 79 239 251

HSL 184.19, 0.96%, 0.65%

LAB 87.17, -37.08, -17.89

 

CMYK 50 / 68 / 0 / 2

HEX #7D50FB

RGB 125 80 251

HSL 255.79, 0.96%, 0.65%

LAB 48.34, 58.27, -78.86

 

CMYK 0 / 23 / 68 / 2

HEX #FBC250

RGB 251 194 80

HSL 40, 0.96%, 0.65%

LAB 81.66, 9.22, 63.02

 

CMYK 69 / 5 / 0 / 2

HEX #4FEFFB

RGB 79 239 251

HSL 184.19, 0.96%, 0.65%

LAB 87.17, -37.08, -17.89

 

CMYK 0 / 68 / 4 / 2

HEX #FB50F0

RGB 251 80 240

HSL 303.86, 0.96%, 0.65%

LAB 63.78, 81.12, -47.06

 

CMYK 4 / 0 / 68 / 2

HEX #F0FB50

RGB 240 251 80

HSL 63.86, 0.96%, 0.65%

LAB 95.2, -23.78, 76.53

 

CMYK 69 / 5 / 0 / 2

HEX #4FEFFB

RGB 79 239 251

HSL 184.19, 0.96%, 0.65%

LAB 87.17, -37.08, -17.89

 

CMYK 50 / 68 / 0 / 2

HEX #7D50FB

RGB 125 80 251

HSL 255.79, 0.96%, 0.65%

LAB 48.34, 58.27, -78.86

 

CMYK 0 / 64 / 68 / 2

HEX #FB5B50

RGB 251 91 80

HSL 3.86, 0.96%, 0.65%

LAB 60.4, 60.31, 39.33

 

CMYK 18 / 0 / 68 / 2

HEX #CDFB50

RGB 205 251 80

HSL 76.14, 0.96%, 0.65%

LAB 92.82, -37.47, 73.36

 

CMYK 69 / 5 / 0 / 2

HEX #4FEFFB

RGB 79 239 251

HSL 184.19, 0.96%, 0.65%

LAB 87.17, -37.08, -17.89

 

CMYK 29 / 68 / 0 / 2

HEX #B150FB

RGB 177 80 251

HSL 274.04, 0.96%, 0.65%

LAB 54.08, 67.6, -69.27

 

CMYK 0 / 64 / 68 / 2

HEX #FB5B50

RGB 251 91 80

HSL 3.86, 0.96%, 0.65%

LAB 60.4, 60.31, 39.33

 

CMYK 39 / 0 / 68 / 2

HEX #9AFB50

RGB 154 251 80

HSL 94.04, 0.96%, 0.65%

LAB 90.06, -55.52, 69.66

 

Description

Color code: RGB 79 239 251 | qconv.com Color code: RGB 79 239 251 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 239 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 239 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 5 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 5% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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