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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 221 160 it is the complementary color RGB 176 34 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 221 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 221 160 shade: RGB 84 221 155, RGB 101 239 174, RGB 118 255 193, RGB 135 255 212 and RGB 152 255 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 221 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 62 203 141, RGB 45 185 122, RGB 28 167 103 and RGB 11 149 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 79 221 122, RGB 79 221 83, RGB 113 221 79 and RGB 151 221 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 79 221 198, RGB 79 205 221, RGB 79 167 221 and RGB 79 129 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 221 160 shade matches the following richer shades: RGB 79 221 160 and RGB 62 238 162

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 96 204 158, RGB 113 187 155, RGB 130 170 153 and RGB 147 153 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 221 160 shade: RGB 79 221 84, RGB 79 221 122, RGB 79 221 159, RGB 79 221 197 and RGB 79 207 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 221 160 shade: RGB 34 183 119, RGB 44 214 141, RGB 79 221 160, RGB 114 228 179 and RGB 148 234 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 79 112 221 and RGB 221 103 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 159 79 221 and RGB 221 159 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 79 112 221, RGB 221 79 140 and RGB 221 188 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 221 160 shade: RGB 79 221 160, RGB 88 79 221, RGB 221 79 140 and RGB 212 221 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

Complementary color

CMYK 0 / 81 / 46 / 31

HEX #B0225F

RGB 176 34 95

HSL 334.23, 0.68%, 0.41%

LAB 39.92, 59.04, 0.77

 

CMYK 62 / 0 / 30 / 13

HEX #54DD9B

RGB 84 221 155

HSL 151.09, 0.67%, 0.6%

LAB 79.59, -52.2, 21.64

 

CMYK 58 / 0 / 27 / 6

HEX #65EFAE

RGB 101 239 174

HSL 151.74, 0.81%, 0.67%

LAB 85.78, -52.31, 20.4

 

CMYK 54 / 0 / 24 / 0

HEX #76FFC1

RGB 118 255 193

HSL 152.85, 1%, 0.73%

LAB 91.33, -51.48, 18.44

 

CMYK 47 / 0 / 17 / 0

HEX #87FFD4

RGB 135 255 212

HSL 158.5, 1%, 0.76%

LAB 92.32, -43.69, 10.16

 

CMYK 40 / 0 / 9 / 0

HEX #98FFE7

RGB 152 255 231

HSL 166.02, 1%, 0.8%

LAB 93.44, -35.45, 2.05

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 69 / 0 / 31 / 20

HEX #3ECB8D

RGB 62 203 141

HSL 153.62, 0.58%, 0.52%

LAB 73.32, -51.73, 20.31

 

CMYK 76 / 0 / 34 / 27

HEX #2DB97A

RGB 45 185 122

HSL 153, 0.61%, 0.45%

LAB 67.02, -51.12, 21.77

 

CMYK 83 / 0 / 38 / 35

HEX #1CA767

RGB 28 167 103

HSL 152.37, 0.71%, 0.38%

LAB 60.66, -50.13, 23.39

 

CMYK 93 / 0 / 44 / 42

HEX #0B9554

RGB 11 149 84

HSL 151.74, 0.86%, 0.31%

LAB 54.25, -48.61, 25.18

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 64 / 0 / 45 / 13

HEX #4FDD7A

RGB 79 221 122

HSL 138.17, 0.68%, 0.59%

LAB 78.91, -59.14, 37.58

 

CMYK 64 / 0 / 62 / 13

HEX #4FDD53

RGB 79 221 83

HSL 121.69, 0.68%, 0.59%

LAB 78.46, -64.32, 55.19

 

CMYK 49 / 0 / 64 / 13

HEX #71DD4F

RGB 113 221 79

HSL 105.63, 0.68%, 0.59%

LAB 79.49, -56.4, 58.3

 

CMYK 32 / 0 / 64 / 13

HEX #97DD4F

RGB 151 221 79

HSL 89.58, 0.68%, 0.59%

LAB 81.21, -44.23, 60.66

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 64 / 0 / 10 / 13

HEX #4FDDC6

RGB 79 221 198

HSL 170.28, 0.68%, 0.59%

LAB 80.43, -43.25, 0.1

 

CMYK 64 / 7 / 0 / 13

HEX #4FCDDD

RGB 79 205 221

HSL 186.76, 0.68%, 0.59%

LAB 76.4, -29.6, -18.22

 

CMYK 64 / 24 / 0 / 13

HEX #4FA7DD

RGB 79 167 221

HSL 202.82, 0.68%, 0.59%

LAB 65.37, -9.96, -35.13

 

CMYK 64 / 42 / 0 / 13

HEX #4F81DD

RGB 79 129 221

HSL 218.87, 0.68%, 0.59%

LAB 54.64, 12.1, -52.04

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 74 / 0 / 32 / 7

HEX #3EEEA2

RGB 62 238 162

HSL 154.09, 0.84%, 0.59%

LAB 84.37, -60.83, 24.49

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 53 / 0 / 23 / 20

HEX #60CC9E

RGB 96 204 158

HSL 154.44, 0.51%, 0.59%

LAB 74.91, -41.92, 13.6

 

CMYK 40 / 0 / 17 / 27

HEX #71BB9B

RGB 113 187 155

HSL 154.05, 0.35%, 0.59%

LAB 70.47, -30.4, 9.02

 

CMYK 24 / 0 / 10 / 33

HEX #82AA99

RGB 130 170 153

HSL 154.5, 0.19%, 0.59%

LAB 66.36, -17.13, 4.35

 

CMYK 4 / 0 / 2 / 40

HEX #939996

RGB 147 153 150

HSL 150, 0.03%, 0.59%

LAB 62.67, -2.74, 0.82

 

CMYK 64 / 0 / 62 / 13

HEX #4FDD54

RGB 79 221 84

HSL 122.11, 0.68%, 0.59%

LAB 78.47, -64.21, 54.77

 

CMYK 64 / 0 / 45 / 13

HEX #4FDD7A

RGB 79 221 122

HSL 138.17, 0.68%, 0.59%

LAB 78.91, -59.14, 37.58

 

CMYK 64 / 0 / 28 / 13

HEX #4FDD9F

RGB 79 221 159

HSL 153.8, 0.68%, 0.59%

LAB 79.54, -52.29, 19.46

 

CMYK 64 / 0 / 11 / 13

HEX #4FDDC5

RGB 79 221 197

HSL 169.86, 0.68%, 0.59%

LAB 80.41, -43.5, 0.59

 

CMYK 64 / 6 / 0 / 13

HEX #4FCFDD

RGB 79 207 221

HSL 185.92, 0.68%, 0.59%

LAB 76.99, -30.57, -17.34

 

CMYK 81 / 0 / 35 / 28

HEX #22B777

RGB 34 183 119

HSL 154.23, 0.69%, 0.43%

LAB 66.17, -52.26, 22.19

 

CMYK 79 / 0 / 34 / 16

HEX #2CD68D

RGB 44 214 141

HSL 154.24, 0.67%, 0.51%

LAB 76.41, -58.28, 24.46

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 50 / 0 / 21 / 11

HEX #72E4B3

RGB 114 228 179

HSL 154.21, 0.68%, 0.67%

LAB 83.08, -43.78, 14.08

 

CMYK 37 / 0 / 16 / 8

HEX #94EAC5

RGB 148 234 197

HSL 154.19, 0.67%, 0.75%

LAB 86.59, -34.01, 9.83

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 64 / 49 / 0 / 13

HEX #4F70DD

RGB 79 112 221

HSL 226.06, 0.68%, 0.59%

LAB 50.06, 22.57, -59.38

 

CMYK 0 / 53 / 64 / 13

HEX #DD674F

RGB 221 103 79

HSL 10.14, 0.68%, 0.59%

LAB 57.69, 44.4, 35.5

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 28 / 64 / 0 / 13

HEX #9F4FDD

RGB 159 79 221

HSL 273.8, 0.68%, 0.59%

LAB 49.72, 57.71, -59.58

 

CMYK 0 / 28 / 64 / 13

HEX #DD9F4F

RGB 221 159 79

HSL 33.8, 0.68%, 0.59%

LAB 69.99, 15.06, 49.87

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 64 / 49 / 0 / 13

HEX #4F70DD

RGB 79 112 221

HSL 226.06, 0.68%, 0.59%

LAB 50.06, 22.57, -59.38

 

CMYK 0 / 64 / 37 / 13

HEX #DD4F8C

RGB 221 79 140

HSL 334.23, 0.68%, 0.59%

LAB 54.93, 60.51, -3.76

 

CMYK 0 / 15 / 64 / 13

HEX #DDBC4F

RGB 221 188 79

HSL 46.06, 0.68%, 0.59%

LAB 77.22, -0.32, 57.85

 

CMYK 64 / 0 / 28 / 13

HEX #4FDDA0

RGB 79 221 160

HSL 154.23, 0.68%, 0.59%

LAB 79.56, -52.08, 18.97

 

CMYK 60 / 64 / 0 / 13

HEX #584FDD

RGB 88 79 221

HSL 243.8, 0.68%, 0.59%

LAB 42.59, 44.2, -71.47

 

CMYK 0 / 64 / 37 / 13

HEX #DD4F8C

RGB 221 79 140

HSL 334.23, 0.68%, 0.59%

LAB 54.93, 60.51, -3.76

 

CMYK 4 / 0 / 64 / 13

HEX #D4DD4F

RGB 212 221 79

HSL 63.8, 0.68%, 0.59%

LAB 85.14, -20.75, 66

 

Description

Color code: RGB 79 221 160 | qconv.com Color code: RGB 79 221 160 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 221 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 221 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 28 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 28% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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