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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 196 51 it is the complementary color RGB 176 59 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 196 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 196 51 shade: RGB 84 196 46, RGB 101 214 65, RGB 118 232 84, RGB 135 250 103 and RGB 152 255 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 196 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 196 51 shade: RGB 79 196 51, RGB 62 178 32, RGB 45 160 13, RGB 28 142 0 and RGB 11 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 196 51 shade: RGB 78 194 50, RGB 117 194 50, RGB 155 194 50, RGB 194 194 50 and RGB 194 155 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 196 51 shade: RGB 78 194 50, RGB 50 194 61, RGB 50 194 100, RGB 50 194 139 and RGB 50 194 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 196 51 shade matches the following richer shades: RGB 78 194 50, RGB 65 214 30 and RGB 53 234 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 196 51 shade: RGB 78 194 50, RGB 90 174 69, RGB 102 155 89, RGB 114 135 109 and RGB 126 115 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 196 51 shade: RGB 156 194 50, RGB 117 194 50, RGB 79 194 50, RGB 50 194 59 and RGB 50 194 98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 196 51 shade: RGB 51 129 33, RGB 64 161 41, RGB 78 194 50, RGB 102 209 76 and RGB 130 217 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 196 51 shade: RGB 79 196 51, RGB 50 194 194 and RGB 194 50 136

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 196 51 shade: RGB 79 196 51, RGB 50 79 194 and RGB 194 50 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 196 51 shade: RGB 79 196 51, RGB 50 194 194, RGB 165 50 194 and RGB 194 50 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 196 51 shade: RGB 79 196 51, RGB 50 151 194, RGB 165 50 194 and RGB 194 93 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 74 / 23

HEX #4FC433

RGB 79 196 51

HSL 108.41, 0.59%, 0.48%

LAB 70.44, -58.5, 59.17

 

Complementary color

CMYK 14 / 71 / 0 / 20

HEX #B03BCC

RGB 176 59 204

HSL 288.41, 0.59%, 0.52%

LAB 47.9, 66.38, -52.65

 

CMYK 57 / 0 / 77 / 23

HEX #54C42E

RGB 84 196 46

HSL 104.8, 0.62%, 0.47%

LAB 70.57, -57.59, 61.03

 

CMYK 53 / 0 / 70 / 16

HEX #65D641

RGB 101 214 65

HSL 105.5, 0.65%, 0.55%

LAB 76.83, -58.29, 60.83

 

CMYK 49 / 0 / 64 / 9

HEX #76E854

RGB 118 232 84

HSL 106.22, 0.76%, 0.62%

LAB 83.02, -58.71, 60.16

 

CMYK 46 / 0 / 59 / 2

HEX #87FA67

RGB 135 250 103

HSL 106.94, 0.94%, 0.69%

LAB 89.16, -58.94, 59.24

 

CMYK 40 / 0 / 52 / 0

HEX #98FF7A

RGB 152 255 122

HSL 106.47, 1%, 0.74%

LAB 91.51, -53.87, 53.75

 

CMYK 60 / 0 / 74 / 23

HEX #4FC433

RGB 79 196 51

HSL 108.41, 0.59%, 0.48%

LAB 70.44, -58.5, 59.17

 

CMYK 65 / 0 / 82 / 30

HEX #3EB220

RGB 62 178 32

HSL 107.67, 0.7%, 0.41%

LAB 64.14, -57.39, 58.92

 

CMYK 72 / 0 / 92 / 37

HEX #2DA00D

RGB 45 160 13

HSL 106.94, 0.85%, 0.34%

LAB 57.78, -55.69, 57.43

 

CMYK 80 / 0 / 100 / 44

HEX #1C8E00

RGB 28 142 0

HSL 108.17, 1%, 0.28%

LAB 51.37, -53.17, 54.14

 

CMYK 91 / 0 / 100 / 51

HEX #0B7C00

RGB 11 124 0

HSL 114.68, 1%, 0.24%

LAB 44.92, -49.62, 48.89

 

CMYK 60 / 0 / 74 / 24

HEX #4EC232

RGB 78 194 50

HSL 108.33, 0.59%, 0.48%

LAB 69.78, -58.11, 58.85

 

CMYK 40 / 0 / 74 / 24

HEX #75C232

RGB 117 194 50

HSL 92.08, 0.59%, 0.48%

LAB 71.28, -46.7, 60.84

 

CMYK 20 / 0 / 74 / 24

HEX #9BC232

RGB 155 194 50

HSL 76.25, 0.59%, 0.48%

LAB 73.4, -32.58, 63.63

 

CMYK 0 / 0 / 74 / 24

HEX #C2C232

RGB 194 194 50

HSL 60, 0.59%, 0.48%

LAB 76.24, -16.41, 67.31

 

CMYK 0 / 20 / 74 / 24

HEX #C29B32

RGB 194 155 50

HSL 43.75, 0.59%, 0.48%

LAB 65.86, 3.98, 57.44

 

CMYK 60 / 0 / 74 / 24

HEX #4EC232

RGB 78 194 50

HSL 108.33, 0.59%, 0.48%

LAB 69.78, -58.11, 58.85

 

CMYK 74 / 0 / 69 / 24

HEX #32C23D

RGB 50 194 61

HSL 124.58, 0.59%, 0.48%

LAB 69.18, -62.75, 53.92

 

CMYK 74 / 0 / 48 / 24

HEX #32C264

RGB 50 194 100

HSL 140.83, 0.59%, 0.48%

LAB 69.6, -57.8, 36.6

 

CMYK 74 / 0 / 28 / 24

HEX #32C28B

RGB 50 194 139

HSL 157.08, 0.59%, 0.48%

LAB 70.26, -50.33, 17.11

 

CMYK 74 / 0 / 8 / 24

HEX #32C2B2

RGB 50 194 178

HSL 173.33, 0.59%, 0.48%

LAB 71.2, -40.63, -2.72

 

CMYK 60 / 0 / 74 / 24

HEX #4EC232

RGB 78 194 50

HSL 108.33, 0.59%, 0.48%

LAB 69.78, -58.11, 58.85

 

CMYK 70 / 0 / 86 / 16

HEX #41D61E

RGB 65 214 30

HSL 108.59, 0.75%, 0.48%

LAB 75.64, -68.54, 69.77

 

CMYK 77 / 0 / 96 / 8

HEX #35EA0A

RGB 53 234 10

HSL 108.48, 0.92%, 0.48%

LAB 81.63, -76.86, 77.61

 

CMYK 60 / 0 / 74 / 24

HEX #4EC232

RGB 78 194 50

HSL 108.33, 0.59%, 0.48%

LAB 69.78, -58.11, 58.85

 

CMYK 48 / 0 / 60 / 32

HEX #5AAE45

RGB 90 174 69

HSL 108, 0.43%, 0.48%

LAB 64.06, -45.59, 45.17

 

CMYK 34 / 0 / 43 / 39

HEX #669B59

RGB 102 155 89

HSL 108.18, 0.27%, 0.48%

LAB 58.96, -30.75, 29.13

 

CMYK 16 / 0 / 19 / 47

HEX #72876D

RGB 114 135 109

HSL 108.46, 0.11%, 0.48%

LAB 54.04, -12.83, 11.5

 

CMYK 2 / 11 / 0 / 49

HEX #7E7381

RGB 126 115 129

HSL 287.14, 0.06%, 0.48%

LAB 49.84, 7.02, -6.14

 

CMYK 20 / 0 / 74 / 24

HEX #9CC232

RGB 156 194 50

HSL 75.83, 0.59%, 0.48%

LAB 73.47, -32.18, 63.71

 

CMYK 40 / 0 / 74 / 24

HEX #75C232

RGB 117 194 50

HSL 92.08, 0.59%, 0.48%

LAB 71.28, -46.7, 60.84

 

CMYK 59 / 0 / 74 / 24

HEX #4FC232

RGB 79 194 50

HSL 107.92, 0.59%, 0.48%

LAB 69.81, -57.87, 58.89

 

CMYK 74 / 0 / 70 / 24

HEX #32C23B

RGB 50 194 59

HSL 123.75, 0.59%, 0.48%

LAB 69.17, -62.94, 54.69

 

CMYK 74 / 0 / 49 / 24

HEX #32C262

RGB 50 194 98

HSL 140, 0.59%, 0.48%

LAB 69.57, -58.12, 37.57

 

CMYK 60 / 0 / 74 / 49

HEX #338121

RGB 51 129 33

HSL 108.75, 0.59%, 0.32%

LAB 47.64, -42.36, 42.55

 

CMYK 60 / 0 / 75 / 37

HEX #40A129

RGB 64 161 41

HSL 108.5, 0.59%, 0.4%

LAB 58.73, -50.37, 50.87

 

CMYK 60 / 0 / 74 / 24

HEX #4EC232

RGB 78 194 50

HSL 108.33, 0.59%, 0.48%

LAB 69.78, -58.11, 58.85

 

CMYK 51 / 0 / 64 / 18

HEX #66D14C

RGB 102 209 76

HSL 108.27, 0.59%, 0.56%

LAB 75.42, -55.19, 54.96

 

CMYK 40 / 0 / 50 / 15

HEX #82D96D

RGB 130 217 109

HSL 108.33, 0.59%, 0.64%

LAB 79.31, -46.48, 44.82

 

CMYK 60 / 0 / 74 / 23

HEX #4FC433

RGB 79 196 51

HSL 108.41, 0.59%, 0.48%

LAB 70.44, -58.5, 59.17

 

CMYK 74 / 0 / 0 / 24

HEX #32C2C2

RGB 50 194 194

HSL 180, 0.59%, 0.48%

LAB 71.66, -36.12, -10.77

 

CMYK 0 / 74 / 30 / 24

HEX #C23288

RGB 194 50 136

HSL 324.17, 0.59%, 0.48%

LAB 46.35, 63.28, -14.68

 

CMYK 60 / 0 / 74 / 23

HEX #4FC433

RGB 79 196 51

HSL 108.41, 0.59%, 0.48%

LAB 70.44, -58.5, 59.17

 

CMYK 74 / 59 / 0 / 24

HEX #324FC2

RGB 50 79 194

HSL 227.92, 0.59%, 0.48%

LAB 38.14, 29.76, -63.26

 

CMYK 0 / 74 / 59 / 24

HEX #C2324F

RGB 194 50 79

HSL 347.92, 0.59%, 0.48%

LAB 44.68, 57.94, 17.98

 

CMYK 60 / 0 / 74 / 23

HEX #4FC433

RGB 79 196 51

HSL 108.41, 0.59%, 0.48%

LAB 70.44, -58.5, 59.17

 

CMYK 74 / 0 / 0 / 24

HEX #32C2C2

RGB 50 194 194

HSL 180, 0.59%, 0.48%

LAB 71.66, -36.12, -10.77

 

CMYK 15 / 74 / 0 / 24

HEX #A532C2

RGB 165 50 194

HSL 287.92, 0.59%, 0.48%

LAB 44.48, 65.51, -52.43

 

CMYK 0 / 74 / 74 / 24

HEX #C23232

RGB 194 50 50

HSL 0, 0.59%, 0.48%

LAB 44.21, 56.37, 34.9

 

CMYK 60 / 0 / 74 / 23

HEX #4FC433

RGB 79 196 51

HSL 108.41, 0.59%, 0.48%

LAB 70.44, -58.5, 59.17

 

CMYK 74 / 22 / 0 / 24

HEX #3297C2

RGB 50 151 194

HSL 197.92, 0.59%, 0.48%

LAB 58.7, -14.44, -30.51

 

CMYK 15 / 74 / 0 / 24

HEX #A532C2

RGB 165 50 194

HSL 287.92, 0.59%, 0.48%

LAB 44.48, 65.51, -52.43

 

CMYK 0 / 52 / 74 / 24

HEX #C25D32

RGB 194 93 50

HSL 17.92, 0.59%, 0.48%

LAB 51.3, 37.53, 42.65

 

Description

Color code: RGB 79 196 51 | qconv.com Color code: RGB 79 196 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 196 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 196 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 74 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 74% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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