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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 189 181 it is the complementary color RGB 176 66 74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 189 181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 189 181 shade: RGB 84 189 176, RGB 101 207 195, RGB 118 225 214, RGB 135 243 233 and RGB 152 255 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 189 181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 189 181 shade: RGB 79 189 181, RGB 62 171 162, RGB 45 153 143, RGB 28 135 124 and RGB 11 117 105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 189 181 shade: RGB 81 189 181, RGB 81 189 152, RGB 81 189 123, RGB 81 189 93 and RGB 97 189 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 189 181 shade: RGB 81 189 181, RGB 81 167 189, RGB 81 138 189, RGB 81 109 189 and RGB 81 81 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 189 181 shade matches the following richer shades: RGB 81 189 181, RGB 61 208 197, RGB 42 227 214 and RGB 23 247 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 189 181 shade: RGB 81 189 181, RGB 100 169 164, RGB 120 150 148, RGB 139 130 131 and RGB 158 111 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 189 181 shade: RGB 81 189 122, RGB 81 189 151, RGB 81 189 180, RGB 81 169 189 and RGB 81 140 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 189 181 shade: RGB 51 136 130, RGB 62 166 158, RGB 81 189 181, RGB 111 200 193 and RGB 141 211 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 189 181 shade: RGB 79 189 181, RGB 93 81 189 and RGB 189 136 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 189 181 shade: RGB 79 189 181, RGB 180 81 189 and RGB 189 180 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 189 181 shade: RGB 79 189 181, RGB 93 81 189, RGB 189 81 90 and RGB 176 189 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 189 181 shade: RGB 79 189 181, RGB 126 81 189, RGB 189 81 90 and RGB 144 189 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 4 / 26

HEX #4FBDB5

RGB 79 189 181

HSL 175.64, 0.45%, 0.53%

LAB 70.45, -33.1, -5.39

 

Complementary color

CMYK 0 / 63 / 58 / 31

HEX #B0424A

RGB 176 66 74

HSL 355.64, 0.45%, 0.47%

LAB 43.68, 45.44, 19.15

 

CMYK 56 / 0 / 7 / 26

HEX #54BDB0

RGB 84 189 176

HSL 172.57, 0.44%, 0.54%

LAB 70.47, -33.44, -2.61

 

CMYK 51 / 0 / 6 / 19

HEX #65CFC3

RGB 101 207 195

HSL 173.21, 0.52%, 0.6%

LAB 76.88, -33.53, -3.43

 

CMYK 48 / 0 / 5 / 12

HEX #76E1D6

RGB 118 225 214

HSL 173.83, 0.64%, 0.67%

LAB 83.21, -33.55, -4.19

 

CMYK 44 / 0 / 4 / 5

HEX #87F3E9

RGB 135 243 233

HSL 174.44, 0.82%, 0.74%

LAB 89.46, -33.52, -4.9

 

CMYK 40 / 0 / 1 / 0

HEX #98FFFC

RGB 152 255 252

HSL 178.25, 1%, 0.8%

LAB 93.98, -30.66, -8.01

 

CMYK 58 / 0 / 4 / 26

HEX #4FBDB5

RGB 79 189 181

HSL 175.64, 0.45%, 0.53%

LAB 70.45, -33.1, -5.39

 

CMYK 64 / 0 / 5 / 33

HEX #3EABA2

RGB 62 171 162

HSL 175.05, 0.47%, 0.46%

LAB 63.96, -32.78, -4.52

 

CMYK 71 / 0 / 7 / 40

HEX #2D998F

RGB 45 153 143

HSL 174.44, 0.55%, 0.39%

LAB 57.39, -32.26, -3.54

 

CMYK 79 / 0 / 8 / 47

HEX #1C877C

RGB 28 135 124

HSL 173.83, 0.66%, 0.32%

LAB 50.72, -31.44, -2.44

 

CMYK 91 / 0 / 10 / 54

HEX #0B7569

RGB 11 117 105

HSL 173.21, 0.83%, 0.25%

LAB 43.96, -30.16, -1.16

 

CMYK 57 / 0 / 4 / 26

HEX #51BDB5

RGB 81 189 181

HSL 175.56, 0.45%, 0.53%

LAB 70.51, -32.72, -5.29

 

CMYK 57 / 0 / 20 / 26

HEX #51BD98

RGB 81 189 152

HSL 159.44, 0.45%, 0.53%

LAB 69.76, -39.93, 9.48

 

CMYK 57 / 0 / 35 / 26

HEX #51BD7B

RGB 81 189 123

HSL 143.33, 0.45%, 0.53%

LAB 69.17, -46.03, 24.29

 

CMYK 57 / 0 / 51 / 26

HEX #51BD5D

RGB 81 189 93

HSL 126.67, 0.45%, 0.53%

LAB 68.7, -50.99, 39.14

 

CMYK 49 / 0 / 57 / 26

HEX #61BD51

RGB 97 189 81

HSL 111.11, 0.45%, 0.53%

LAB 69.13, -48.26, 45.56

 

CMYK 57 / 0 / 4 / 26

HEX #51BDB5

RGB 81 189 181

HSL 175.56, 0.45%, 0.53%

LAB 70.51, -32.72, -5.29

 

CMYK 57 / 12 / 0 / 26

HEX #51A7BD

RGB 81 167 189

HSL 192.22, 0.45%, 0.53%

LAB 64.21, -19.51, -19.17

 

CMYK 57 / 27 / 0 / 26

HEX #518ABD

RGB 81 138 189

HSL 208.33, 0.45%, 0.53%

LAB 55.69, -3.55, -32.29

 

CMYK 57 / 42 / 0 / 26

HEX #516DBD

RGB 81 109 189

HSL 224.44, 0.45%, 0.53%

LAB 47.44, 13.92, -45.27

 

CMYK 57 / 57 / 0 / 26

HEX #5151BD

RGB 81 81 189

HSL 240, 0.45%, 0.53%

LAB 40.09, 31.51, -57.08

 

CMYK 57 / 0 / 4 / 26

HEX #51BDB5

RGB 81 189 181

HSL 175.56, 0.45%, 0.53%

LAB 70.51, -32.72, -5.29

 

CMYK 71 / 0 / 5 / 18

HEX #3DD0C5

RGB 61 208 197

HSL 175.51, 0.61%, 0.53%

LAB 76.15, -40.34, -5.7

 

CMYK 81 / 0 / 6 / 11

HEX #2AE3D6

RGB 42 227 214

HSL 175.78, 0.77%, 0.53%

LAB 81.99, -45.94, -6.19

 

CMYK 91 / 0 / 7 / 3

HEX #17F7E6

RGB 23 247 230

HSL 175.45, 0.93%, 0.53%

LAB 88.17, -51.12, -5.5

 

CMYK 57 / 0 / 4 / 26

HEX #51BDB5

RGB 81 189 181

HSL 175.56, 0.45%, 0.53%

LAB 70.51, -32.72, -5.29

 

CMYK 41 / 0 / 3 / 34

HEX #64A9A4

RGB 100 169 164

HSL 175.65, 0.29%, 0.53%

LAB 64.78, -23, -4.28

 

CMYK 20 / 0 / 1 / 41

HEX #789694

RGB 120 150 148

HSL 176, 0.13%, 0.53%

LAB 59.84, -10.87, -2.42

 

CMYK 0 / 6 / 6 / 45

HEX #8B8283

RGB 139 130 131

HSL 353.33, 0.04%, 0.53%

LAB 55.17, 3.58, 0.67

 

CMYK 0 / 30 / 28 / 38

HEX #9E6F72

RGB 158 111 114

HSL 356.17, 0.2%, 0.53%

LAB 51.67, 19.09, 5.8

 

CMYK 57 / 0 / 35 / 26

HEX #51BD7A

RGB 81 189 122

HSL 142.78, 0.45%, 0.53%

LAB 69.15, -46.21, 24.79

 

CMYK 57 / 0 / 20 / 26

HEX #51BD97

RGB 81 189 151

HSL 158.89, 0.45%, 0.53%

LAB 69.74, -40.16, 9.99

 

CMYK 57 / 0 / 5 / 26

HEX #51BDB4

RGB 81 189 180

HSL 175, 0.45%, 0.53%

LAB 70.48, -32.99, -4.79

 

CMYK 57 / 11 / 0 / 26

HEX #51A9BD

RGB 81 169 189

HSL 191.11, 0.45%, 0.53%

LAB 64.8, -20.55, -18.27

 

CMYK 57 / 26 / 0 / 26

HEX #518CBD

RGB 81 140 189

HSL 207.22, 0.45%, 0.53%

LAB 56.27, -4.7, -31.38

 

CMYK 63 / 0 / 4 / 47

HEX #338882

RGB 51 136 130

HSL 175.76, 0.45%, 0.37%

LAB 51.75, -26.73, -4.36

 

CMYK 63 / 0 / 5 / 35

HEX #3EA69E

RGB 62 166 158

HSL 175.38, 0.46%, 0.45%

LAB 62.31, -31.5, -4.72

 

CMYK 57 / 0 / 4 / 26

HEX #51BDB5

RGB 81 189 181

HSL 175.56, 0.45%, 0.53%

LAB 70.51, -32.72, -5.29

 

CMYK 45 / 0 / 4 / 22

HEX #6FC8C1

RGB 111 200 193

HSL 175.28, 0.45%, 0.61%

LAB 75.16, -28.4, -4.84

 

CMYK 33 / 0 / 2 / 17

HEX #8DD3CE

RGB 141 211 206

HSL 175.71, 0.44%, 0.69%

LAB 80.01, -22.95, -4.52

 

CMYK 58 / 0 / 4 / 26

HEX #4FBDB5

RGB 79 189 181

HSL 175.64, 0.45%, 0.53%

LAB 70.45, -33.1, -5.39

 

CMYK 51 / 57 / 0 / 26

HEX #5D51BD

RGB 93 81 189

HSL 246.67, 0.45%, 0.53%

LAB 41.03, 33.88, -55.51

 

CMYK 0 / 28 / 57 / 26

HEX #BD8851

RGB 189 136 81

HSL 30.56, 0.45%, 0.53%

LAB 60.8, 14.15, 37.23

 

CMYK 58 / 0 / 4 / 26

HEX #4FBDB5

RGB 79 189 181

HSL 175.64, 0.45%, 0.53%

LAB 70.45, -33.1, -5.39

 

CMYK 5 / 57 / 0 / 26

HEX #B451BD

RGB 180 81 189

HSL 295, 0.45%, 0.53%

LAB 50.99, 55.23, -39.03

 

CMYK 0 / 5 / 57 / 26

HEX #BDB451

RGB 189 180 81

HSL 55, 0.45%, 0.53%

LAB 72.27, -9.57, 50.65

 

CMYK 58 / 0 / 4 / 26

HEX #4FBDB5

RGB 79 189 181

HSL 175.64, 0.45%, 0.53%

LAB 70.45, -33.1, -5.39

 

CMYK 51 / 57 / 0 / 26

HEX #5D51BD

RGB 93 81 189

HSL 246.67, 0.45%, 0.53%

LAB 41.03, 33.88, -55.51

 

CMYK 0 / 57 / 52 / 26

HEX #BD515A

RGB 189 81 90

HSL 355, 0.45%, 0.53%

LAB 48.81, 44.27, 16.71

 

CMYK 7 / 0 / 57 / 26

HEX #B0BD51

RGB 176 189 81

HSL 67.22, 0.45%, 0.53%

LAB 73.69, -19.58, 51.98

 

CMYK 58 / 0 / 4 / 26

HEX #4FBDB5

RGB 79 189 181

HSL 175.64, 0.45%, 0.53%

LAB 70.45, -33.1, -5.39

 

CMYK 33 / 57 / 0 / 26

HEX #7E51BD

RGB 126 81 189

HSL 265, 0.45%, 0.53%

LAB 44.23, 41.39, -50.21

 

CMYK 0 / 57 / 52 / 26

HEX #BD515A

RGB 189 81 90

HSL 355, 0.45%, 0.53%

LAB 48.81, 44.27, 16.71

 

CMYK 24 / 0 / 57 / 26

HEX #90BD51

RGB 144 189 81

HSL 85, 0.45%, 0.53%

LAB 71.5, -32.3, 48.9

 

Description

Color code: RGB 79 189 181 | qconv.com Color code: RGB 79 189 181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 189 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 189 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 4 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 4% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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