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Color name
RGB 79 120 37

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 120 37 it is the complementary color RGB 176 135 218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 120 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 120 37 shade: RGB 84 120 32, RGB 101 138 51, RGB 118 156 70, RGB 135 174 89 and RGB 152 192 108

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 120 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 62 102 18, RGB 45 84 0, RGB 28 66 0 and RGB 11 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 102 120 37, RGB 120 117 37, RGB 120 94 37 and RGB 120 71 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 56 120 37, RGB 37 120 39, RGB 37 120 62 and RGB 37 120 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 120 37 shade matches the following richer shades: RGB 79 120 37, RGB 79 133 24 and RGB 79 146 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 79 108 49, RGB 79 95 62, RGB 79 82 75 and RGB 78 69 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 120 37 shade: RGB 120 116 37, RGB 102 120 37, RGB 80 120 37, RGB 58 120 37 and RGB 37 120 38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 120 37 shade: RGB 38 57 17, RGB 58 89 27, RGB 79 120 37, RGB 100 152 46 and RGB 121 184 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 37 120 94 and RGB 120 37 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 37 80 120 and RGB 120 37 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 37 120 94, RGB 77 37 120 and RGB 120 37 63

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 120 37 shade: RGB 79 120 37, RGB 37 120 119, RGB 77 37 120 and RGB 120 37 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

Complementary color

CMYK 19 / 38 / 0 / 15

HEX #B087DA

RGB 176 135 218

HSL 269.64, 0.53%, 0.69%

LAB 63.03, 31.62, -36.66

 

CMYK 30 / 0 / 73 / 53

HEX #547820

RGB 84 120 32

HSL 84.55, 0.58%, 0.3%

LAB 46.21, -27.21, 41.99

 

CMYK 27 / 0 / 63 / 46

HEX #658A33

RGB 101 138 51

HSL 85.52, 0.46%, 0.37%

LAB 53.15, -27.54, 41.35

 

CMYK 24 / 0 / 55 / 39

HEX #769C46

RGB 118 156 70

HSL 86.51, 0.38%, 0.44%

LAB 59.95, -27.7, 40.32

 

CMYK 22 / 0 / 49 / 32

HEX #87AE59

RGB 135 174 89

HSL 87.53, 0.34%, 0.52%

LAB 66.63, -27.76, 39.15

 

CMYK 21 / 0 / 44 / 25

HEX #98C06C

RGB 152 192 108

HSL 88.57, 0.4%, 0.59%

LAB 73.19, -27.76, 37.96

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 39 / 0 / 82 / 60

HEX #3E6612

RGB 62 102 18

HSL 88.57, 0.7%, 0.24%

LAB 38.85, -28.37, 39.67

 

CMYK 46 / 0 / 100 / 67

HEX #2D5400

RGB 45 84 0

HSL 87.86, 1%, 0.16%

LAB 31.57, -27.56, 38.69

 

CMYK 58 / 0 / 100 / 74

HEX #1C4200

RGB 28 66 0

HSL 94.55, 1%, 0.13%

LAB 24.14, -25.78, 32.01

 

CMYK 77 / 0 / 100 / 81

HEX #0B3000

RGB 11 48 0

HSL 106.25, 1%, 0.09%

LAB 16.43, -23.52, 23.2

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 15 / 0 / 69 / 53

HEX #667825

RGB 102 120 37

HSL 73.01, 0.53%, 0.31%

LAB 47.48, -19.16, 41.59

 

CMYK 0 / 3 / 69 / 53

HEX #787525

RGB 120 117 37

HSL 57.83, 0.53%, 0.31%

LAB 48.07, -9.36, 42.67

 

CMYK 0 / 22 / 69 / 53

HEX #785E25

RGB 120 94 37

HSL 41.2, 0.53%, 0.31%

LAB 41.43, 3.88, 35.69

 

CMYK 0 / 41 / 69 / 53

HEX #784725

RGB 120 71 37

HSL 24.58, 0.53%, 0.31%

LAB 35.27, 17.65, 28.86

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 53 / 0 / 69 / 53

HEX #387825

RGB 56 120 37

HSL 106.27, 0.53%, 0.31%

LAB 44.81, -36.94, 37.96

 

CMYK 69 / 0 / 68 / 53

HEX #257827

RGB 37 120 39

HSL 121.45, 0.53%, 0.31%

LAB 44.19, -41.75, 36.19

 

CMYK 69 / 0 / 48 / 53

HEX #25783E

RGB 37 120 62

HSL 138.07, 0.53%, 0.31%

LAB 44.48, -38.43, 24.72

 

CMYK 69 / 0 / 29 / 53

HEX #257855

RGB 37 120 85

HSL 154.7, 0.53%, 0.31%

LAB 44.92, -33.67, 12.14

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 41 / 0 / 82 / 48

HEX #4F8518

RGB 79 133 24

HSL 89.72, 0.69%, 0.31%

LAB 50.1, -35.65, 48.52

 

CMYK 46 / 0 / 92 / 43

HEX #4F920B

RGB 79 146 11

HSL 89.78, 0.86%, 0.31%

LAB 54.29, -41.67, 55.28

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 27 / 0 / 55 / 58

HEX #4F6C31

RGB 79 108 49

HSL 89.49, 0.38%, 0.31%

LAB 42.17, -21.64, 29.36

 

CMYK 17 / 0 / 35 / 63

HEX #4F5F3E

RGB 79 95 62

HSL 89.09, 0.21%, 0.31%

LAB 38.19, -12.77, 16.93

 

CMYK 4 / 0 / 9 / 68

HEX #4F524B

RGB 79 82 75

HSL 85.71, 0.04%, 0.31%

LAB 34.41, -2.7, 3.69

 

CMYK 11 / 22 / 0 / 65

HEX #4E4558

RGB 78 69 88

HSL 268.42, 0.12%, 0.31%

LAB 30.83, 8.03, -9.89

 

CMYK 0 / 3 / 69 / 53

HEX #787425

RGB 120 116 37

HSL 57.11, 0.53%, 0.31%

LAB 47.77, -8.8, 42.36

 

CMYK 15 / 0 / 69 / 53

HEX #667825

RGB 102 120 37

HSL 73.01, 0.53%, 0.31%

LAB 47.48, -19.16, 41.59

 

CMYK 33 / 0 / 69 / 53

HEX #507825

RGB 80 120 37

HSL 88.92, 0.53%, 0.31%

LAB 46, -28.43, 39.59

 

CMYK 52 / 0 / 69 / 53

HEX #3A7825

RGB 58 120 37

HSL 104.82, 0.53%, 0.31%

LAB 44.89, -36.32, 38.07

 

CMYK 69 / 0 / 68 / 53

HEX #257826

RGB 37 120 38

HSL 120.72, 0.53%, 0.31%

LAB 44.18, -41.86, 36.64

 

CMYK 33 / 0 / 70 / 78

HEX #263911

RGB 38 57 17

HSL 88.5, 0.54%, 0.15%

LAB 21.5, -15.7, 21.98

 

CMYK 35 / 0 / 70 / 65

HEX #3A591B

RGB 58 89 27

HSL 90, 0.53%, 0.23%

LAB 34.24, -22.97, 31.22

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 34 / 0 / 70 / 40

HEX #64982E

RGB 100 152 46

HSL 89.43, 0.54%, 0.39%

LAB 57.43, -34.91, 48.09

 

CMYK 34 / 0 / 70 / 28

HEX #79B838

RGB 121 184 56

HSL 89.53, 0.53%, 0.47%

LAB 68.48, -40.67, 55.91

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 69 / 0 / 22 / 53

HEX #25785E

RGB 37 120 94

HSL 161.2, 0.53%, 0.31%

LAB 45.13, -31.45, 7.13

 

CMYK 0 / 69 / 6 / 53

HEX #782571

RGB 120 37 113

HSL 305.06, 0.53%, 0.31%

LAB 30.66, 45.37, -25.7

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 69 / 33 / 0 / 53

HEX #255078

RGB 37 80 120

HSL 208.92, 0.53%, 0.31%

LAB 32.89, -0.93, -27.16

 

CMYK 0 / 69 / 33 / 53

HEX #782550

RGB 120 37 80

HSL 328.92, 0.53%, 0.31%

LAB 29.15, 40.3, -6.65

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 69 / 0 / 22 / 53

HEX #25785E

RGB 37 120 94

HSL 161.2, 0.53%, 0.31%

LAB 45.13, -31.45, 7.13

 

CMYK 36 / 69 / 0 / 53

HEX #4D2578

RGB 77 37 120

HSL 268.92, 0.53%, 0.31%

LAB 24.5, 36.11, -40.37

 

CMYK 0 / 69 / 48 / 53

HEX #78253F

RGB 120 37 63

HSL 341.2, 0.53%, 0.31%

LAB 28.58, 38.29, 3.8

 

CMYK 34 / 0 / 69 / 53

HEX #4F7825

RGB 79 120 37

HSL 89.64, 0.53%, 0.31%

LAB 45.95, -28.82, 39.51

 

CMYK 69 / 0 / 1 / 53

HEX #257877

RGB 37 120 119

HSL 179.28, 0.53%, 0.31%

LAB 45.85, -24.35, -6.69

 

CMYK 36 / 69 / 0 / 53

HEX #4D2578

RGB 77 37 120

HSL 268.92, 0.53%, 0.31%

LAB 24.5, 36.11, -40.37

 

CMYK 0 / 69 / 68 / 53

HEX #782526

RGB 120 37 38

HSL 359.28, 0.53%, 0.31%

LAB 28, 36.19, 19.58

 

Description

Color code: RGB 79 120 37 | qconv.com Color code: RGB 79 120 37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 120 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 120 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 69 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 69% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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