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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 111 55 it is the complementary color RGB 176 144 200. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 111 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 111 55 shade: RGB 84 111 50, RGB 101 129 69, RGB 118 147 88, RGB 135 165 107 and RGB 152 183 126

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 111 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 111 55 shade: RGB 79 111 55, RGB 62 93 36, RGB 45 75 17, RGB 28 57 0 and RGB 11 39 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 111 55 shade: RGB 80 112 55, RGB 95 112 55, RGB 110 112 55, RGB 112 99 55 and RGB 112 83 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 111 55 shade: RGB 80 112 55, RGB 64 112 55, RGB 55 112 61, RGB 55 112 77 and RGB 55 112 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 111 55 shade matches the following richer shades: RGB 80 112 55, RGB 78 126 41, RGB 76 139 28, RGB 74 153 14 and RGB 72 167 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 111 55 shade: RGB 80 112 55, RGB 82 99 69, RGB 83 85 82, RGB 85 71 96 and RGB 87 58 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 111 55 shade: RGB 110 112 55, RGB 95 112 55, RGB 80 112 55, RGB 65 112 55 and RGB 55 112 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 111 55 shade: RGB 40 57 28, RGB 60 85 41, RGB 80 112 55, RGB 99 140 69 and RGB 119 168 82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 111 55 shade: RGB 79 111 55, RGB 55 112 99 and RGB 112 55 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 111 55 shade: RGB 79 111 55, RGB 55 80 112 and RGB 112 55 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 111 55 shade: RGB 79 111 55, RGB 55 112 99, RGB 87 55 112 and RGB 112 55 68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 111 55 shade: RGB 79 111 55, RGB 55 108 112, RGB 87 55 112 and RGB 112 59 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 50 / 56

HEX #4F6F37

RGB 79 111 55

HSL 94.29, 0.34%, 0.33%

LAB 43.22, -22.43, 27.39

 

Complementary color

CMYK 12 / 28 / 0 / 22

HEX #B090C8

RGB 176 144 200

HSL 274.29, 0.34%, 0.67%

LAB 64.44, 22.59, -24.42

 

CMYK 24 / 0 / 55 / 56

HEX #546F32

RGB 84 111 50

HSL 86.56, 0.38%, 0.32%

LAB 43.48, -21.01, 30.47

 

CMYK 22 / 0 / 47 / 49

HEX #658145

RGB 101 129 69

HSL 88, 0.3%, 0.39%

LAB 50.57, -21.05, 29.21

 

CMYK 20 / 0 / 40 / 42

HEX #769358

RGB 118 147 88

HSL 89.49, 0.25%, 0.46%

LAB 57.49, -21.02, 27.96

 

CMYK 18 / 0 / 35 / 35

HEX #87A56B

RGB 135 165 107

HSL 91.03, 0.24%, 0.53%

LAB 64.26, -20.96, 26.76

 

CMYK 17 / 0 / 31 / 28

HEX #98B77E

RGB 152 183 126

HSL 92.63, 0.28%, 0.61%

LAB 70.9, -20.88, 25.63

 

CMYK 29 / 0 / 50 / 56

HEX #4F6F37

RGB 79 111 55

HSL 94.29, 0.34%, 0.33%

LAB 43.22, -22.43, 27.39

 

CMYK 33 / 0 / 61 / 64

HEX #3E5D24

RGB 62 93 36

HSL 92.63, 0.44%, 0.25%

LAB 35.95, -22.42, 28.66

 

CMYK 40 / 0 / 77 / 71

HEX #2D4B11

RGB 45 75 17

HSL 91.03, 0.63%, 0.18%

LAB 28.46, -22.19, 29.56

 

CMYK 51 / 0 / 100 / 78

HEX #1C3900

RGB 28 57 0

HSL 90.53, 1%, 0.11%

LAB 20.72, -21.6, 28.44

 

CMYK 72 / 0 / 100 / 85

HEX #0B2700

RGB 11 39 0

HSL 103.08, 1%, 0.08%

LAB 12.75, -19.58, 18.43

 

CMYK 29 / 0 / 51 / 56

HEX #507037

RGB 80 112 55

HSL 93.68, 0.34%, 0.33%

LAB 43.61, -22.54, 27.88

 

CMYK 15 / 0 / 51 / 56

HEX #5F7037

RGB 95 112 55

HSL 77.89, 0.34%, 0.33%

LAB 44.66, -16.3, 29.4

 

CMYK 2 / 0 / 51 / 56

HEX #6E7037

RGB 110 112 55

HSL 62.11, 0.34%, 0.33%

LAB 45.88, -9.67, 31.16

 

CMYK 0 / 12 / 51 / 56

HEX #706337

RGB 112 99 55

HSL 46.32, 0.34%, 0.33%

LAB 42.22, -1.29, 26.76

 

CMYK 0 / 26 / 51 / 56

HEX #705337

RGB 112 83 55

HSL 29.47, 0.34%, 0.33%

LAB 37.68, 8.29, 21.04

 

CMYK 29 / 0 / 51 / 56

HEX #507037

RGB 80 112 55

HSL 93.68, 0.34%, 0.33%

LAB 43.61, -22.54, 27.88

 

CMYK 43 / 0 / 51 / 56

HEX #407037

RGB 64 112 55

HSL 110.53, 0.34%, 0.33%

LAB 42.69, -28.54, 26.55

 

CMYK 51 / 0 / 46 / 56

HEX #37703D

RGB 55 112 61

HSL 126.32, 0.34%, 0.33%

LAB 42.37, -30.53, 22.7

 

CMYK 51 / 0 / 31 / 56

HEX #37704D

RGB 55 112 77

HSL 143.16, 0.34%, 0.33%

LAB 42.67, -27.46, 13.84

 

CMYK 51 / 0 / 18 / 56

HEX #37705C

RGB 55 112 92

HSL 158.95, 0.34%, 0.33%

LAB 43.02, -24, 5.4

 

CMYK 29 / 0 / 51 / 56

HEX #507037

RGB 80 112 55

HSL 93.68, 0.34%, 0.33%

LAB 43.61, -22.54, 27.88

 

CMYK 38 / 0 / 67 / 51

HEX #4E7E29

RGB 78 126 41

HSL 93.88, 0.51%, 0.33%

LAB 47.88, -31.67, 39.78

 

CMYK 45 / 0 / 80 / 45

HEX #4C8B1C

RGB 76 139 28

HSL 94.05, 0.66%, 0.33%

LAB 51.93, -39.07, 48.91

 

CMYK 52 / 0 / 91 / 40

HEX #4A990E

RGB 74 153 14

HSL 94.1, 0.83%, 0.33%

LAB 56.36, -45.99, 56.4

 

CMYK 57 / 0 / 99 / 35

HEX #48A701

RGB 72 167 1

HSL 94.34, 0.99%, 0.33%

LAB 60.8, -52.12, 61.95

 

CMYK 29 / 0 / 51 / 56

HEX #507037

RGB 80 112 55

HSL 93.68, 0.34%, 0.33%

LAB 43.61, -22.54, 27.88

 

CMYK 17 / 0 / 30 / 61

HEX #526345

RGB 82 99 69

HSL 94, 0.18%, 0.33%

LAB 39.83, -12.61, 14.98

 

CMYK 2 / 0 / 4 / 67

HEX #535552

RGB 83 85 82

HSL 100, 0.02%, 0.33%

LAB 35.88, -1.44, 1.46

 

CMYK 11 / 26 / 0 / 62

HEX #554760

RGB 85 71 96

HSL 273.6, 0.15%, 0.33%

LAB 32.44, 11.33, -12.49

 

CMYK 21 / 47 / 0 / 57

HEX #573A6E

RGB 87 58 110

HSL 273.46, 0.31%, 0.33%

LAB 29.86, 23.79, -25.38

 

CMYK 2 / 0 / 51 / 56

HEX #6E7037

RGB 110 112 55

HSL 62.11, 0.34%, 0.33%

LAB 45.88, -9.67, 31.16

 

CMYK 15 / 0 / 51 / 56

HEX #5F7037

RGB 95 112 55

HSL 77.89, 0.34%, 0.33%

LAB 44.66, -16.3, 29.4

 

CMYK 29 / 0 / 51 / 56

HEX #507037

RGB 80 112 55

HSL 93.68, 0.34%, 0.33%

LAB 43.61, -22.54, 27.88

 

CMYK 42 / 0 / 51 / 56

HEX #417037

RGB 65 112 55

HSL 109.47, 0.34%, 0.33%

LAB 42.75, -28.19, 26.62

 

CMYK 51 / 0 / 46 / 56

HEX #37703D

RGB 55 112 61

HSL 126.32, 0.34%, 0.33%

LAB 42.37, -30.53, 22.7

 

CMYK 30 / 0 / 51 / 78

HEX #28391C

RGB 40 57 28

HSL 95.17, 0.34%, 0.17%

LAB 21.8, -13.31, 15.86

 

CMYK 29 / 0 / 52 / 67

HEX #3C5529

RGB 60 85 41

HSL 94.09, 0.35%, 0.25%

LAB 33.17, -18.42, 22.57

 

CMYK 29 / 0 / 51 / 56

HEX #507037

RGB 80 112 55

HSL 93.68, 0.34%, 0.33%

LAB 43.61, -22.54, 27.88

 

CMYK 29 / 0 / 51 / 45

HEX #638C45

RGB 99 140 69

HSL 94.65, 0.34%, 0.41%

LAB 53.86, -27.36, 33.24

 

CMYK 29 / 0 / 51 / 34

HEX #77A852

RGB 119 168 82

HSL 94.19, 0.34%, 0.49%

LAB 63.78, -31.72, 38.97

 

CMYK 29 / 0 / 50 / 56

HEX #4F6F37

RGB 79 111 55

HSL 94.29, 0.34%, 0.33%

LAB 43.22, -22.43, 27.39

 

CMYK 51 / 0 / 12 / 56

HEX #377063

RGB 55 112 99

HSL 166.32, 0.34%, 0.33%

LAB 43.21, -22.2, 1.47

 

CMYK 0 / 51 / 8 / 56

HEX #703767

RGB 112 55 103

HSL 309.47, 0.34%, 0.33%

LAB 32.16, 32.3, -17.09

 

CMYK 29 / 0 / 50 / 56

HEX #4F6F37

RGB 79 111 55

HSL 94.29, 0.34%, 0.33%

LAB 43.22, -22.43, 27.39

 

CMYK 51 / 29 / 0 / 56

HEX #375070

RGB 55 80 112

HSL 213.68, 0.34%, 0.33%

LAB 33.39, 0.31, -21.32

 

CMYK 0 / 51 / 29 / 56

HEX #703750

RGB 112 55 80

HSL 333.68, 0.34%, 0.33%

LAB 31.25, 28.37, -3.66

 

CMYK 29 / 0 / 50 / 56

HEX #4F6F37

RGB 79 111 55

HSL 94.29, 0.34%, 0.33%

LAB 43.22, -22.43, 27.39

 

CMYK 51 / 0 / 12 / 56

HEX #377063

RGB 55 112 99

HSL 166.32, 0.34%, 0.33%

LAB 43.21, -22.2, 1.47

 

CMYK 22 / 51 / 0 / 56

HEX #573770

RGB 87 55 112

HSL 273.68, 0.34%, 0.33%

LAB 29.23, 26.16, -27.64

 

CMYK 0 / 51 / 39 / 56

HEX #703744

RGB 112 55 68

HSL 346.32, 0.34%, 0.33%

LAB 30.87, 26.66, 3.6

 

CMYK 29 / 0 / 50 / 56

HEX #4F6F37

RGB 79 111 55

HSL 94.29, 0.34%, 0.33%

LAB 43.22, -22.43, 27.39

 

CMYK 51 / 4 / 0 / 56

HEX #376C70

RGB 55 108 112

HSL 184.21, 0.34%, 0.33%

LAB 42.32, -16.42, -7.7

 

CMYK 22 / 51 / 0 / 56

HEX #573770

RGB 87 55 112

HSL 273.68, 0.34%, 0.33%

LAB 29.23, 26.16, -27.64

 

CMYK 0 / 47 / 51 / 56

HEX #703B37

RGB 112 59 55

HSL 4.21, 0.34%, 0.33%

LAB 31.46, 22.79, 12.86

 

Description

Color code: RGB 79 111 55 | qconv.com Color code: RGB 79 111 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 111 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 111 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 50 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 50% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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