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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 45 95 it is the complementary color RGB 176 210 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 45 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 45 95 shade: RGB 84 45 90, RGB 101 63 109, RGB 118 81 128, RGB 135 99 147 and RGB 152 117 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 45 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 45 95 shade: RGB 79 45 95, RGB 62 27 76, RGB 45 9 57, RGB 28 0 38 and RGB 11 0 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 45 95 shade: RGB 77 44 93, RGB 91 44 93, RGB 93 44 82, RGB 93 44 69 and RGB 93 44 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 45 95 shade: RGB 77 44 93, RGB 64 44 93, RGB 51 44 93 and RGB 44 44 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 45 95 shade matches the following richer shades: RGB 77 44 93, RGB 81 32 104, RGB 85 21 115 and RGB 89 10 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 45 95 shade: RGB 77 44 93, RGB 73 55 82, RGB 69 66 71, RGB 65 77 60 and RGB 61 88 49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 45 95 shade: RGB 50 44 93, RGB 63 44 93, RGB 77 44 93, RGB 90 44 93 and RGB 93 44 83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 45 95 shade: RGB 31 17 37, RGB 54 30 65, RGB 77 44 93, RGB 101 57 121 and RGB 124 70 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 45 95 shade: RGB 79 45 95, RGB 93 44 50 and RGB 44 93 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 45 95 shade: RGB 79 45 95, RGB 93 77 44 and RGB 44 93 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 45 95 shade: RGB 79 45 95, RGB 93 44 50, RGB 60 93 44 and RGB 44 93 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 45 95 shade: RGB 79 45 95, RGB 93 52 44, RGB 60 93 44 and RGB 44 85 93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 53 / 0 / 63

HEX #4F2D5F

RGB 79 45 95

HSL 280.8, 0.36%, 0.27%

LAB 24.84, 25.53, -23.68

 

Complementary color

CMYK 16 / 0 / 24 / 18

HEX #B0D2A0

RGB 176 210 160

HSL 100.8, 0.36%, 0.73%

LAB 80.66, -20.43, 21.15

 

CMYK 7 / 50 / 0 / 65

HEX #542D5A

RGB 84 45 90

HSL 292, 0.33%, 0.26%

LAB 25.26, 26, -19.7

 

CMYK 7 / 42 / 0 / 57

HEX #653F6D

RGB 101 63 109

HSL 289.57, 0.27%, 0.34%

LAB 32.76, 25.13, -20.09

 

CMYK 8 / 37 / 0 / 50

HEX #765180

RGB 118 81 128

HSL 287.23, 0.22%, 0.41%

LAB 40.07, 24.3, -20.41

 

CMYK 8 / 33 / 0 / 42

HEX #876393

RGB 135 99 147

HSL 285, 0.2%, 0.48%

LAB 47.21, 23.54, -20.7

 

CMYK 8 / 30 / 0 / 35

HEX #9875A6

RGB 152 117 166

HSL 282.86, 0.22%, 0.55%

LAB 54.19, 22.85, -20.99

 

CMYK 17 / 53 / 0 / 63

HEX #4F2D5F

RGB 79 45 95

HSL 280.8, 0.36%, 0.27%

LAB 24.84, 25.53, -23.68

 

CMYK 18 / 64 / 0 / 70

HEX #3E1B4C

RGB 62 27 76

HSL 282.86, 0.48%, 0.2%

LAB 17.13, 26.39, -23.35

 

CMYK 21 / 84 / 0 / 78

HEX #2D0939

RGB 45 9 57

HSL 285, 0.73%, 0.13%

LAB 9.39, 26.69, -22.55

 

CMYK 26 / 100 / 0 / 85

HEX #1C0026

RGB 28 0 38

HSL 284.21, 1%, 0.07%

LAB 3.49, 18.89, -17.94

 

CMYK 42 / 100 / 0 / 93

HEX #0B0013

RGB 11 0 19

HSL 274.74, 1%, 0.04%

LAB 1.07, 5.87, -7.11

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 2 / 53 / 0 / 64

HEX #5B2C5D

RGB 91 44 93

HSL 297.55, 0.36%, 0.27%

LAB 26.2, 29.56, -20.12

 

CMYK 0 / 53 / 12 / 64

HEX #5D2C52

RGB 93 44 82

HSL 313.47, 0.36%, 0.27%

LAB 25.97, 28.04, -13.21

 

CMYK 0 / 53 / 26 / 64

HEX #5D2C45

RGB 93 44 69

HSL 329.39, 0.36%, 0.27%

LAB 25.44, 25.75, -5.37

 

CMYK 0 / 53 / 40 / 64

HEX #5D2C38

RGB 93 44 56

HSL 345.31, 0.36%, 0.27%

LAB 25, 23.79, 2.73

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 31 / 53 / 0 / 64

HEX #402C5D

RGB 64 44 93

HSL 264.49, 0.36%, 0.27%

LAB 22.59, 20.9, -26.06

 

CMYK 45 / 53 / 0 / 64

HEX #332C5D

RGB 51 44 93

HSL 248.57, 0.36%, 0.27%

LAB 21.19, 17.05, -28.37

 

CMYK 53 / 53 / 0 / 64

HEX #2C2C5D

RGB 44 44 93

HSL 240, 0.36%, 0.27%

LAB 20.55, 15.15, -29.44

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 22 / 69 / 0 / 59

HEX #512068

RGB 81 32 104

HSL 280.83, 0.53%, 0.27%

LAB 22.94, 35.68, -32.57

 

CMYK 26 / 82 / 0 / 55

HEX #551573

RGB 85 21 115

HSL 280.85, 0.69%, 0.27%

LAB 22.67, 43.97, -40.08

 

CMYK 30 / 92 / 0 / 50

HEX #590A7F

RGB 89 10 127

HSL 280.51, 0.85%, 0.27%

LAB 23.25, 50.49, -46.78

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 11 / 33 / 0 / 68

HEX #493752

RGB 73 55 82

HSL 280, 0.2%, 0.27%

LAB 26.03, 13.8, -13.35

 

CMYK 3 / 7 / 0 / 72

HEX #454247

RGB 69 66 71

HSL 276, 0.04%, 0.27%

LAB 28.42, 2.38, -2.58

 

CMYK 16 / 0 / 22 / 70

HEX #414D3C

RGB 65 77 60

HSL 102.35, 0.12%, 0.27%

LAB 31.25, -8.53, 8.52

 

CMYK 31 / 0 / 44 / 65

HEX #3D5831

RGB 61 88 49

HSL 101.54, 0.28%, 0.27%

LAB 34.38, -18.43, 19.44

 

CMYK 46 / 53 / 0 / 64

HEX #322C5D

RGB 50 44 93

HSL 247.35, 0.36%, 0.27%

LAB 21.09, 16.77, -28.53

 

CMYK 32 / 53 / 0 / 64

HEX #3F2C5D

RGB 63 44 93

HSL 263.27, 0.36%, 0.27%

LAB 22.47, 20.59, -26.25

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 3 / 53 / 0 / 64

HEX #5A2C5D

RGB 90 44 93

HSL 296.33, 0.36%, 0.27%

LAB 26.06, 29.23, -20.36

 

CMYK 0 / 53 / 11 / 64

HEX #5D2C53

RGB 93 44 83

HSL 312.24, 0.36%, 0.27%

LAB 26.02, 28.23, -13.81

 

CMYK 16 / 54 / 0 / 85

HEX #1F1125

RGB 31 17 37

HSL 282, 0.37%, 0.11%

LAB 7.46, 11.96, -10.99

 

CMYK 17 / 54 / 0 / 75

HEX #361E41

RGB 54 30 65

HSL 281.14, 0.37%, 0.19%

LAB 15.98, 19.12, -17.67

 

CMYK 17 / 53 / 0 / 64

HEX #4D2C5D

RGB 77 44 93

HSL 280.41, 0.36%, 0.27%

LAB 24.22, 25.01, -23.36

 

CMYK 17 / 53 / 0 / 53

HEX #653979

RGB 101 57 121

HSL 281.25, 0.36%, 0.35%

LAB 31.97, 31.45, -28.88

 

CMYK 17 / 53 / 0 / 42

HEX #7C4695

RGB 124 70 149

HSL 281.01, 0.36%, 0.43%

LAB 39.3, 37.29, -34.34

 

CMYK 17 / 53 / 0 / 63

HEX #4F2D5F

RGB 79 45 95

HSL 280.8, 0.36%, 0.27%

LAB 24.84, 25.53, -23.68

 

CMYK 0 / 53 / 46 / 64

HEX #5D2C32

RGB 93 44 50

HSL 352.65, 0.36%, 0.27%

LAB 24.82, 23.02, 6.53

 

CMYK 53 / 0 / 39 / 64

HEX #2C5D39

RGB 44 93 57

HSL 135.92, 0.36%, 0.27%

LAB 35.32, -25.59, 15.72

 

CMYK 17 / 53 / 0 / 63

HEX #4F2D5F

RGB 79 45 95

HSL 280.8, 0.36%, 0.27%

LAB 24.84, 25.53, -23.68

 

CMYK 0 / 17 / 53 / 64

HEX #5D4D2C

RGB 93 77 44

HSL 40.41, 0.36%, 0.27%

LAB 33.6, 1.84, 21.98

 

CMYK 53 / 0 / 17 / 64

HEX #2C5D4D

RGB 44 93 77

HSL 160.41, 0.36%, 0.27%

LAB 35.79, -20.97, 4.13

 

CMYK 17 / 53 / 0 / 63

HEX #4F2D5F

RGB 79 45 95

HSL 280.8, 0.36%, 0.27%

LAB 24.84, 25.53, -23.68

 

CMYK 0 / 53 / 46 / 64

HEX #5D2C32

RGB 93 44 50

HSL 352.65, 0.36%, 0.27%

LAB 24.82, 23.02, 6.53

 

CMYK 35 / 0 / 53 / 64

HEX #3C5D2C

RGB 60 93 44

HSL 100.41, 0.36%, 0.27%

LAB 35.93, -22.21, 24.25

 

CMYK 53 / 0 / 6 / 64

HEX #2C5D57

RGB 44 93 87

HSL 172.65, 0.36%, 0.27%

LAB 36.08, -18.23, -1.66

 

CMYK 17 / 53 / 0 / 63

HEX #4F2D5F

RGB 79 45 95

HSL 280.8, 0.36%, 0.27%

LAB 24.84, 25.53, -23.68

 

CMYK 0 / 44 / 53 / 64

HEX #5D342C

RGB 93 52 44

HSL 9.8, 0.36%, 0.27%

LAB 26.63, 17.47, 13

 

CMYK 35 / 0 / 53 / 64

HEX #3C5D2C

RGB 60 93 44

HSL 100.41, 0.36%, 0.27%

LAB 35.93, -22.21, 24.25

 

CMYK 53 / 9 / 0 / 64

HEX #2C555D

RGB 44 85 93

HSL 189.8, 0.36%, 0.27%

LAB 33.61, -11.89, -9.1

 

Description

Color code: RGB 79 45 95 | qconv.com Color code: RGB 79 45 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 45 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 45 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 53 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 53% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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