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Color name
RGB 78 28 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 28 108 it is the complementary color RGB 177 227 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 28 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 28 108 shade: RGB 83 28 103, RGB 100 46 122, RGB 117 64 141, RGB 134 82 160 and RGB 151 100 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 28 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 28 108 shade: RGB 78 28 108, RGB 61 10 89, RGB 44 0 70, RGB 27 0 51 and RGB 10 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 28 108 shade: RGB 79 28 109, RGB 100 28 109, RGB 109 28 96, RGB 109 28 74 and RGB 109 28 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 28 108 shade: RGB 79 28 109, RGB 57 28 109, RGB 35 28 109 and RGB 28 28 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 28 108 shade matches the following richer shades: RGB 79 28 109, RGB 81 17 120 and RGB 84 5 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 28 108 shade: RGB 79 28 109, RGB 76 39 98, RGB 73 50 87, RGB 70 61 76 and RGB 67 72 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 28 108 shade: RGB 34 28 109, RGB 56 28 109, RGB 78 28 109, RGB 99 28 109 and RGB 109 28 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 28 108 shade: RGB 31 11 43, RGB 55 19 76, RGB 79 28 109, RGB 102 36 142 and RGB 126 45 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 28 108 shade: RGB 78 28 108, RGB 109 28 43 and RGB 28 109 45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 28 108 shade: RGB 78 28 108, RGB 109 78 28 and RGB 28 109 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 28 108 shade: RGB 78 28 108, RGB 109 28 43, RGB 59 109 28 and RGB 28 109 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 28 108 shade: RGB 78 28 108, RGB 109 37 28, RGB 59 109 28 and RGB 28 99 109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 74 / 0 / 58

HEX #4E1C6C

RGB 78 28 108

HSL 277.5, 0.59%, 0.27%

LAB 22.06, 37.9, -36.6

 

Complementary color

CMYK 22 / 0 / 35 / 11

HEX #B1E393

RGB 177 227 147

HSL 97.5, 0.59%, 0.73%

LAB 85.2, -30.24, 33.99

 

CMYK 19 / 73 / 0 / 60

HEX #531C67

RGB 83 28 103

HSL 284, 0.57%, 0.26%

LAB 22.47, 37.9, -32.64

 

CMYK 18 / 62 / 0 / 52

HEX #642E7A

RGB 100 46 122

HSL 282.63, 0.45%, 0.33%

LAB 29.58, 37.54, -33.31

 

CMYK 17 / 55 / 0 / 45

HEX #75408D

RGB 117 64 141

HSL 281.3, 0.38%, 0.4%

LAB 36.69, 36.8, -33.66

 

CMYK 16 / 49 / 0 / 37

HEX #8652A0

RGB 134 82 160

HSL 280, 0.32%, 0.47%

LAB 43.71, 35.96, -33.89

 

CMYK 16 / 44 / 0 / 30

HEX #9764B3

RGB 151 100 179

HSL 278.73, 0.34%, 0.55%

LAB 50.63, 35.11, -34.06

 

CMYK 28 / 74 / 0 / 58

HEX #4E1C6C

RGB 78 28 108

HSL 277.5, 0.59%, 0.27%

LAB 22.06, 37.9, -36.6

 

CMYK 31 / 89 / 0 / 65

HEX #3D0A59

RGB 61 10 89

HSL 278.73, 0.8%, 0.19%

LAB 15.12, 37.38, -35.43

 

CMYK 37 / 100 / 0 / 73

HEX #2C0046

RGB 44 0 70

HSL 277.71, 1%, 0.14%

LAB 8.8, 34.37, -32.79

 

CMYK 47 / 100 / 0 / 80

HEX #1B0033

RGB 27 0 51

HSL 271.76, 1%, 0.1%

LAB 4.26, 24, -26.57

 

CMYK 69 / 100 / 0 / 87

HEX #0A0020

RGB 10 0 32

HSL 258.75, 1%, 0.06%

LAB 1.52, 9.23, -16.4

 

CMYK 28 / 74 / 0 / 57

HEX #4F1C6D

RGB 79 28 109

HSL 277.78, 0.59%, 0.27%

LAB 22.29, 38.37, -36.87

 

CMYK 8 / 74 / 0 / 57

HEX #641C6D

RGB 100 28 109

HSL 293.33, 0.59%, 0.27%

LAB 25.7, 43.27, -31.22

 

CMYK 0 / 74 / 12 / 57

HEX #6D1C60

RGB 109 28 96

HSL 309.63, 0.59%, 0.27%

LAB 26.52, 43.19, -21.36

 

CMYK 0 / 74 / 32 / 57

HEX #6D1C4A

RGB 109 28 74

HSL 325.93, 0.59%, 0.27%

LAB 25.49, 39.9, -8.36

 

CMYK 0 / 74 / 52 / 57

HEX #6D1C34

RGB 109 28 52

HSL 342.22, 0.59%, 0.27%

LAB 24.73, 37.37, 5.46

 

CMYK 28 / 74 / 0 / 57

HEX #4F1C6D

RGB 79 28 109

HSL 277.78, 0.59%, 0.27%

LAB 22.29, 38.37, -36.87

 

CMYK 48 / 74 / 0 / 57

HEX #391C6D

RGB 57 28 109

HSL 261.48, 0.59%, 0.27%

LAB 19.24, 33.71, -41.96

 

CMYK 68 / 74 / 0 / 57

HEX #231C6D

RGB 35 28 109

HSL 245.19, 0.59%, 0.27%

LAB 16.95, 29.97, -45.8

 

CMYK 74 / 74 / 0 / 57

HEX #1C1C6D

RGB 28 28 109

HSL 240, 0.59%, 0.27%

LAB 16.41, 29.05, -46.71

 

CMYK 28 / 74 / 0 / 57

HEX #4F1C6D

RGB 79 28 109

HSL 277.78, 0.59%, 0.27%

LAB 22.29, 38.37, -36.87

 

CMYK 33 / 86 / 0 / 53

HEX #511178

RGB 81 17 120

HSL 277.28, 0.75%, 0.27%

LAB 21.97, 45.77, -44.46

 

CMYK 36 / 96 / 0 / 49

HEX #540583

RGB 84 5 131

HSL 277.62, 0.93%, 0.27%

LAB 22.42, 51.76, -50.7

 

CMYK 28 / 74 / 0 / 57

HEX #4F1C6D

RGB 79 28 109

HSL 277.78, 0.59%, 0.27%

LAB 22.29, 38.37, -36.87

 

CMYK 22 / 60 / 0 / 62

HEX #4C2762

RGB 76 39 98

HSL 277.63, 0.43%, 0.27%

LAB 23.23, 28.98, -28.22

 

CMYK 16 / 43 / 0 / 66

HEX #493257

RGB 73 50 87

HSL 277.3, 0.27%, 0.27%

LAB 24.91, 18.33, -18.39

 

CMYK 8 / 20 / 0 / 70

HEX #463D4C

RGB 70 61 76

HSL 276, 0.11%, 0.27%

LAB 27.19, 7.22, -7.68

 

CMYK 7 / 0 / 11 / 72

HEX #434840

RGB 67 72 64

HSL 97.5, 0.06%, 0.27%

LAB 29.91, -3.81, 4.1

 

CMYK 69 / 74 / 0 / 57

HEX #221C6D

RGB 34 28 109

HSL 244.44, 0.59%, 0.27%

LAB 16.87, 29.83, -45.94

 

CMYK 49 / 74 / 0 / 57

HEX #381C6D

RGB 56 28 109

HSL 260.74, 0.59%, 0.27%

LAB 19.12, 33.51, -42.16

 

CMYK 28 / 74 / 0 / 57

HEX #4E1C6D

RGB 78 28 109

HSL 277.04, 0.59%, 0.27%

LAB 22.14, 38.14, -37.12

 

CMYK 9 / 74 / 0 / 57

HEX #631C6D

RGB 99 28 109

HSL 292.59, 0.59%, 0.27%

LAB 25.53, 43.03, -31.5

 

CMYK 0 / 74 / 11 / 57

HEX #6D1C61

RGB 109 28 97

HSL 308.89, 0.59%, 0.27%

LAB 26.58, 43.35, -21.93

 

CMYK 28 / 74 / 0 / 83

HEX #1F0B2B

RGB 31 11 43

HSL 277.5, 0.59%, 0.11%

LAB 6.37, 17.39, -17.22

 

CMYK 28 / 75 / 0 / 70

HEX #37134C

RGB 55 19 76

HSL 277.89, 0.6%, 0.19%

LAB 14.4, 28.94, -27.79

 

CMYK 28 / 74 / 0 / 57

HEX #4F1C6D

RGB 79 28 109

HSL 277.78, 0.59%, 0.27%

LAB 22.29, 38.37, -36.87

 

CMYK 28 / 75 / 0 / 44

HEX #66248E

RGB 102 36 142

HSL 277.36, 0.6%, 0.35%

LAB 29.51, 47.44, -45.89

 

CMYK 28 / 74 / 0 / 31

HEX #7E2DAF

RGB 126 45 175

HSL 277.38, 0.59%, 0.43%

LAB 36.76, 55.85, -54

 

CMYK 28 / 74 / 0 / 58

HEX #4E1C6C

RGB 78 28 108

HSL 277.5, 0.59%, 0.27%

LAB 22.06, 37.9, -36.6

 

CMYK 0 / 74 / 61 / 57

HEX #6D1C2B

RGB 109 28 43

HSL 348.89, 0.59%, 0.27%

LAB 24.5, 36.58, 11.29

 

CMYK 74 / 0 / 59 / 57

HEX #1C6D2D

RGB 28 109 45

HSL 132.59, 0.59%, 0.27%

LAB 40.2, -38.61, 28.59

 

CMYK 28 / 74 / 0 / 58

HEX #4E1C6C

RGB 78 28 108

HSL 277.5, 0.59%, 0.27%

LAB 22.06, 37.9, -36.6

 

CMYK 0 / 28 / 74 / 57

HEX #6D4E1C

RGB 109 78 28

HSL 37.04, 0.59%, 0.27%

LAB 35.56, 7.65, 33.56

 

CMYK 74 / 0 / 28 / 57

HEX #1C6D4E

RGB 28 109 78

HSL 157.04, 0.59%, 0.27%

LAB 40.79, -32.03, 10.51

 

CMYK 28 / 74 / 0 / 58

HEX #4E1C6C

RGB 78 28 108

HSL 277.5, 0.59%, 0.27%

LAB 22.06, 37.9, -36.6

 

CMYK 0 / 74 / 61 / 57

HEX #6D1C2B

RGB 109 28 43

HSL 348.89, 0.59%, 0.27%

LAB 24.5, 36.58, 11.29

 

CMYK 46 / 0 / 74 / 57

HEX #3B6D1C

RGB 59 109 28

HSL 97.04, 0.59%, 0.27%

LAB 41.14, -32, 38.03

 

CMYK 74 / 0 / 14 / 57

HEX #1C6D5E

RGB 28 109 94

HSL 168.89, 0.59%, 0.27%

LAB 41.2, -27.74, 1.46

 

CMYK 28 / 74 / 0 / 58

HEX #4E1C6C

RGB 78 28 108

HSL 277.5, 0.59%, 0.27%

LAB 22.06, 37.9, -36.6

 

CMYK 0 / 66 / 74 / 57

HEX #6D251C

RGB 109 37 28

HSL 6.67, 0.59%, 0.27%

LAB 25.74, 31.44, 22.78

 

CMYK 46 / 0 / 74 / 57

HEX #3B6D1C

RGB 59 109 28

HSL 97.04, 0.59%, 0.27%

LAB 41.14, -32, 38.03

 

CMYK 74 / 9 / 0 / 57

HEX #1C636D

RGB 28 99 109

HSL 187.41, 0.59%, 0.27%

LAB 38.33, -17.83, -11.97

 

Description

Color code: RGB 78 28 108 | qconv.com Color code: RGB 78 28 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 28 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 28 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 74 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 74% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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