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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 227 213 it is the complementary color RGB 177 28 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 227 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 227 213 shade: RGB 83 227 208, RGB 100 245 227, RGB 117 255 246, RGB 134 255 255 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 227 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 61 209 194, RGB 44 191 175, RGB 27 173 156 and RGB 10 155 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 78 227 173, RGB 78 227 133, RGB 78 227 92 and RGB 104 227 78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 78 201 227, RGB 78 161 227, RGB 78 120 227 and RGB 78 80 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 227 213 shade matches the following richer shades: RGB 78 227 213 and RGB 62 243 226

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 95 210 200, RGB 111 194 186, RGB 128 177 173 and RGB 144 161 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 227 213 shade: RGB 78 227 133, RGB 78 227 172, RGB 78 227 212, RGB 78 202 227 and RGB 78 162 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 227 213 shade: RGB 30 193 177, RGB 42 221 205, RGB 78 227 213, RGB 114 233 221 and RGB 149 238 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 93 78 227 and RGB 227 153 78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 212 78 227 and RGB 227 212 78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 93 78 227, RGB 227 78 93 and RGB 212 227 78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 227 213 shade: RGB 78 227 213, RGB 138 78 227, RGB 227 78 93 and RGB 167 227 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

Complementary color

CMYK 0 / 84 / 76 / 31

HEX #B11C2A

RGB 177 28 42

HSL 354.36, 0.73%, 0.4%

LAB 38.45, 57.46, 32.25

 

CMYK 63 / 0 / 8 / 11

HEX #53E3D0

RGB 83 227 208

HSL 172.08, 0.72%, 0.61%

LAB 82.56, -42.7, -2.09

 

CMYK 59 / 0 / 7 / 4

HEX #64F5E3

RGB 100 245 227

HSL 172.55, 0.88%, 0.68%

LAB 88.71, -43.01, -2.99

 

CMYK 54 / 0 / 4 / 0

HEX #75FFF6

RGB 117 255 246

HSL 176.09, 1%, 0.73%

LAB 92.56, -39.64, -7.15

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 71 / 0 / 7 / 18

HEX #3DD1C2

RGB 61 209 194

HSL 173.92, 0.62%, 0.53%

LAB 76.37, -41.6, -3.77

 

CMYK 77 / 0 / 8 / 25

HEX #2CBFAF

RGB 44 191 175

HSL 173.47, 0.63%, 0.46%

LAB 70.1, -40.79, -2.71

 

CMYK 84 / 0 / 10 / 32

HEX #1BAD9C

RGB 27 173 156

HSL 173.01, 0.73%, 0.39%

LAB 63.77, -39.68, -1.53

 

CMYK 94 / 0 / 12 / 39

HEX #0A9B89

RGB 10 155 137

HSL 172.55, 0.88%, 0.32%

LAB 57.38, -38.15, -0.2

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 66 / 0 / 24 / 11

HEX #4EE3AD

RGB 78 227 173

HSL 158.26, 0.73%, 0.6%

LAB 81.61, -51.88, 15

 

CMYK 66 / 0 / 41 / 11

HEX #4EE385

RGB 78 227 133

HSL 142.15, 0.73%, 0.6%

LAB 80.88, -59.73, 34.62

 

CMYK 66 / 0 / 59 / 11

HEX #4EE35C

RGB 78 227 92

HSL 125.64, 0.73%, 0.6%

LAB 80.37, -65.58, 53.46

 

CMYK 54 / 0 / 66 / 11

HEX #68E34E

RGB 104 227 78

HSL 109.53, 0.73%, 0.6%

LAB 80.98, -61.16, 60.22

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 66 / 11 / 0 / 11

HEX #4EC9E3

RGB 78 201 227

HSL 190.47, 0.73%, 0.6%

LAB 75.41, -26.02, -22.95

 

CMYK 66 / 29 / 0 / 11

HEX #4EA1E3

RGB 78 161 227

HSL 206.58, 0.73%, 0.6%

LAB 63.88, -4.82, -40.77

 

CMYK 66 / 47 / 0 / 11

HEX #4E78E3

RGB 78 120 227

HSL 223.09, 0.73%, 0.6%

LAB 52.51, 19.52, -58.83

 

CMYK 66 / 65 / 0 / 11

HEX #4E50E3

RGB 78 80 227

HSL 239.19, 0.73%, 0.6%

LAB 42.62, 44.12, -74.87

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 74 / 0 / 7 / 5

HEX #3EF3E2

RGB 62 243 226

HSL 174.36, 0.88%, 0.6%

LAB 87.3, -47.73, -4.65

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 55 / 0 / 5 / 18

HEX #5FD2C8

RGB 95 210 200

HSL 174.78, 0.56%, 0.6%

LAB 77.7, -34.9, -4.94

 

CMYK 43 / 0 / 4 / 24

HEX #6FC2BA

RGB 111 194 186

HSL 174.22, 0.4%, 0.6%

LAB 73.23, -27.2, -3.89

 

CMYK 28 / 0 / 2 / 31

HEX #80B1AD

RGB 128 177 173

HSL 175.1, 0.24%, 0.6%

LAB 68.79, -17.03, -3.2

 

CMYK 11 / 0 / 1 / 37

HEX #90A19F

RGB 144 161 159

HSL 172.94, 0.08%, 0.6%

LAB 64.9, -6.38, -1.01

 

CMYK 66 / 0 / 41 / 11

HEX #4EE385

RGB 78 227 133

HSL 142.15, 0.73%, 0.6%

LAB 80.88, -59.73, 34.62

 

CMYK 66 / 0 / 24 / 11

HEX #4EE3AC

RGB 78 227 172

HSL 157.85, 0.73%, 0.6%

LAB 81.59, -52.1, 15.49

 

CMYK 66 / 0 / 7 / 11

HEX #4EE3D4

RGB 78 227 212

HSL 173.96, 0.73%, 0.6%

LAB 82.55, -42.44, -4.24

 

CMYK 66 / 11 / 0 / 11

HEX #4ECAE3

RGB 78 202 227

HSL 190.07, 0.73%, 0.6%

LAB 75.7, -26.52, -22.51

 

CMYK 66 / 29 / 0 / 11

HEX #4EA2E3

RGB 78 162 227

HSL 206.17, 0.73%, 0.6%

LAB 64.17, -5.39, -40.33

 

CMYK 84 / 0 / 8 / 24

HEX #1EC1B1

RGB 30 193 177

HSL 174.11, 0.73%, 0.44%

LAB 70.59, -42.36, -3.11

 

CMYK 81 / 0 / 7 / 13

HEX #2ADDCD

RGB 42 221 205

HSL 174.64, 0.72%, 0.52%

LAB 79.96, -45.83, -4.4

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 51 / 0 / 5 / 9

HEX #72E9DD

RGB 114 233 221

HSL 173.95, 0.73%, 0.68%

LAB 85.54, -36.41, -4.46

 

CMYK 37 / 0 / 3 / 7

HEX #95EEE6

RGB 149 238 230

HSL 174.61, 0.72%, 0.76%

LAB 88.57, -28.46, -4.57

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 59 / 66 / 0 / 11

HEX #5D4EE3

RGB 93 78 227

HSL 246.04, 0.73%, 0.6%

LAB 43.24, 47.4, -73.8

 

CMYK 0 / 33 / 66 / 11

HEX #E3994E

RGB 227 153 78

HSL 30.2, 0.73%, 0.6%

LAB 69.23, 20.72, 49.69

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 7 / 66 / 0 / 11

HEX #D44EE3

RGB 212 78 227

HSL 293.96, 0.73%, 0.6%

LAB 57.07, 71.08, -50.8

 

CMYK 0 / 7 / 66 / 11

HEX #E3D44E

RGB 227 212 78

HSL 53.96, 0.73%, 0.6%

LAB 83.95, -10.16, 65.54

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 59 / 66 / 0 / 11

HEX #5D4EE3

RGB 93 78 227

HSL 246.04, 0.73%, 0.6%

LAB 43.24, 47.4, -73.8

 

CMYK 0 / 66 / 59 / 11

HEX #E34E5D

RGB 227 78 93

HSL 353.96, 0.73%, 0.6%

LAB 54.63, 58.6, 23.81

 

CMYK 7 / 0 / 66 / 11

HEX #D4E34E

RGB 212 227 78

HSL 66.04, 0.73%, 0.6%

LAB 86.74, -23.71, 68.06

 

CMYK 66 / 0 / 6 / 11

HEX #4EE3D5

RGB 78 227 213

HSL 174.36, 0.73%, 0.6%

LAB 82.57, -42.18, -4.73

 

CMYK 39 / 66 / 0 / 11

HEX #8A4EE3

RGB 138 78 227

HSL 264.16, 0.73%, 0.6%

LAB 47.49, 55.3, -66.7

 

CMYK 0 / 66 / 59 / 11

HEX #E34E5D

RGB 227 78 93

HSL 353.96, 0.73%, 0.6%

LAB 54.63, 58.6, 23.81

 

CMYK 26 / 0 / 66 / 11

HEX #A7E34E

RGB 167 227 78

HSL 84.16, 0.73%, 0.6%

LAB 83.81, -41.16, 64.09

 

Description

Color code: RGB 78 227 213 | qconv.com Color code: RGB 78 227 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 227 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 227 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 6 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 6% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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