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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 199 242 it is the complementary color RGB 177 56 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 199 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 199 242 shade: RGB 83 199 237, RGB 100 217 255, RGB 117 235 255, RGB 134 253 255 and RGB 151 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 199 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 199 242 shade: RGB 78 199 242, RGB 61 181 223, RGB 44 163 204, RGB 27 145 185 and RGB 10 127 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 199 242 shade: RGB 79 199 241, RGB 79 155 241, RGB 79 111 241, RGB 91 79 241 and RGB 134 79 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 199 242 shade: RGB 79 199 241, RGB 79 155 241, RGB 79 111 241 and RGB 79 79 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 199 242 shade matches the following richer shades: RGB 79 199 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 199 242 shade: RGB 79 199 241, RGB 94 191 226, RGB 110 184 211, RGB 125 177 195 and RGB 140 170 180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 199 242 shade: RGB 79 241 195, RGB 79 241 239, RGB 79 201 241, RGB 79 157 241 and RGB 79 114 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 199 242 shade: RGB 16 168 222, RGB 41 187 238, RGB 79 199 241, RGB 117 211 244 and RGB 156 223 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 199 242 shade: RGB 78 199 242, RGB 152 79 241 and RGB 241 217 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 199 242 shade: RGB 78 199 242, RGB 241 79 201 and RGB 201 241 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 199 242 shade: RGB 78 199 242, RGB 152 79 241, RGB 241 120 79 and RGB 168 241 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 199 242 shade: RGB 78 199 242, RGB 201 79 241, RGB 241 120 79 and RGB 120 241 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 18 / 0 / 5

HEX #4EC7F2

RGB 78 199 242

HSL 195.73, 0.86%, 0.63%

LAB 75.37, -20.44, -31.09

 

Complementary color

CMYK 0 / 68 / 93 / 31

HEX #B1380D

RGB 177 56 13

HSL 15.73, 0.86%, 0.37%

LAB 41.54, 47.48, 49.19

 

CMYK 65 / 16 / 0 / 7

HEX #53C7ED

RGB 83 199 237

HSL 194.81, 0.81%, 0.63%

LAB 75.33, -21.23, -28.46

 

CMYK 61 / 15 / 0 / 0

HEX #64D9FF

RGB 100 217 255

HSL 194.71, 1%, 0.7%

LAB 81.6, -22.17, -28.42

 

CMYK 54 / 8 / 0 / 0

HEX #75EBFF

RGB 117 235 255

HSL 188.7, 1%, 0.73%

LAB 87.2, -27.94, -19.85

 

CMYK 47 / 1 / 0 / 0

HEX #86FDFF

RGB 134 253 255

HSL 180.99, 1%, 0.76%

LAB 92.81, -33.05, -11.37

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 68 / 18 / 0 / 5

HEX #4EC7F2

RGB 78 199 242

HSL 195.73, 0.86%, 0.63%

LAB 75.37, -20.44, -31.09

 

CMYK 73 / 19 / 0 / 13

HEX #3DB5DF

RGB 61 181 223

HSL 195.56, 0.72%, 0.56%

LAB 69.02, -19.46, -30.63

 

CMYK 78 / 20 / 0 / 20

HEX #2CA3CC

RGB 44 163 204

HSL 195.38, 0.65%, 0.49%

LAB 62.58, -18.21, -30.11

 

CMYK 85 / 22 / 0 / 27

HEX #1B91B9

RGB 27 145 185

HSL 195.19, 0.75%, 0.42%

LAB 56.07, -16.61, -29.53

 

CMYK 94 / 23 / 0 / 35

HEX #0A7FA6

RGB 10 127 166

HSL 195, 0.89%, 0.35%

LAB 49.49, -14.53, -28.85

 

CMYK 67 / 17 / 0 / 5

HEX #4FC7F1

RGB 79 199 241

HSL 195.56, 0.85%, 0.63%

LAB 75.36, -20.61, -30.57

 

CMYK 67 / 36 / 0 / 5

HEX #4F9BF1

RGB 79 155 241

HSL 211.85, 0.85%, 0.63%

LAB 62.89, 3.47, -50.04

 

CMYK 67 / 54 / 0 / 5

HEX #4F6FF1

RGB 79 111 241

HSL 228.15, 0.85%, 0.63%

LAB 51.13, 30.08, -68.88

 

CMYK 62 / 67 / 0 / 5

HEX #5B4FF1

RGB 91 79 241

HSL 244.44, 0.85%, 0.63%

LAB 44.47, 50.87, -79.71

 

CMYK 44 / 67 / 0 / 5

HEX #864FF1

RGB 134 79 241

HSL 260.37, 0.85%, 0.63%

LAB 48.27, 57.64, -73.34

 

CMYK 67 / 17 / 0 / 5

HEX #4FC7F1

RGB 79 199 241

HSL 195.56, 0.85%, 0.63%

LAB 75.36, -20.61, -30.57

 

CMYK 67 / 36 / 0 / 5

HEX #4F9BF1

RGB 79 155 241

HSL 211.85, 0.85%, 0.63%

LAB 62.89, 3.47, -50.04

 

CMYK 67 / 54 / 0 / 5

HEX #4F6FF1

RGB 79 111 241

HSL 228.15, 0.85%, 0.63%

LAB 51.13, 30.08, -68.88

 

CMYK 67 / 67 / 0 / 5

HEX #4F4FF1

RGB 79 79 241

HSL 240, 0.85%, 0.63%

LAB 43.66, 49.36, -81.07

 

CMYK 67 / 17 / 0 / 5

HEX #4FC7F1

RGB 79 199 241

HSL 195.56, 0.85%, 0.63%

LAB 75.36, -20.61, -30.57

 

CMYK 67 / 17 / 0 / 5

HEX #4FC7F1

RGB 79 199 241

HSL 195.56, 0.85%, 0.63%

LAB 75.36, -20.61, -30.57

 

CMYK 58 / 15 / 0 / 11

HEX #5EBFE2

RGB 94 191 226

HSL 195.91, 0.69%, 0.63%

LAB 72.98, -18.53, -26.09

 

CMYK 48 / 13 / 0 / 17

HEX #6EB8D3

RGB 110 184 211

HSL 196.04, 0.53%, 0.63%

LAB 71.08, -15.83, -20.76

 

CMYK 36 / 9 / 0 / 24

HEX #7DB1C3

RGB 125 177 195

HSL 195.43, 0.37%, 0.63%

LAB 69.29, -12.58, -14.62

 

CMYK 22 / 6 / 0 / 29

HEX #8CAAB4

RGB 140 170 180

HSL 195, 0.21%, 0.63%

LAB 67.74, -8.01, -8.55

 

CMYK 67 / 0 / 19 / 5

HEX #4FF1C3

RGB 79 241 195

HSL 162.96, 0.85%, 0.63%

LAB 86.26, -52.45, 10.09

 

CMYK 67 / 0 / 1 / 5

HEX #4FF1EF

RGB 79 241 239

HSL 179.26, 0.85%, 0.63%

LAB 87.39, -41.32, -11.28

 

CMYK 67 / 17 / 0 / 5

HEX #4FC9F1

RGB 79 201 241

HSL 194.81, 0.85%, 0.63%

LAB 75.94, -21.63, -29.68

 

CMYK 67 / 35 / 0 / 5

HEX #4F9DF1

RGB 79 157 241

HSL 211.11, 0.85%, 0.63%

LAB 63.45, 2.31, -49.16

 

CMYK 67 / 53 / 0 / 5

HEX #4F72F1

RGB 79 114 241

HSL 227.04, 0.85%, 0.63%

LAB 51.89, 28.23, -67.65

 

CMYK 93 / 24 / 0 / 13

HEX #10A8DE

RGB 16 168 222

HSL 195.73, 0.87%, 0.47%

LAB 64.47, -16.57, -37.18

 

CMYK 83 / 21 / 0 / 7

HEX #29BBEE

RGB 41 187 238

HSL 195.53, 0.85%, 0.55%

LAB 71, -19.65, -35.76

 

CMYK 67 / 17 / 0 / 5

HEX #4FC7F1

RGB 79 199 241

HSL 195.56, 0.85%, 0.63%

LAB 75.36, -20.61, -30.57

 

CMYK 52 / 14 / 0 / 4

HEX #75D3F4

RGB 117 211 244

HSL 195.59, 0.85%, 0.71%

LAB 80.12, -19.06, -24.77

 

CMYK 37 / 10 / 0 / 3

HEX #9CDFF7

RGB 156 223 247

HSL 195.82, 0.85%, 0.79%

LAB 85.28, -15.19, -18.38

 

CMYK 68 / 18 / 0 / 5

HEX #4EC7F2

RGB 78 199 242

HSL 195.73, 0.86%, 0.63%

LAB 75.37, -20.44, -31.09

 

CMYK 37 / 67 / 0 / 5

HEX #984FF1

RGB 152 79 241

HSL 267.04, 0.85%, 0.63%

LAB 50.24, 60.95, -70.06

 

CMYK 0 / 10 / 67 / 5

HEX #F1D94F

RGB 241 217 79

HSL 51.11, 0.85%, 0.63%

LAB 86.45, -6.8, 68.1

 

CMYK 68 / 18 / 0 / 5

HEX #4EC7F2

RGB 78 199 242

HSL 195.73, 0.86%, 0.63%

LAB 75.37, -20.44, -31.09

 

CMYK 0 / 67 / 17 / 5

HEX #F14FC9

RGB 241 79 201

HSL 314.81, 0.85%, 0.63%

LAB 60.35, 73.51, -30.63

 

CMYK 17 / 0 / 67 / 5

HEX #C9F14F

RGB 201 241 79

HSL 74.81, 0.85%, 0.63%

LAB 89.81, -34.54, 70.58

 

CMYK 68 / 18 / 0 / 5

HEX #4EC7F2

RGB 78 199 242

HSL 195.73, 0.86%, 0.63%

LAB 75.37, -20.44, -31.09

 

CMYK 37 / 67 / 0 / 5

HEX #984FF1

RGB 152 79 241

HSL 267.04, 0.85%, 0.63%

LAB 50.24, 60.95, -70.06

 

CMYK 0 / 50 / 67 / 5

HEX #F1784F

RGB 241 120 79

HSL 15.19, 0.85%, 0.63%

LAB 63.92, 43.5, 43.61

 

CMYK 30 / 0 / 67 / 5

HEX #A8F14F

RGB 168 241 79

HSL 87.04, 0.85%, 0.63%

LAB 87.87, -46.77, 67.97

 

CMYK 68 / 18 / 0 / 5

HEX #4EC7F2

RGB 78 199 242

HSL 195.73, 0.86%, 0.63%

LAB 75.37, -20.44, -31.09

 

CMYK 17 / 67 / 0 / 5

HEX #C94FF1

RGB 201 79 241

HSL 285.19, 0.85%, 0.63%

LAB 56.45, 70.85, -59.73

 

CMYK 0 / 50 / 67 / 5

HEX #F1784F

RGB 241 120 79

HSL 15.19, 0.85%, 0.63%

LAB 63.92, 43.5, 43.61

 

CMYK 50 / 0 / 67 / 5

HEX #78F14F

RGB 120 241 79

HSL 104.81, 0.85%, 0.63%

LAB 85.74, -61.94, 65.08

 

Description

Color code: RGB 78 199 242 | qconv.com Color code: RGB 78 199 242 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 199 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 199 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 18 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 18% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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