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Color name
RGB 78 196 102

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 196 102 it is the complementary color RGB 177 59 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 196 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 196 102 shade: RGB 83 196 97, RGB 100 214 116, RGB 117 232 135, RGB 134 250 154 and RGB 151 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 196 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 196 102 shade: RGB 78 196 102, RGB 61 178 83, RGB 44 160 64, RGB 27 142 45 and RGB 10 124 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 196 102 shade: RGB 79 196 102, RGB 86 196 79, RGB 118 196 79, RGB 150 196 79 and RGB 181 196 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 196 102 shade: RGB 79 196 102, RGB 79 196 134, RGB 79 196 166, RGB 79 194 196 and RGB 79 163 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 196 102 shade matches the following richer shades: RGB 79 196 102, RGB 60 215 91, RGB 41 234 80 and RGB 22 253 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 196 102 shade: RGB 79 196 102, RGB 98 177 114, RGB 117 158 125, RGB 135 139 136 and RGB 154 120 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 196 102 shade: RGB 118 196 79, RGB 86 196 79, RGB 79 196 102, RGB 79 196 133 and RGB 79 196 165

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 196 102 shade: RGB 48 144 67, RGB 58 175 82, RGB 79 196 102, RGB 109 206 129 and RGB 140 216 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 196 102 shade: RGB 78 196 102, RGB 79 149 196 and RGB 196 79 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 196 102 shade: RGB 78 196 102, RGB 102 79 196 and RGB 196 102 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 196 102 shade: RGB 78 196 102, RGB 79 149 196, RGB 196 79 172 and RGB 196 125 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 196 102 shade: RGB 78 196 102, RGB 79 114 196, RGB 196 79 172 and RGB 196 161 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 48 / 23

HEX #4EC466

RGB 78 196 102

HSL 132.2, 0.5%, 0.54%

LAB 70.91, -53.07, 37.39

 

Complementary color

CMYK 0 / 67 / 14 / 31

HEX #B13B99

RGB 177 59 153

HSL 312.2, 0.5%, 0.46%

LAB 45.32, 57.92, -26.75

 

CMYK 58 / 0 / 51 / 23

HEX #53C461

RGB 83 196 97

HSL 127.43, 0.49%, 0.55%

LAB 71, -52.65, 40.01

 

CMYK 53 / 0 / 46 / 16

HEX #64D674

RGB 100 214 116

HSL 128.42, 0.58%, 0.62%

LAB 77.32, -52.76, 38.65

 

CMYK 50 / 0 / 42 / 9

HEX #75E887

RGB 117 232 135

HSL 129.39, 0.71%, 0.68%

LAB 83.57, -52.73, 37.34

 

CMYK 46 / 0 / 38 / 2

HEX #86FA9A

RGB 134 250 154

HSL 130.34, 0.92%, 0.75%

LAB 89.75, -52.61, 36.09

 

CMYK 41 / 0 / 32 / 0

HEX #97FFAD

RGB 151 255 173

HSL 132.69, 1%, 0.8%

LAB 92.18, -46.98, 29.96

 

CMYK 60 / 0 / 48 / 23

HEX #4EC466

RGB 78 196 102

HSL 132.2, 0.5%, 0.54%

LAB 70.91, -53.07, 37.39

 

CMYK 66 / 0 / 53 / 30

HEX #3DB253

RGB 61 178 83

HSL 131.28, 0.49%, 0.47%

LAB 64.53, -52.69, 38.82

 

CMYK 73 / 0 / 60 / 37

HEX #2CA040

RGB 44 160 64

HSL 130.34, 0.57%, 0.4%

LAB 58.08, -51.94, 40.25

 

CMYK 81 / 0 / 68 / 44

HEX #1B8E2D

RGB 27 142 45

HSL 129.39, 0.68%, 0.33%

LAB 51.57, -50.61, 41.52

 

CMYK 92 / 0 / 79 / 51

HEX #0A7C1A

RGB 10 124 26

HSL 128.42, 0.85%, 0.26%

LAB 45.02, -48.36, 42.28

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 56 / 0 / 60 / 23

HEX #56C44F

RGB 86 196 79

HSL 116.41, 0.5%, 0.54%

LAB 70.89, -54.2, 48.4

 

CMYK 40 / 0 / 60 / 23

HEX #76C44F

RGB 118 196 79

HSL 100, 0.5%, 0.54%

LAB 72.16, -44.86, 50.19

 

CMYK 23 / 0 / 60 / 23

HEX #96C44F

RGB 150 196 79

HSL 83.59, 0.5%, 0.54%

LAB 73.89, -33.45, 52.61

 

CMYK 8 / 0 / 60 / 23

HEX #B5C44F

RGB 181 196 79

HSL 67.69, 0.5%, 0.54%

LAB 75.99, -21.16, 55.53

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 60 / 0 / 32 / 23

HEX #4FC486

RGB 79 196 134

HSL 148.21, 0.5%, 0.54%

LAB 71.46, -47.23, 21.54

 

CMYK 60 / 0 / 15 / 23

HEX #4FC4A6

RGB 79 196 166

HSL 164.62, 0.5%, 0.54%

LAB 72.16, -40.14, 5.29

 

CMYK 60 / 1 / 0 / 23

HEX #4FC2C4

RGB 79 194 196

HSL 181.03, 0.5%, 0.54%

LAB 72.38, -31.39, -10.71

 

CMYK 60 / 17 / 0 / 23

HEX #4FA3C4

RGB 79 163 196

HSL 196.92, 0.5%, 0.54%

LAB 63.21, -15.67, -24.6

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 72 / 0 / 58 / 16

HEX #3CD75B

RGB 60 215 91

HSL 132, 0.66%, 0.54%

LAB 76.26, -64.79, 49.04

 

CMYK 82 / 0 / 66 / 8

HEX #29EA50

RGB 41 234 80

HSL 132.12, 0.82%, 0.54%

LAB 81.78, -74.42, 59.9

 

CMYK 91 / 0 / 73 / 1

HEX #16FD45

RGB 22 253 69

HSL 132.21, 0.98%, 0.54%

LAB 87.41, -82.21, 69.81

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 45 / 0 / 36 / 31

HEX #62B172

RGB 98 177 114

HSL 132.15, 0.34%, 0.54%

LAB 65.95, -38.09, 24.88

 

CMYK 26 / 0 / 21 / 38

HEX #759E7D

RGB 117 158 125

HSL 131.71, 0.17%, 0.54%

LAB 61.41, -20.89, 12.8

 

CMYK 3 / 0 / 2 / 45

HEX #878B88

RGB 135 139 136

HSL 135, 0.02%, 0.54%

LAB 57.46, -2.06, 1.08

 

CMYK 0 / 22 / 5 / 40

HEX #9A7893

RGB 154 120 147

HSL 312.35, 0.14%, 0.54%

LAB 54.46, 17.97, -9.52

 

CMYK 40 / 0 / 60 / 23

HEX #76C44F

RGB 118 196 79

HSL 100, 0.5%, 0.54%

LAB 72.16, -44.86, 50.19

 

CMYK 56 / 0 / 60 / 23

HEX #56C44F

RGB 86 196 79

HSL 116.41, 0.5%, 0.54%

LAB 70.89, -54.2, 48.4

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 60 / 0 / 32 / 23

HEX #4FC485

RGB 79 196 133

HSL 147.69, 0.5%, 0.54%

LAB 71.44, -47.43, 22.05

 

CMYK 60 / 0 / 16 / 23

HEX #4FC4A5

RGB 79 196 165

HSL 164.1, 0.5%, 0.54%

LAB 72.13, -40.38, 5.8

 

CMYK 67 / 0 / 53 / 44

HEX #309043

RGB 48 144 67

HSL 131.88, 0.5%, 0.38%

LAB 52.93, -44.85, 32.64

 

CMYK 67 / 0 / 53 / 31

HEX #3AAF52

RGB 58 175 82

HSL 132.31, 0.5%, 0.46%

LAB 63.48, -52.32, 38.02

 

CMYK 60 / 0 / 48 / 23

HEX #4FC466

RGB 79 196 102

HSL 131.79, 0.5%, 0.54%

LAB 70.94, -52.84, 37.43

 

CMYK 47 / 0 / 37 / 19

HEX #6DCE81

RGB 109 206 129

HSL 132.37, 0.5%, 0.62%

LAB 75.44, -45.07, 29.69

 

CMYK 35 / 0 / 28 / 15

HEX #8CD89C

RGB 140 216 156

HSL 132.63, 0.49%, 0.7%

LAB 80.23, -35.85, 22.33

 

CMYK 60 / 0 / 48 / 23

HEX #4EC466

RGB 78 196 102

HSL 132.2, 0.5%, 0.54%

LAB 70.91, -53.07, 37.39

 

CMYK 60 / 24 / 0 / 23

HEX #4F95C4

RGB 79 149 196

HSL 204.1, 0.5%, 0.54%

LAB 59.11, -7.99, -30.94

 

CMYK 0 / 60 / 48 / 23

HEX #C44F66

RGB 196 79 102

HSL 348.21, 0.5%, 0.54%

LAB 49.84, 48.73, 11.09

 

CMYK 60 / 0 / 48 / 23

HEX #4EC466

RGB 78 196 102

HSL 132.2, 0.5%, 0.54%

LAB 70.91, -53.07, 37.39

 

CMYK 48 / 60 / 0 / 23

HEX #664FC4

RGB 102 79 196

HSL 251.79, 0.5%, 0.54%

LAB 41.85, 39.05, -58.24

 

CMYK 0 / 48 / 60 / 23

HEX #C4664F

RGB 196 102 79

HSL 11.79, 0.5%, 0.54%

LAB 53.82, 35.39, 29.9

 

CMYK 60 / 0 / 48 / 23

HEX #4EC466

RGB 78 196 102

HSL 132.2, 0.5%, 0.54%

LAB 70.91, -53.07, 37.39

 

CMYK 60 / 24 / 0 / 23

HEX #4F95C4

RGB 79 149 196

HSL 204.1, 0.5%, 0.54%

LAB 59.11, -7.99, -30.94

 

CMYK 0 / 60 / 12 / 23

HEX #C44FAC

RGB 196 79 172

HSL 312.31, 0.5%, 0.54%

LAB 52.18, 57.56, -27.11

 

CMYK 0 / 36 / 60 / 23

HEX #C47D4F

RGB 196 125 79

HSL 23.59, 0.5%, 0.54%

LAB 58.94, 23.01, 36.23

 

CMYK 60 / 0 / 48 / 23

HEX #4EC466

RGB 78 196 102

HSL 132.2, 0.5%, 0.54%

LAB 70.91, -53.07, 37.39

 

CMYK 60 / 42 / 0 / 23

HEX #4F72C4

RGB 79 114 196

HSL 222.05, 0.5%, 0.54%

LAB 49.11, 12.76, -46.66

 

CMYK 0 / 60 / 12 / 23

HEX #C44FAC

RGB 196 79 172

HSL 312.31, 0.5%, 0.54%

LAB 52.18, 57.56, -27.11

 

CMYK 0 / 18 / 60 / 23

HEX #C4A14F

RGB 196 161 79

HSL 42.05, 0.5%, 0.54%

LAB 67.87, 3.33, 46.76

 

Description

Color code: RGB 78 196 102 | qconv.com Color code: RGB 78 196 102 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 196 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 196 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 48 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 48% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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