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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 179 155 it is the complementary color RGB 177 76 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 179 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 179 155 shade: RGB 83 179 150, RGB 100 197 169, RGB 117 215 188, RGB 134 233 207 and RGB 151 251 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 179 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 179 155 shade: RGB 78 179 155, RGB 61 161 136, RGB 44 143 117, RGB 27 125 98 and RGB 10 107 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 179 155 shade: RGB 76 178 154, RGB 76 178 126, RGB 76 178 99, RGB 81 178 76 and RGB 108 178 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 179 155 shade: RGB 76 178 154, RGB 76 175 178, RGB 76 147 178, RGB 76 120 178 and RGB 76 92 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 179 155 shade matches the following richer shades: RGB 76 178 154, RGB 55 199 165, RGB 35 219 175 and RGB 14 240 186

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 179 155 shade: RGB 76 178 154, RGB 97 157 143, RGB 117 137 132, RGB 138 116 121 and RGB 159 95 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 179 155 shade: RGB 76 178 98, RGB 76 178 125, RGB 76 178 153, RGB 76 176 178 and RGB 76 149 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 179 155 shade: RGB 51 120 104, RGB 64 149 129, RGB 76 178 154, RGB 105 190 170 and RGB 134 203 186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 179 155 shade: RGB 78 179 155, RGB 76 81 178 and RGB 178 112 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 179 155 shade: RGB 78 179 155, RGB 153 76 178 and RGB 178 153 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 179 155 shade: RGB 78 179 155, RGB 76 81 178, RGB 178 76 102 and RGB 178 173 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 179 155 shade: RGB 78 179 155, RGB 102 76 178, RGB 178 76 102 and RGB 153 178 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 13 / 30

HEX #4EB39B

RGB 78 179 155

HSL 165.74, 0.4%, 0.5%

LAB 66.69, -35.31, 3.42

 

Complementary color

CMYK 0 / 57 / 44 / 31

HEX #B14C64

RGB 177 76 100

HSL 345.74, 0.4%, 0.5%

LAB 46.23, 43.44, 6.77

 

CMYK 54 / 0 / 16 / 30

HEX #53B396

RGB 83 179 150

HSL 161.88, 0.39%, 0.51%

LAB 66.73, -35.43, 6.26

 

CMYK 49 / 0 / 14 / 23

HEX #64C5A9

RGB 100 197 169

HSL 162.68, 0.46%, 0.58%

LAB 73.22, -35.37, 5.29

 

CMYK 46 / 0 / 13 / 16

HEX #75D7BC

RGB 117 215 188

HSL 163.47, 0.55%, 0.65%

LAB 79.62, -35.25, 4.39

 

CMYK 42 / 0 / 11 / 9

HEX #86E9CF

RGB 134 233 207

HSL 164.24, 0.69%, 0.72%

LAB 85.93, -35.11, 3.56

 

CMYK 40 / 0 / 10 / 2

HEX #97FBE2

RGB 151 251 226

HSL 165, 0.93%, 0.79%

LAB 92.16, -34.95, 2.77

 

CMYK 56 / 0 / 13 / 30

HEX #4EB39B

RGB 78 179 155

HSL 165.74, 0.4%, 0.5%

LAB 66.69, -35.31, 3.42

 

CMYK 62 / 0 / 16 / 37

HEX #3DA188

RGB 61 161 136

HSL 165, 0.45%, 0.44%

LAB 60.12, -35.18, 4.46

 

CMYK 69 / 0 / 18 / 44

HEX #2C8F75

RGB 44 143 117

HSL 164.24, 0.53%, 0.37%

LAB 53.45, -34.86, 5.62

 

CMYK 78 / 0 / 22 / 51

HEX #1B7D62

RGB 27 125 98

HSL 163.47, 0.64%, 0.3%

LAB 46.69, -34.24, 6.96

 

CMYK 91 / 0 / 26 / 58

HEX #0A6B4F

RGB 10 107 79

HSL 162.68, 0.83%, 0.23%

LAB 39.82, -33.11, 8.52

 

CMYK 57 / 0 / 13 / 30

HEX #4CB29A

RGB 76 178 154

HSL 165.88, 0.4%, 0.5%

LAB 66.3, -35.52, 3.39

 

CMYK 57 / 0 / 29 / 30

HEX #4CB27E

RGB 76 178 126

HSL 149.41, 0.4%, 0.5%

LAB 65.66, -41.91, 17.87

 

CMYK 57 / 0 / 44 / 30

HEX #4CB263

RGB 76 178 99

HSL 133.53, 0.4%, 0.5%

LAB 65.18, -46.92, 31.63

 

CMYK 54 / 0 / 57 / 30

HEX #51B24C

RGB 81 178 76

HSL 117.06, 0.4%, 0.5%

LAB 65.05, -48.93, 42.97

 

CMYK 39 / 0 / 57 / 30

HEX #6CB24C

RGB 108 178 76

HSL 101.18, 0.4%, 0.5%

LAB 66.18, -40.79, 44.57

 

CMYK 57 / 0 / 13 / 30

HEX #4CB29A

RGB 76 178 154

HSL 165.88, 0.4%, 0.5%

LAB 66.3, -35.52, 3.39

 

CMYK 57 / 2 / 0 / 30

HEX #4CAFB2

RGB 76 175 178

HSL 181.76, 0.4%, 0.5%

LAB 66.07, -27.73, -10.26

 

CMYK 57 / 17 / 0 / 30

HEX #4C93B2

RGB 76 147 178

HSL 198.24, 0.4%, 0.5%

LAB 57.67, -13.14, -22.98

 

CMYK 57 / 33 / 0 / 30

HEX #4C78B2

RGB 76 120 178

HSL 214.12, 0.4%, 0.5%

LAB 49.72, 2.44, -35.33

 

CMYK 57 / 48 / 0 / 30

HEX #4C5CB2

RGB 76 92 178

HSL 230.59, 0.4%, 0.5%

LAB 41.85, 19.89, -47.82

 

CMYK 57 / 0 / 13 / 30

HEX #4CB29A

RGB 76 178 154

HSL 165.88, 0.4%, 0.5%

LAB 66.3, -35.52, 3.39

 

CMYK 72 / 0 / 17 / 22

HEX #37C7A5

RGB 55 199 165

HSL 165.83, 0.57%, 0.5%

LAB 72.48, -45.58, 6.22

 

CMYK 84 / 0 / 20 / 14

HEX #23DBAF

RGB 35 219 175

HSL 165.65, 0.72%, 0.5%

LAB 78.53, -53.34, 9.48

 

CMYK 94 / 0 / 23 / 6

HEX #0EF0BA

RGB 14 240 186

HSL 165.66, 0.89%, 0.5%

LAB 84.98, -59.91, 12.84

 

CMYK 57 / 0 / 13 / 30

HEX #4CB29A

RGB 76 178 154

HSL 165.88, 0.4%, 0.5%

LAB 66.3, -35.52, 3.39

 

CMYK 38 / 0 / 9 / 38

HEX #619D8F

RGB 97 157 143

HSL 166, 0.24%, 0.5%

LAB 60.46, -22.84, 1.17

 

CMYK 15 / 0 / 4 / 46

HEX #758984

RGB 117 137 132

HSL 165, 0.08%, 0.5%

LAB 55.42, -8.25, 0.25

 

CMYK 0 / 16 / 12 / 46

HEX #8A7479

RGB 138 116 121

HSL 346.36, 0.09%, 0.5%

LAB 51.01, 9.45, 0.44

 

CMYK 0 / 40 / 31 / 38

HEX #9F5F6E

RGB 159 95 110

HSL 345.94, 0.25%, 0.5%

LAB 47.86, 28.01, 2.71

 

CMYK 57 / 0 / 45 / 30

HEX #4CB262

RGB 76 178 98

HSL 132.94, 0.4%, 0.5%

LAB 65.17, -47.08, 32.13

 

CMYK 57 / 0 / 30 / 30

HEX #4CB27D

RGB 76 178 125

HSL 148.82, 0.4%, 0.5%

LAB 65.64, -42.11, 18.39

 

CMYK 57 / 0 / 14 / 30

HEX #4CB299

RGB 76 178 153

HSL 165.29, 0.4%, 0.5%

LAB 66.27, -35.76, 3.91

 

CMYK 57 / 1 / 0 / 30

HEX #4CB0B2

RGB 76 176 178

HSL 181.18, 0.4%, 0.5%

LAB 66.37, -28.22, -9.81

 

CMYK 57 / 16 / 0 / 30

HEX #4C95B2

RGB 76 149 178

HSL 197.06, 0.4%, 0.5%

LAB 58.27, -14.23, -22.06

 

CMYK 58 / 0 / 13 / 53

HEX #337868

RGB 51 120 104

HSL 166.09, 0.4%, 0.34%

LAB 45.82, -25.94, 2.25

 

CMYK 57 / 0 / 13 / 42

HEX #409581

RGB 64 149 129

HSL 165.88, 0.4%, 0.42%

LAB 56.26, -30.72, 2.86

 

CMYK 57 / 0 / 13 / 30

HEX #4CB29A

RGB 76 178 154

HSL 165.88, 0.4%, 0.5%

LAB 66.3, -35.52, 3.39

 

CMYK 45 / 0 / 11 / 25

HEX #69BEAA

RGB 105 190 170

HSL 165.88, 0.4%, 0.58%

LAB 71.37, -30.61, 2.09

 

CMYK 34 / 0 / 8 / 20

HEX #86CBBA

RGB 134 203 186

HSL 165.22, 0.4%, 0.66%

LAB 76.88, -25.47, 1.58

 

CMYK 56 / 0 / 13 / 30

HEX #4EB39B

RGB 78 179 155

HSL 165.74, 0.4%, 0.5%

LAB 66.69, -35.31, 3.42

 

CMYK 57 / 54 / 0 / 30

HEX #4C51B2

RGB 76 81 178

HSL 237.06, 0.4%, 0.5%

LAB 38.96, 26.9, -52.47

 

CMYK 0 / 37 / 57 / 30

HEX #B2704C

RGB 178 112 76

HSL 21.18, 0.4%, 0.5%

LAB 53.57, 22.42, 30.75

 

CMYK 56 / 0 / 13 / 30

HEX #4EB39B

RGB 78 179 155

HSL 165.74, 0.4%, 0.5%

LAB 66.69, -35.31, 3.42

 

CMYK 14 / 57 / 0 / 30

HEX #994CB2

RGB 153 76 178

HSL 285.29, 0.4%, 0.5%

LAB 45.85, 48.38, -41

 

CMYK 0 / 14 / 57 / 30

HEX #B2994C

RGB 178 153 76

HSL 45.29, 0.4%, 0.5%

LAB 63.97, -0.33, 43.28

 

CMYK 56 / 0 / 13 / 30

HEX #4EB39B

RGB 78 179 155

HSL 165.74, 0.4%, 0.5%

LAB 66.69, -35.31, 3.42

 

CMYK 57 / 54 / 0 / 30

HEX #4C51B2

RGB 76 81 178

HSL 237.06, 0.4%, 0.5%

LAB 38.96, 26.9, -52.47

 

CMYK 0 / 57 / 43 / 30

HEX #B24C66

RGB 178 76 102

HSL 344.71, 0.4%, 0.5%

LAB 46.44, 44, 5.87

 

CMYK 0 / 3 / 57 / 30

HEX #B2AD4C

RGB 178 173 76

HSL 57.06, 0.4%, 0.5%

LAB 69.38, -10.98, 49.46

 

CMYK 56 / 0 / 13 / 30

HEX #4EB39B

RGB 78 179 155

HSL 165.74, 0.4%, 0.5%

LAB 66.69, -35.31, 3.42

 

CMYK 43 / 57 / 0 / 30

HEX #664CB2

RGB 102 76 178

HSL 255.29, 0.4%, 0.5%

LAB 39.93, 35.58, -50.8

 

CMYK 0 / 57 / 43 / 30

HEX #B24C66

RGB 178 76 102

HSL 344.71, 0.4%, 0.5%

LAB 46.44, 44, 5.87

 

CMYK 14 / 0 / 57 / 30

HEX #99B24C

RGB 153 178 76

HSL 74.71, 0.4%, 0.5%

LAB 68.85, -23.93, 48.34

 

Description

Color code: RGB 78 179 155 | qconv.com Color code: RGB 78 179 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 179 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 179 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 13 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 13% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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