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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 159 90 it is the complementary color RGB 177 96 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 159 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 159 90 shade: RGB 83 159 85, RGB 100 177 104, RGB 117 195 123, RGB 134 213 142 and RGB 151 231 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 159 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 159 90 shade: RGB 78 159 90, RGB 61 141 71, RGB 44 123 52, RGB 27 105 33 and RGB 10 87 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 159 90 shade: RGB 77 157 89, RGB 87 157 77, RGB 108 157 77, RGB 130 157 77 and RGB 151 157 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 159 90 shade: RGB 77 157 89, RGB 77 157 110, RGB 77 157 132, RGB 77 157 153 and RGB 77 139 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 159 90 shade matches the following richer shades: RGB 77 157 89, RGB 58 176 75, RGB 39 195 62, RGB 20 214 49 and RGB 1 233 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 159 90 shade: RGB 77 157 89, RGB 96 138 102, RGB 115 119 115, RGB 134 100 129 and RGB 153 81 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 159 90 shade: RGB 109 157 77, RGB 88 157 77, RGB 77 157 88, RGB 77 157 109 and RGB 77 157 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 159 90 shade: RGB 50 101 57, RGB 63 129 73, RGB 77 157 89, RGB 98 177 109 and RGB 125 191 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 159 90 shade: RGB 78 159 90, RGB 77 130 157 and RGB 157 77 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 159 90 shade: RGB 78 159 90, RGB 88 77 157 and RGB 157 88 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 159 90 shade: RGB 78 159 90, RGB 77 130 157, RGB 157 77 146 and RGB 157 104 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 159 90 shade: RGB 78 159 90, RGB 77 106 157, RGB 157 77 146 and RGB 157 127 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 43 / 38

HEX #4E9F5A

RGB 78 159 90

HSL 128.89, 0.34%, 0.46%

LAB 59.12, -39.95, 28.57

 

Complementary color

CMYK 0 / 46 / 7 / 31

HEX #B160A5

RGB 177 96 165

HSL 308.89, 0.34%, 0.54%

LAB 52.32, 42.54, -23.03

 

CMYK 48 / 0 / 47 / 38

HEX #539F55

RGB 83 159 85

HSL 121.58, 0.31%, 0.47%

LAB 59.24, -39.31, 31.41

 

CMYK 44 / 0 / 41 / 31

HEX #64B168

RGB 100 177 104

HSL 123.12, 0.33%, 0.54%

LAB 65.87, -39.16, 30.09

 

CMYK 40 / 0 / 37 / 24

HEX #75C37B

RGB 117 195 123

HSL 124.62, 0.39%, 0.61%

LAB 72.39, -38.95, 28.84

 

CMYK 37 / 0 / 33 / 16

HEX #86D58E

RGB 134 213 142

HSL 126.08, 0.48%, 0.68%

LAB 78.82, -38.71, 27.65

 

CMYK 35 / 0 / 30 / 9

HEX #97E7A1

RGB 151 231 161

HSL 127.5, 0.63%, 0.75%

LAB 85.15, -38.46, 26.54

 

CMYK 51 / 0 / 43 / 38

HEX #4E9F5A

RGB 78 159 90

HSL 128.89, 0.34%, 0.46%

LAB 59.12, -39.95, 28.57

 

CMYK 57 / 0 / 50 / 45

HEX #3D8D47

RGB 61 141 71

HSL 127.5, 0.4%, 0.4%

LAB 52.39, -39.95, 29.99

 

CMYK 64 / 0 / 58 / 52

HEX #2C7B34

RGB 44 123 52

HSL 126.08, 0.47%, 0.33%

LAB 45.56, -39.67, 31.44

 

CMYK 74 / 0 / 69 / 59

HEX #1B6921

RGB 27 105 33

HSL 124.62, 0.59%, 0.26%

LAB 38.63, -38.88, 32.79

 

CMYK 89 / 0 / 84 / 66

HEX #0A570E

RGB 10 87 14

HSL 123.12, 0.79%, 0.19%

LAB 31.61, -37.09, 33.51

 

CMYK 51 / 0 / 43 / 38

HEX #4D9D59

RGB 77 157 89

HSL 129, 0.34%, 0.46%

LAB 58.43, -39.53, 28.21

 

CMYK 45 / 0 / 51 / 38

HEX #579D4D

RGB 87 157 77

HSL 112.5, 0.34%, 0.46%

LAB 58.67, -38.36, 34.88

 

CMYK 31 / 0 / 51 / 38

HEX #6C9D4D

RGB 108 157 77

HSL 96.75, 0.34%, 0.46%

LAB 59.74, -31.17, 36.43

 

CMYK 17 / 0 / 51 / 38

HEX #829D4D

RGB 130 157 77

HSL 80.25, 0.34%, 0.46%

LAB 61.13, -22.68, 38.43

 

CMYK 4 / 0 / 51 / 38

HEX #979D4D

RGB 151 157 77

HSL 64.5, 0.34%, 0.46%

LAB 62.7, -13.99, 40.69

 

CMYK 51 / 0 / 43 / 38

HEX #4D9D59

RGB 77 157 89

HSL 129, 0.34%, 0.46%

LAB 58.43, -39.53, 28.21

 

CMYK 51 / 0 / 30 / 38

HEX #4D9D6E

RGB 77 157 110

HSL 144.75, 0.34%, 0.46%

LAB 58.81, -35.67, 17.25

 

CMYK 51 / 0 / 16 / 38

HEX #4D9D84

RGB 77 157 132

HSL 161.25, 0.34%, 0.46%

LAB 59.3, -30.79, 5.61

 

CMYK 51 / 0 / 3 / 38

HEX #4D9D99

RGB 77 157 153

HSL 177, 0.34%, 0.46%

LAB 59.88, -25.44, -5.44

 

CMYK 51 / 11 / 0 / 38

HEX #4D8B9D

RGB 77 139 157

HSL 193.5, 0.34%, 0.46%

LAB 54.53, -14.87, -15.75

 

CMYK 51 / 0 / 43 / 38

HEX #4D9D59

RGB 77 157 89

HSL 129, 0.34%, 0.46%

LAB 58.43, -39.53, 28.21

 

CMYK 67 / 0 / 57 / 31

HEX #3AB04B

RGB 58 176 75

HSL 128.64, 0.5%, 0.46%

LAB 63.72, -53.64, 41.71

 

CMYK 80 / 0 / 68 / 24

HEX #27C33E

RGB 39 195 62

HSL 128.85, 0.67%, 0.46%

LAB 69.33, -64.49, 53.63

 

CMYK 91 / 0 / 77 / 16

HEX #14D631

RGB 20 214 49

HSL 128.97, 0.83%, 0.46%

LAB 75.12, -72.86, 64.1

 

CMYK 100 / 0 / 85 / 9

HEX #01E923

RGB 1 233 35

HSL 128.79, 0.99%, 0.46%

LAB 80.96, -79.59, 73.16

 

CMYK 51 / 0 / 43 / 38

HEX #4D9D59

RGB 77 157 89

HSL 129, 0.34%, 0.46%

LAB 58.43, -39.53, 28.21

 

CMYK 30 / 0 / 26 / 46

HEX #608A66

RGB 96 138 102

HSL 128.57, 0.18%, 0.46%

LAB 53.62, -22.25, 14.76

 

CMYK 3 / 0 / 3 / 53

HEX #737773

RGB 115 119 115

HSL 120, 0.02%, 0.46%

LAB 49.59, -2.32, 1.67

 

CMYK 0 / 25 / 4 / 47

HEX #866481

RGB 134 100 129

HSL 308.82, 0.15%, 0.46%

LAB 46.67, 18.87, -10.79

 

CMYK 0 / 47 / 7 / 40

HEX #99518E

RGB 153 81 142

HSL 309.17, 0.31%, 0.46%

LAB 45.1, 38.74, -20.79

 

CMYK 31 / 0 / 51 / 38

HEX #6D9D4D

RGB 109 157 77

HSL 96, 0.34%, 0.46%

LAB 59.8, -30.8, 36.51

 

CMYK 44 / 0 / 51 / 38

HEX #589D4D

RGB 88 157 77

HSL 111.75, 0.34%, 0.46%

LAB 58.72, -38.04, 34.94

 

CMYK 51 / 0 / 44 / 38

HEX #4D9D58

RGB 77 157 88

HSL 128.25, 0.34%, 0.46%

LAB 58.41, -39.7, 28.72

 

CMYK 51 / 0 / 31 / 38

HEX #4D9D6D

RGB 77 157 109

HSL 144, 0.34%, 0.46%

LAB 58.78, -35.87, 17.77

 

CMYK 51 / 0 / 17 / 38

HEX #4D9D82

RGB 77 157 130

HSL 159.75, 0.34%, 0.46%

LAB 59.25, -31.27, 6.66

 

CMYK 50 / 0 / 44 / 60

HEX #326539

RGB 50 101 57

HSL 128.24, 0.34%, 0.3%

LAB 38.34, -27.61, 19.75

 

CMYK 51 / 0 / 43 / 49

HEX #3F8149

RGB 63 129 73

HSL 129.09, 0.34%, 0.38%

LAB 48.56, -33.85, 24.04

 

CMYK 51 / 0 / 43 / 38

HEX #4D9D59

RGB 77 157 89

HSL 129, 0.34%, 0.46%

LAB 58.43, -39.53, 28.21

 

CMYK 45 / 0 / 38 / 31

HEX #62B16D

RGB 98 177 109

HSL 128.35, 0.34%, 0.54%

LAB 65.86, -38.95, 27.43

 

CMYK 35 / 0 / 29 / 25

HEX #7DBF87

RGB 125 191 135

HSL 129.09, 0.34%, 0.62%

LAB 71.81, -32.6, 21.78

 

CMYK 51 / 0 / 43 / 38

HEX #4E9F5A

RGB 78 159 90

HSL 128.89, 0.34%, 0.46%

LAB 59.12, -39.95, 28.57

 

CMYK 51 / 17 / 0 / 38

HEX #4D829D

RGB 77 130 157

HSL 200.25, 0.34%, 0.46%

LAB 51.81, -9.87, -19.89

 

CMYK 0 / 51 / 38 / 38

HEX #9D4D62

RGB 157 77 98

HSL 344.25, 0.34%, 0.46%

LAB 43.3, 35.54, 3.39

 

CMYK 51 / 0 / 43 / 38

HEX #4E9F5A

RGB 78 159 90

HSL 128.89, 0.34%, 0.46%

LAB 59.12, -39.95, 28.57

 

CMYK 44 / 51 / 0 / 38

HEX #584D9D

RGB 88 77 157

HSL 248.25, 0.34%, 0.46%

LAB 37.51, 25.39, -42.24

 

CMYK 0 / 44 / 51 / 38

HEX #9D584D

RGB 157 88 77

HSL 8.25, 0.34%, 0.46%

LAB 45.2, 27.2, 18.82

 

CMYK 51 / 0 / 43 / 38

HEX #4E9F5A

RGB 78 159 90

HSL 128.89, 0.34%, 0.46%

LAB 59.12, -39.95, 28.57

 

CMYK 51 / 17 / 0 / 38

HEX #4D829D

RGB 77 130 157

HSL 200.25, 0.34%, 0.46%

LAB 51.81, -9.87, -19.89

 

CMYK 0 / 51 / 7 / 38

HEX #9D4D92

RGB 157 77 146

HSL 308.25, 0.34%, 0.46%

LAB 45.01, 42.82, -23.27

 

CMYK 0 / 34 / 51 / 38

HEX #9D684D

RGB 157 104 77

HSL 20.25, 0.34%, 0.46%

LAB 49.01, 18.13, 23.84

 

CMYK 51 / 0 / 43 / 38

HEX #4E9F5A

RGB 78 159 90

HSL 128.89, 0.34%, 0.46%

LAB 59.12, -39.95, 28.57

 

CMYK 51 / 32 / 0 / 38

HEX #4D6A9D

RGB 77 106 157

HSL 218.25, 0.34%, 0.46%

LAB 44.69, 4.34, -30.93

 

CMYK 0 / 51 / 7 / 38

HEX #9D4D92

RGB 157 77 146

HSL 308.25, 0.34%, 0.46%

LAB 45.01, 42.82, -23.27

 

CMYK 0 / 19 / 51 / 38

HEX #9D7F4D

RGB 157 127 77

HSL 37.5, 0.34%, 0.46%

LAB 54.95, 5, 31.39

 

Description

Color code: RGB 78 159 90 | qconv.com Color code: RGB 78 159 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 159 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 159 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 43 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 43% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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