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Color name
RGB 78 128 23

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 128 23 it is the complementary color RGB 177 127 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 128 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 128 23 shade: RGB 83 128 18, RGB 100 146 37, RGB 117 164 56, RGB 134 182 75 and RGB 151 200 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 128 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 128 23 shade: RGB 78 128 23, RGB 61 110 4, RGB 44 92 0, RGB 27 74 0 and RGB 10 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 128 23 shade: RGB 79 130 22, RGB 107 130 22, RGB 130 123 22, RGB 130 94 22 and RGB 130 65 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 128 23 shade: RGB 79 130 22, RGB 50 130 22, RGB 22 130 24, RGB 22 130 53 and RGB 22 130 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 128 23 shade matches the following richer shades: RGB 79 130 22 and RGB 79 142 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 128 23 shade: RGB 79 130 22, RGB 78 117 35, RGB 77 105 47, RGB 77 92 60 and RGB 76 80 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 128 23 shade: RGB 130 122 22, RGB 108 130 22, RGB 80 130 22, RGB 51 130 22 and RGB 22 130 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 128 23 shade: RGB 36 59 10, RGB 57 94 16, RGB 79 130 22, RGB 100 165 29 and RGB 121 200 35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 128 23 shade: RGB 78 128 23, RGB 22 130 94 and RGB 130 22 122

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 128 23 shade: RGB 78 128 23, RGB 22 80 130 and RGB 130 22 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 128 23 shade: RGB 78 128 23, RGB 22 130 94, RGB 72 22 130 and RGB 130 22 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 128 23 shade: RGB 78 128 23, RGB 22 130 126, RGB 72 22 130 and RGB 130 22 26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 82 / 50

HEX #4E8017

RGB 78 128 23

HSL 88.57, 0.7%, 0.3%

LAB 48.41, -33.85, 47.25

 

Complementary color

CMYK 24 / 45 / 0 / 9

HEX #B17FE8

RGB 177 127 232

HSL 268.57, 0.7%, 0.7%

LAB 61.96, 39.57, -46.12

 

CMYK 35 / 0 / 86 / 50

HEX #538012

RGB 83 128 18

HSL 84.55, 0.75%, 0.29%

LAB 48.66, -32.17, 49.04

 

CMYK 32 / 0 / 75 / 43

HEX #649225

RGB 100 146 37

HSL 85.32, 0.6%, 0.36%

LAB 55.48, -32.8, 49.63

 

CMYK 29 / 0 / 66 / 36

HEX #75A438

RGB 117 164 56

HSL 86.11, 0.49%, 0.43%

LAB 62.18, -33.18, 49.23

 

CMYK 26 / 0 / 59 / 29

HEX #86B64B

RGB 134 182 75

HSL 86.92, 0.42%, 0.5%

LAB 68.77, -33.39, 48.38

 

CMYK 25 / 0 / 53 / 22

HEX #97C85E

RGB 151 200 94

HSL 87.74, 0.49%, 0.58%

LAB 75.26, -33.5, 47.34

 

CMYK 39 / 0 / 82 / 50

HEX #4E8017

RGB 78 128 23

HSL 88.57, 0.7%, 0.3%

LAB 48.41, -33.85, 47.25

 

CMYK 45 / 0 / 96 / 57

HEX #3D6E04

RGB 61 110 4

HSL 87.74, 0.93%, 0.22%

LAB 41.46, -32.99, 45.74

 

CMYK 52 / 0 / 100 / 64

HEX #2C5C00

RGB 44 92 0

HSL 91.3, 1%, 0.18%

LAB 34.38, -31.48, 40.86

 

CMYK 64 / 0 / 100 / 71

HEX #1B4A00

RGB 27 74 0

HSL 98.11, 1%, 0.15%

LAB 27.1, -29.54, 34.75

 

CMYK 82 / 0 / 100 / 78

HEX #0A3800

RGB 10 56 0

HSL 109.29, 1%, 0.11%

LAB 19.61, -26.99, 26.98

 

CMYK 39 / 0 / 83 / 49

HEX #4F8216

RGB 79 130 22

HSL 88.33, 0.71%, 0.3%

LAB 49.11, -34.42, 48.22

 

CMYK 18 / 0 / 83 / 49

HEX #6B8216

RGB 107 130 22

HSL 72.78, 0.71%, 0.3%

LAB 50.86, -22.94, 50.46

 

CMYK 0 / 5 / 83 / 49

HEX #827B16

RGB 130 123 22

HSL 56.11, 0.71%, 0.3%

LAB 50.65, -8.74, 51

 

CMYK 0 / 28 / 83 / 49

HEX #825E16

RGB 130 94 22

HSL 40, 0.71%, 0.3%

LAB 42.47, 7.88, 43.76

 

CMYK 0 / 50 / 83 / 49

HEX #824116

RGB 130 65 22

HSL 23.89, 0.71%, 0.3%

LAB 35.17, 24.86, 37.06

 

CMYK 39 / 0 / 83 / 49

HEX #4F8216

RGB 79 130 22

HSL 88.33, 0.71%, 0.3%

LAB 49.11, -34.42, 48.22

 

CMYK 62 / 0 / 83 / 49

HEX #328216

RGB 50 130 22

HSL 104.44, 0.71%, 0.3%

LAB 47.88, -43.78, 46.64

 

CMYK 83 / 0 / 82 / 49

HEX #168218

RGB 22 130 24

HSL 121.11, 0.71%, 0.3%

LAB 47.24, -49.17, 45.17

 

CMYK 83 / 0 / 59 / 49

HEX #168235

RGB 22 130 53

HSL 137.22, 0.71%, 0.3%

LAB 47.49, -46.12, 33.1

 

CMYK 83 / 0 / 37 / 49

HEX #168252

RGB 22 130 82

HSL 153.33, 0.71%, 0.3%

LAB 47.94, -40.84, 17.95

 

CMYK 39 / 0 / 83 / 49

HEX #4F8216

RGB 79 130 22

HSL 88.33, 0.71%, 0.3%

LAB 49.11, -34.42, 48.22

 

CMYK 44 / 0 / 93 / 44

HEX #4F8E0A

RGB 79 142 10

HSL 88.64, 0.87%, 0.3%

LAB 52.98, -40.04, 54.37

 

CMYK 39 / 0 / 83 / 49

HEX #4F8216

RGB 79 130 22

HSL 88.33, 0.71%, 0.3%

LAB 49.11, -34.42, 48.22

 

CMYK 33 / 0 / 70 / 54

HEX #4E7523

RGB 78 117 35

HSL 88.54, 0.54%, 0.3%

LAB 44.89, -27.95, 39.25

 

CMYK 27 / 0 / 55 / 59

HEX #4D692F

RGB 77 105 47

HSL 88.97, 0.38%, 0.3%

LAB 41.03, -21.15, 29.04

 

CMYK 16 / 0 / 35 / 64

HEX #4D5C3C

RGB 77 92 60

HSL 88.13, 0.21%, 0.3%

LAB 37.04, -12.23, 16.57

 

CMYK 5 / 0 / 10 / 69

HEX #4C5048

RGB 76 80 72

HSL 90, 0.05%, 0.3%

LAB 33.44, -3.33, 4.16

 

CMYK 0 / 6 / 83 / 49

HEX #827A16

RGB 130 122 22

HSL 55.56, 0.71%, 0.3%

LAB 50.36, -8.19, 50.74

 

CMYK 17 / 0 / 83 / 49

HEX #6C8216

RGB 108 130 22

HSL 72.22, 0.71%, 0.3%

LAB 50.93, -22.5, 50.55

 

CMYK 38 / 0 / 83 / 49

HEX #508216

RGB 80 130 22

HSL 87.78, 0.71%, 0.3%

LAB 49.17, -34.05, 48.29

 

CMYK 61 / 0 / 83 / 49

HEX #338216

RGB 51 130 22

HSL 103.89, 0.71%, 0.3%

LAB 47.91, -43.51, 46.68

 

CMYK 83 / 0 / 83 / 49

HEX #168216

RGB 22 130 22

HSL 120, 0.71%, 0.3%

LAB 47.23, -49.3, 45.79

 

CMYK 39 / 0 / 83 / 77

HEX #243B0A

RGB 36 59 10

HSL 88.16, 0.71%, 0.14%

LAB 22.03, -18.35, 25.92

 

CMYK 39 / 0 / 83 / 63

HEX #395E10

RGB 57 94 16

HSL 88.46, 0.71%, 0.22%

LAB 35.82, -26.68, 37.41

 

CMYK 39 / 0 / 83 / 49

HEX #4F8216

RGB 79 130 22

HSL 88.33, 0.71%, 0.3%

LAB 49.11, -34.42, 48.22

 

CMYK 39 / 0 / 82 / 35

HEX #64A51D

RGB 100 165 29

HSL 88.68, 0.7%, 0.38%

LAB 61.4, -41.62, 57.77

 

CMYK 40 / 0 / 83 / 22

HEX #79C823

RGB 121 200 35

HSL 88.73, 0.7%, 0.46%

LAB 73.22, -48.56, 67.18

 

CMYK 39 / 0 / 82 / 50

HEX #4E8017

RGB 78 128 23

HSL 88.57, 0.7%, 0.3%

LAB 48.41, -33.85, 47.25

 

CMYK 83 / 0 / 28 / 49

HEX #16825E

RGB 22 130 94

HSL 160, 0.71%, 0.3%

LAB 48.19, -38.04, 11.4

 

CMYK 0 / 83 / 6 / 49

HEX #82167A

RGB 130 22 122

HSL 304.44, 0.71%, 0.3%

LAB 31.17, 54.33, -30.48

 

CMYK 39 / 0 / 82 / 50

HEX #4E8017

RGB 78 128 23

HSL 88.57, 0.7%, 0.3%

LAB 48.41, -33.85, 47.25

 

CMYK 83 / 38 / 0 / 49

HEX #165082

RGB 22 80 130

HSL 207.78, 0.71%, 0.3%

LAB 32.96, 0.8, -33.28

 

CMYK 0 / 83 / 38 / 49

HEX #821650

RGB 130 22 80

HSL 327.78, 0.71%, 0.3%

LAB 29.16, 48.59, -6.44

 

CMYK 39 / 0 / 82 / 50

HEX #4E8017

RGB 78 128 23

HSL 88.57, 0.7%, 0.3%

LAB 48.41, -33.85, 47.25

 

CMYK 83 / 0 / 28 / 49

HEX #16825E

RGB 22 130 94

HSL 160, 0.71%, 0.3%

LAB 48.19, -38.04, 11.4

 

CMYK 45 / 83 / 0 / 49

HEX #481682

RGB 72 22 130

HSL 267.78, 0.71%, 0.3%

LAB 22.17, 44.94, -50.54

 

CMYK 0 / 83 / 55 / 49

HEX #82163A

RGB 130 22 58

HSL 340, 0.71%, 0.3%

LAB 28.45, 46.47, 7.24

 

CMYK 39 / 0 / 82 / 50

HEX #4E8017

RGB 78 128 23

HSL 88.57, 0.7%, 0.3%

LAB 48.41, -33.85, 47.25

 

CMYK 83 / 0 / 3 / 49

HEX #16827E

RGB 22 130 126

HSL 177.78, 0.71%, 0.3%

LAB 49.06, -29.04, -6.08

 

CMYK 45 / 83 / 0 / 49

HEX #481682

RGB 72 22 130

HSL 267.78, 0.71%, 0.3%

LAB 22.17, 44.94, -50.54

 

CMYK 0 / 83 / 80 / 49

HEX #82161A

RGB 130 22 26

HSL 357.78, 0.71%, 0.3%

LAB 27.83, 44.57, 27.54

 

Description

Color code: RGB 78 128 23 | qconv.com Color code: RGB 78 128 23 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 128 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 128 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 82 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 82% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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