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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 255 78 it is the complementary color RGB 179 0 177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 255 78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 255 78 shade: RGB 81 255 73, RGB 98 255 92, RGB 115 255 111, RGB 132 255 130 and RGB 149 255 149

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 255 78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 59 237 59, RGB 42 219 40, RGB 25 201 21 and RGB 8 183 2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 122 255 76, RGB 170 255 76, RGB 218 255 76 and RGB 255 242 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 76 255 126, RGB 76 255 174, RGB 76 255 222 and RGB 76 238 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 255 78 shade matches the following richer shades: RGB 76 255 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 90 240 92, RGB 105 226 106, RGB 119 211 120 and RGB 134 197 134

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 255 78 shade: RGB 171 255 76, RGB 124 255 76, RGB 76 255 76, RGB 76 255 124 and RGB 76 255 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 255 78 shade: RGB 0 248 2, RGB 35 255 37, RGB 76 255 78, RGB 117 255 119 and RGB 159 255 160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 76 219 255 and RGB 255 76 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 76 76 255 and RGB 255 76 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 76 219 255, RGB 255 76 255 and RGB 255 112 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 255 78 shade: RGB 76 255 78, RGB 76 165 255, RGB 255 76 255 and RGB 255 165 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

Complementary color

CMYK 0 / 100 / 1 / 30

HEX #B300B1

RGB 179 0 177

HSL 300.67, 1%, 0.35%

LAB 42.4, 75.04, -45.66

 

CMYK 68 / 0 / 71 / 0

HEX #51FF49

RGB 81 255 73

HSL 117.36, 1%, 0.64%

LAB 88.8, -75.94, 70.1

 

CMYK 62 / 0 / 64 / 0

HEX #62FF5C

RGB 98 255 92

HSL 117.79, 1%, 0.68%

LAB 89.34, -71.03, 63.68

 

CMYK 55 / 0 / 56 / 0

HEX #73FF6F

RGB 115 255 111

HSL 118.33, 1%, 0.72%

LAB 90, -65.21, 56.56

 

CMYK 48 / 0 / 49 / 0

HEX #84FF82

RGB 132 255 130

HSL 119.04, 1%, 0.75%

LAB 90.8, -58.58, 49

 

CMYK 42 / 0 / 42 / 0

HEX #95FF95

RGB 149 255 149

HSL 120, 1%, 0.79%

LAB 91.72, -51.28, 41.22

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 75 / 0 / 75 / 7

HEX #3BED3B

RGB 59 237 59

HSL 120, 0.83%, 0.58%

LAB 82.81, -74.94, 68.62

 

CMYK 81 / 0 / 82 / 14

HEX #2ADB28

RGB 42 219 40

HSL 119.33, 0.71%, 0.51%

LAB 76.87, -72.95, 68.38

 

CMYK 88 / 0 / 90 / 21

HEX #19C915

RGB 25 201 21

HSL 118.67, 0.81%, 0.44%

LAB 70.89, -70.26, 67.13

 

CMYK 96 / 0 / 99 / 28

HEX #08B702

RGB 8 183 2

HSL 118.01, 0.98%, 0.36%

LAB 64.9, -66.75, 64.64

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 52 / 0 / 70 / 0

HEX #7AFF4C

RGB 122 255 76

HSL 104.58, 1%, 0.65%

LAB 89.94, -66.69, 70.57

 

CMYK 33 / 0 / 70 / 0

HEX #AAFF4C

RGB 170 255 76

HSL 88.49, 1%, 0.65%

LAB 91.95, -52.09, 73.26

 

CMYK 15 / 0 / 70 / 0

HEX #DAFF4C

RGB 218 255 76

HSL 72.4, 1%, 0.65%

LAB 94.72, -34.51, 76.93

 

CMYK 0 / 5 / 70 / 0

HEX #FFF24C

RGB 255 242 76

HSL 55.64, 1%, 0.65%

LAB 94.01, -13.58, 77.16

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 70 / 0 / 51 / 0

HEX #4CFF7E

RGB 76 255 126

HSL 136.76, 1%, 0.65%

LAB 89.19, -71.03, 48.54

 

CMYK 70 / 0 / 32 / 0

HEX #4CFFAE

RGB 76 255 174

HSL 152.85, 1%, 0.65%

LAB 89.91, -62.87, 25.98

 

CMYK 70 / 0 / 13 / 0

HEX #4CFFDE

RGB 76 255 222

HSL 168.94, 1%, 0.65%

LAB 90.93, -52.16, 2.78

 

CMYK 70 / 7 / 0 / 0

HEX #4CEEFF

RGB 76 238 255

HSL 185.7, 1%, 0.65%

LAB 86.95, -35.85, -20.33

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 63 / 0 / 62 / 6

HEX #5AF05C

RGB 90 240 92

HSL 120.8, 0.83%, 0.65%

LAB 84.62, -67.62, 58.38

 

CMYK 54 / 0 / 53 / 11

HEX #69E26A

RGB 105 226 106

HSL 120.5, 0.68%, 0.65%

LAB 80.98, -57.52, 48.03

 

CMYK 44 / 0 / 43 / 17

HEX #77D378

RGB 119 211 120

HSL 120.65, 0.51%, 0.65%

LAB 77.2, -45.78, 36.65

 

CMYK 32 / 0 / 32 / 23

HEX #86C586

RGB 134 197 134

HSL 120, 0.35%, 0.65%

LAB 74.01, -32.69, 25.38

 

CMYK 33 / 0 / 70 / 0

HEX #ABFF4C

RGB 171 255 76

HSL 88.16, 1%, 0.65%

LAB 92, -51.75, 73.32

 

CMYK 51 / 0 / 70 / 0

HEX #7CFF4C

RGB 124 255 76

HSL 103.91, 1%, 0.65%

LAB 90.01, -66.16, 70.67

 

CMYK 70 / 0 / 70 / 0

HEX #4CFF4C

RGB 76 255 76

HSL 120, 1%, 0.65%

LAB 88.72, -76.56, 68.93

 

CMYK 70 / 0 / 51 / 0

HEX #4CFF7C

RGB 76 255 124

HSL 136.09, 1%, 0.65%

LAB 89.16, -71.31, 49.44

 

CMYK 70 / 0 / 33 / 0

HEX #4CFFAB

RGB 76 255 171

HSL 151.84, 1%, 0.65%

LAB 89.86, -63.46, 27.43

 

CMYK 100 / 0 / 99 / 3

HEX #00F802

RGB 0 248 2

HSL 120.48, 1%, 0.49%

LAB 85.57, -84.36, 81.29

 

CMYK 86 / 0 / 85 / 0

HEX #23FF25

RGB 35 255 37

HSL 120.55, 1%, 0.57%

LAB 87.97, -83.78, 79.02

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 54 / 0 / 53 / 0

HEX #75FF77

RGB 117 255 119

HSL 120.87, 1%, 0.73%

LAB 90.15, -63.78, 53.17

 

CMYK 38 / 0 / 37 / 0

HEX #9FFFA0

RGB 159 255 160

HSL 120.63, 1%, 0.81%

LAB 92.32, -46.74, 36.69

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 70 / 14 / 0 / 0

HEX #4CDBFF

RGB 76 219 255

HSL 192.07, 1%, 0.65%

LAB 81.52, -26.76, -28.59

 

CMYK 0 / 70 / 42 / 0

HEX #FF4C93

RGB 255 76 147

HSL 336.2, 1%, 0.65%

LAB 60.37, 71.99, 0.78

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 0 / 70 / 70 / 0

HEX #FF4C4C

RGB 255 76 76

HSL 0, 1%, 0.65%

LAB 58.93, 67.1, 39.98

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 70 / 14 / 0 / 0

HEX #4CDBFF

RGB 76 219 255

HSL 192.07, 1%, 0.65%

LAB 81.52, -26.76, -28.59

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 56 / 70 / 0

HEX #FF704C

RGB 255 112 76

HSL 12.07, 1%, 0.65%

LAB 64.46, 52.3, 46.34

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4E

RGB 76 255 78

HSL 120.67, 1%, 0.65%

LAB 88.74, -76.39, 68.23

 

CMYK 70 / 35 / 0 / 0

HEX #4CA5FF

RGB 76 165 255

HSL 210.17, 1%, 0.65%

LAB 66.26, 2.03, -52.36

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 0 / 35 / 70 / 0

HEX #FFA54C

RGB 255 165 76

HSL 29.83, 1%, 0.65%

LAB 75.26, 25.81, 58.15

 

Description

Color code: RGB 76 255 78 | qconv.com Color code: RGB 76 255 78 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 255 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 255 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 69 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 69% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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