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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 239 87 it is the complementary color RGB 179 16 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 239 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 239 87 shade: RGB 81 239 82, RGB 98 255 101, RGB 115 255 120, RGB 132 255 139 and RGB 149 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 239 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 59 221 68, RGB 42 203 49, RGB 25 185 30 and RGB 8 167 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 109 239 76, RGB 153 239 76, RGB 197 239 76 and RGB 239 237 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 76 239 131, RGB 76 239 175, RGB 76 239 219 and RGB 76 215 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 239 87 shade matches the following richer shades: RGB 76 239 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 92 223 101, RGB 108 208 114, RGB 123 192 128 and RGB 139 176 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 239 87 shade: RGB 152 239 76, RGB 109 239 76, RGB 76 239 87, RGB 76 239 130 and RGB 76 239 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 239 87 shade: RGB 18 214 31, RGB 38 236 52, RGB 76 239 87, RGB 114 242 123 and RGB 152 246 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 76 196 239 and RGB 239 76 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 87 76 239 and RGB 239 87 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 76 196 239, RGB 239 76 228 and RGB 239 120 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 239 87 shade: RGB 76 239 87, RGB 76 147 239, RGB 239 76 228 and RGB 239 168 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

Complementary color

CMYK 0 / 91 / 6 / 30

HEX #B310A8

RGB 179 16 168

HSL 304.05, 0.84%, 0.38%

LAB 42.43, 72.06, -40.25

 

CMYK 66 / 0 / 66 / 6

HEX #51EF52

RGB 81 239 82

HSL 120.38, 0.83%, 0.63%

LAB 84.01, -70.06, 61.73

 

CMYK 62 / 0 / 60 / 0

HEX #62FF65

RGB 98 255 101

HSL 121.15, 1%, 0.69%

LAB 89.42, -70.12, 60.07

 

CMYK 55 / 0 / 53 / 0

HEX #73FF78

RGB 115 255 120

HSL 122.14, 1%, 0.73%

LAB 90.1, -64.14, 52.64

 

CMYK 48 / 0 / 45 / 0

HEX #84FF8B

RGB 132 255 139

HSL 123.41, 1%, 0.76%

LAB 90.91, -57.37, 44.88

 

CMYK 42 / 0 / 38 / 0

HEX #95FF9E

RGB 149 255 158

HSL 125.09, 1%, 0.79%

LAB 91.85, -49.94, 36.98

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 73 / 0 / 69 / 13

HEX #3BDD44

RGB 59 221 68

HSL 123.33, 0.7%, 0.55%

LAB 77.91, -69.33, 60.5

 

CMYK 79 / 0 / 76 / 20

HEX #2ACB31

RGB 42 203 49

HSL 122.61, 0.66%, 0.48%

LAB 71.84, -67.67, 60.97

 

CMYK 86 / 0 / 84 / 27

HEX #19B91E

RGB 25 185 30

HSL 121.88, 0.76%, 0.41%

LAB 65.75, -65.31, 60.69

 

CMYK 95 / 0 / 93 / 35

HEX #08A70B

RGB 8 167 11

HSL 121.13, 0.91%, 0.34%

LAB 59.63, -62.06, 59.12

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 54 / 0 / 68 / 6

HEX #6DEF4C

RGB 109 239 76

HSL 107.85, 0.84%, 0.62%

LAB 84.74, -64.36, 65.05

 

CMYK 36 / 0 / 68 / 6

HEX #99EF4C

RGB 153 239 76

HSL 91.66, 0.84%, 0.62%

LAB 86.52, -51.3, 67.45

 

CMYK 18 / 0 / 68 / 6

HEX #C5EF4C

RGB 197 239 76

HSL 75.46, 0.84%, 0.62%

LAB 88.98, -35.35, 70.76

 

CMYK 0 / 1 / 68 / 6

HEX #EFED4C

RGB 239 237 76

HSL 59.26, 0.84%, 0.62%

LAB 91.43, -17.68, 74.2

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 68 / 0 / 45 / 6

HEX #4CEF83

RGB 76 239 131

HSL 140.25, 0.84%, 0.62%

LAB 84.44, -64.76, 40.19

 

CMYK 68 / 0 / 27 / 6

HEX #4CEFAF

RGB 76 239 175

HSL 156.44, 0.84%, 0.62%

LAB 85.18, -56.55, 18.95

 

CMYK 68 / 0 / 8 / 6

HEX #4CEFDB

RGB 76 239 219

HSL 172.64, 0.84%, 0.62%

LAB 86.2, -46.15, -2.57

 

CMYK 68 / 10 / 0 / 6

HEX #4CD7EF

RGB 76 215 239

HSL 188.83, 0.84%, 0.62%

LAB 79.82, -29.61, -22.68

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 59 / 0 / 55 / 13

HEX #5CDF65

RGB 92 223 101

HSL 124.12, 0.67%, 0.62%

LAB 79.61, -60.15, 48.61

 

CMYK 48 / 0 / 45 / 18

HEX #6CD072

RGB 108 208 114

HSL 123.6, 0.52%, 0.62%

LAB 75.77, -48.54, 37.75

 

CMYK 36 / 0 / 33 / 25

HEX #7BC080

RGB 123 192 128

HSL 124.35, 0.35%, 0.62%

LAB 71.87, -34.9, 25.57

 

CMYK 21 / 0 / 20 / 31

HEX #8BB08D

RGB 139 176 141

HSL 123.24, 0.19%, 0.62%

LAB 68.36, -19.52, 13.89

 

CMYK 36 / 0 / 68 / 6

HEX #98EF4C

RGB 152 239 76

HSL 92.02, 0.84%, 0.62%

LAB 86.47, -51.64, 67.39

 

CMYK 54 / 0 / 68 / 6

HEX #6DEF4C

RGB 109 239 76

HSL 107.85, 0.84%, 0.62%

LAB 84.74, -64.36, 65.05

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 68 / 0 / 46 / 6

HEX #4CEF82

RGB 76 239 130

HSL 139.88, 0.84%, 0.62%

LAB 84.42, -64.91, 40.66

 

CMYK 68 / 0 / 27 / 6

HEX #4CEFAE

RGB 76 239 174

HSL 156.07, 0.84%, 0.62%

LAB 85.16, -56.76, 19.44

 

CMYK 92 / 0 / 86 / 16

HEX #12D61F

RGB 18 214 31

HSL 123.98, 0.84%, 0.45%

LAB 75.03, -73.96, 68.77

 

CMYK 84 / 0 / 78 / 7

HEX #26EC34

RGB 38 236 52

HSL 124.24, 0.84%, 0.54%

LAB 82.19, -77.53, 70.06

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 53 / 0 / 49 / 5

HEX #72F27B

RGB 114 242 123

HSL 124.22, 0.83%, 0.7%

LAB 86.26, -59.14, 46.56

 

CMYK 38 / 0 / 36 / 4

HEX #98F69E

RGB 152 246 158

HSL 123.83, 0.84%, 0.78%

LAB 89.42, -45.25, 33.79

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 68 / 18 / 0 / 6

HEX #4CC4EF

RGB 76 196 239

HSL 195.83, 0.84%, 0.62%

LAB 74.35, -20.12, -31.06

 

CMYK 0 / 68 / 46 / 6

HEX #EF4C82

RGB 239 76 130

HSL 340.12, 0.84%, 0.62%

LAB 57.2, 65.94, 5.83

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 64 / 68 / 0 / 6

HEX #574CEF

RGB 87 76 239

HSL 244.05, 0.84%, 0.62%

LAB 43.4, 51.4, -80.35

 

CMYK 0 / 64 / 68 / 6

HEX #EF574C

RGB 239 87 76

HSL 4.05, 0.84%, 0.62%

LAB 57.74, 57.81, 37.9

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 68 / 18 / 0 / 6

HEX #4CC4EF

RGB 76 196 239

HSL 195.83, 0.84%, 0.62%

LAB 74.35, -20.12, -31.06

 

CMYK 0 / 68 / 5 / 6

HEX #EF4CE4

RGB 239 76 228

HSL 304.05, 0.84%, 0.62%

LAB 60.89, 78.01, -45.05

 

CMYK 0 / 50 / 68 / 6

HEX #EF784C

RGB 239 120 76

HSL 16.2, 0.84%, 0.62%

LAB 63.59, 42.59, 44.73

 

CMYK 68 / 0 / 64 / 6

HEX #4CEF57

RGB 76 239 87

HSL 124.05, 0.84%, 0.62%

LAB 83.94, -70.48, 59.61

 

CMYK 68 / 38 / 0 / 6

HEX #4C93EF

RGB 76 147 239

HSL 213.87, 0.84%, 0.62%

LAB 60.46, 7.02, -52.8

 

CMYK 0 / 68 / 5 / 6

HEX #EF4CE4

RGB 239 76 228

HSL 304.05, 0.84%, 0.62%

LAB 60.89, 78.01, -45.05

 

CMYK 0 / 30 / 68 / 6

HEX #EFA84C

RGB 239 168 76

HSL 33.87, 0.84%, 0.62%

LAB 74.11, 17.63, 56.37

 

Description

Color code: RGB 76 239 87 | qconv.com Color code: RGB 76 239 87 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 239 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 239 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 64 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 64% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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