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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 239 182 it is the complementary color RGB 179 16 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 239 182. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 239 182 shade: RGB 81 239 177, RGB 98 255 196, RGB 115 255 215, RGB 132 255 234 and RGB 149 255 253

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 239 182. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 59 221 163, RGB 42 203 144, RGB 25 185 125 and RGB 8 167 106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 76 239 138, RGB 76 239 94, RGB 102 239 76 and RGB 146 239 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 76 239 226, RGB 76 208 239, RGB 76 164 239 and RGB 76 120 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 239 182 shade matches the following richer shades: RGB 76 239 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 92 223 177, RGB 108 208 173, RGB 123 192 168 and RGB 139 176 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 239 182 shade: RGB 76 239 95, RGB 76 239 139, RGB 76 239 182, RGB 76 239 225 and RGB 76 209 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 239 182 shade: RGB 18 214 146, RGB 38 236 167, RGB 76 239 182, RGB 114 242 197 and RGB 152 246 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 76 101 239 and RGB 239 117 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 182 76 239 and RGB 239 182 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 76 101 239, RGB 239 76 133 and RGB 239 215 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 239 182 shade: RGB 76 239 182, RGB 101 76 239, RGB 239 76 133 and RGB 215 239 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

Complementary color

CMYK 0 / 91 / 59 / 30

HEX #B31049

RGB 179 16 73

HSL 339.02, 0.84%, 0.38%

LAB 38.61, 61.89, 13.04

 

CMYK 66 / 0 / 26 / 6

HEX #51EFB1

RGB 81 239 177

HSL 156.46, 0.83%, 0.63%

LAB 85.33, -55.34, 18.14

 

CMYK 62 / 0 / 23 / 0

HEX #62FFC4

RGB 98 255 196

HSL 157.45, 1%, 0.69%

LAB 90.83, -54.79, 16.11

 

CMYK 55 / 0 / 16 / 0

HEX #73FFD7

RGB 115 255 215

HSL 162.86, 1%, 0.73%

LAB 91.72, -47.4, 7.66

 

CMYK 48 / 0 / 8 / 0

HEX #84FFEA

RGB 132 255 234

HSL 169.76, 1%, 0.76%

LAB 92.74, -39.47, -0.62

 

CMYK 42 / 0 / 1 / 0

HEX #95FFFD

RGB 149 255 253

HSL 178.87, 1%, 0.79%

LAB 93.88, -31.13, -8.68

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 73 / 0 / 26 / 13

HEX #3BDDA3

RGB 59 221 163

HSL 158.52, 0.7%, 0.55%

LAB 79.21, -54.5, 16.83

 

CMYK 79 / 0 / 29 / 20

HEX #2ACB90

RGB 42 203 144

HSL 158.01, 0.66%, 0.48%

LAB 73.04, -53.69, 18.26

 

CMYK 86 / 0 / 32 / 27

HEX #19B97D

RGB 25 185 125

HSL 157.5, 0.76%, 0.41%

LAB 66.81, -52.53, 19.83

 

CMYK 95 / 0 / 37 / 35

HEX #08A76A

RGB 8 167 106

HSL 156.98, 0.91%, 0.34%

LAB 60.54, -50.89, 21.58

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 68 / 0 / 42 / 6

HEX #4CEF8A

RGB 76 239 138

HSL 142.82, 0.84%, 0.62%

LAB 84.54, -63.61, 36.88

 

CMYK 68 / 0 / 61 / 6

HEX #4CEF5E

RGB 76 239 94

HSL 126.63, 0.84%, 0.62%

LAB 84.01, -69.74, 56.75

 

CMYK 57 / 0 / 68 / 6

HEX #66EF4C

RGB 102 239 76

HSL 110.43, 0.84%, 0.62%

LAB 84.52, -66.09, 64.76

 

CMYK 39 / 0 / 68 / 6

HEX #92EF4C

RGB 146 239 76

HSL 94.23, 0.84%, 0.62%

LAB 86.19, -53.61, 67.01

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 68 / 0 / 5 / 6

HEX #4CEFE2

RGB 76 239 226

HSL 175.21, 0.84%, 0.62%

LAB 86.39, -44.32, -5.96

 

CMYK 68 / 13 / 0 / 6

HEX #4CD0EF

RGB 76 208 239

HSL 191.41, 0.84%, 0.62%

LAB 77.8, -26.18, -25.76

 

CMYK 68 / 31 / 0 / 6

HEX #4CA4EF

RGB 76 164 239

HSL 207.61, 0.84%, 0.62%

LAB 65.22, -2.83, -45.28

 

CMYK 68 / 50 / 0 / 6

HEX #4C78EF

RGB 76 120 239

HSL 223.8, 0.84%, 0.62%

LAB 53.17, 23.39, -64.48

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 59 / 0 / 21 / 13

HEX #5CDFB1

RGB 92 223 177

HSL 158.93, 0.67%, 0.62%

LAB 80.86, -46.81, 11.9

 

CMYK 48 / 0 / 17 / 18

HEX #6CD0AD

RGB 108 208 173

HSL 159, 0.52%, 0.62%

LAB 76.87, -37.6, 8.41

 

CMYK 36 / 0 / 13 / 25

HEX #7BC0A8

RGB 123 192 168

HSL 159.13, 0.35%, 0.62%

LAB 72.72, -27.17, 5.23

 

CMYK 21 / 0 / 7 / 31

HEX #8BB0A3

RGB 139 176 163

HSL 158.92, 0.19%, 0.62%

LAB 68.88, -15.23, 2.54

 

CMYK 68 / 0 / 60 / 6

HEX #4CEF5F

RGB 76 239 95

HSL 126.99, 0.84%, 0.62%

LAB 84.02, -69.63, 56.33

 

CMYK 68 / 0 / 42 / 6

HEX #4CEF8B

RGB 76 239 139

HSL 143.19, 0.84%, 0.62%

LAB 84.55, -63.44, 36.4

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 68 / 0 / 6 / 6

HEX #4CEFE1

RGB 76 239 225

HSL 174.85, 0.84%, 0.62%

LAB 86.36, -44.59, -5.48

 

CMYK 68 / 13 / 0 / 6

HEX #4CD1EF

RGB 76 209 239

HSL 191.04, 0.84%, 0.62%

LAB 78.09, -26.67, -25.32

 

CMYK 92 / 0 / 32 / 16

HEX #12D692

RGB 18 214 146

HSL 159.18, 0.84%, 0.45%

LAB 76.25, -59.16, 21.6

 

CMYK 84 / 0 / 29 / 7

HEX #26ECA7

RGB 38 236 167

HSL 159.09, 0.84%, 0.54%

LAB 83.54, -61.47, 20.73

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 53 / 0 / 19 / 5

HEX #72F2C5

RGB 114 242 197

HSL 158.91, 0.83%, 0.7%

LAB 87.54, -46, 11

 

CMYK 38 / 0 / 13 / 4

HEX #98F6D5

RGB 152 246 213

HSL 158.94, 0.84%, 0.78%

LAB 90.5, -35.17, 7.12

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 68 / 58 / 0 / 6

HEX #4C65EF

RGB 76 101 239

HSL 230.8, 0.84%, 0.62%

LAB 48.36, 35.15, -72.28

 

CMYK 0 / 51 / 68 / 6

HEX #EF754C

RGB 239 117 76

HSL 15.09, 0.84%, 0.62%

LAB 63.01, 44.07, 44.05

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 24 / 68 / 0 / 6

HEX #B64CEF

RGB 182 76 239

HSL 279.02, 0.84%, 0.62%

LAB 53.33, 67.76, -63.76

 

CMYK 0 / 24 / 68 / 6

HEX #EFB64C

RGB 239 182 76

HSL 39.02, 0.84%, 0.62%

LAB 77.48, 10.25, 59.95

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 68 / 58 / 0 / 6

HEX #4C65EF

RGB 76 101 239

HSL 230.8, 0.84%, 0.62%

LAB 48.36, 35.15, -72.28

 

CMYK 0 / 68 / 44 / 6

HEX #EF4C85

RGB 239 76 133

HSL 339.02, 0.84%, 0.62%

LAB 57.28, 66.21, 4.17

 

CMYK 0 / 10 / 68 / 6

HEX #EFD74C

RGB 239 215 76

HSL 51.17, 0.84%, 0.62%

LAB 85.74, -6.78, 68.5

 

CMYK 68 / 0 / 24 / 6

HEX #4CEFB6

RGB 76 239 182

HSL 159.02, 0.84%, 0.62%

LAB 85.33, -55.03, 15.52

 

CMYK 58 / 68 / 0 / 6

HEX #654CEF

RGB 101 76 239

HSL 249.2, 0.84%, 0.62%

LAB 44.47, 53.3, -78.55

 

CMYK 0 / 68 / 44 / 6

HEX #EF4C85

RGB 239 76 133

HSL 339.02, 0.84%, 0.62%

LAB 57.28, 66.21, 4.17

 

CMYK 10 / 0 / 68 / 6

HEX #D7EF4C

RGB 215 239 76

HSL 68.83, 0.84%, 0.62%

LAB 90.18, -28.31, 72.36

 

Description

Color code: RGB 76 239 182 | qconv.com Color code: RGB 76 239 182 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 239 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 239 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 24 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 24% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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