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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 21 205 it is the complementary color RGB 179 234 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 21 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 21 205 shade: RGB 81 21 200, RGB 98 39 219, RGB 115 57 238, RGB 132 75 255 and RGB 149 93 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 21 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 21 205 shade: RGB 76 21 205, RGB 59 3 186, RGB 42 0 167, RGB 25 0 148 and RGB 8 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 21 205 shade: RGB 75 21 203, RGB 124 21 203, RGB 173 21 203, RGB 203 21 183 and RGB 203 21 134

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 21 205 shade: RGB 75 21 203, RGB 26 21 203 and RGB 21 21 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 21 205 shade matches the following richer shades: RGB 75 21 203 and RGB 68 3 221

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 21 205 shade: RGB 75 21 203, RGB 82 39 184, RGB 90 57 166, RGB 97 75 148 and RGB 104 93 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 21 205 shade: RGB 21 66 203, RGB 24 21 203, RGB 72 21 203, RGB 121 21 203 and RGB 169 21 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 21 205 shade: RGB 47 13 128, RGB 61 17 165, RGB 75 21 203, RGB 93 33 231 and RGB 120 71 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 21 205 shade: RGB 76 21 205, RGB 203 21 115 and RGB 42 203 21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 21 205 shade: RGB 76 21 205, RGB 203 72 21 and RGB 21 203 72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 21 205 shade: RGB 76 21 205, RGB 203 21 115, RGB 151 203 21 and RGB 21 203 109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 21 205 shade: RGB 76 21 205, RGB 203 21 60, RGB 151 203 21 and RGB 21 203 163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 90 / 0 / 20

HEX #4C15CD

RGB 76 21 205

HSL 257.93, 0.81%, 0.44%

LAB 30.59, 64.9, -82.03

 

Complementary color

CMYK 24 / 0 / 79 / 8

HEX #B3EA32

RGB 179 234 50

HSL 77.93, 0.81%, 0.56%

LAB 86.34, -41.31, 76.2

 

CMYK 60 / 90 / 0 / 22

HEX #5115C8

RGB 81 21 200

HSL 260.11, 0.81%, 0.43%

LAB 30.53, 64.02, -79.19

 

CMYK 55 / 82 / 0 / 14

HEX #6227DB

RGB 98 39 219

HSL 259.67, 0.71%, 0.51%

LAB 36.29, 64.61, -80.63

 

CMYK 52 / 76 / 0 / 7

HEX #7339EE

RGB 115 57 238

HSL 259.23, 0.84%, 0.58%

LAB 42.38, 64.26, -81.38

 

CMYK 48 / 71 / 0 / 0

HEX #844BFF

RGB 132 75 255

HSL 259, 1%, 0.65%

LAB 48.46, 62.9, -80.87

 

CMYK 42 / 64 / 0 / 0

HEX #955DFF

RGB 149 93 255

HSL 260.74, 1%, 0.68%

LAB 53.43, 56.93, -72.7

 

CMYK 63 / 90 / 0 / 20

HEX #4C15CD

RGB 76 21 205

HSL 257.93, 0.81%, 0.44%

LAB 30.59, 64.9, -82.03

 

CMYK 68 / 98 / 0 / 27

HEX #3B03BA

RGB 59 3 186

HSL 258.36, 0.97%, 0.37%

LAB 25.38, 63.05, -79.55

 

CMYK 75 / 100 / 0 / 35

HEX #2A00A7

RGB 42 0 167

HSL 255.09, 1%, 0.33%

LAB 21.14, 58.39, -75.25

 

CMYK 83 / 100 / 0 / 42

HEX #190094

RGB 25 0 148

HSL 250.14, 1%, 0.29%

LAB 17.2, 53.13, -70.19

 

CMYK 94 / 100 / 0 / 49

HEX #080081

RGB 8 0 129

HSL 243.72, 1%, 0.25%

LAB 13.45, 47.87, -64.54

 

CMYK 63 / 90 / 0 / 20

HEX #4B15CB

RGB 75 21 203

HSL 257.8, 0.81%, 0.44%

LAB 30.26, 64.32, -81.41

 

CMYK 39 / 90 / 0 / 20

HEX #7C15CB

RGB 124 21 203

HSL 273.96, 0.81%, 0.44%

LAB 36.24, 69.02, -71.35

 

CMYK 15 / 90 / 0 / 20

HEX #AD15CB

RGB 173 21 203

HSL 290.11, 0.81%, 0.44%

LAB 43.85, 75.84, -58.62

 

CMYK 0 / 90 / 10 / 20

HEX #CB15B7

RGB 203 21 183

HSL 306.59, 0.81%, 0.44%

LAB 47.82, 77.91, -40.31

 

CMYK 0 / 90 / 34 / 20

HEX #CB1586

RGB 203 21 134

HSL 322.75, 0.81%, 0.44%

LAB 45.57, 71.99, -14.49

 

CMYK 63 / 90 / 0 / 20

HEX #4B15CB

RGB 75 21 203

HSL 257.8, 0.81%, 0.44%

LAB 30.26, 64.32, -81.41

 

CMYK 87 / 90 / 0 / 20

HEX #1A15CB

RGB 26 21 203

HSL 241.65, 0.81%, 0.44%

LAB 26.93, 62.08, -87.06

 

CMYK 90 / 90 / 0 / 20

HEX #1515CB

RGB 21 21 203

HSL 240, 0.81%, 0.44%

LAB 26.76, 61.98, -87.35

 

CMYK 63 / 90 / 0 / 20

HEX #4B15CB

RGB 75 21 203

HSL 257.8, 0.81%, 0.44%

LAB 30.26, 64.32, -81.41

 

CMYK 69 / 99 / 0 / 13

HEX #4403DD

RGB 68 3 221

HSL 257.89, 0.97%, 0.44%

LAB 30.68, 71.79, -91.19

 

CMYK 63 / 90 / 0 / 20

HEX #4B15CB

RGB 75 21 203

HSL 257.8, 0.81%, 0.44%

LAB 30.26, 64.32, -81.41

 

CMYK 55 / 79 / 0 / 28

HEX #5227B8

RGB 82 39 184

HSL 257.79, 0.65%, 0.44%

LAB 31.13, 53.53, -68.78

 

CMYK 46 / 66 / 0 / 35

HEX #5A39A6

RGB 90 57 166

HSL 258.17, 0.49%, 0.44%

LAB 33.68, 40.58, -53.83

 

CMYK 34 / 49 / 0 / 42

HEX #614B94

RGB 97 75 148

HSL 258.08, 0.33%, 0.44%

LAB 37.32, 26.4, -37.07

 

CMYK 20 / 28 / 0 / 49

HEX #685D82

RGB 104 93 130

HSL 257.84, 0.17%, 0.44%

LAB 41.82, 12.63, -19.06

 

CMYK 90 / 67 / 0 / 20

HEX #1542CB

RGB 21 66 203

HSL 225.16, 0.81%, 0.44%

LAB 34.74, 39.16, -74.11

 

CMYK 88 / 90 / 0 / 20

HEX #1815CB

RGB 24 21 203

HSL 240.99, 0.81%, 0.44%

LAB 26.85, 62.04, -87.18

 

CMYK 65 / 90 / 0 / 20

HEX #4815CB

RGB 72 21 203

HSL 256.81, 0.81%, 0.44%

LAB 29.98, 64.12, -81.9

 

CMYK 40 / 90 / 0 / 20

HEX #7915CB

RGB 121 21 203

HSL 272.97, 0.81%, 0.44%

LAB 35.82, 68.66, -72.06

 

CMYK 17 / 90 / 0 / 20

HEX #A915CB

RGB 169 21 203

HSL 288.79, 0.81%, 0.44%

LAB 43.19, 75.22, -59.72

 

CMYK 63 / 90 / 0 / 50

HEX #2F0D80

RGB 47 13 128

HSL 257.74, 0.82%, 0.28%

LAB 17.69, 44.73, -56.76

 

CMYK 63 / 90 / 0 / 35

HEX #3D11A5

RGB 61 17 165

HSL 257.84, 0.81%, 0.36%

LAB 24.03, 54.64, -69.18

 

CMYK 63 / 90 / 0 / 20

HEX #4B15CB

RGB 75 21 203

HSL 257.8, 0.81%, 0.44%

LAB 30.26, 64.32, -81.41

 

CMYK 60 / 86 / 0 / 9

HEX #5D21E7

RGB 93 33 231

HSL 258.18, 0.8%, 0.52%

LAB 36.34, 69.21, -87.44

 

CMYK 49 / 70 / 0 / 8

HEX #7847EB

RGB 120 71 235

HSL 257.93, 0.8%, 0.6%

LAB 44.94, 57.67, -75.46

 

CMYK 63 / 90 / 0 / 20

HEX #4C15CD

RGB 76 21 205

HSL 257.93, 0.81%, 0.44%

LAB 30.59, 64.9, -82.03

 

CMYK 0 / 90 / 43 / 20

HEX #CB1573

RGB 203 21 115

HSL 329.01, 0.81%, 0.44%

LAB 44.9, 70.16, -3.82

 

CMYK 79 / 0 / 90 / 20

HEX #2ACB15

RGB 42 203 21

HSL 113.08, 0.81%, 0.44%

LAB 71.73, -69.09, 67.93

 

CMYK 63 / 90 / 0 / 20

HEX #4C15CD

RGB 76 21 205

HSL 257.93, 0.81%, 0.44%

LAB 30.59, 64.9, -82.03

 

CMYK 0 / 65 / 90 / 20

HEX #CB4815

RGB 203 72 21

HSL 16.81, 0.81%, 0.44%

LAB 48.74, 49.95, 53.75

 

CMYK 90 / 0 / 65 / 20

HEX #15CB48

RGB 21 203 72

HSL 136.81, 0.81%, 0.44%

LAB 71.78, -67.55, 52.14

 

CMYK 63 / 90 / 0 / 20

HEX #4C15CD

RGB 76 21 205

HSL 257.93, 0.81%, 0.44%

LAB 30.59, 64.9, -82.03

 

CMYK 0 / 90 / 43 / 20

HEX #CB1573

RGB 203 21 115

HSL 329.01, 0.81%, 0.44%

LAB 44.9, 70.16, -3.82

 

CMYK 26 / 0 / 90 / 20

HEX #97CB15

RGB 151 203 21

HSL 77.14, 0.81%, 0.44%

LAB 75.67, -39.29, 72.81

 

CMYK 90 / 0 / 46 / 20

HEX #15CB6D

RGB 21 203 109

HSL 149.01, 0.81%, 0.44%

LAB 72.21, -62.34, 35.32

 

CMYK 63 / 90 / 0 / 20

HEX #4C15CD

RGB 76 21 205

HSL 257.93, 0.81%, 0.44%

LAB 30.59, 64.9, -82.03

 

CMYK 0 / 90 / 70 / 20

HEX #CB153C

RGB 203 21 60

HSL 347.14, 0.81%, 0.44%

LAB 43.59, 66.5, 28.65

 

CMYK 26 / 0 / 90 / 20

HEX #97CB15

RGB 151 203 21

HSL 77.14, 0.81%, 0.44%

LAB 75.67, -39.29, 72.81

 

CMYK 90 / 0 / 20 / 20

HEX #15CBA3

RGB 21 203 163

HSL 166.81, 0.81%, 0.44%

LAB 73.23, -50.83, 8.32

 

Description

Color code: RGB 76 21 205 | qconv.com Color code: RGB 76 21 205 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 21 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 21 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 90 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 90% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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