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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 1 196 it is the complementary color RGB 179 254 59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 1 196. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 1 196 shade: RGB 81 1 191, RGB 98 19 210, RGB 115 37 229, RGB 132 55 248 and RGB 149 73 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 1 196. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 1 196 shade: RGB 76 1 196, RGB 59 0 177, RGB 42 0 158, RGB 25 0 139 and RGB 8 0 120

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 1 196 shade: RGB 76 0 197, RGB 129 0 197, RGB 182 0 197, RGB 197 0 159 and RGB 197 0 106

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 1 196 shade: RGB 76 0 197, RGB 23 0 197 and RGB 0 0 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 1 196 shade matches the following richer shades: RGB 76 0 197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 1 196 shade: RGB 76 0 197, RGB 80 17 181, RGB 84 33 165, RGB 87 49 149 and RGB 91 65 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 1 196 shade: RGB 0 30 197, RGB 23 0 197, RGB 76 0 197, RGB 128 0 197 and RGB 181 0 197

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 1 196 shade: RGB 44 0 115, RGB 60 0 156, RGB 76 0 197, RGB 92 1 238 and RGB 114 27 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 1 196 shade: RGB 76 1 196, RGB 197 0 83 and RGB 4 197 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 1 196 shade: RGB 76 1 196, RGB 197 76 0 and RGB 0 197 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 1 196 shade: RGB 76 1 196, RGB 197 0 83, RGB 122 197 0 and RGB 0 197 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 1 196 shade: RGB 76 1 196, RGB 197 0 23, RGB 122 197 0 and RGB 0 197 174

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 99 / 0 / 23

HEX #4C01C4

RGB 76 1 196

HSL 263.08, 0.99%, 0.39%

LAB 28.23, 66.67, -80.68

 

Complementary color

CMYK 30 / 0 / 77 / 0

HEX #B3FE3B

RGB 179 254 59

HSL 83.08, 0.99%, 0.61%

LAB 92.04, -49.46, 78.91

 

CMYK 58 / 99 / 0 / 25

HEX #5101BF

RGB 81 1 191

HSL 265.26, 0.99%, 0.38%

LAB 28.2, 65.82, -77.76

 

CMYK 53 / 91 / 0 / 18

HEX #6213D2

RGB 98 19 210

HSL 264.82, 0.83%, 0.45%

LAB 33.38, 68.32, -80.24

 

CMYK 50 / 84 / 0 / 10

HEX #7325E5

RGB 115 37 229

HSL 264.38, 0.79%, 0.52%

LAB 38.94, 69.59, -81.92

 

CMYK 47 / 78 / 0 / 3

HEX #8437F8

RGB 132 55 248

HSL 263.94, 0.93%, 0.59%

LAB 44.82, 69.83, -82.92

 

CMYK 42 / 71 / 0 / 0

HEX #9549FF

RGB 149 73 255

HSL 265.05, 1%, 0.64%

LAB 49.95, 66.55, -78.36

 

CMYK 61 / 99 / 0 / 23

HEX #4C01C4

RGB 76 1 196

HSL 263.08, 0.99%, 0.39%

LAB 28.23, 66.67, -80.68

 

CMYK 67 / 100 / 0 / 31

HEX #3B00B1

RGB 59 0 177

HSL 260, 1%, 0.35%

LAB 24.01, 61.51, -76.45

 

CMYK 73 / 100 / 0 / 38

HEX #2A009E

RGB 42 0 158

HSL 255.95, 1%, 0.31%

LAB 19.89, 56.15, -71.85

 

CMYK 82 / 100 / 0 / 45

HEX #19008B

RGB 25 0 139

HSL 250.79, 1%, 0.27%

LAB 15.85, 50.8, -66.82

 

CMYK 93 / 100 / 0 / 53

HEX #080078

RGB 8 0 120

HSL 244, 1%, 0.24%

LAB 12.01, 45.47, -61.18

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 35 / 100 / 0 / 23

HEX #8100C5

RGB 129 0 197

HSL 279.29, 1%, 0.39%

LAB 35.4, 71.49, -69.2

 

CMYK 8 / 100 / 0 / 23

HEX #B600C5

RGB 182 0 197

HSL 295.43, 1%, 0.39%

LAB 44.2, 78.55, -54.49

 

CMYK 0 / 100 / 19 / 23

HEX #C5009F

RGB 197 0 159

HSL 311.57, 1%, 0.39%

LAB 44.76, 75.79, -30.96

 

CMYK 0 / 100 / 46 / 23

HEX #C5006A

RGB 197 0 106

HSL 327.72, 1%, 0.39%

LAB 42.63, 70.31, -1.7

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 88 / 100 / 0 / 23

HEX #1700C5

RGB 23 0 197

HSL 247.01, 1%, 0.39%

LAB 24.36, 65.4, -87.82

 

CMYK 100 / 100 / 0 / 23

HEX #0000C5

RGB 0 0 197

HSL 240, 1%, 0.39%

LAB 23.77, 65.21, -88.82

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 56 / 91 / 0 / 29

HEX #5011B5

RGB 80 17 181

HSL 263.05, 0.83%, 0.39%

LAB 27.96, 60.29, -72.23

 

CMYK 49 / 80 / 0 / 35

HEX #5421A5

RGB 84 33 165

HSL 263.18, 0.67%, 0.39%

LAB 28.61, 51.3, -61.52

 

CMYK 42 / 67 / 0 / 42

HEX #573195

RGB 87 49 149

HSL 262.8, 0.51%, 0.39%

LAB 30.38, 39.63, -48.88

 

CMYK 32 / 51 / 0 / 48

HEX #5B4185

RGB 91 65 133

HSL 262.94, 0.34%, 0.39%

LAB 33.35, 26.74, -34.25

 

CMYK 100 / 85 / 0 / 23

HEX #001EC5

RGB 0 30 197

HSL 230.86, 1%, 0.39%

LAB 26.62, 56.53, -84.07

 

CMYK 88 / 100 / 0 / 23

HEX #1700C5

RGB 23 0 197

HSL 247.01, 1%, 0.39%

LAB 24.36, 65.4, -87.82

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 35 / 100 / 0 / 23

HEX #8000C5

RGB 128 0 197

HSL 278.98, 1%, 0.39%

LAB 35.24, 71.38, -69.46

 

CMYK 8 / 100 / 0 / 23

HEX #B500C5

RGB 181 0 197

HSL 295.13, 1%, 0.39%

LAB 44.02, 78.4, -54.78

 

CMYK 62 / 100 / 0 / 55

HEX #2C0073

RGB 44 0 115

HSL 262.96, 1%, 0.23%

LAB 14.25, 45.44, -54.14

 

CMYK 62 / 100 / 0 / 39

HEX #3C009C

RGB 60 0 156

HSL 263.08, 1%, 0.31%

LAB 21.44, 56.52, -67.99

 

CMYK 61 / 100 / 0 / 23

HEX #4C00C5

RGB 76 0 197

HSL 263.15, 1%, 0.39%

LAB 28.29, 67.08, -81.16

 

CMYK 61 / 100 / 0 / 7

HEX #5C01EE

RGB 92 1 238

HSL 263.04, 0.99%, 0.47%

LAB 34.94, 77.1, -93.74

 

CMYK 55 / 89 / 0 / 1

HEX #721BFD

RGB 114 27 253

HSL 263.1, 0.98%, 0.55%

LAB 40.33, 77.8, -93.19

 

CMYK 61 / 99 / 0 / 23

HEX #4C01C4

RGB 76 1 196

HSL 263.08, 0.99%, 0.39%

LAB 28.23, 66.67, -80.68

 

CMYK 0 / 100 / 58 / 23

HEX #C50053

RGB 197 0 83

HSL 334.72, 1%, 0.39%

LAB 41.99, 68.62, 11.91

 

CMYK 98 / 0 / 100 / 23

HEX #04C500

RGB 4 197 0

HSL 118.78, 1%, 0.39%

LAB 69.44, -70.8, 68.52

 

CMYK 61 / 99 / 0 / 23

HEX #4C01C4

RGB 76 1 196

HSL 263.08, 0.99%, 0.39%

LAB 28.23, 66.67, -80.68

 

CMYK 0 / 61 / 100 / 23

HEX #C54C00

RGB 197 76 0

HSL 23.15, 1%, 0.39%

LAB 48.31, 45.75, 58.65

 

CMYK 100 / 0 / 61 / 23

HEX #00C54C

RGB 0 197 76

HSL 143.15, 1%, 0.39%

LAB 69.79, -66.23, 48.13

 

CMYK 61 / 99 / 0 / 23

HEX #4C01C4

RGB 76 1 196

HSL 263.08, 0.99%, 0.39%

LAB 28.23, 66.67, -80.68

 

CMYK 0 / 100 / 58 / 23

HEX #C50053

RGB 197 0 83

HSL 334.72, 1%, 0.39%

LAB 41.99, 68.62, 11.91

 

CMYK 38 / 0 / 100 / 23

HEX #7AC500

RGB 122 197 0

HSL 82.84, 1%, 0.39%

LAB 72.28, -47.83, 71.96

 

CMYK 100 / 0 / 42 / 23

HEX #00C573

RGB 0 197 115

HSL 155.03, 1%, 0.39%

LAB 70.3, -60.11, 29.76

 

CMYK 61 / 99 / 0 / 23

HEX #4C01C4

RGB 76 1 196

HSL 263.08, 0.99%, 0.39%

LAB 28.23, 66.67, -80.68

 

CMYK 0 / 100 / 88 / 23

HEX #C50017

RGB 197 0 23

HSL 352.99, 1%, 0.39%

LAB 41.11, 66.24, 46.66

 

CMYK 38 / 0 / 100 / 23

HEX #7AC500

RGB 122 197 0

HSL 82.84, 1%, 0.39%

LAB 72.28, -47.83, 71.96

 

CMYK 100 / 0 / 12 / 23

HEX #00C5AE

RGB 0 197 174

HSL 172.99, 1%, 0.39%

LAB 71.55, -46.23, -0.09

 

Description

Color code: RGB 76 1 196 | qconv.com Color code: RGB 76 1 196 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 1 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 1 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 99 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 99% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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