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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 190 224 it is the complementary color RGB 179 65 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 190 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 190 224 shade: RGB 81 190 219, RGB 98 208 238, RGB 115 226 255, RGB 132 244 255 and RGB 149 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 190 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 190 224 shade: RGB 76 190 224, RGB 59 172 205, RGB 42 154 186, RGB 25 136 167 and RGB 8 118 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 190 224 shade: RGB 77 190 223, RGB 77 150 223, RGB 77 111 223, RGB 82 77 223 and RGB 122 77 223

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 190 224 shade: RGB 77 190 223, RGB 77 150 223, RGB 77 111 223 and RGB 77 77 223

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 190 224 shade matches the following richer shades: RGB 77 190 223 and RGB 60 199 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 190 224 shade: RGB 77 190 223, RGB 94 180 206, RGB 111 171 189, RGB 128 162 172 and RGB 144 153 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 190 224 shade: RGB 77 223 177, RGB 77 223 216, RGB 77 191 223, RGB 77 152 223 and RGB 77 113 223

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 190 224 shade: RGB 32 150 185, RGB 42 177 217, RGB 77 190 223, RGB 112 202 229 and RGB 147 215 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 190 224 shade: RGB 76 190 224, RGB 138 77 223 and RGB 223 196 77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 190 224 shade: RGB 76 190 224, RGB 223 77 191 and RGB 191 223 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 190 224 shade: RGB 76 190 224, RGB 138 77 223, RGB 223 108 77 and RGB 162 223 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 190 224 shade: RGB 76 190 224, RGB 182 77 223, RGB 223 108 77 and RGB 118 223 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 15 / 0 / 12

HEX #4CBEE0

RGB 76 190 224

HSL 193.78, 0.7%, 0.59%

LAB 72.06, -21.7, -26.46

 

Complementary color

CMYK 0 / 64 / 83 / 30

HEX #B3411F

RGB 179 65 31

HSL 13.78, 0.7%, 0.41%

LAB 43.45, 44.7, 43.45

 

CMYK 63 / 13 / 0 / 14

HEX #51BEDB

RGB 81 190 219

HSL 192.61, 0.66%, 0.59%

LAB 72.02, -22.41, -23.78

 

CMYK 59 / 13 / 0 / 7

HEX #62D0EE

RGB 98 208 238

HSL 192.86, 0.8%, 0.66%

LAB 78.39, -22.95, -24.27

 

CMYK 55 / 11 / 0 / 0

HEX #73E2FF

RGB 115 226 255

HSL 192.43, 1%, 0.73%

LAB 84.62, -23.92, -23.77

 

CMYK 48 / 4 / 0 / 0

HEX #84F4FF

RGB 132 244 255

HSL 185.37, 1%, 0.76%

LAB 90.24, -29.22, -15.22

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 66 / 15 / 0 / 12

HEX #4CBEE0

RGB 76 190 224

HSL 193.78, 0.7%, 0.59%

LAB 72.06, -21.7, -26.46

 

CMYK 71 / 16 / 0 / 20

HEX #3BACCD

RGB 59 172 205

HSL 193.56, 0.59%, 0.52%

LAB 65.63, -20.83, -25.95

 

CMYK 77 / 17 / 0 / 27

HEX #2A9ABA

RGB 42 154 186

HSL 193.33, 0.63%, 0.45%

LAB 59.11, -19.7, -25.38

 

CMYK 85 / 19 / 0 / 35

HEX #1988A7

RGB 25 136 167

HSL 193.1, 0.74%, 0.38%

LAB 52.51, -18.21, -24.73

 

CMYK 95 / 20 / 0 / 42

HEX #087694

RGB 8 118 148

HSL 192.86, 0.9%, 0.31%

LAB 45.83, -16.23, -23.98

 

CMYK 65 / 15 / 0 / 13

HEX #4DBEDF

RGB 77 190 223

HSL 193.56, 0.7%, 0.59%

LAB 72.05, -21.85, -25.93

 

CMYK 65 / 33 / 0 / 13

HEX #4D96DF

RGB 77 150 223

HSL 210, 0.7%, 0.59%

LAB 60.53, -0.04, -43.82

 

CMYK 65 / 50 / 0 / 13

HEX #4D6FDF

RGB 77 111 223

HSL 226.03, 0.7%, 0.59%

LAB 49.83, 23.56, -60.89

 

CMYK 63 / 65 / 0 / 13

HEX #524DDF

RGB 82 77 223

HSL 242.05, 0.7%, 0.59%

LAB 41.89, 45.13, -73.77

 

CMYK 45 / 65 / 0 / 13

HEX #7A4DDF

RGB 122 77 223

HSL 258.49, 0.7%, 0.59%

LAB 45.32, 51.71, -68.03

 

CMYK 65 / 15 / 0 / 13

HEX #4DBEDF

RGB 77 190 223

HSL 193.56, 0.7%, 0.59%

LAB 72.05, -21.85, -25.93

 

CMYK 65 / 33 / 0 / 13

HEX #4D96DF

RGB 77 150 223

HSL 210, 0.7%, 0.59%

LAB 60.53, -0.04, -43.82

 

CMYK 65 / 50 / 0 / 13

HEX #4D6FDF

RGB 77 111 223

HSL 226.03, 0.7%, 0.59%

LAB 49.83, 23.56, -60.89

 

CMYK 65 / 65 / 0 / 13

HEX #4D4DDF

RGB 77 77 223

HSL 240, 0.7%, 0.59%

LAB 41.55, 44.45, -74.34

 

CMYK 65 / 15 / 0 / 13

HEX #4DBEDF

RGB 77 190 223

HSL 193.56, 0.7%, 0.59%

LAB 72.05, -21.85, -25.93

 

CMYK 75 / 17 / 0 / 6

HEX #3CC7F0

RGB 60 199 240

HSL 193.67, 0.86%, 0.59%

LAB 74.89, -23.36, -30.8

 

CMYK 65 / 15 / 0 / 13

HEX #4DBEDF

RGB 77 190 223

HSL 193.56, 0.7%, 0.59%

LAB 72.05, -21.85, -25.93

 

CMYK 54 / 13 / 0 / 19

HEX #5EB4CE

RGB 94 180 206

HSL 193.93, 0.53%, 0.59%

LAB 69.1, -18.68, -21.1

 

CMYK 41 / 10 / 0 / 26

HEX #6FABBD

RGB 111 171 189

HSL 193.85, 0.37%, 0.59%

LAB 66.66, -14.7, -15.34

 

CMYK 26 / 6 / 0 / 33

HEX #80A2AC

RGB 128 162 172

HSL 193.64, 0.21%, 0.59%

LAB 64.49, -9.3, -9.01

 

CMYK 7 / 1 / 0 / 39

HEX #90999B

RGB 144 153 155

HSL 190.91, 0.05%, 0.59%

LAB 62.57, -2.81, -2.17

 

CMYK 65 / 0 / 21 / 13

HEX #4DDFB1

RGB 77 223 177

HSL 161.1, 0.7%, 0.59%

LAB 80.48, -49.5, 11.29

 

CMYK 65 / 0 / 3 / 13

HEX #4DDFD8

RGB 77 223 216

HSL 177.12, 0.7%, 0.59%

LAB 81.46, -39.73, -7.97

 

CMYK 65 / 14 / 0 / 13

HEX #4DBFDF

RGB 77 191 223

HSL 193.15, 0.7%, 0.59%

LAB 72.34, -22.36, -25.48

 

CMYK 65 / 32 / 0 / 13

HEX #4D98DF

RGB 77 152 223

HSL 209.18, 0.7%, 0.59%

LAB 61.1, -1.19, -42.93

 

CMYK 65 / 49 / 0 / 13

HEX #4D71DF

RGB 77 113 223

HSL 225.21, 0.7%, 0.59%

LAB 50.35, 22.31, -60.04

 

CMYK 83 / 19 / 0 / 27

HEX #2096B9

RGB 32 150 185

HSL 193.73, 0.71%, 0.43%

LAB 57.68, -18.9, -27.04

 

CMYK 81 / 18 / 0 / 15

HEX #2AB1D9

RGB 42 177 217

HSL 193.71, 0.7%, 0.51%

LAB 67.24, -21.39, -30.11

 

CMYK 65 / 15 / 0 / 13

HEX #4DBEDF

RGB 77 190 223

HSL 193.56, 0.7%, 0.59%

LAB 72.05, -21.85, -25.93

 

CMYK 51 / 12 / 0 / 10

HEX #70CAE5

RGB 112 202 229

HSL 193.85, 0.69%, 0.67%

LAB 76.89, -19.7, -21.69

 

CMYK 38 / 9 / 0 / 7

HEX #93D7EC

RGB 147 215 236

HSL 194.16, 0.7%, 0.75%

LAB 82.3, -16.17, -17.08

 

CMYK 66 / 15 / 0 / 12

HEX #4CBEE0

RGB 76 190 224

HSL 193.78, 0.7%, 0.59%

LAB 72.06, -21.7, -26.46

 

CMYK 38 / 65 / 0 / 13

HEX #8A4DDF

RGB 138 77 223

HSL 265.07, 0.7%, 0.59%

LAB 47.03, 54.79, -65.18

 

CMYK 0 / 12 / 65 / 13

HEX #DFC44D

RGB 223 196 77

HSL 48.9, 0.7%, 0.59%

LAB 79.44, -3.75, 61.13

 

CMYK 66 / 15 / 0 / 12

HEX #4CBEE0

RGB 76 190 224

HSL 193.78, 0.7%, 0.59%

LAB 72.06, -21.7, -26.46

 

CMYK 0 / 65 / 14 / 13

HEX #DF4DBF

RGB 223 77 191

HSL 313.15, 0.7%, 0.59%

LAB 56.84, 68.35, -30.58

 

CMYK 14 / 0 / 65 / 13

HEX #BFDF4D

RGB 191 223 77

HSL 73.15, 0.7%, 0.59%

LAB 84.17, -30.26, 65.31

 

CMYK 66 / 15 / 0 / 12

HEX #4CBEE0

RGB 76 190 224

HSL 193.78, 0.7%, 0.59%

LAB 72.06, -21.7, -26.46

 

CMYK 38 / 65 / 0 / 13

HEX #8A4DDF

RGB 138 77 223

HSL 265.07, 0.7%, 0.59%

LAB 47.03, 54.79, -65.18

 

CMYK 0 / 52 / 65 / 13

HEX #DF6C4D

RGB 223 108 77

HSL 12.74, 0.7%, 0.59%

LAB 58.93, 42.56, 38.16

 

CMYK 27 / 0 / 65 / 13

HEX #A2DF4D

RGB 162 223 77

HSL 85.07, 0.7%, 0.59%

LAB 82.37, -41.3, 62.88

 

CMYK 66 / 15 / 0 / 12

HEX #4CBEE0

RGB 76 190 224

HSL 193.78, 0.7%, 0.59%

LAB 72.06, -21.7, -26.46

 

CMYK 18 / 65 / 0 / 13

HEX #B64DDF

RGB 182 77 223

HSL 283.15, 0.7%, 0.59%

LAB 52.49, 64.08, -56.1

 

CMYK 0 / 52 / 65 / 13

HEX #DF6C4D

RGB 223 108 77

HSL 12.74, 0.7%, 0.59%

LAB 58.93, 42.56, 38.16

 

CMYK 47 / 0 / 65 / 13

HEX #76DF4D

RGB 118 223 77

HSL 103.15, 0.7%, 0.59%

LAB 80.27, -55.9, 60.01

 

Description

Color code: RGB 76 190 224 | qconv.com Color code: RGB 76 190 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 190 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 190 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 15 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 15% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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