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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 189 28 it is the complementary color RGB 179 66 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 189 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 189 28 shade: RGB 81 189 23, RGB 98 207 42, RGB 115 225 61, RGB 132 243 80 and RGB 149 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 189 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 189 28 shade: RGB 76 189 28, RGB 59 171 9, RGB 42 153 0, RGB 25 135 0 and RGB 8 117 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 189 28 shade: RGB 76 190 28, RGB 120 190 28, RGB 164 190 28, RGB 190 173 28 and RGB 190 129 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 189 28 shade: RGB 76 190 28, RGB 33 190 28, RGB 28 190 67, RGB 28 190 111 and RGB 28 190 155

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 189 28 shade matches the following richer shades: RGB 76 190 28 and RGB 69 208 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 189 28 shade: RGB 76 190 28, RGB 84 173 46, RGB 91 155 63, RGB 98 137 81 and RGB 105 119 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 189 28 shade: RGB 163 190 28, RGB 120 190 28, RGB 77 190 28, RGB 33 190 28 and RGB 28 190 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 189 28 shade: RGB 47 119 17, RGB 62 154 23, RGB 76 190 28, RGB 93 222 37 and RGB 119 227 73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 189 28 shade: RGB 76 189 28, RGB 28 190 174 and RGB 190 28 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 189 28 shade: RGB 76 189 28, RGB 28 77 190 and RGB 190 28 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 189 28 shade: RGB 76 189 28, RGB 28 190 174, RGB 142 28 190 and RGB 190 28 44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 189 28 shade: RGB 76 189 28, RGB 28 158 190, RGB 142 28 190 and RGB 190 60 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 85 / 26

HEX #4CBD1C

RGB 76 189 28

HSL 102.11, 0.74%, 0.43%

LAB 68.03, -58.09, 63.6

 

Complementary color

CMYK 21 / 71 / 0 / 11

HEX #B342E3

RGB 179 66 227

HSL 282.11, 0.74%, 0.57%

LAB 50.72, 68.76, -61.23

 

CMYK 57 / 0 / 88 / 26

HEX #51BD17

RGB 81 189 23

HSL 99.04, 0.78%, 0.42%

LAB 68.17, -57.01, 64.86

 

CMYK 53 / 0 / 80 / 19

HEX #62CF2A

RGB 98 207 42

HSL 99.64, 0.66%, 0.49%

LAB 74.44, -58.05, 66.07

 

CMYK 49 / 0 / 73 / 12

HEX #73E13D

RGB 115 225 61

HSL 100.24, 0.73%, 0.56%

LAB 80.65, -58.75, 66.31

 

CMYK 46 / 0 / 67 / 5

HEX #84F350

RGB 132 243 80

HSL 100.86, 0.87%, 0.63%

LAB 86.79, -59.2, 65.95

 

CMYK 42 / 0 / 61 / 0

HEX #95FF63

RGB 149 255 99

HSL 100.77, 1%, 0.69%

LAB 91.15, -57.13, 63.33

 

CMYK 60 / 0 / 85 / 26

HEX #4CBD1C

RGB 76 189 28

HSL 102.11, 0.74%, 0.43%

LAB 68.03, -58.09, 63.6

 

CMYK 65 / 0 / 95 / 33

HEX #3BAB09

RGB 59 171 9

HSL 101.48, 0.9%, 0.35%

LAB 61.72, -56.55, 61.44

 

CMYK 73 / 0 / 100 / 40

HEX #2A9900

RGB 42 153 0

HSL 103.53, 1%, 0.3%

LAB 55.35, -54.34, 57.43

 

CMYK 81 / 0 / 100 / 47

HEX #198700

RGB 25 135 0

HSL 108.89, 1%, 0.26%

LAB 48.93, -51.41, 52.17

 

CMYK 93 / 0 / 100 / 54

HEX #087500

RGB 8 117 0

HSL 115.9, 1%, 0.23%

LAB 42.42, -47.75, 46.88

 

CMYK 60 / 0 / 85 / 25

HEX #4CBE1C

RGB 76 190 28

HSL 102.22, 0.74%, 0.43%

LAB 68.35, -58.43, 63.88

 

CMYK 37 / 0 / 85 / 25

HEX #78BE1C

RGB 120 190 28

HSL 85.93, 0.74%, 0.43%

LAB 70.11, -45.05, 66.1

 

CMYK 14 / 0 / 85 / 25

HEX #A4BE1C

RGB 164 190 28

HSL 69.63, 0.74%, 0.43%

LAB 72.76, -27.89, 69.42

 

CMYK 0 / 9 / 85 / 25

HEX #BEAD1C

RGB 190 173 28

HSL 53.7, 0.74%, 0.43%

LAB 70.12, -8.14, 68.06

 

CMYK 0 / 32 / 85 / 25

HEX #BE811C

RGB 190 129 28

HSL 37.41, 0.74%, 0.43%

LAB 58.72, 15.65, 58.61

 

CMYK 60 / 0 / 85 / 25

HEX #4CBE1C

RGB 76 190 28

HSL 102.22, 0.74%, 0.43%

LAB 68.35, -58.43, 63.88

 

CMYK 83 / 0 / 85 / 25

HEX #21BE1C

RGB 33 190 28

HSL 118.15, 0.74%, 0.43%

LAB 67.45, -66.08, 62.74

 

CMYK 85 / 0 / 65 / 25

HEX #1CBE43

RGB 28 190 67

HSL 134.44, 0.74%, 0.43%

LAB 67.63, -63.57, 49.67

 

CMYK 85 / 0 / 42 / 25

HEX #1CBE6F

RGB 28 190 111

HSL 150.74, 0.74%, 0.43%

LAB 68.18, -56.98, 29.1

 

CMYK 85 / 0 / 18 / 25

HEX #1CBE9B

RGB 28 190 155

HSL 167.04, 0.74%, 0.43%

LAB 69.07, -47.14, 6.71

 

CMYK 60 / 0 / 85 / 25

HEX #4CBE1C

RGB 76 190 28

HSL 102.22, 0.74%, 0.43%

LAB 68.35, -58.43, 63.88

 

CMYK 67 / 0 / 95 / 18

HEX #45D00A

RGB 69 208 10

HSL 102.12, 0.91%, 0.43%

LAB 73.8, -66.45, 71.34

 

CMYK 60 / 0 / 85 / 25

HEX #4CBE1C

RGB 76 190 28

HSL 102.22, 0.74%, 0.43%

LAB 68.35, -58.43, 63.88

 

CMYK 51 / 0 / 73 / 32

HEX #54AD2E

RGB 84 173 46

HSL 102.05, 0.58%, 0.43%

LAB 63.32, -49.06, 53.87

 

CMYK 41 / 0 / 59 / 39

HEX #5B9B3F

RGB 91 155 63

HSL 101.74, 0.42%, 0.43%

LAB 58.06, -37.89, 41.11

 

CMYK 28 / 0 / 41 / 46

HEX #628951

RGB 98 137 81

HSL 101.79, 0.26%, 0.43%

LAB 53.04, -24.6, 25.78

 

CMYK 12 / 0 / 17 / 53

HEX #697763

RGB 105 119 99

HSL 102, 0.09%, 0.43%

LAB 48.38, -9.28, 9.27

 

CMYK 14 / 0 / 85 / 25

HEX #A3BE1C

RGB 163 190 28

HSL 70, 0.74%, 0.43%

LAB 72.69, -28.31, 69.33

 

CMYK 37 / 0 / 85 / 25

HEX #78BE1C

RGB 120 190 28

HSL 85.93, 0.74%, 0.43%

LAB 70.11, -45.05, 66.1

 

CMYK 59 / 0 / 85 / 25

HEX #4DBE1C

RGB 77 190 28

HSL 101.85, 0.74%, 0.43%

LAB 68.38, -58.19, 63.92

 

CMYK 83 / 0 / 85 / 25

HEX #21BE1C

RGB 33 190 28

HSL 118.15, 0.74%, 0.43%

LAB 67.45, -66.08, 62.74

 

CMYK 85 / 0 / 65 / 25

HEX #1CBE42

RGB 28 190 66

HSL 134.07, 0.74%, 0.43%

LAB 67.63, -63.68, 50.09

 

CMYK 61 / 0 / 86 / 53

HEX #2F7711

RGB 47 119 17

HSL 102.35, 0.75%, 0.27%

LAB 44, -40.69, 44.51

 

CMYK 60 / 0 / 85 / 40

HEX #3E9A17

RGB 62 154 23

HSL 102.14, 0.74%, 0.35%

LAB 56.28, -49.43, 54.18

 

CMYK 60 / 0 / 85 / 25

HEX #4CBE1C

RGB 76 190 28

HSL 102.22, 0.74%, 0.43%

LAB 68.35, -58.43, 63.88

 

CMYK 58 / 0 / 83 / 13

HEX #5DDE25

RGB 93 222 37

HSL 101.84, 0.74%, 0.51%

LAB 78.87, -64.86, 71.34

 

CMYK 48 / 0 / 68 / 11

HEX #77E349

RGB 119 227 73

HSL 102.08, 0.73%, 0.59%

LAB 81.48, -57.47, 62.87

 

CMYK 60 / 0 / 85 / 26

HEX #4CBD1C

RGB 76 189 28

HSL 102.11, 0.74%, 0.43%

LAB 68.03, -58.09, 63.6

 

CMYK 85 / 0 / 8 / 25

HEX #1CBEAE

RGB 28 190 174

HSL 174.07, 0.74%, 0.43%

LAB 69.56, -42.03, -2.98

 

CMYK 0 / 85 / 25 / 25

HEX #BE1C8E

RGB 190 28 142

HSL 317.78, 0.74%, 0.43%

LAB 43.84, 68.83, -22.23

 

CMYK 60 / 0 / 85 / 26

HEX #4CBD1C

RGB 76 189 28

HSL 102.11, 0.74%, 0.43%

LAB 68.03, -58.09, 63.6

 

CMYK 85 / 59 / 0 / 25

HEX #1C4DBE

RGB 28 77 190

HSL 221.85, 0.74%, 0.43%

LAB 36.5, 27.47, -63.62

 

CMYK 0 / 85 / 59 / 25

HEX #BE1C4D

RGB 190 28 77

HSL 341.85, 0.74%, 0.43%

LAB 41.71, 62.78, 15.09

 

CMYK 60 / 0 / 85 / 26

HEX #4CBD1C

RGB 76 189 28

HSL 102.11, 0.74%, 0.43%

LAB 68.03, -58.09, 63.6

 

CMYK 85 / 0 / 8 / 25

HEX #1CBEAE

RGB 28 190 174

HSL 174.07, 0.74%, 0.43%

LAB 69.56, -42.03, -2.98

 

CMYK 25 / 85 / 0 / 25

HEX #8E1CBE

RGB 142 28 190

HSL 282.22, 0.74%, 0.43%

LAB 38.37, 67.25, -60.14

 

CMYK 0 / 85 / 77 / 25

HEX #BE1C2C

RGB 190 28 44

HSL 354.07, 0.74%, 0.43%

LAB 41.15, 61.14, 34.79

 

CMYK 60 / 0 / 85 / 26

HEX #4CBD1C

RGB 76 189 28

HSL 102.11, 0.74%, 0.43%

LAB 68.03, -58.09, 63.6

 

CMYK 85 / 17 / 0 / 25

HEX #1C9EBE

RGB 28 158 190

HSL 191.85, 0.74%, 0.43%

LAB 60.26, -21.73, -25.88

 

CMYK 25 / 85 / 0 / 25

HEX #8E1CBE

RGB 142 28 190

HSL 282.22, 0.74%, 0.43%

LAB 38.37, 67.25, -60.14

 

CMYK 0 / 68 / 85 / 25

HEX #BE3C1C

RGB 190 60 28

HSL 11.85, 0.74%, 0.43%

LAB 44.61, 50.61, 46.64

 

Description

Color code: RGB 76 189 28 | qconv.com Color code: RGB 76 189 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 189 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 189 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 85 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 85% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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