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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 172 44 it is the complementary color RGB 179 83 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 172 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 172 44 shade: RGB 81 172 39, RGB 98 190 58, RGB 115 208 77, RGB 132 226 96 and RGB 149 244 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 172 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 172 44 shade: RGB 76 172 44, RGB 59 154 25, RGB 42 136 6, RGB 25 118 0 and RGB 8 100 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 172 44 shade: RGB 75 170 43, RGB 109 170 43, RGB 143 170 43, RGB 170 162 43 and RGB 170 128 43

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 172 44 shade: RGB 75 170 43, RGB 43 170 46, RGB 43 170 80, RGB 43 170 114 and RGB 43 170 148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 172 44 shade matches the following richer shades: RGB 75 170 43, RGB 66 187 26 and RGB 58 204 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 172 44 shade: RGB 75 170 43, RGB 84 152 61, RGB 92 135 78, RGB 101 118 95 and RGB 110 100 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 172 44 shade: RGB 142 170 43, RGB 109 170 43, RGB 75 170 43, RGB 43 170 46 and RGB 43 170 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 172 44 shade: RGB 46 104 26, RGB 60 137 35, RGB 75 170 43, RGB 90 202 52 and RGB 116 211 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 172 44 shade: RGB 76 172 44, RGB 43 170 163 and RGB 170 43 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 172 44 shade: RGB 76 172 44, RGB 43 75 170 and RGB 170 43 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 172 44 shade: RGB 76 172 44, RGB 43 170 163, RGB 138 43 170 and RGB 170 43 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 172 44 shade: RGB 76 172 44, RGB 43 138 170, RGB 138 43 170 and RGB 170 75 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 74 / 33

HEX #4CAC2C

RGB 76 172 44

HSL 105, 0.59%, 0.42%

LAB 62.7, -51.08, 53.88

 

Complementary color

CMYK 15 / 61 / 0 / 17

HEX #B353D3

RGB 179 83 211

HSL 285, 0.59%, 0.58%

LAB 52.37, 58.29, -49.5

 

CMYK 53 / 0 / 77 / 33

HEX #51AC27

RGB 81 172 39

HSL 101.05, 0.63%, 0.41%

LAB 62.84, -50.02, 55.8

 

CMYK 48 / 0 / 69 / 25

HEX #62BE3A

RGB 98 190 58

HSL 101.82, 0.53%, 0.49%

LAB 69.28, -50.6, 55.62

 

CMYK 45 / 0 / 63 / 18

HEX #73D04D

RGB 115 208 77

HSL 102.6, 0.58%, 0.56%

LAB 75.63, -50.92, 54.92

 

CMYK 42 / 0 / 58 / 11

HEX #84E260

RGB 132 226 96

HSL 103.38, 0.69%, 0.63%

LAB 81.92, -51.07, 53.95

 

CMYK 39 / 0 / 53 / 4

HEX #95F473

RGB 149 244 115

HSL 104.19, 0.85%, 0.7%

LAB 88.13, -51.09, 52.86

 

CMYK 56 / 0 / 74 / 33

HEX #4CAC2C

RGB 76 172 44

HSL 105, 0.59%, 0.42%

LAB 62.7, -51.08, 53.88

 

CMYK 62 / 0 / 84 / 40

HEX #3B9A19

RGB 59 154 25

HSL 104.19, 0.72%, 0.35%

LAB 56.2, -50.1, 53.53

 

CMYK 69 / 0 / 96 / 47

HEX #2A8806

RGB 42 136 6

HSL 103.38, 0.92%, 0.28%

LAB 49.63, -48.51, 51.75

 

CMYK 79 / 0 / 100 / 54

HEX #197600

RGB 25 118 0

HSL 107.29, 1%, 0.23%

LAB 43.01, -45.98, 47.45

 

CMYK 92 / 0 / 100 / 61

HEX #086400

RGB 8 100 0

HSL 115.2, 1%, 0.2%

LAB 36.3, -42.47, 41.98

 

CMYK 56 / 0 / 75 / 33

HEX #4BAA2B

RGB 75 170 43

HSL 104.88, 0.6%, 0.42%

LAB 62.01, -50.68, 53.54

 

CMYK 36 / 0 / 75 / 33

HEX #6DAA2B

RGB 109 170 43

HSL 88.82, 0.6%, 0.42%

LAB 63.49, -39.78, 55.49

 

CMYK 16 / 0 / 75 / 33

HEX #8FAA2B

RGB 143 170 43

HSL 72.76, 0.6%, 0.42%

LAB 65.56, -26.42, 58.22

 

CMYK 0 / 5 / 75 / 33

HEX #AAA22B

RGB 170 162 43

HSL 56.22, 0.6%, 0.42%

LAB 65.41, -10.7, 58.81

 

CMYK 0 / 25 / 75 / 33

HEX #AA802B

RGB 170 128 43

HSL 40.16, 0.6%, 0.42%

LAB 56.25, 7.81, 49.99

 

CMYK 56 / 0 / 75 / 33

HEX #4BAA2B

RGB 75 170 43

HSL 104.88, 0.6%, 0.42%

LAB 62.01, -50.68, 53.54

 

CMYK 75 / 0 / 73 / 33

HEX #2BAA2E

RGB 43 170 46

HSL 121.42, 0.6%, 0.42%

LAB 61.19, -57.4, 51.33

 

CMYK 75 / 0 / 53 / 33

HEX #2BAA50

RGB 43 170 80

HSL 137.48, 0.6%, 0.42%

LAB 61.52, -53.42, 36.54

 

CMYK 75 / 0 / 33 / 33

HEX #2BAA72

RGB 43 170 114

HSL 153.54, 0.6%, 0.42%

LAB 62.06, -47.2, 19.35

 

CMYK 75 / 0 / 13 / 33

HEX #2BAA94

RGB 43 170 148

HSL 169.61, 0.6%, 0.42%

LAB 62.84, -38.94, 1.62

 

CMYK 56 / 0 / 75 / 33

HEX #4BAA2B

RGB 75 170 43

HSL 104.88, 0.6%, 0.42%

LAB 62.01, -50.68, 53.54

 

CMYK 65 / 0 / 86 / 27

HEX #42BB1A

RGB 66 187 26

HSL 105.09, 0.76%, 0.42%

LAB 67.11, -59.82, 63.13

 

CMYK 72 / 0 / 96 / 20

HEX #3ACC09

RGB 58 204 9

HSL 104.92, 0.92%, 0.42%

LAB 72.3, -67.28, 70.11

 

CMYK 56 / 0 / 75 / 33

HEX #4BAA2B

RGB 75 170 43

HSL 104.88, 0.6%, 0.42%

LAB 62.01, -50.68, 53.54

 

CMYK 45 / 0 / 60 / 40

HEX #54983D

RGB 84 152 61

HSL 104.84, 0.43%, 0.42%

LAB 56.76, -39.13, 40.48

 

CMYK 32 / 0 / 42 / 47

HEX #5C874E

RGB 92 135 78

HSL 105.26, 0.27%, 0.42%

LAB 52.01, -26.27, 26.02

 

CMYK 14 / 0 / 19 / 54

HEX #65765F

RGB 101 118 95

HSL 104.35, 0.11%, 0.42%

LAB 47.69, -11.02, 10.6

 

CMYK 3 / 12 / 0 / 56

HEX #6E6471

RGB 110 100 113

HSL 286.15, 0.06%, 0.42%

LAB 43.69, 6.59, -5.87

 

CMYK 16 / 0 / 75 / 33

HEX #8EAA2B

RGB 142 170 43

HSL 73.23, 0.6%, 0.42%

LAB 65.49, -26.84, 58.13

 

CMYK 36 / 0 / 75 / 33

HEX #6DAA2B

RGB 109 170 43

HSL 88.82, 0.6%, 0.42%

LAB 63.49, -39.78, 55.49

 

CMYK 56 / 0 / 75 / 33

HEX #4BAA2B

RGB 75 170 43

HSL 104.88, 0.6%, 0.42%

LAB 62.01, -50.68, 53.54

 

CMYK 75 / 0 / 73 / 33

HEX #2BAA2E

RGB 43 170 46

HSL 121.42, 0.6%, 0.42%

LAB 61.19, -57.4, 51.33

 

CMYK 75 / 0 / 54 / 33

HEX #2BAA4F

RGB 43 170 79

HSL 137.01, 0.6%, 0.42%

LAB 61.51, -53.57, 37.03

 

CMYK 56 / 0 / 75 / 59

HEX #2E681A

RGB 46 104 26

HSL 104.62, 0.6%, 0.25%

LAB 38.82, -34.35, 36.31

 

CMYK 56 / 0 / 74 / 46

HEX #3C8923

RGB 60 137 35

HSL 105.29, 0.59%, 0.34%

LAB 50.66, -42.82, 44.93

 

CMYK 56 / 0 / 75 / 33

HEX #4BAA2B

RGB 75 170 43

HSL 104.88, 0.6%, 0.42%

LAB 62.01, -50.68, 53.54

 

CMYK 55 / 0 / 74 / 21

HEX #5ACA34

RGB 90 202 52

HSL 104.8, 0.59%, 0.5%

LAB 72.67, -57.8, 61.16

 

CMYK 45 / 0 / 60 / 17

HEX #74D355

RGB 116 211 85

HSL 105.24, 0.59%, 0.58%

LAB 76.65, -51.04, 52.61

 

CMYK 56 / 0 / 74 / 33

HEX #4CAC2C

RGB 76 172 44

HSL 105, 0.59%, 0.42%

LAB 62.7, -51.08, 53.88

 

CMYK 75 / 0 / 4 / 33

HEX #2BAAA3

RGB 43 170 163

HSL 176.69, 0.6%, 0.42%

LAB 63.27, -34.75, -6.16

 

CMYK 0 / 75 / 26 / 33

HEX #AA2B7E

RGB 170 43 126

HSL 320.79, 0.6%, 0.42%

LAB 40.86, 58.16, -17.32

 

CMYK 56 / 0 / 74 / 33

HEX #4CAC2C

RGB 76 172 44

HSL 105, 0.59%, 0.42%

LAB 62.7, -51.08, 53.88

 

CMYK 75 / 56 / 0 / 33

HEX #2B4BAA

RGB 43 75 170

HSL 224.88, 0.6%, 0.42%

LAB 34.9, 22.54, -54.39

 

CMYK 0 / 75 / 56 / 33

HEX #AA2B4B

RGB 170 43 75

HSL 344.88, 0.6%, 0.42%

LAB 39.21, 52.89, 12.3

 

CMYK 56 / 0 / 74 / 33

HEX #4CAC2C

RGB 76 172 44

HSL 105, 0.59%, 0.42%

LAB 62.7, -51.08, 53.88

 

CMYK 75 / 0 / 4 / 33

HEX #2BAAA3

RGB 43 170 163

HSL 176.69, 0.6%, 0.42%

LAB 63.27, -34.75, -6.16

 

CMYK 19 / 75 / 0 / 33

HEX #8A2BAA

RGB 138 43 170

HSL 284.88, 0.6%, 0.42%

LAB 37.9, 57.95, -49.08

 

CMYK 0 / 75 / 71 / 33

HEX #AA2B32

RGB 170 43 50

HSL 356.69, 0.6%, 0.42%

LAB 38.73, 51.31, 27.36

 

CMYK 56 / 0 / 74 / 33

HEX #4CAC2C

RGB 76 172 44

HSL 105, 0.59%, 0.42%

LAB 62.7, -51.08, 53.88

 

CMYK 75 / 19 / 0 / 33

HEX #2B8AAA

RGB 43 138 170

HSL 195.12, 0.6%, 0.42%

LAB 53.59, -16.39, -24.77

 

CMYK 19 / 75 / 0 / 33

HEX #8A2BAA

RGB 138 43 170

HSL 284.88, 0.6%, 0.42%

LAB 37.9, 57.95, -49.08

 

CMYK 0 / 56 / 75 / 33

HEX #AA4B2B

RGB 170 75 43

HSL 15.12, 0.6%, 0.42%

LAB 43.88, 36.96, 37.25

 

Description

Color code: RGB 76 172 44 | qconv.com Color code: RGB 76 172 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 172 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 172 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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