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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 172 242 it is the complementary color RGB 179 83 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 172 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 172 242 shade: RGB 81 172 237, RGB 98 190 255, RGB 115 208 255, RGB 132 226 255 and RGB 149 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 172 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 172 242 shade: RGB 76 172 242, RGB 59 154 223, RGB 42 136 204, RGB 25 118 185 and RGB 8 100 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 172 242 shade: RGB 74 171 241, RGB 74 126 241, RGB 74 81 241, RGB 113 74 241 and RGB 158 74 241

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 172 242 shade: RGB 74 171 241, RGB 74 126 241, RGB 74 81 241 and RGB 74 74 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 172 242 shade matches the following richer shades: RGB 74 171 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 172 242 shade: RGB 74 171 241, RGB 90 168 225, RGB 106 166 210, RGB 121 163 194 and RGB 137 161 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 172 242 shade: RGB 74 241 221, RGB 74 216 241, RGB 74 171 241, RGB 74 127 241 and RGB 74 83 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 172 242 shade: RGB 16 132 217, RGB 36 153 238, RGB 74 171 241, RGB 113 189 244 and RGB 151 206 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 172 242 shade: RGB 76 172 242, RGB 177 74 241 and RGB 238 241 74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 172 242 shade: RGB 76 172 242, RGB 241 74 171 and RGB 171 241 74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 172 242 shade: RGB 76 172 242, RGB 177 74 241, RGB 241 144 74 and RGB 138 241 74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 172 242 shade: RGB 76 172 242, RGB 227 74 241, RGB 241 144 74 and RGB 88 241 74

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 29 / 0 / 5

HEX #4CACF2

RGB 76 172 242

HSL 205.3, 0.86%, 0.62%

LAB 67.62, -6.31, -43.15

 

Complementary color

CMYK 0 / 54 / 93 / 30

HEX #B3530D

RGB 179 83 13

HSL 25.3, 0.86%, 0.38%

LAB 46.71, 35.56, 52.97

 

CMYK 66 / 27 / 0 / 7

HEX #51ACED

RGB 81 172 237

HSL 205, 0.81%, 0.62%

LAB 67.55, -7.19, -40.51

 

CMYK 62 / 25 / 0 / 0

HEX #62BEFF

RGB 98 190 255

HSL 204.84, 1%, 0.69%

LAB 73.96, -8.44, -40.22

 

CMYK 55 / 18 / 0 / 0

HEX #73D0FF

RGB 115 208 255

HSL 200.14, 1%, 0.73%

LAB 79.6, -14.8, -31.44

 

CMYK 48 / 11 / 0 / 0

HEX #84E2FF

RGB 132 226 255

HSL 194.15, 1%, 0.76%

LAB 85.26, -20.41, -22.73

 

CMYK 42 / 4 / 0 / 0

HEX #95F4FF

RGB 149 244 255

HSL 186.23, 1%, 0.79%

LAB 90.92, -25.39, -14.13

 

CMYK 69 / 29 / 0 / 5

HEX #4CACF2

RGB 76 172 242

HSL 205.3, 0.86%, 0.62%

LAB 67.62, -6.31, -43.15

 

CMYK 74 / 31 / 0 / 13

HEX #3B9ADF

RGB 59 154 223

HSL 205.24, 0.72%, 0.55%

LAB 61.11, -4.98, -42.96

 

CMYK 79 / 33 / 0 / 20

HEX #2A88CC

RGB 42 136 204

HSL 205.19, 0.66%, 0.48%

LAB 54.51, -3.31, -42.74

 

CMYK 86 / 36 / 0 / 27

HEX #1976B9

RGB 25 118 185

HSL 205.13, 0.76%, 0.41%

LAB 47.84, -1.19, -42.46

 

CMYK 95 / 40 / 0 / 35

HEX #0864A6

RGB 8 100 166

HSL 205.06, 0.91%, 0.34%

LAB 41.09, 1.52, -42.1

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF1

RGB 74 171 241

HSL 205.15, 0.86%, 0.62%

LAB 67.23, -6.38, -43.22

 

CMYK 69 / 48 / 0 / 5

HEX #4A7EF1

RGB 74 126 241

HSL 221.32, 0.86%, 0.62%

LAB 54.79, 20.11, -62.98

 

CMYK 69 / 66 / 0 / 5

HEX #4A51F1

RGB 74 81 241

HSL 237.49, 0.86%, 0.62%

LAB 43.79, 47.62, -80.87

 

CMYK 53 / 69 / 0 / 5

HEX #714AF1

RGB 113 74 241

HSL 254.01, 0.86%, 0.62%

LAB 45.3, 56.7, -78.28

 

CMYK 34 / 69 / 0 / 5

HEX #9E4AF1

RGB 158 74 241

HSL 270.18, 0.86%, 0.62%

LAB 50.12, 64.38, -70.22

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF1

RGB 74 171 241

HSL 205.15, 0.86%, 0.62%

LAB 67.23, -6.38, -43.22

 

CMYK 69 / 48 / 0 / 5

HEX #4A7EF1

RGB 74 126 241

HSL 221.32, 0.86%, 0.62%

LAB 54.79, 20.11, -62.98

 

CMYK 69 / 66 / 0 / 5

HEX #4A51F1

RGB 74 81 241

HSL 237.49, 0.86%, 0.62%

LAB 43.79, 47.62, -80.87

 

CMYK 69 / 69 / 0 / 5

HEX #4A4AF1

RGB 74 74 241

HSL 240, 0.86%, 0.62%

LAB 42.31, 51.63, -83.29

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF1

RGB 74 171 241

HSL 205.15, 0.86%, 0.62%

LAB 67.23, -6.38, -43.22

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF1

RGB 74 171 241

HSL 205.15, 0.86%, 0.62%

LAB 67.23, -6.38, -43.22

 

CMYK 60 / 25 / 0 / 12

HEX #5AA8E1

RGB 90 168 225

HSL 205.33, 0.69%, 0.62%

LAB 66.22, -7.27, -35.98

 

CMYK 50 / 21 / 0 / 18

HEX #6AA6D2

RGB 106 166 210

HSL 205.38, 0.54%, 0.62%

LAB 65.74, -7.37, -28.4

 

CMYK 38 / 16 / 0 / 24

HEX #79A3C2

RGB 121 163 194

HSL 205.48, 0.37%, 0.62%

LAB 65.08, -6.37, -20.45

 

CMYK 23 / 10 / 0 / 30

HEX #89A1B2

RGB 137 161 178

HSL 204.88, 0.21%, 0.62%

LAB 64.98, -4.52, -11.58

 

CMYK 69 / 0 / 8 / 5

HEX #4AF1DD

RGB 74 241 221

HSL 172.81, 0.86%, 0.62%

LAB 86.79, -46.76, -2.74

 

CMYK 69 / 10 / 0 / 5

HEX #4AD8F1

RGB 74 216 241

HSL 188.98, 0.86%, 0.62%

LAB 80.13, -29.77, -23.28

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF1

RGB 74 171 241

HSL 205.15, 0.86%, 0.62%

LAB 67.23, -6.38, -43.22

 

CMYK 69 / 47 / 0 / 5

HEX #4A7FF1

RGB 74 127 241

HSL 220.96, 0.86%, 0.62%

LAB 55.06, 19.5, -62.55

 

CMYK 69 / 66 / 0 / 5

HEX #4A53F1

RGB 74 83 241

HSL 236.77, 0.86%, 0.62%

LAB 44.22, 46.45, -80.16

 

CMYK 93 / 39 / 0 / 15

HEX #1084D9

RGB 16 132 217

HSL 205.37, 0.86%, 0.46%

LAB 53.62, 2.12, -51.51

 

CMYK 85 / 36 / 0 / 7

HEX #2499EE

RGB 36 153 238

HSL 205.25, 0.86%, 0.54%

LAB 61.07, -1.3, -51.34

 

CMYK 69 / 29 / 0 / 5

HEX #4AABF1

RGB 74 171 241

HSL 205.15, 0.86%, 0.62%

LAB 67.23, -6.38, -43.22

 

CMYK 54 / 23 / 0 / 4

HEX #71BDF4

RGB 113 189 244

HSL 205.19, 0.86%, 0.7%

LAB 73.83, -8.37, -34.46

 

CMYK 39 / 17 / 0 / 3

HEX #97CEF7

RGB 151 206 247

HSL 205.63, 0.86%, 0.78%

LAB 80.42, -7.68, -25.77

 

CMYK 69 / 29 / 0 / 5

HEX #4CACF2

RGB 76 172 242

HSL 205.3, 0.86%, 0.62%

LAB 67.62, -6.31, -43.15

 

CMYK 27 / 69 / 0 / 5

HEX #B14AF1

RGB 177 74 241

HSL 277.01, 0.86%, 0.62%

LAB 52.5, 68.01, -66.24

 

CMYK 1 / 0 / 69 / 5

HEX #EEF14A

RGB 238 241 74

HSL 61.08, 0.86%, 0.62%

LAB 92.39, -20.11, 75.82

 

CMYK 69 / 29 / 0 / 5

HEX #4CACF2

RGB 76 172 242

HSL 205.3, 0.86%, 0.62%

LAB 67.62, -6.31, -43.15

 

CMYK 0 / 69 / 29 / 5

HEX #F14AAB

RGB 241 74 171

HSL 325.15, 0.86%, 0.62%

LAB 58.54, 71.46, -16.16

 

CMYK 29 / 0 / 69 / 5

HEX #ABF14A

RGB 171 241 74

HSL 85.15, 0.86%, 0.62%

LAB 88, -46.03, 69.99

 

CMYK 69 / 29 / 0 / 5

HEX #4CACF2

RGB 76 172 242

HSL 205.3, 0.86%, 0.62%

LAB 67.62, -6.31, -43.15

 

CMYK 27 / 69 / 0 / 5

HEX #B14AF1

RGB 177 74 241

HSL 277.01, 0.86%, 0.62%

LAB 52.5, 68.01, -66.24

 

CMYK 0 / 40 / 69 / 5

HEX #F1904A

RGB 241 144 74

HSL 25.15, 0.86%, 0.62%

LAB 68.85, 30.99, 51.68

 

CMYK 43 / 0 / 69 / 5

HEX #8AF14A

RGB 138 241 74

HSL 97.01, 0.86%, 0.62%

LAB 86.41, -57.07, 67.86

 

CMYK 69 / 29 / 0 / 5

HEX #4CACF2

RGB 76 172 242

HSL 205.3, 0.86%, 0.62%

LAB 67.62, -6.31, -43.15

 

CMYK 6 / 69 / 0 / 5

HEX #E34AF1

RGB 227 74 241

HSL 294.97, 0.86%, 0.62%

LAB 59.51, 78.18, -54.62

 

CMYK 0 / 40 / 69 / 5

HEX #F1904A

RGB 241 144 74

HSL 25.15, 0.86%, 0.62%

LAB 68.85, 30.99, 51.68

 

CMYK 63 / 0 / 69 / 5

HEX #58F14A

RGB 88 241 74

HSL 114.97, 0.86%, 0.62%

LAB 84.73, -70.04, 65.6

 

Description

Color code: RGB 76 172 242 | qconv.com Color code: RGB 76 172 242 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 172 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 172 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 29 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 29% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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