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Color name
RGB 76 171 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 171 48 it is the complementary color RGB 179 84 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 171 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 171 48 shade: RGB 81 171 43, RGB 98 189 62, RGB 115 207 81, RGB 132 225 100 and RGB 149 243 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 171 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 59 153 29, RGB 42 135 10, RGB 25 117 0 and RGB 8 99 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 109 171 48, RGB 142 171 48, RGB 171 166 48 and RGB 171 133 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 48 171 53, RGB 48 171 86, RGB 48 171 119 and RGB 48 171 152

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 171 48 shade matches the following richer shades: RGB 76 171 48, RGB 66 188 30 and RGB 56 206 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 85 153 65, RGB 95 135 83, RGB 105 117 101 and RGB 114 100 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 171 48 shade: RGB 142 171 48, RGB 109 171 48, RGB 76 171 48, RGB 48 171 52 and RGB 48 171 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 171 48 shade: RGB 47 106 30, RGB 61 138 39, RGB 76 171 48, RGB 92 200 60 and RGB 119 209 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 48 171 166 and RGB 171 48 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 48 76 171 and RGB 171 48 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 48 171 166, RGB 142 48 171 and RGB 171 48 52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 171 48 shade: RGB 76 171 48, RGB 48 138 171, RGB 142 48 171 and RGB 171 80 48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

Complementary color

CMYK 14 / 59 / 0 / 19

HEX #B354CF

RGB 179 84 207

HSL 286.34, 0.56%, 0.57%

LAB 52.32, 57.02, -47.29

 

CMYK 53 / 0 / 75 / 33

HEX #51AB2B

RGB 81 171 43

HSL 102.19, 0.6%, 0.42%

LAB 62.55, -49.37, 54.15

 

CMYK 48 / 0 / 67 / 26

HEX #62BD3E

RGB 98 189 62

HSL 102.99, 0.51%, 0.49%

LAB 69, -49.88, 53.74

 

CMYK 44 / 0 / 61 / 19

HEX #73CF51

RGB 115 207 81

HSL 103.81, 0.57%, 0.56%

LAB 75.37, -50.14, 52.9

 

CMYK 41 / 0 / 56 / 12

HEX #84E164

RGB 132 225 100

HSL 104.64, 0.68%, 0.64%

LAB 81.66, -50.23, 51.86

 

CMYK 39 / 0 / 51 / 5

HEX #95F377

RGB 149 243 119

HSL 105.48, 0.84%, 0.71%

LAB 87.88, -50.22, 50.73

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 61 / 0 / 81 / 40

HEX #3B991D

RGB 59 153 29

HSL 105.48, 0.68%, 0.36%

LAB 55.89, -49.52, 52.09

 

CMYK 69 / 0 / 93 / 47

HEX #2A870A

RGB 42 135 10

HSL 104.64, 0.86%, 0.28%

LAB 49.3, -48.04, 50.74

 

CMYK 79 / 0 / 100 / 54

HEX #197500

RGB 25 117 0

HSL 107.18, 1%, 0.23%

LAB 42.66, -45.65, 47.17

 

CMYK 92 / 0 / 100 / 61

HEX #086300

RGB 8 99 0

HSL 115.15, 1%, 0.19%

LAB 35.94, -42.16, 41.69

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 36 / 0 / 72 / 33

HEX #6DAB30

RGB 109 171 48

HSL 90.24, 0.56%, 0.43%

LAB 63.83, -39.89, 54.01

 

CMYK 17 / 0 / 72 / 33

HEX #8EAB30

RGB 142 171 48

HSL 74.15, 0.56%, 0.43%

LAB 65.82, -27.05, 56.66

 

CMYK 0 / 3 / 72 / 33

HEX #ABA630

RGB 171 166 48

HSL 57.56, 0.56%, 0.43%

LAB 66.63, -12.12, 58.21

 

CMYK 0 / 22 / 72 / 33

HEX #AB8530

RGB 171 133 48

HSL 41.46, 0.56%, 0.43%

LAB 57.7, 5.72, 49.34

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 0 / 69 / 33

HEX #30AB35

RGB 48 171 53

HSL 122.44, 0.56%, 0.43%

LAB 61.66, -56.26, 49.12

 

CMYK 72 / 0 / 50 / 33

HEX #30AB56

RGB 48 171 86

HSL 138.54, 0.56%, 0.43%

LAB 62.02, -52.05, 34.16

 

CMYK 72 / 0 / 30 / 33

HEX #30AB77

RGB 48 171 119

HSL 154.63, 0.56%, 0.43%

LAB 62.58, -45.78, 17.34

 

CMYK 72 / 0 / 11 / 33

HEX #30AB98

RGB 48 171 152

HSL 170.73, 0.56%, 0.43%

LAB 63.36, -37.66, 0.14

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 65 / 0 / 84 / 26

HEX #42BC1E

RGB 66 188 30

HSL 106.33, 0.72%, 0.43%

LAB 67.44, -59.98, 62.49

 

CMYK 73 / 0 / 94 / 19

HEX #38CE0C

RGB 56 206 12

HSL 106.39, 0.89%, 0.43%

LAB 72.9, -68.17, 70.27

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 44 / 0 / 58 / 40

HEX #559941

RGB 85 153 65

HSL 106.36, 0.4%, 0.43%

LAB 57.17, -38.78, 39.04

 

CMYK 30 / 0 / 39 / 47

HEX #5F8753

RGB 95 135 83

HSL 106.15, 0.24%, 0.43%

LAB 52.27, -24.4, 23.63

 

CMYK 10 / 0 / 14 / 54

HEX #697565

RGB 105 117 101

HSL 105, 0.07%, 0.43%

LAB 47.84, -7.77, 7.32

 

CMYK 4 / 16 / 0 / 53

HEX #726477

RGB 114 100 119

HSL 284.21, 0.09%, 0.43%

LAB 44.27, 9.38, -8.59

 

CMYK 17 / 0 / 72 / 33

HEX #8EAB30

RGB 142 171 48

HSL 74.15, 0.56%, 0.43%

LAB 65.82, -27.05, 56.66

 

CMYK 36 / 0 / 72 / 33

HEX #6DAB30

RGB 109 171 48

HSL 90.24, 0.56%, 0.43%

LAB 63.83, -39.89, 54.01

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 0 / 70 / 33

HEX #30AB34

RGB 48 171 52

HSL 121.95, 0.56%, 0.43%

LAB 61.66, -56.36, 49.52

 

CMYK 72 / 0 / 50 / 33

HEX #30AB55

RGB 48 171 85

HSL 138.05, 0.56%, 0.43%

LAB 62.01, -52.21, 34.65

 

CMYK 56 / 0 / 72 / 58

HEX #2F6A1E

RGB 47 106 30

HSL 106.58, 0.56%, 0.27%

LAB 39.59, -34.51, 35.39

 

CMYK 56 / 0 / 72 / 46

HEX #3D8A27

RGB 61 138 39

HSL 106.67, 0.56%, 0.35%

LAB 51.05, -42.6, 43.76

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 54 / 0 / 70 / 22

HEX #5CC83C

RGB 92 200 60

HSL 106.29, 0.56%, 0.51%

LAB 72.17, -55.95, 57.79

 

CMYK 43 / 0 / 56 / 18

HEX #77D15C

RGB 119 209 92

HSL 106.15, 0.56%, 0.59%

LAB 76.25, -48.57, 49.03

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 0 / 3 / 33

HEX #30ABA6

RGB 48 171 166

HSL 177.56, 0.56%, 0.43%

LAB 63.76, -33.74, -7.09

 

CMYK 0 / 72 / 26 / 33

HEX #AB307E

RGB 171 48 126

HSL 321.95, 0.56%, 0.43%

LAB 41.65, 56.69, -16.09

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 56 / 0 / 33

HEX #304CAB

RGB 48 76 171

HSL 226.34, 0.56%, 0.43%

LAB 35.47, 22.92, -54.04

 

CMYK 0 / 72 / 56 / 33

HEX #AB304C

RGB 171 48 76

HSL 346.34, 0.56%, 0.43%

LAB 40.07, 51.47, 12.88

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 0 / 3 / 33

HEX #30ABA6

RGB 48 171 166

HSL 177.56, 0.56%, 0.43%

LAB 63.76, -33.74, -7.09

 

CMYK 17 / 72 / 0 / 33

HEX #8E30AB

RGB 142 48 171

HSL 285.85, 0.56%, 0.43%

LAB 39.25, 57.07, -47.48

 

CMYK 0 / 72 / 70 / 33

HEX #AB3034

RGB 171 48 52

HSL 358.05, 0.56%, 0.43%

LAB 39.61, 49.9, 27.24

 

CMYK 56 / 0 / 72 / 33

HEX #4CAB30

RGB 76 171 48

HSL 106.34, 0.56%, 0.43%

LAB 62.4, -50.4, 52.1

 

CMYK 72 / 19 / 0 / 33

HEX #308AAB

RGB 48 138 171

HSL 196.1, 0.56%, 0.43%

LAB 53.76, -15.37, -25.08

 

CMYK 17 / 72 / 0 / 33

HEX #8E30AB

RGB 142 48 171

HSL 285.85, 0.56%, 0.43%

LAB 39.25, 57.07, -47.48

 

CMYK 0 / 53 / 72 / 33

HEX #AB5030

RGB 171 80 48

HSL 15.61, 0.56%, 0.43%

LAB 45.09, 35.03, 35.92

 

Description

Color code: RGB 76 171 48 | qconv.com Color code: RGB 76 171 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 171 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 171 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 72% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - WordPress › Match « ...
Link: https://wordpress.org

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