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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 161 28 it is the complementary color RGB 179 94 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 161 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 161 28 shade: RGB 81 161 23, RGB 98 179 42, RGB 115 197 61, RGB 132 215 80 and RGB 149 233 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 161 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 161 28 shade: RGB 76 161 28, RGB 59 143 9, RGB 42 125 0, RGB 25 107 0 and RGB 8 89 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 161 28 shade: RGB 75 160 28, RGB 111 160 28, RGB 147 160 28, RGB 160 137 28 and RGB 160 102 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 161 28 shade: RGB 75 160 28, RGB 40 160 28, RGB 28 160 51, RGB 28 160 87 and RGB 28 160 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 161 28 shade matches the following richer shades: RGB 75 160 28 and RGB 71 175 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 161 28 shade: RGB 75 160 28, RGB 80 145 43, RGB 84 129 58, RGB 88 114 74 and RGB 92 99 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 161 28 shade: RGB 147 160 28, RGB 111 160 28, RGB 76 160 28, RGB 41 160 28 and RGB 28 160 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 161 28 shade: RGB 42 90 15, RGB 59 125 22, RGB 75 160 28, RGB 92 195 34 and RGB 112 219 52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 161 28 shade: RGB 76 161 28, RGB 28 160 138 and RGB 160 28 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 161 28 shade: RGB 76 161 28, RGB 28 76 160 and RGB 160 28 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 161 28 shade: RGB 76 161 28, RGB 28 160 138, RGB 111 28 160 and RGB 160 28 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 161 28 shade: RGB 76 161 28, RGB 28 142 160, RGB 111 28 160 and RGB 160 45 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 83 / 37

HEX #4CA11C

RGB 76 161 28

HSL 98.35, 0.7%, 0.37%

LAB 59.08, -47.9, 55.55

 

Complementary color

CMYK 21 / 59 / 0 / 11

HEX #B35EE3

RGB 179 94 227

HSL 278.35, 0.7%, 0.63%

LAB 55.21, 56.35, -54.02

 

CMYK 50 / 0 / 86 / 37

HEX #51A117

RGB 81 161 23

HSL 94.78, 0.75%, 0.36%

LAB 59.25, -46.61, 57.08

 

CMYK 45 / 0 / 77 / 30

HEX #62B32A

RGB 98 179 42

HSL 95.47, 0.62%, 0.43%

LAB 65.75, -47.37, 57.85

 

CMYK 42 / 0 / 69 / 23

HEX #73C53D

RGB 115 197 61

HSL 96.18, 0.54%, 0.51%

LAB 72.17, -47.84, 57.7

 

CMYK 39 / 0 / 63 / 16

HEX #84D750

RGB 132 215 80

HSL 96.89, 0.63%, 0.58%

LAB 78.51, -48.1, 57.04

 

CMYK 36 / 0 / 58 / 9

HEX #95E963

RGB 149 233 99

HSL 97.61, 0.75%, 0.65%

LAB 84.78, -48.22, 56.12

 

CMYK 53 / 0 / 83 / 37

HEX #4CA11C

RGB 76 161 28

HSL 98.35, 0.7%, 0.37%

LAB 59.08, -47.9, 55.55

 

CMYK 59 / 0 / 94 / 44

HEX #3B8F09

RGB 59 143 9

HSL 97.61, 0.88%, 0.3%

LAB 52.5, -46.72, 53.81

 

CMYK 66 / 0 / 100 / 51

HEX #2A7D00

RGB 42 125 0

HSL 99.84, 1%, 0.25%

LAB 45.85, -44.88, 49.88

 

CMYK 77 / 0 / 100 / 58

HEX #196B00

RGB 25 107 0

HSL 105.98, 1%, 0.21%

LAB 39.11, -42.3, 44.34

 

CMYK 91 / 0 / 100 / 65

HEX #085900

RGB 8 89 0

HSL 114.61, 1%, 0.17%

LAB 32.25, -38.94, 38.74

 

CMYK 53 / 0 / 83 / 37

HEX #4BA01C

RGB 75 160 28

HSL 98.64, 0.7%, 0.37%

LAB 58.72, -47.81, 55.2

 

CMYK 31 / 0 / 83 / 37

HEX #6FA01C

RGB 111 160 28

HSL 82.27, 0.7%, 0.37%

LAB 60.43, -35.38, 57.4

 

CMYK 8 / 0 / 83 / 37

HEX #93A01C

RGB 147 160 28

HSL 65.91, 0.7%, 0.37%

LAB 62.87, -20.39, 60.48

 

CMYK 0 / 14 / 83 / 37

HEX #A0891C

RGB 160 137 28

HSL 49.55, 0.7%, 0.37%

LAB 57.51, -2.36, 56.27

 

CMYK 0 / 36 / 83 / 37

HEX #A0661C

RGB 160 102 28

HSL 33.64, 0.7%, 0.37%

LAB 48.34, 17.38, 48.15

 

CMYK 53 / 0 / 83 / 37

HEX #4BA01C

RGB 75 160 28

HSL 98.64, 0.7%, 0.37%

LAB 58.72, -47.81, 55.2

 

CMYK 75 / 0 / 83 / 37

HEX #28A01C

RGB 40 160 28

HSL 114.55, 0.7%, 0.37%

LAB 57.73, -55.92, 53.93

 

CMYK 83 / 0 / 68 / 37

HEX #1CA033

RGB 28 160 51

HSL 130.45, 0.7%, 0.37%

LAB 57.68, -55.77, 45.57

 

CMYK 83 / 0 / 46 / 37

HEX #1CA057

RGB 28 160 87

HSL 146.82, 0.7%, 0.37%

LAB 58.11, -50.63, 28.61

 

CMYK 83 / 0 / 23 / 37

HEX #1CA07B

RGB 28 160 123

HSL 163.18, 0.7%, 0.37%

LAB 58.81, -42.81, 9.8

 

CMYK 53 / 0 / 83 / 37

HEX #4BA01C

RGB 75 160 28

HSL 98.64, 0.7%, 0.37%

LAB 58.72, -47.81, 55.2

 

CMYK 59 / 0 / 93 / 31

HEX #47AF0D

RGB 71 175 13

HSL 98.52, 0.86%, 0.37%

LAB 63.37, -54.96, 62.4

 

CMYK 53 / 0 / 83 / 37

HEX #4BA01C

RGB 75 160 28

HSL 98.64, 0.7%, 0.37%

LAB 58.72, -47.81, 55.2

 

CMYK 45 / 0 / 70 / 43

HEX #50912B

RGB 80 145 43

HSL 98.24, 0.54%, 0.37%

LAB 54.17, -39.2, 45.61

 

CMYK 35 / 0 / 55 / 49

HEX #54813A

RGB 84 129 58

HSL 98.03, 0.38%, 0.37%

LAB 49.36, -29.04, 33.31

 

CMYK 23 / 0 / 35 / 55

HEX #58724A

RGB 88 114 74

HSL 99, 0.21%, 0.37%

LAB 45.09, -17.61, 19.17

 

CMYK 7 / 0 / 10 / 61

HEX #5C6359

RGB 92 99 89

HSL 102, 0.05%, 0.37%

LAB 41.09, -4.81, 4.75

 

CMYK 8 / 0 / 83 / 37

HEX #93A01C

RGB 147 160 28

HSL 65.91, 0.7%, 0.37%

LAB 62.87, -20.39, 60.48

 

CMYK 31 / 0 / 83 / 37

HEX #6FA01C

RGB 111 160 28

HSL 82.27, 0.7%, 0.37%

LAB 60.43, -35.38, 57.4

 

CMYK 53 / 0 / 83 / 37

HEX #4CA01C

RGB 76 160 28

HSL 98.18, 0.7%, 0.37%

LAB 58.75, -47.52, 55.25

 

CMYK 74 / 0 / 83 / 37

HEX #29A01C

RGB 41 160 28

HSL 114.09, 0.7%, 0.37%

LAB 57.75, -55.75, 53.96

 

CMYK 83 / 0 / 69 / 37

HEX #1CA032

RGB 28 160 50

HSL 130, 0.7%, 0.37%

LAB 57.67, -55.88, 45.98

 

CMYK 53 / 0 / 83 / 65

HEX #2A5A0F

RGB 42 90 15

HSL 98.4, 0.71%, 0.21%

LAB 33.65, -30.5, 35.44

 

CMYK 53 / 0 / 82 / 51

HEX #3B7D16

RGB 59 125 22

HSL 98.45, 0.7%, 0.29%

LAB 46.52, -39.22, 45.49

 

CMYK 53 / 0 / 83 / 37

HEX #4BA01C

RGB 75 160 28

HSL 98.64, 0.7%, 0.37%

LAB 58.72, -47.81, 55.2

 

CMYK 53 / 0 / 83 / 24

HEX #5CC322

RGB 92 195 34

HSL 98.39, 0.7%, 0.45%

LAB 70.47, -55.73, 64.52

 

CMYK 49 / 0 / 76 / 14

HEX #70DB34

RGB 112 219 52

HSL 98.44, 0.7%, 0.53%

LAB 78.67, -57.94, 67.28

 

CMYK 53 / 0 / 83 / 37

HEX #4CA11C

RGB 76 161 28

HSL 98.35, 0.7%, 0.37%

LAB 59.08, -47.9, 55.55

 

CMYK 83 / 0 / 14 / 37

HEX #1CA08A

RGB 28 160 138

HSL 170, 0.7%, 0.37%

LAB 59.18, -38.86, 1.88

 

CMYK 0 / 83 / 19 / 37

HEX #A01C81

RGB 160 28 129

HSL 314.09, 0.7%, 0.37%

LAB 37.64, 60.49, -24.31

 

CMYK 53 / 0 / 83 / 37

HEX #4CA11C

RGB 76 161 28

HSL 98.35, 0.7%, 0.37%

LAB 59.08, -47.9, 55.55

 

CMYK 83 / 53 / 0 / 37

HEX #1C4CA0

RGB 28 76 160

HSL 218.18, 0.7%, 0.37%

LAB 33.89, 16.27, -50.07

 

CMYK 0 / 83 / 53 / 37

HEX #A01C4C

RGB 160 28 76

HSL 338.18, 0.7%, 0.37%

LAB 35.65, 54.7, 6.39

 

CMYK 53 / 0 / 83 / 37

HEX #4CA11C

RGB 76 161 28

HSL 98.35, 0.7%, 0.37%

LAB 59.08, -47.9, 55.55

 

CMYK 83 / 0 / 14 / 37

HEX #1CA08A

RGB 28 160 138

HSL 170, 0.7%, 0.37%

LAB 59.18, -38.86, 1.88

 

CMYK 31 / 83 / 0 / 37

HEX #6F1CA0

RGB 111 28 160

HSL 277.73, 0.7%, 0.37%

LAB 31.23, 56.12, -54.07

 

CMYK 0 / 83 / 69 / 37

HEX #A01C32

RGB 160 28 50

HSL 350, 0.7%, 0.37%

LAB 35.07, 52.96, 22.42

 

CMYK 53 / 0 / 83 / 37

HEX #4CA11C

RGB 76 161 28

HSL 98.35, 0.7%, 0.37%

LAB 59.08, -47.9, 55.55

 

CMYK 83 / 11 / 0 / 37

HEX #1C8EA0

RGB 28 142 160

HSL 188.18, 0.7%, 0.37%

LAB 54.17, -23.53, -18.16

 

CMYK 31 / 83 / 0 / 37

HEX #6F1CA0

RGB 111 28 160

HSL 277.73, 0.7%, 0.37%

LAB 31.23, 56.12, -54.07

 

CMYK 0 / 72 / 83 / 37

HEX #A02D1C

RGB 160 45 28

HSL 7.73, 0.7%, 0.37%

LAB 36.81, 46.4, 37.45

 

Description

Color code: RGB 76 161 28 | qconv.com Color code: RGB 76 161 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 161 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 161 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 83 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 83% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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