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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 160 74 it is the complementary color RGB 179 95 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 160 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 160 74 shade: RGB 81 160 69, RGB 98 178 88, RGB 115 196 107, RGB 132 214 126 and RGB 149 232 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 160 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 160 74 shade: RGB 76 160 74, RGB 59 142 55, RGB 42 124 36, RGB 25 106 17 and RGB 8 88 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 160 74 shade: RGB 75 160 73, RGB 99 160 73, RGB 122 160 73, RGB 146 160 73 and RGB 160 151 73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 160 74 shade: RGB 75 160 73, RGB 73 160 95, RGB 73 160 118, RGB 73 160 142 and RGB 73 155 160

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 160 74 shade matches the following richer shades: RGB 75 160 73, RGB 57 179 54, RGB 39 198 35 and RGB 21 217 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 160 74 shade: RGB 75 160 73, RGB 94 141 92, RGB 112 122 111, RGB 130 103 130 and RGB 148 84 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 160 74 shade: RGB 123 160 73, RGB 99 160 73, RGB 76 160 73, RGB 73 160 94 and RGB 73 160 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 160 74 shade: RGB 49 104 47, RGB 62 132 60, RGB 75 160 73, RGB 96 181 94 and RGB 124 194 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 160 74 shade: RGB 76 160 74, RGB 73 146 160 and RGB 160 73 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 160 74 shade: RGB 76 160 74, RGB 73 76 160 and RGB 160 73 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 160 74 shade: RGB 76 160 74, RGB 73 146 160, RGB 157 73 160 and RGB 160 88 73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 160 74 shade: RGB 76 160 74, RGB 73 120 160, RGB 157 73 160 and RGB 160 114 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 54 / 37

HEX #4CA04A

RGB 76 160 74

HSL 118.6, 0.37%, 0.46%

LAB 59.13, -43.32, 36.85

 

Complementary color

CMYK 1 / 48 / 0 / 29

HEX #B35FB5

RGB 179 95 181

HSL 298.6, 0.37%, 0.54%

LAB 53.06, 46.57, -31.16

 

CMYK 49 / 0 / 57 / 37

HEX #51A045

RGB 81 160 69

HSL 112.09, 0.4%, 0.45%

LAB 59.27, -42.51, 39.52

 

CMYK 45 / 0 / 51 / 30

HEX #62B258

RGB 98 178 88

HSL 113.33, 0.37%, 0.52%

LAB 65.86, -42.54, 38.26

 

CMYK 41 / 0 / 45 / 23

HEX #73C46B

RGB 115 196 107

HSL 114.61, 0.43%, 0.59%

LAB 72.35, -42.44, 36.99

 

CMYK 38 / 0 / 41 / 16

HEX #84D67E

RGB 132 214 126

HSL 115.91, 0.52%, 0.67%

LAB 78.76, -42.27, 35.75

 

CMYK 36 / 0 / 38 / 9

HEX #95E891

RGB 149 232 145

HSL 117.24, 0.65%, 0.74%

LAB 85.07, -42.06, 34.55

 

CMYK 53 / 0 / 54 / 37

HEX #4CA04A

RGB 76 160 74

HSL 118.6, 0.37%, 0.46%

LAB 59.13, -43.32, 36.85

 

CMYK 58 / 0 / 61 / 44

HEX #3B8E37

RGB 59 142 55

HSL 117.24, 0.44%, 0.39%

LAB 52.46, -43.08, 38.14

 

CMYK 66 / 0 / 71 / 51

HEX #2A7C24

RGB 42 124 36

HSL 115.91, 0.55%, 0.31%

LAB 45.68, -42.44, 39.18

 

CMYK 76 / 0 / 84 / 58

HEX #196A11

RGB 25 106 17

HSL 114.61, 0.72%, 0.24%

LAB 38.82, -41.09, 39.48

 

CMYK 91 / 0 / 100 / 65

HEX #085800

RGB 8 88 0

HSL 114.55, 1%, 0.17%

LAB 31.88, -38.61, 38.44

 

CMYK 53 / 0 / 54 / 37

HEX #4BA049

RGB 75 160 73

HSL 118.62, 0.37%, 0.46%

LAB 59.08, -43.73, 37.28

 

CMYK 38 / 0 / 54 / 37

HEX #63A049

RGB 99 160 73

HSL 102.07, 0.37%, 0.46%

LAB 60.14, -36.24, 38.79

 

CMYK 24 / 0 / 54 / 37

HEX #7AA049

RGB 122 160 73

HSL 86.21, 0.37%, 0.46%

LAB 61.45, -27.76, 40.67

 

CMYK 9 / 0 / 54 / 37

HEX #92A049

RGB 146 160 73

HSL 69.66, 0.37%, 0.46%

LAB 63.12, -18.03, 43.05

 

CMYK 0 / 6 / 54 / 37

HEX #A09749

RGB 160 151 73

HSL 53.79, 0.37%, 0.46%

LAB 61.73, -7.31, 41.72

 

CMYK 53 / 0 / 54 / 37

HEX #4BA049

RGB 75 160 73

HSL 118.62, 0.37%, 0.46%

LAB 59.08, -43.73, 37.28

 

CMYK 54 / 0 / 41 / 37

HEX #49A05F

RGB 73 160 95

HSL 135.17, 0.37%, 0.46%

LAB 59.33, -40.87, 26.14

 

CMYK 54 / 0 / 26 / 37

HEX #49A076

RGB 73 160 118

HSL 151.03, 0.37%, 0.46%

LAB 59.77, -36.36, 14.1

 

CMYK 54 / 0 / 11 / 37

HEX #49A08E

RGB 73 160 142

HSL 167.59, 0.37%, 0.46%

LAB 60.35, -30.7, 1.45

 

CMYK 54 / 3 / 0 / 37

HEX #499BA0

RGB 73 155 160

HSL 183.45, 0.37%, 0.46%

LAB 59.34, -23.37, -10.23

 

CMYK 53 / 0 / 54 / 37

HEX #4BA049

RGB 75 160 73

HSL 118.62, 0.37%, 0.46%

LAB 59.08, -43.73, 37.28

 

CMYK 68 / 0 / 70 / 30

HEX #39B336

RGB 57 179 54

HSL 118.56, 0.54%, 0.46%

LAB 64.46, -57.2, 51.74

 

CMYK 80 / 0 / 82 / 22

HEX #27C623

RGB 39 198 35

HSL 118.53, 0.7%, 0.46%

LAB 70.13, -67.4, 63.48

 

CMYK 90 / 0 / 93 / 15

HEX #15D910

RGB 21 217 16

HSL 118.51, 0.86%, 0.46%

LAB 75.96, -75.1, 72.15

 

CMYK 53 / 0 / 54 / 37

HEX #4BA049

RGB 75 160 73

HSL 118.62, 0.37%, 0.46%

LAB 59.08, -43.73, 37.28

 

CMYK 33 / 0 / 35 / 45

HEX #5E8D5C

RGB 94 141 92

HSL 117.55, 0.21%, 0.46%

LAB 54.24, -26.27, 21.22

 

CMYK 8 / 0 / 9 / 52

HEX #707A6F

RGB 112 122 111

HSL 114.55, 0.05%, 0.46%

LAB 50.11, -5.98, 4.75

 

CMYK 0 / 21 / 0 / 49

HEX #826782

RGB 130 103 130

HSL 300, 0.12%, 0.46%

LAB 47.05, 15.82, -10.86

 

CMYK 1 / 44 / 0 / 42

HEX #945495

RGB 148 84 149

HSL 299.08, 0.28%, 0.46%

LAB 45.37, 36.83, -24.62

 

CMYK 23 / 0 / 54 / 37

HEX #7BA049

RGB 123 160 73

HSL 85.52, 0.37%, 0.46%

LAB 61.51, -27.37, 40.76

 

CMYK 38 / 0 / 54 / 37

HEX #63A049

RGB 99 160 73

HSL 102.07, 0.37%, 0.46%

LAB 60.14, -36.24, 38.79

 

CMYK 53 / 0 / 54 / 37

HEX #4CA049

RGB 76 160 73

HSL 117.93, 0.37%, 0.46%

LAB 59.12, -43.45, 37.33

 

CMYK 54 / 0 / 41 / 37

HEX #49A05E

RGB 73 160 94

HSL 134.48, 0.37%, 0.46%

LAB 59.31, -41.05, 26.65

 

CMYK 54 / 0 / 27 / 37

HEX #49A075

RGB 73 160 117

HSL 150.34, 0.37%, 0.46%

LAB 59.75, -36.57, 14.63

 

CMYK 53 / 0 / 55 / 59

HEX #31682F

RGB 49 104 47

HSL 117.89, 0.38%, 0.3%

LAB 39.17, -30.95, 26.43

 

CMYK 53 / 0 / 55 / 48

HEX #3E843C

RGB 62 132 60

HSL 118.33, 0.38%, 0.38%

LAB 49.32, -37.48, 31.97

 

CMYK 53 / 0 / 54 / 37

HEX #4BA049

RGB 75 160 73

HSL 118.62, 0.37%, 0.46%

LAB 59.08, -43.73, 37.28

 

CMYK 47 / 0 / 48 / 29

HEX #60B55E

RGB 96 181 94

HSL 118.62, 0.37%, 0.54%

LAB 66.78, -43.58, 36.37

 

CMYK 36 / 0 / 37 / 24

HEX #7CC27A

RGB 124 194 122

HSL 118.33, 0.37%, 0.62%

LAB 72.41, -36.48, 29.45

 

CMYK 53 / 0 / 54 / 37

HEX #4CA04A

RGB 76 160 74

HSL 118.6, 0.37%, 0.46%

LAB 59.13, -43.32, 36.85

 

CMYK 54 / 9 / 0 / 37

HEX #4992A0

RGB 73 146 160

HSL 189.66, 0.37%, 0.46%

LAB 56.6, -18.67, -14.36

 

CMYK 0 / 54 / 31 / 37

HEX #A0496F

RGB 160 73 111

HSL 333.79, 0.37%, 0.46%

LAB 43.34, 40.37, -4.49

 

CMYK 53 / 0 / 54 / 37

HEX #4CA04A

RGB 76 160 74

HSL 118.6, 0.37%, 0.46%

LAB 59.13, -43.32, 36.85

 

CMYK 54 / 53 / 0 / 37

HEX #494CA0

RGB 73 76 160

HSL 237.93, 0.37%, 0.46%

LAB 36.22, 23.47, -46.18

 

CMYK 0 / 54 / 53 / 37

HEX #A0494C

RGB 160 73 76

HSL 357.93, 0.37%, 0.46%

LAB 42.4, 36.38, 15.75

 

CMYK 53 / 0 / 54 / 37

HEX #4CA04A

RGB 76 160 74

HSL 118.6, 0.37%, 0.46%

LAB 59.13, -43.32, 36.85

 

CMYK 54 / 9 / 0 / 37

HEX #4992A0

RGB 73 146 160

HSL 189.66, 0.37%, 0.46%

LAB 56.6, -18.67, -14.36

 

CMYK 2 / 54 / 0 / 37

HEX #9D49A0

RGB 157 73 160

HSL 297.93, 0.37%, 0.46%

LAB 44.9, 47.4, -31.82

 

CMYK 0 / 45 / 54 / 37

HEX #A05849

RGB 160 88 73

HSL 10.34, 0.37%, 0.46%

LAB 45.54, 28.05, 21.74

 

CMYK 53 / 0 / 54 / 37

HEX #4CA04A

RGB 76 160 74

HSL 118.6, 0.37%, 0.46%

LAB 59.13, -43.32, 36.85

 

CMYK 54 / 25 / 0 / 37

HEX #4978A0

RGB 73 120 160

HSL 207.59, 0.37%, 0.46%

LAB 48.74, -4.1, -26.39

 

CMYK 2 / 54 / 0 / 37

HEX #9D49A0

RGB 157 73 160

HSL 297.93, 0.37%, 0.46%

LAB 44.9, 47.4, -31.82

 

CMYK 0 / 29 / 54 / 37

HEX #A07249

RGB 160 114 73

HSL 28.28, 0.37%, 0.46%

LAB 51.83, 13.32, 29.76

 

Description

Color code: RGB 76 160 74 | qconv.com Color code: RGB 76 160 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 160 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 160 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 54 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 54% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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