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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 153 76 it is the complementary color RGB 179 102 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 153 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 153 76 shade: RGB 81 153 71, RGB 98 171 90, RGB 115 189 109, RGB 132 207 128 and RGB 149 225 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 153 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 153 76 shade: RGB 76 153 76, RGB 59 135 57, RGB 42 117 38, RGB 25 99 19 and RGB 8 81 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 153 76 shade: RGB 75 153 75, RGB 96 153 75, RGB 117 153 75, RGB 138 153 75 and RGB 153 147 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 153 76 shade: RGB 75 153 75, RGB 75 153 96, RGB 75 153 117, RGB 75 153 138 and RGB 75 147 153

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 153 76 shade matches the following richer shades: RGB 75 153 75, RGB 57 172 57, RGB 38 190 38, RGB 20 209 20 and RGB 1 228 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 153 76 shade: RGB 75 153 75, RGB 94 135 94, RGB 112 116 112, RGB 131 98 131 and RGB 150 79 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 153 76 shade: RGB 117 153 75, RGB 96 153 75, RGB 75 153 75, RGB 75 153 96 and RGB 75 153 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 153 76 shade: RGB 48 98 48, RGB 62 126 62, RGB 75 153 75, RGB 94 176 94 and RGB 122 189 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 153 76 shade: RGB 76 153 76, RGB 75 138 153 and RGB 153 75 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 153 76 shade: RGB 76 153 76, RGB 75 75 153 and RGB 153 75 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 153 76 shade: RGB 76 153 76, RGB 75 138 153, RGB 153 75 153 and RGB 153 91 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 153 76 shade: RGB 76 153 76, RGB 75 114 153, RGB 153 75 153 and RGB 153 114 75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 50 / 40

HEX #4C994C

RGB 76 153 76

HSL 120, 0.34%, 0.45%

LAB 56.92, -40.11, 33.13

 

Complementary color

CMYK 0 / 43 / 0 / 30

HEX #B366B3

RGB 179 102 179

HSL 300, 0.34%, 0.55%

LAB 54.39, 42.54, -27.95

 

CMYK 47 / 0 / 54 / 40

HEX #519947

RGB 81 153 71

HSL 112.68, 0.37%, 0.44%

LAB 57.06, -39.3, 35.9

 

CMYK 43 / 0 / 47 / 33

HEX #62AB5A

RGB 98 171 90

HSL 114.07, 0.33%, 0.51%

LAB 63.72, -39.24, 34.6

 

CMYK 39 / 0 / 42 / 26

HEX #73BD6D

RGB 115 189 109

HSL 115.5, 0.38%, 0.58%

LAB 70.28, -39.08, 33.32

 

CMYK 36 / 0 / 38 / 19

HEX #84CF80

RGB 132 207 128

HSL 116.96, 0.45%, 0.66%

LAB 76.73, -38.87, 32.1

 

CMYK 34 / 0 / 35 / 12

HEX #95E193

RGB 149 225 147

HSL 118.46, 0.57%, 0.73%

LAB 83.1, -38.64, 30.93

 

CMYK 50 / 0 / 50 / 40

HEX #4C994C

RGB 76 153 76

HSL 120, 0.34%, 0.45%

LAB 56.92, -40.11, 33.13

 

CMYK 56 / 0 / 58 / 47

HEX #3B8739

RGB 59 135 57

HSL 118.46, 0.41%, 0.38%

LAB 50.16, -40, 34.48

 

CMYK 64 / 0 / 68 / 54

HEX #2A7526

RGB 42 117 38

HSL 116.96, 0.51%, 0.3%

LAB 43.29, -39.54, 35.7

 

CMYK 75 / 0 / 81 / 61

HEX #196313

RGB 25 99 19

HSL 115.5, 0.68%, 0.23%

LAB 36.32, -38.43, 36.37

 

CMYK 90 / 0 / 100 / 68

HEX #085100

RGB 8 81 0

HSL 114.07, 1%, 0.16%

LAB 29.25, -36.29, 36.34

 

CMYK 51 / 0 / 51 / 40

HEX #4B994B

RGB 75 153 75

HSL 120, 0.34%, 0.45%

LAB 56.87, -40.54, 33.57

 

CMYK 37 / 0 / 51 / 40

HEX #60994B

RGB 96 153 75

HSL 103.85, 0.34%, 0.45%

LAB 57.83, -33.84, 34.96

 

CMYK 24 / 0 / 51 / 40

HEX #75994B

RGB 117 153 75

HSL 87.69, 0.34%, 0.45%

LAB 59.04, -26.07, 36.72

 

CMYK 10 / 0 / 51 / 40

HEX #8A994B

RGB 138 153 75

HSL 71.54, 0.34%, 0.45%

LAB 60.51, -17.57, 38.84

 

CMYK 0 / 4 / 51 / 40

HEX #99934B

RGB 153 147 75

HSL 55.38, 0.34%, 0.45%

LAB 60.02, -8, 38.55

 

CMYK 51 / 0 / 51 / 40

HEX #4B994B

RGB 75 153 75

HSL 120, 0.34%, 0.45%

LAB 56.87, -40.54, 33.57

 

CMYK 51 / 0 / 37 / 40

HEX #4B9960

RGB 75 153 96

HSL 136.15, 0.34%, 0.45%

LAB 57.19, -37.11, 22.79

 

CMYK 51 / 0 / 24 / 40

HEX #4B9975

RGB 75 153 117

HSL 152.31, 0.34%, 0.45%

LAB 57.62, -32.86, 11.67

 

CMYK 51 / 0 / 10 / 40

HEX #4B998A

RGB 75 153 138

HSL 168.46, 0.34%, 0.45%

LAB 58.14, -27.85, 0.52

 

CMYK 51 / 4 / 0 / 40

HEX #4B9399

RGB 75 147 153

HSL 184.62, 0.34%, 0.45%

LAB 56.75, -20.77, -10.12

 

CMYK 51 / 0 / 51 / 40

HEX #4B994B

RGB 75 153 75

HSL 120, 0.34%, 0.45%

LAB 56.87, -40.54, 33.57

 

CMYK 67 / 0 / 67 / 33

HEX #39AC39

RGB 57 172 57

HSL 120, 0.5%, 0.45%

LAB 62.23, -54.5, 48.13

 

CMYK 80 / 0 / 80 / 25

HEX #26BE26

RGB 38 190 38

HSL 120, 0.67%, 0.45%

LAB 67.56, -64.96, 60.24

 

CMYK 90 / 0 / 90 / 18

HEX #14D114

RGB 20 209 20

HSL 120, 0.83%, 0.45%

LAB 73.42, -72.87, 69.44

 

CMYK 100 / 0 / 100 / 11

HEX #01E401

RGB 1 228 1

HSL 120, 0.99%, 0.45%

LAB 79.33, -79.14, 76.35

 

CMYK 51 / 0 / 51 / 40

HEX #4B994B

RGB 75 153 75

HSL 120, 0.34%, 0.45%

LAB 56.87, -40.54, 33.57

 

CMYK 30 / 0 / 30 / 47

HEX #5E875E

RGB 94 135 94

HSL 120, 0.18%, 0.45%

LAB 52.42, -22.9, 17.63

 

CMYK 3 / 0 / 3 / 55

HEX #707470

RGB 112 116 112

HSL 120, 0.02%, 0.45%

LAB 48.39, -2.33, 1.67

 

CMYK 0 / 25 / 0 / 49

HEX #836283

RGB 131 98 131

HSL 300, 0.14%, 0.45%

LAB 45.91, 19.36, -13.18

 

CMYK 0 / 47 / 0 / 41

HEX #964F96

RGB 150 79 150

HSL 300, 0.31%, 0.45%

LAB 44.63, 40.36, -26.34

 

CMYK 24 / 0 / 51 / 40

HEX #75994B

RGB 117 153 75

HSL 87.69, 0.34%, 0.45%

LAB 59.04, -26.07, 36.72

 

CMYK 37 / 0 / 51 / 40

HEX #60994B

RGB 96 153 75

HSL 103.85, 0.34%, 0.45%

LAB 57.83, -33.84, 34.96

 

CMYK 51 / 0 / 51 / 40

HEX #4B994B

RGB 75 153 75

HSL 120, 0.34%, 0.45%

LAB 56.87, -40.54, 33.57

 

CMYK 51 / 0 / 37 / 40

HEX #4B9960

RGB 75 153 96

HSL 136.15, 0.34%, 0.45%

LAB 57.19, -37.11, 22.79

 

CMYK 51 / 0 / 24 / 40

HEX #4B9975

RGB 75 153 117

HSL 152.31, 0.34%, 0.45%

LAB 57.62, -32.86, 11.67

 

CMYK 51 / 0 / 51 / 62

HEX #306230

RGB 48 98 48

HSL 120, 0.34%, 0.29%

LAB 37.07, -28.36, 23.28

 

CMYK 51 / 0 / 51 / 51

HEX #3E7E3E

RGB 62 126 62

HSL 120, 0.34%, 0.37%

LAB 47.36, -34.58, 28.52

 

CMYK 51 / 0 / 51 / 40

HEX #4B994B

RGB 75 153 75

HSL 120, 0.34%, 0.45%

LAB 56.87, -40.54, 33.57

 

CMYK 47 / 0 / 47 / 31

HEX #5EB05E

RGB 94 176 94

HSL 120, 0.34%, 0.53%

LAB 65.15, -42.04, 34.31

 

CMYK 35 / 0 / 35 / 26

HEX #7ABD7A

RGB 122 189 122

HSL 120, 0.34%, 0.61%

LAB 70.83, -34.83, 27.33

 

CMYK 50 / 0 / 50 / 40

HEX #4C994C

RGB 76 153 76

HSL 120, 0.34%, 0.45%

LAB 56.92, -40.11, 33.13

 

CMYK 51 / 10 / 0 / 40

HEX #4B8A99

RGB 75 138 153

HSL 191.54, 0.34%, 0.45%

LAB 54, -15.97, -14.26

 

CMYK 0 / 51 / 31 / 40

HEX #994B6A

RGB 153 75 106

HSL 336.15, 0.34%, 0.45%

LAB 42.53, 36.2, -2.73

 

CMYK 50 / 0 / 50 / 40

HEX #4C994C

RGB 76 153 76

HSL 120, 0.34%, 0.45%

LAB 56.92, -40.11, 33.13

 

CMYK 51 / 51 / 0 / 40

HEX #4B4B99

RGB 75 75 153

HSL 240, 0.34%, 0.45%

LAB 35.65, 22.26, -42.88

 

CMYK 0 / 51 / 51 / 40

HEX #994B4B

RGB 153 75 75

HSL 0, 0.34%, 0.45%

LAB 41.71, 32.54, 15.24

 

CMYK 50 / 0 / 50 / 40

HEX #4C994C

RGB 76 153 76

HSL 120, 0.34%, 0.45%

LAB 56.92, -40.11, 33.13

 

CMYK 51 / 10 / 0 / 40

HEX #4B8A99

RGB 75 138 153

HSL 191.54, 0.34%, 0.45%

LAB 54, -15.97, -14.26

 

CMYK 0 / 51 / 0 / 40

HEX #994B99

RGB 153 75 153

HSL 300, 0.34%, 0.45%

LAB 44.38, 43.92, -28.49

 

CMYK 0 / 41 / 51 / 40

HEX #995B4B

RGB 153 91 75

HSL 12.31, 0.34%, 0.45%

LAB 45.31, 23.66, 20.06

 

CMYK 50 / 0 / 50 / 40

HEX #4C994C

RGB 76 153 76

HSL 120, 0.34%, 0.45%

LAB 56.92, -40.11, 33.13

 

CMYK 51 / 25 / 0 / 40

HEX #4B7299

RGB 75 114 153

HSL 210, 0.34%, 0.45%

LAB 46.75, -2.28, -25.36

 

CMYK 0 / 51 / 0 / 40

HEX #994B99

RGB 153 75 153

HSL 300, 0.34%, 0.45%

LAB 44.38, 43.92, -28.49

 

CMYK 0 / 25 / 51 / 40

HEX #99724B

RGB 153 114 75

HSL 30, 0.34%, 0.45%

LAB 51.05, 10.46, 27.5

 

Description

Color code: RGB 76 153 76 | qconv.com Color code: RGB 76 153 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 153 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 153 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 50 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 50% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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