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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 136 246 it is the complementary color RGB 179 119 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 136 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 136 246 shade: RGB 81 136 241, RGB 98 154 255, RGB 115 172 255, RGB 132 190 255 and RGB 149 208 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 136 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 136 246 shade: RGB 76 136 246, RGB 59 118 227, RGB 42 100 208, RGB 25 82 189 and RGB 8 64 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 136 246 shade: RGB 75 135 245, RGB 75 89 245, RGB 107 75 245, RGB 153 75 245 and RGB 198 75 245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 136 246 shade: RGB 75 135 245, RGB 75 89 245 and RGB 75 75 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 136 246 shade matches the following richer shades: RGB 75 135 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 136 246 shade: RGB 75 135 245, RGB 91 140 230, RGB 106 144 215, RGB 121 149 199 and RGB 136 153 184

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 136 246 shade: RGB 75 228 245, RGB 75 183 245, RGB 75 138 245, RGB 75 92 245 and RGB 104 75 245

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 136 246 shade: RGB 11 87 226, RGB 36 109 243, RGB 75 135 245, RGB 114 161 247 and RGB 154 187 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 136 246 shade: RGB 76 136 246, RGB 217 75 245 and RGB 205 245 75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 136 246 shade: RGB 76 136 246, RGB 245 75 138 and RGB 138 245 75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 136 246 shade: RGB 76 136 246, RGB 217 75 245, RGB 245 183 75 and RGB 104 245 75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 136 246 shade: RGB 76 136 246, RGB 245 75 222, RGB 245 183 75 and RGB 75 245 98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 45 / 0 / 4

HEX #4C88F6

RGB 76 136 246

HSL 218.82, 0.9%, 0.63%

LAB 57.85, 16.05, -60.84

 

Complementary color

CMYK 0 / 34 / 95 / 30

HEX #B37709

RGB 179 119 9

HSL 38.82, 0.9%, 0.37%

LAB 54.86, 15.92, 59.64

 

CMYK 66 / 44 / 0 / 5

HEX #5188F1

RGB 81 136 241

HSL 219.38, 0.85%, 0.63%

LAB 57.76, 15.06, -58.2

 

CMYK 62 / 40 / 0 / 0

HEX #629AFF

RGB 98 154 255

HSL 218.6, 1%, 0.69%

LAB 64.1, 11.89, -55.74

 

CMYK 55 / 33 / 0 / 0

HEX #73ACFF

RGB 115 172 255

HSL 215.57, 1%, 0.73%

LAB 69.73, 4.76, -46.79

 

CMYK 48 / 25 / 0 / 0

HEX #84BEFF

RGB 132 190 255

HSL 211.71, 1%, 0.76%

LAB 75.42, -1.56, -37.84

 

CMYK 42 / 18 / 0 / 0

HEX #95D0FF

RGB 149 208 255

HSL 206.6, 1%, 0.79%

LAB 81.14, -7.15, -28.95

 

CMYK 69 / 45 / 0 / 4

HEX #4C88F6

RGB 76 136 246

HSL 218.82, 0.9%, 0.63%

LAB 57.85, 16.05, -60.84

 

CMYK 74 / 48 / 0 / 11

HEX #3B76E3

RGB 59 118 227

HSL 218.93, 0.75%, 0.56%

LAB 51.19, 18.07, -60.99

 

CMYK 80 / 52 / 0 / 18

HEX #2A64D0

RGB 42 100 208

HSL 219.04, 0.66%, 0.49%

LAB 44.46, 20.53, -61.09

 

CMYK 87 / 57 / 0 / 26

HEX #1952BD

RGB 25 82 189

HSL 219.15, 0.77%, 0.42%

LAB 37.69, 23.55, -61.1

 

CMYK 95 / 62 / 0 / 33

HEX #0840AA

RGB 8 64 170

HSL 219.26, 0.91%, 0.35%

LAB 30.93, 27.21, -60.91

 

CMYK 69 / 45 / 0 / 4

HEX #4B87F5

RGB 75 135 245

HSL 218.82, 0.89%, 0.63%

LAB 57.48, 16.16, -60.88

 

CMYK 69 / 64 / 0 / 4

HEX #4B59F5

RGB 75 89 245

HSL 235.06, 0.89%, 0.63%

LAB 45.95, 44.34, -79.56

 

CMYK 56 / 69 / 0 / 4

HEX #6B4BF5

RGB 107 75 245

HSL 251.29, 0.89%, 0.63%

LAB 45.29, 56.44, -80.56

 

CMYK 38 / 69 / 0 / 4

HEX #994BF5

RGB 153 75 245

HSL 267.53, 0.89%, 0.63%

LAB 49.97, 63.95, -72.72

 

CMYK 19 / 69 / 0 / 4

HEX #C64BF5

RGB 198 75 245

HSL 283.41, 0.89%, 0.63%

LAB 55.72, 72.58, -63.15

 

CMYK 69 / 45 / 0 / 4

HEX #4B87F5

RGB 75 135 245

HSL 218.82, 0.89%, 0.63%

LAB 57.48, 16.16, -60.88

 

CMYK 69 / 64 / 0 / 4

HEX #4B59F5

RGB 75 89 245

HSL 235.06, 0.89%, 0.63%

LAB 45.95, 44.34, -79.56

 

CMYK 69 / 69 / 0 / 4

HEX #4B4BF5

RGB 75 75 245

HSL 240, 0.89%, 0.63%

LAB 42.94, 52.45, -84.5

 

CMYK 69 / 45 / 0 / 4

HEX #4B87F5

RGB 75 135 245

HSL 218.82, 0.89%, 0.63%

LAB 57.48, 16.16, -60.88

 

CMYK 69 / 45 / 0 / 4

HEX #4B87F5

RGB 75 135 245

HSL 218.82, 0.89%, 0.63%

LAB 57.48, 16.16, -60.88

 

CMYK 60 / 39 / 0 / 10

HEX #5B8CE6

RGB 91 140 230

HSL 218.85, 0.74%, 0.63%

LAB 58.69, 10.66, -50.59

 

CMYK 51 / 33 / 0 / 16

HEX #6A90D7

RGB 106 144 215

HSL 219.08, 0.58%, 0.63%

LAB 59.81, 6.63, -40.4

 

CMYK 39 / 25 / 0 / 22

HEX #7995C7

RGB 121 149 199

HSL 218.46, 0.41%, 0.63%

LAB 61.38, 2.85, -28.93

 

CMYK 26 / 17 / 0 / 28

HEX #8899B8

RGB 136 153 184

HSL 218.75, 0.25%, 0.63%

LAB 62.91, 1.05, -18.08

 

CMYK 69 / 7 / 0 / 4

HEX #4BE4F5

RGB 75 228 245

HSL 186, 0.89%, 0.63%

LAB 83.74, -34.19, -19.92

 

CMYK 69 / 25 / 0 / 4

HEX #4BB7F5

RGB 75 183 245

HSL 201.88, 0.89%, 0.63%

LAB 70.84, -11.49, -39.74

 

CMYK 69 / 44 / 0 / 4

HEX #4B8AF5

RGB 75 138 245

HSL 217.76, 0.89%, 0.63%

LAB 58.29, 14.34, -59.58

 

CMYK 69 / 62 / 0 / 4

HEX #4B5CF5

RGB 75 92 245

HSL 234, 0.89%, 0.63%

LAB 46.64, 42.55, -78.45

 

CMYK 58 / 69 / 0 / 4

HEX #684BF5

RGB 104 75 245

HSL 250.24, 0.89%, 0.63%

LAB 45.04, 56.01, -80.99

 

CMYK 95 / 62 / 0 / 11

HEX #0B57E2

RGB 11 87 226

HSL 218.79, 0.91%, 0.46%

LAB 41.81, 34.03, -75.71

 

CMYK 85 / 55 / 0 / 5

HEX #246DF3

RGB 36 109 243

HSL 218.84, 0.9%, 0.55%

LAB 49.23, 27.55, -73.15

 

CMYK 69 / 45 / 0 / 4

HEX #4B87F5

RGB 75 135 245

HSL 218.82, 0.89%, 0.63%

LAB 57.48, 16.16, -60.88

 

CMYK 54 / 35 / 0 / 3

HEX #72A1F7

RGB 114 161 247

HSL 218.8, 0.89%, 0.71%

LAB 66.35, 8.37, -47.76

 

CMYK 38 / 25 / 0 / 2

HEX #9ABBF9

RGB 154 187 249

HSL 219.16, 0.89%, 0.79%

LAB 75.61, 3.86, -34.23

 

CMYK 69 / 45 / 0 / 4

HEX #4C88F6

RGB 76 136 246

HSL 218.82, 0.9%, 0.63%

LAB 57.85, 16.05, -60.84

 

CMYK 11 / 69 / 0 / 4

HEX #D94BF5

RGB 217 75 245

HSL 290.12, 0.89%, 0.63%

LAB 58.39, 76.44, -58.71

 

CMYK 16 / 0 / 69 / 4

HEX #CDF54B

RGB 205 245 75

HSL 74.12, 0.89%, 0.63%

LAB 91.14, -35.05, 73.45

 

CMYK 69 / 45 / 0 / 4

HEX #4C88F6

RGB 76 136 246

HSL 218.82, 0.9%, 0.63%

LAB 57.85, 16.05, -60.84

 

CMYK 0 / 69 / 44 / 4

HEX #F54B8A

RGB 245 75 138

HSL 337.76, 0.89%, 0.63%

LAB 58.3, 68.74, 2.83

 

CMYK 44 / 0 / 69 / 4

HEX #8AF54B

RGB 138 245 75

HSL 97.76, 0.89%, 0.63%

LAB 87.59, -58.54, 68.71

 

CMYK 69 / 45 / 0 / 4

HEX #4C88F6

RGB 76 136 246

HSL 218.82, 0.9%, 0.63%

LAB 57.85, 16.05, -60.84

 

CMYK 11 / 69 / 0 / 4

HEX #D94BF5

RGB 217 75 245

HSL 290.12, 0.89%, 0.63%

LAB 58.39, 76.44, -58.71

 

CMYK 0 / 25 / 69 / 4

HEX #F5B74B

RGB 245 183 75

HSL 38.12, 0.89%, 0.63%

LAB 78.34, 12.19, 61.48

 

CMYK 58 / 0 / 69 / 4

HEX #68F54B

RGB 104 245 75

HSL 109.76, 0.89%, 0.63%

LAB 86.38, -67.77, 67.08

 

CMYK 69 / 45 / 0 / 4

HEX #4C88F6

RGB 76 136 246

HSL 218.82, 0.9%, 0.63%

LAB 57.85, 16.05, -60.84

 

CMYK 0 / 69 / 9 / 4

HEX #F54BDE

RGB 245 75 222

HSL 308.12, 0.89%, 0.63%

LAB 61.41, 78.8, -40.8

 

CMYK 0 / 25 / 69 / 4

HEX #F5B74B

RGB 245 183 75

HSL 38.12, 0.89%, 0.63%

LAB 78.34, 12.19, 61.48

 

CMYK 69 / 0 / 60 / 4

HEX #4BF562

RGB 75 245 98

HSL 128.12, 0.89%, 0.63%

LAB 85.85, -71.44, 57.13

 

Description

Color code: RGB 76 136 246 | qconv.com Color code: RGB 76 136 246 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 136 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 136 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 45 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 45% 0% 4% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - Classes préparatoire...
Link: http://lyc-henri4.scola.ac-paris.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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