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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 124 173 it is the complementary color RGB 179 131 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 124 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 124 173 shade: RGB 81 124 168, RGB 98 142 187, RGB 115 160 206, RGB 132 178 225 and RGB 149 196 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 124 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 59 106 154, RGB 42 88 135, RGB 25 70 116 and RGB 8 52 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 76 98 173, RGB 80 76 173, RGB 106 76 173 and RGB 133 76 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 76 98 173 and RGB 76 76 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 124 173 shade matches the following richer shades: RGB 76 124 173, RGB 56 124 193, RGB 35 124 214 and RGB 15 123 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 96 124 153, RGB 116 124 133, RGB 136 125 113 and RGB 157 125 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 124 173 shade: RGB 76 173 170, RGB 76 150 173, RGB 76 124 173, RGB 76 98 173 and RGB 79 76 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 124 173 shade: RGB 51 83 116, RGB 63 103 145, RGB 76 124 173, RGB 102 145 188 and RGB 131 165 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 144 76 173 and RGB 163 173 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 173 76 124 and RGB 124 173 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 144 76 173, RGB 173 124 76 and RGB 105 173 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 124 173 shade: RGB 76 124 173, RGB 173 76 173, RGB 173 124 76 and RGB 76 173 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

Complementary color

CMYK 0 / 27 / 54 / 30

HEX #B38352

RGB 179 131 82

HSL 30.31, 0.39%, 0.51%

LAB 58.44, 12.74, 33.54

 

CMYK 52 / 26 / 0 / 34

HEX #517CA8

RGB 81 124 168

HSL 210.34, 0.35%, 0.49%

LAB 50.68, -2.04, -28.02

 

CMYK 48 / 24 / 0 / 27

HEX #628EBB

RGB 98 142 187

HSL 210.34, 0.4%, 0.56%

LAB 57.59, -2.58, -28.13

 

CMYK 44 / 22 / 0 / 19

HEX #73A0CE

RGB 115 160 206

HSL 210.33, 0.48%, 0.63%

LAB 64.36, -3, -28.27

 

CMYK 41 / 21 / 0 / 12

HEX #84B2E1

RGB 132 178 225

HSL 210.32, 0.61%, 0.7%

LAB 71, -3.35, -28.44

 

CMYK 39 / 20 / 0 / 4

HEX #95C4F4

RGB 149 196 244

HSL 210.32, 0.81%, 0.77%

LAB 77.52, -3.65, -28.62

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 62 / 31 / 0 / 40

HEX #3B6A9A

RGB 59 106 154

HSL 210.32, 0.45%, 0.42%

LAB 43.61, -0.72, -30.91

 

CMYK 69 / 35 / 0 / 47

HEX #2A5887

RGB 42 88 135

HSL 210.32, 0.53%, 0.35%

LAB 36.41, 0.46, -30.85

 

CMYK 78 / 40 / 0 / 55

HEX #194674

RGB 25 70 116

HSL 210.33, 0.65%, 0.28%

LAB 29.03, 2.13, -30.8

 

CMYK 92 / 46 / 0 / 62

HEX #083461

RGB 8 52 97

HSL 210.34, 0.85%, 0.21%

LAB 21.47, 4.61, -30.68

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 56 / 43 / 0 / 32

HEX #4C62AD

RGB 76 98 173

HSL 226.39, 0.39%, 0.49%

LAB 43.2, 14.39, -42.73

 

CMYK 54 / 56 / 0 / 32

HEX #504CAD

RGB 80 76 173

HSL 242.47, 0.39%, 0.49%

LAB 37.65, 29.22, -51.62

 

CMYK 39 / 56 / 0 / 32

HEX #6A4CAD

RGB 106 76 173

HSL 258.56, 0.39%, 0.49%

LAB 40, 35.11, -47.71

 

CMYK 23 / 56 / 0 / 32

HEX #854CAD

RGB 133 76 173

HSL 275.26, 0.39%, 0.49%

LAB 43.02, 42, -42.7

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 56 / 43 / 0 / 32

HEX #4C62AD

RGB 76 98 173

HSL 226.39, 0.39%, 0.49%

LAB 43.2, 14.39, -42.73

 

CMYK 56 / 56 / 0 / 32

HEX #4C4CAD

RGB 76 76 173

HSL 240, 0.39%, 0.49%

LAB 37.34, 28.41, -52.13

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 71 / 36 / 0 / 24

HEX #387CC1

RGB 56 124 193

HSL 210.22, 0.55%, 0.49%

LAB 50.81, 1.6, -42.3

 

CMYK 84 / 42 / 0 / 16

HEX #237CD6

RGB 35 124 214

HSL 210.17, 0.72%, 0.49%

LAB 51.41, 7.01, -53.33

 

CMYK 94 / 47 / 0 / 8

HEX #0F7BEA

RGB 15 123 234

HSL 210.41, 0.88%, 0.49%

LAB 52.07, 14.19, -63.54

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 37 / 19 / 0 / 40

HEX #607C99

RGB 96 124 153

HSL 210.53, 0.23%, 0.49%

LAB 50.92, -2.5, -18.83

 

CMYK 13 / 7 / 0 / 48

HEX #747C85

RGB 116 124 133

HSL 211.76, 0.07%, 0.49%

LAB 51.64, -1.02, -5.91

 

CMYK 0 / 8 / 17 / 47

HEX #887D71

RGB 136 125 113

HSL 31.3, 0.09%, 0.49%

LAB 53.05, 2.06, 8.05

 

CMYK 0 / 20 / 41 / 38

HEX #9D7D5C

RGB 157 125 92

HSL 30.46, 0.26%, 0.49%

LAB 54.67, 7.75, 22.68

 

CMYK 56 / 0 / 2 / 32

HEX #4CADAA

RGB 76 173 170

HSL 178.14, 0.39%, 0.49%

LAB 65.22, -28.96, -7.07

 

CMYK 56 / 13 / 0 / 32

HEX #4C96AD

RGB 76 150 173

HSL 194.23, 0.39%, 0.49%

LAB 58.38, -16.3, -19.05

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 56 / 43 / 0 / 32

HEX #4C62AD

RGB 76 98 173

HSL 226.39, 0.39%, 0.49%

LAB 43.2, 14.39, -42.73

 

CMYK 54 / 56 / 0 / 32

HEX #4F4CAD

RGB 79 76 173

HSL 241.86, 0.39%, 0.49%

LAB 37.57, 29.02, -51.75

 

CMYK 56 / 28 / 0 / 55

HEX #335374

RGB 51 83 116

HSL 210.46, 0.39%, 0.33%

LAB 34.3, -1.28, -22.43

 

CMYK 57 / 29 / 0 / 43

HEX #3F6791

RGB 63 103 145

HSL 210.73, 0.39%, 0.41%

LAB 42.46, -1.09, -27.33

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 46 / 23 / 0 / 26

HEX #6691BC

RGB 102 145 188

HSL 210, 0.39%, 0.57%

LAB 58.7, -2.99, -26.96

 

CMYK 35 / 18 / 0 / 22

HEX #83A5C8

RGB 131 165 200

HSL 210.43, 0.39%, 0.65%

LAB 66.45, -3.11, -21.65

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 17 / 56 / 0 / 32

HEX #904CAD

RGB 144 76 173

HSL 282.06, 0.39%, 0.49%

LAB 44.4, 44.92, -40.43

 

CMYK 6 / 0 / 56 / 32

HEX #A3AD4C

RGB 163 173 76

HSL 66.19, 0.39%, 0.49%

LAB 68.16, -17.3, 47.76

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 0 / 56 / 28 / 32

HEX #AD4C7C

RGB 173 76 124

HSL 330.31, 0.39%, 0.49%

LAB 46.32, 44.99, -7.78

 

CMYK 28 / 0 / 56 / 32

HEX #7CAD4C

RGB 124 173 76

HSL 90.31, 0.39%, 0.49%

LAB 65.51, -32.87, 44.01

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 17 / 56 / 0 / 32

HEX #904CAD

RGB 144 76 173

HSL 282.06, 0.39%, 0.49%

LAB 44.4, 44.92, -40.43

 

CMYK 0 / 28 / 56 / 32

HEX #AD7C4C

RGB 173 124 76

HSL 29.69, 0.39%, 0.49%

LAB 55.91, 13.56, 33.51

 

CMYK 39 / 0 / 56 / 32

HEX #69AD4C

RGB 105 173 76

HSL 102.06, 0.39%, 0.49%

LAB 64.49, -39.62, 42.56

 

CMYK 56 / 28 / 0 / 32

HEX #4C7CAD

RGB 76 124 173

HSL 210.31, 0.39%, 0.49%

LAB 50.65, -1.59, -30.98

 

CMYK 0 / 56 / 0 / 32

HEX #AD4CAD

RGB 173 76 173

HSL 300, 0.39%, 0.49%

LAB 48.35, 52.78, -33.93

 

CMYK 0 / 28 / 56 / 32

HEX #AD7C4C

RGB 173 124 76

HSL 29.69, 0.39%, 0.49%

LAB 55.91, 13.56, 33.51

 

CMYK 56 / 0 / 56 / 32

HEX #4CAD4C

RGB 76 173 76

HSL 120, 0.39%, 0.49%

LAB 63.3, -48.28, 40.86

 

Description

Color code: RGB 76 124 173 | qconv.com Color code: RGB 76 124 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 124 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 124 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 28 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 28% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - surfr.de
Link: http://surfr.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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