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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 121 97 it is the complementary color RGB 179 134 158. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 121 97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 121 97 shade: RGB 81 121 92, RGB 98 139 111, RGB 115 157 130, RGB 132 175 149 and RGB 149 193 168

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 121 97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 121 97 shade: RGB 76 121 97, RGB 59 103 78, RGB 42 85 59, RGB 25 67 40 and RGB 8 49 21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 121 97 shade: RGB 76 122 97, RGB 76 122 85, RGB 79 122 76, RGB 92 122 76 and RGB 104 122 76

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 121 97 shade: RGB 76 122 97, RGB 76 122 110, RGB 76 122 122, RGB 76 109 122 and RGB 76 97 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 121 97 shade matches the following richer shades: RGB 76 122 97, RGB 60 138 96, RGB 44 154 95, RGB 28 170 94 and RGB 12 186 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 121 97 shade: RGB 76 122 97, RGB 92 106 98, RGB 108 90 100, RGB 124 74 101 and RGB 140 57 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 121 97 shade: RGB 79 122 76, RGB 76 122 85, RGB 76 122 97, RGB 76 122 110 and RGB 76 122 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 121 97 shade: RGB 44 71 57, RGB 60 96 77, RGB 76 122 97, RGB 92 147 118 and RGB 114 166 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 121 97 shade: RGB 76 121 97, RGB 76 91 122 and RGB 122 79 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 121 97 shade: RGB 76 121 97, RGB 97 76 122 and RGB 122 97 76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 121 97 shade: RGB 76 121 97, RGB 76 91 122, RGB 122 76 100 and RGB 122 107 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 121 97 shade: RGB 76 121 97, RGB 76 78 122, RGB 122 76 100 and RGB 122 120 76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 20 / 53

HEX #4C7961

RGB 76 121 97

HSL 148, 0.23%, 0.39%

LAB 47.07, -21.2, 8.33

 

Complementary color

CMYK 0 / 25 / 12 / 30

HEX #B3869E

RGB 179 134 158

HSL 328, 0.23%, 0.61%

LAB 60.87, 21.09, -6.03

 

CMYK 33 / 0 / 24 / 53

HEX #51795C

RGB 81 121 92

HSL 136.5, 0.2%, 0.4%

LAB 47.23, -20.59, 11.53

 

CMYK 29 / 0 / 20 / 45

HEX #628B6F

RGB 98 139 111

HSL 139.02, 0.17%, 0.46%

LAB 54.25, -20.32, 10.5

 

CMYK 27 / 0 / 17 / 38

HEX #739D82

RGB 115 157 130

HSL 141.43, 0.18%, 0.53%

LAB 61.11, -20.08, 9.56

 

CMYK 25 / 0 / 15 / 31

HEX #84AF95

RGB 132 175 149

HSL 143.72, 0.21%, 0.6%

LAB 67.83, -19.86, 8.68

 

CMYK 23 / 0 / 13 / 24

HEX #95C1A8

RGB 149 193 168

HSL 145.91, 0.26%, 0.67%

LAB 74.42, -19.68, 7.85

 

CMYK 37 / 0 / 20 / 53

HEX #4C7961

RGB 76 121 97

HSL 148, 0.23%, 0.39%

LAB 47.07, -21.2, 8.33

 

CMYK 43 / 0 / 24 / 60

HEX #3B674E

RGB 59 103 78

HSL 145.91, 0.27%, 0.32%

LAB 39.88, -21.49, 9.41

 

CMYK 51 / 0 / 31 / 67

HEX #2A553B

RGB 42 85 59

HSL 143.72, 0.34%, 0.25%

LAB 32.49, -21.76, 10.65

 

CMYK 63 / 0 / 40 / 74

HEX #194328

RGB 25 67 40

HSL 141.43, 0.46%, 0.18%

LAB 24.87, -21.91, 12.11

 

CMYK 84 / 0 / 57 / 81

HEX #083115

RGB 8 49 21

HSL 139.02, 0.72%, 0.11%

LAB 17, -21.64, 13.88

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 38 / 0 / 30 / 52

HEX #4C7A55

RGB 76 122 85

HSL 131.74, 0.23%, 0.39%

LAB 47.12, -24.2, 15.42

 

CMYK 35 / 0 / 38 / 52

HEX #4F7A4C

RGB 79 122 76

HSL 116.09, 0.23%, 0.39%

LAB 47.11, -24.81, 20.6

 

CMYK 25 / 0 / 38 / 52

HEX #5C7A4C

RGB 92 122 76

HSL 99.13, 0.23%, 0.39%

LAB 47.9, -19.96, 21.79

 

CMYK 15 / 0 / 38 / 52

HEX #687A4C

RGB 104 122 76

HSL 83.48, 0.23%, 0.39%

LAB 48.74, -15.16, 23.05

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 38 / 0 / 10 / 52

HEX #4C7A6E

RGB 76 122 110

HSL 164.35, 0.23%, 0.39%

LAB 47.73, -18.71, 1.59

 

CMYK 38 / 0 / 0 / 52

HEX #4C7A7A

RGB 76 122 122

HSL 180, 0.23%, 0.39%

LAB 48.08, -15.65, -4.99

 

CMYK 38 / 11 / 0 / 52

HEX #4C6D7A

RGB 76 109 122

HSL 196.96, 0.23%, 0.39%

LAB 44.06, -8.31, -11.01

 

CMYK 38 / 20 / 0 / 52

HEX #4C617A

RGB 76 97 122

HSL 212.61, 0.23%, 0.39%

LAB 40.4, -1.15, -16.57

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 57 / 0 / 30 / 46

HEX #3C8A60

RGB 60 138 96

HSL 147.69, 0.39%, 0.39%

LAB 51.82, -34.28, 15.42

 

CMYK 71 / 0 / 38 / 40

HEX #2C9A5F

RGB 44 154 95

HSL 147.82, 0.56%, 0.39%

LAB 56.56, -44.61, 22.32

 

CMYK 84 / 0 / 45 / 33

HEX #1CAA5E

RGB 28 170 94

HSL 147.89, 0.72%, 0.39%

LAB 61.49, -52.97, 29.27

 

CMYK 94 / 0 / 50 / 27

HEX #0CBA5D

RGB 12 186 93

HSL 147.93, 0.88%, 0.39%

LAB 66.51, -59.81, 36.14

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 13 / 0 / 8 / 58

HEX #5C6A62

RGB 92 106 98

HSL 145.71, 0.07%, 0.39%

LAB 43.46, -7.04, 2.7

 

CMYK 0 / 17 / 7 / 58

HEX #6C5A64

RGB 108 90 100

HSL 326.67, 0.09%, 0.39%

LAB 40.28, 9.22, -2.99

 

CMYK 0 / 40 / 19 / 51

HEX #7C4A65

RGB 124 74 101

HSL 327.6, 0.25%, 0.39%

LAB 38.06, 25.32, -6.7

 

CMYK 0 / 59 / 27 / 45

HEX #8C3966

RGB 140 57 102

HSL 327.47, 0.42%, 0.39%

LAB 36.86, 40.41, -8.9

 

CMYK 35 / 0 / 38 / 52

HEX #4F7A4C

RGB 79 122 76

HSL 116.09, 0.23%, 0.39%

LAB 47.11, -24.81, 20.6

 

CMYK 38 / 0 / 30 / 52

HEX #4C7A55

RGB 76 122 85

HSL 131.74, 0.23%, 0.39%

LAB 47.12, -24.2, 15.42

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 38 / 0 / 10 / 52

HEX #4C7A6E

RGB 76 122 110

HSL 164.35, 0.23%, 0.39%

LAB 47.73, -18.71, 1.59

 

CMYK 38 / 0 / 0 / 52

HEX #4C7A7A

RGB 76 122 122

HSL 180, 0.23%, 0.39%

LAB 48.08, -15.65, -4.99

 

CMYK 38 / 0 / 20 / 72

HEX #2C4739

RGB 44 71 57

HSL 148.89, 0.23%, 0.23%

LAB 27.68, -13.9, 5.2

 

CMYK 38 / 0 / 20 / 62

HEX #3C604D

RGB 60 96 77

HSL 148.33, 0.23%, 0.31%

LAB 37.59, -17.64, 6.81

 

CMYK 38 / 0 / 20 / 52

HEX #4C7A61

RGB 76 122 97

HSL 147.39, 0.23%, 0.39%

LAB 47.39, -21.72, 8.78

 

CMYK 37 / 0 / 20 / 42

HEX #5C9376

RGB 92 147 118

HSL 148.36, 0.23%, 0.47%

LAB 56.54, -24.9, 9.69

 

CMYK 31 / 0 / 17 / 35

HEX #72A68A

RGB 114 166 138

HSL 147.69, 0.23%, 0.55%

LAB 63.9, -23.36, 9.05

 

CMYK 37 / 0 / 20 / 53

HEX #4C7961

RGB 76 121 97

HSL 148, 0.23%, 0.39%

LAB 47.07, -21.2, 8.33

 

CMYK 38 / 25 / 0 / 52

HEX #4C5B7A

RGB 76 91 122

HSL 220.43, 0.23%, 0.39%

LAB 38.59, 2.56, -19.35

 

CMYK 0 / 35 / 38 / 52

HEX #7A4F4C

RGB 122 79 76

HSL 3.91, 0.23%, 0.39%

LAB 38.29, 17.7, 9.22

 

CMYK 37 / 0 / 20 / 53

HEX #4C7961

RGB 76 121 97

HSL 148, 0.23%, 0.39%

LAB 47.07, -21.2, 8.33

 

CMYK 20 / 38 / 0 / 52

HEX #614C7A

RGB 97 76 122

HSL 267.39, 0.23%, 0.39%

LAB 36.21, 18.84, -22.9

 

CMYK 0 / 20 / 38 / 52

HEX #7A614C

RGB 122 97 76

HSL 27.39, 0.23%, 0.39%

LAB 43.08, 6.91, 15.81

 

CMYK 37 / 0 / 20 / 53

HEX #4C7961

RGB 76 121 97

HSL 148, 0.23%, 0.39%

LAB 47.07, -21.2, 8.33

 

CMYK 38 / 25 / 0 / 52

HEX #4C5B7A

RGB 76 91 122

HSL 220.43, 0.23%, 0.39%

LAB 38.59, 2.56, -19.35

 

CMYK 0 / 38 / 18 / 52

HEX #7A4C64

RGB 122 76 100

HSL 328.7, 0.23%, 0.39%

LAB 38.25, 23.21, -5.83

 

CMYK 0 / 12 / 38 / 52

HEX #7A6B4C

RGB 122 107 76

HSL 40.43, 0.23%, 0.39%

LAB 45.87, 1.01, 19.56

 

CMYK 37 / 0 / 20 / 53

HEX #4C7961

RGB 76 121 97

HSL 148, 0.23%, 0.39%

LAB 47.07, -21.2, 8.33

 

CMYK 38 / 36 / 0 / 52

HEX #4C4E7A

RGB 76 78 122

HSL 237.39, 0.23%, 0.39%

LAB 34.78, 10.83, -25.27

 

CMYK 0 / 38 / 18 / 52

HEX #7A4C64

RGB 122 76 100

HSL 328.7, 0.23%, 0.39%

LAB 38.25, 23.21, -5.83

 

CMYK 0 / 2 / 38 / 52

HEX #7A784C

RGB 122 120 76

HSL 57.39, 0.23%, 0.39%

LAB 49.61, -6.45, 24.46

 

Description

Color code: RGB 76 121 97 | qconv.com Color code: RGB 76 121 97 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 121 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 121 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 20 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 20% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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