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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 76 72 230 it is the complementary color RGB 179 183 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 76 72 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 76 72 230 shade: RGB 81 72 225, RGB 98 90 244, RGB 115 108 255, RGB 132 126 255 and RGB 149 144 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 76 72 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 76 72 230 shade: RGB 76 72 230, RGB 59 54 211, RGB 42 36 192, RGB 25 18 173 and RGB 8 0 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 76 72 230 shade: RGB 75 70 229, RGB 117 70 229, RGB 160 70 229, RGB 203 70 229 and RGB 229 70 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 76 72 230 shade: RGB 75 70 229 and RGB 70 70 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 76 72 230 shade matches the following richer shades: RGB 75 70 229 and RGB 58 54 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 76 72 230 shade: RGB 75 70 229, RGB 91 87 212, RGB 107 104 196, RGB 123 121 179 and RGB 139 138 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 76 72 230 shade: RGB 70 153 229, RGB 70 110 229, RGB 73 70 229, RGB 116 70 229 and RGB 158 70 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 76 72 230 shade: RGB 30 26 192, RGB 39 34 224, RGB 75 70 229, RGB 110 107 234 and RGB 146 143 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 76 72 230 shade: RGB 76 72 230, RGB 229 70 195 and RGB 131 229 70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 76 72 230 shade: RGB 76 72 230, RGB 229 73 70 and RGB 70 229 73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 76 72 230 shade: RGB 76 72 230, RGB 229 70 195, RGB 227 229 70 and RGB 70 229 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 76 72 230 shade: RGB 76 72 230, RGB 229 70 147, RGB 227 229 70 and RGB 70 229 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 69 / 0 / 10

HEX #4C48E6

RGB 76 72 230

HSL 241.52, 0.76%, 0.59%

LAB 41.03, 49.48, -79.18

 

Complementary color

CMYK 2 / 0 / 86 / 28

HEX #B3B719

RGB 179 183 25

HSL 61.52, 0.76%, 0.41%

LAB 71.91, -18.16, 69.8

 

CMYK 64 / 68 / 0 / 12

HEX #5148E1

RGB 81 72 225

HSL 243.53, 0.72%, 0.58%

LAB 40.93, 48.51, -76.49

 

CMYK 60 / 63 / 0 / 4

HEX #625AF4

RGB 98 90 244

HSL 243.12, 0.88%, 0.65%

LAB 47.55, 46.54, -76.34

 

CMYK 55 / 58 / 0 / 0

HEX #736CFF

RGB 115 108 255

HSL 242.86, 1%, 0.71%

LAB 53.59, 42.3, -72.57

 

CMYK 48 / 51 / 0 / 0

HEX #847EFF

RGB 132 126 255

HSL 242.79, 1%, 0.75%

LAB 59.02, 35.12, -63.75

 

CMYK 42 / 44 / 0 / 0

HEX #9590FF

RGB 149 144 255

HSL 242.7, 1%, 0.78%

LAB 64.61, 28.54, -54.75

 

CMYK 67 / 69 / 0 / 10

HEX #4C48E6

RGB 76 72 230

HSL 241.52, 0.76%, 0.59%

LAB 41.03, 49.48, -79.18

 

CMYK 72 / 74 / 0 / 17

HEX #3B36D3

RGB 59 54 211

HSL 241.91, 0.64%, 0.52%

LAB 34.54, 51.63, -79.02

 

CMYK 78 / 81 / 0 / 25

HEX #2A24C0

RGB 42 36 192

HSL 242.31, 0.68%, 0.45%

LAB 28.27, 53.57, -78.33

 

CMYK 86 / 90 / 0 / 32

HEX #1912AD

RGB 25 18 173

HSL 242.71, 0.81%, 0.37%

LAB 22.5, 54.62, -76.63

 

CMYK 95 / 100 / 0 / 40

HEX #08009A

RGB 8 0 154

HSL 243.12, 1%, 0.3%

LAB 17.39, 54.42, -73.61

 

CMYK 67 / 69 / 0 / 10

HEX #4B46E5

RGB 75 70 229

HSL 241.89, 0.75%, 0.59%

LAB 40.46, 50.17, -79.54

 

CMYK 49 / 69 / 0 / 10

HEX #7546E5

RGB 117 70 229

HSL 257.74, 0.75%, 0.59%

LAB 43.97, 56.07, -73.66

 

CMYK 30 / 69 / 0 / 10

HEX #A046E5

RGB 160 70 229

HSL 273.96, 0.75%, 0.59%

LAB 48.9, 63.81, -65.43

 

CMYK 11 / 69 / 0 / 10

HEX #CB46E5

RGB 203 70 229

HSL 290.19, 0.75%, 0.59%

LAB 54.8, 72.51, -55.63

 

CMYK 0 / 69 / 7 / 10

HEX #E546D5

RGB 229 70 213

HSL 306.04, 0.75%, 0.59%

LAB 57.89, 75.54, -41.43

 

CMYK 67 / 69 / 0 / 10

HEX #4B46E5

RGB 75 70 229

HSL 241.89, 0.75%, 0.59%

LAB 40.46, 50.17, -79.54

 

CMYK 69 / 69 / 0 / 10

HEX #4646E5

RGB 70 70 229

HSL 240, 0.75%, 0.59%

LAB 40.15, 49.62, -80.08

 

CMYK 67 / 69 / 0 / 10

HEX #4B46E5

RGB 75 70 229

HSL 241.89, 0.75%, 0.59%

LAB 40.46, 50.17, -79.54

 

CMYK 76 / 78 / 0 / 4

HEX #3A36F6

RGB 58 54 246

HSL 241.25, 0.91%, 0.59%

LAB 38.18, 62.34, -92.96

 

CMYK 67 / 69 / 0 / 10

HEX #4B46E5

RGB 75 70 229

HSL 241.89, 0.75%, 0.59%

LAB 40.46, 50.17, -79.54

 

CMYK 57 / 59 / 0 / 17

HEX #5B57D4

RGB 91 87 212

HSL 241.92, 0.59%, 0.59%

LAB 43.94, 37.09, -64.12

 

CMYK 45 / 47 / 0 / 23

HEX #6B68C4

RGB 107 104 196

HSL 241.96, 0.44%, 0.59%

LAB 48.28, 25.12, -47.88

 

CMYK 31 / 32 / 0 / 30

HEX #7B79B3

RGB 123 121 179

HSL 242.07, 0.28%, 0.59%

LAB 53.1, 14.36, -30.39

 

CMYK 14 / 15 / 0 / 36

HEX #8B8AA2

RGB 139 138 162

HSL 242.5, 0.11%, 0.59%

LAB 58.3, 5.4, -12.55

 

CMYK 69 / 33 / 0 / 10

HEX #4699E5

RGB 70 153 229

HSL 208.68, 0.75%, 0.59%

LAB 61.43, -0.82, -45.75

 

CMYK 69 / 52 / 0 / 10

HEX #466EE5

RGB 70 110 229

HSL 224.91, 0.75%, 0.59%

LAB 49.63, 25.24, -64.61

 

CMYK 68 / 69 / 0 / 10

HEX #4946E5

RGB 73 70 229

HSL 241.13, 0.75%, 0.59%

LAB 40.33, 49.94, -79.76

 

CMYK 49 / 69 / 0 / 10

HEX #7446E5

RGB 116 70 229

HSL 257.36, 0.75%, 0.59%

LAB 43.87, 55.9, -73.83

 

CMYK 31 / 69 / 0 / 10

HEX #9E46E5

RGB 158 70 229

HSL 273.21, 0.75%, 0.59%

LAB 48.64, 63.43, -65.85

 

CMYK 84 / 86 / 0 / 25

HEX #1E1AC0

RGB 30 26 192

HSL 241.45, 0.76%, 0.43%

LAB 26.22, 57.32, -81.77

 

CMYK 83 / 85 / 0 / 12

HEX #2722E0

RGB 39 34 224

HSL 241.58, 0.75%, 0.51%

LAB 31.71, 63.73, -91.24

 

CMYK 67 / 69 / 0 / 10

HEX #4B46E5

RGB 75 70 229

HSL 241.89, 0.75%, 0.59%

LAB 40.46, 50.17, -79.54

 

CMYK 53 / 54 / 0 / 8

HEX #6E6BEA

RGB 110 107 234

HSL 241.42, 0.75%, 0.67%

LAB 51.58, 35.52, -64.15

 

CMYK 39 / 40 / 0 / 6

HEX #928FEF

RGB 146 143 239

HSL 241.88, 0.75%, 0.75%

LAB 63.33, 23.97, -48

 

CMYK 67 / 69 / 0 / 10

HEX #4C48E6

RGB 76 72 230

HSL 241.52, 0.76%, 0.59%

LAB 41.03, 49.48, -79.18

 

CMYK 0 / 69 / 15 / 10

HEX #E546C3

RGB 229 70 195

HSL 312.83, 0.75%, 0.59%

LAB 57.05, 72.93, -32.46

 

CMYK 43 / 0 / 69 / 10

HEX #83E546

RGB 131 229 70

HSL 96.98, 0.75%, 0.59%

LAB 82.54, -54.85, 65.25

 

CMYK 67 / 69 / 0 / 10

HEX #4C48E6

RGB 76 72 230

HSL 241.52, 0.76%, 0.59%

LAB 41.03, 49.48, -79.18

 

CMYK 0 / 68 / 69 / 10

HEX #E54946

RGB 229 73 70

HSL 1.13, 0.75%, 0.59%

LAB 53.88, 59.87, 36.28

 

CMYK 69 / 0 / 68 / 10

HEX #46E549

RGB 70 229 73

HSL 121.13, 0.75%, 0.59%

LAB 80.64, -69.63, 61.54

 

CMYK 67 / 69 / 0 / 10

HEX #4C48E6

RGB 76 72 230

HSL 241.52, 0.76%, 0.59%

LAB 41.03, 49.48, -79.18

 

CMYK 0 / 69 / 15 / 10

HEX #E546C3

RGB 229 70 195

HSL 312.83, 0.75%, 0.59%

LAB 57.05, 72.93, -32.46

 

CMYK 1 / 0 / 69 / 10

HEX #E3E546

RGB 227 229 70

HSL 60.75, 0.75%, 0.59%

LAB 88.36, -18.99, 72.99

 

CMYK 69 / 0 / 54 / 10

HEX #46E569

RGB 70 229 105

HSL 133.21, 0.75%, 0.59%

LAB 80.94, -66.08, 48.22

 

CMYK 67 / 69 / 0 / 10

HEX #4C48E6

RGB 76 72 230

HSL 241.52, 0.76%, 0.59%

LAB 41.03, 49.48, -79.18

 

CMYK 0 / 69 / 36 / 10

HEX #E54693

RGB 229 70 147

HSL 330.94, 0.75%, 0.59%

LAB 55.22, 66.99, -7.31

 

CMYK 1 / 0 / 69 / 10

HEX #E3E546

RGB 227 229 70

HSL 60.75, 0.75%, 0.59%

LAB 88.36, -18.99, 72.99

 

CMYK 69 / 0 / 33 / 10

HEX #46E599

RGB 70 229 153

HSL 151.32, 0.75%, 0.59%

LAB 81.64, -58.12, 25.43

 

Description

Color code: RGB 76 72 230 | qconv.com Color code: RGB 76 72 230 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 72 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 72 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 69 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 69% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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